cuala press (55 Ergebnisse)

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Soft cover. Zustand: Very Good. 1st Edition. First edition. Tall slim 8vo. 32pp stapled into lettered and decorated blue card wrappers. Just a trace of fading to the wrapper margins, several tiny blemishes to the lower edge of the front wrapper, and some soiling to the lower edge of the first leaf. A very good copy of this exhibition of eighty-one books published by the Dun Emer Press, and the Cuala Press, plus broadsides, leaflets, bookplates, prospectuses, and ephemera, and details of thirty-eight privately printed items. [A light item, UK postage will be reduced].

Zustand: New.

Pamphlet. Zustand: Near Fine. Limited First Edition (750 printed). Pamphlet with blue-gray card covers, stab-stitched and stringbound with red thread, (8 1/2 in. x 6 in.). Protected in mylar.

Soft cover. Zustand: Fine. 1st Edition. First edition. Tall slim 8vo. 32pp stapled into lettered and decorated blue card wrappers. A fine copy of this exhibition of eighty-one books published by the Dun Emer Press, and the Cuala Press, plus broadsides, leaflets, bookplates, prospectuses, and ephemera, and details of thirty-eight privately printed items. Laid-in is an eight-page sewn prospectus printed in black and red for the 1969 revival of the Cuala Press, and a pre-publication prospectus for their 1973 book W.B.Yeats' 'The Speckled Bird'. [A light item, UK postage will be reduced].

Zustand: New.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware.

Soft cover. Zustand: Fine. 1st Edition. One of 500 copies printed French-fold in red and black on Irish handmade paper. Grey paper wrappers, sewn, titled in black with press device printed in red. A fine copy.

Soft cover. Zustand: Fine. One of 500 copies printed French-fold in red and black on Irish handmade paper.2 tipped-in plates. Grey paper wrappers, sewn, titled in red with press device printed in black. A fine copy.

Zustand: Very Good. 1974. Paperback. Irish Bibliography and Reference. . . . . Books ship from the US and Ireland.

Zustand: Very Good. 1974. Paperback. Irish Bibliography and Reference. . . . .

Zustand: Very Good. 1910. SFIRPA. Invoice of September 9th, 1910, for 2nd Year broadside, 12 shillings, and balance due for first year, 7 shillings. Total 19 shillings. Keywords: Irish history. . . . .

Zustand: Very Good. 1910. SFIRPA. Invoice of September 9th, for 3rd Year broadside, 12 shillings. Keywords: Irish history. . . . . Books ship from the US and Ireland.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. Good, on aged paper with a light vertical fold. Hand-coloured illustrations on first (7.5 x 10 cm) and second (9.5 x 7.5 cm) pages; full-page black and white illustration ('The Metropolitan Regatta Dublin') on third page. Final page blank.

4pp., 4to. Printed on brown paper. In good condition, lightly-aged and with one corner dogeared. The only copy traced on OCLC WorldCat in the Thomas P. O'Neill Library at Boston College, in whose entry it is tentatively dated to the 1960s, with the note about the series to which it belongs: 'Primarily a selection and reprinting from Cuala Press' collected edition of Broadsides (new series), originally issued Jan.-Dec. 1935; includes some of the black and white images from the Cuala publication as well as musical notation ; also some contents are adaptations from "Irish street ballads and More Irish street ballads (Three Candles Press) by kind permission of the collector, Colm O Lochlainn."'.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. Good, on aged paper with a light vertical fold. Hand-coloured illustrations on first (7 x 10 cm) and second (8 x 7.5 cm) pages; black and white illustration ('Drowned Sailor', 12 x 10 cm) alone on third page. Final page blank. The first poem is not ascribed, but is known to be by Hyde.

An attractive item on four unpaginated folio pages, in a bifolium. Uncommon. In fair condition, lightly aged and creased, but not folded. Drophead title: 'No. 8 (New Series) August 1935. / A Broadside / Editors: W. B. Yeats and F. R. Higgins; Musical Editor, Arthur Duff. Published monthly at the Cuala Press, One Hundred and Thirty Three Lower Baggot Street, Dublin.' At bottom left of first page: '300 copies only.' At foot of last page: 'The illustrations on this Broadside are by Victor Brown.' Beneath the drop-head title is the first illustration, of a bird flying above a nest on a branch, coloured in grey-green. Beneath the illustration begins the poem to which it refers: James Stephens' 'The Fifteen Acres', beginning 'I cling and swing / On a branch, or sing / Through the cool clear hush of morning O!' Between the second and third parts of the poem, on the second page, is the score of its music. The poem ends on the third page, and is followed by an illustration, in red, green, grey, orange and yellow, of the pharaoh's daughter finding a baby in the rushes. Underneath this is the poem 'Pharao's [sic] Daughter', 'Attributed to Michael Moran - "Zozimus."'), beginning 'In Agypt's land contaygious to the Nile,'. On the last page is a second musical score, headed 'Tune to "Pharao's Daughter"'. The item is from the Lynd archive, and there are pencil notes to the scores, apparently by Sylvia Lynd. Beside the first she writes 'Good', and beside the second she makes a note of two alternative keys.

An attractive item on four unpaginated folio pages, in a bifolium. Uncommon. In fair condition, lightly aged and creased, but not folded, with small closed tear at head of first leaf. Drophead title: 'No. 7 (New Series) July 1935. / A Broadside / Editors: W. B. Yeats and F. R. Higgins; Musical Editor, Arthur Duff. Published monthly at the Cuala Press, One Hundred and Thirty Three Lower Baggot Street, Dublin.' At bottom left of first page: '300 copies only.' At foot of last page: 'The illustrations on this Broadside are by Harry Kernoff, A.R.H.A.' Beneath the drop-head title is a large illustration of a man, newspaper under his arm, tramping home on a windy day along a country path to a cottage where a woman waits. It is coloured in green, pink, red, brown and grey. Beneath the illustration begins the poem to which it refers: Padraic Colum's 'A Ballad Maker', beginning 'Once I loved a maiden fair, / Over the hills and far away, / Lands she had and lovers to spare, / Over the hills and far away.' At the foot of the second page is Duff's score for the poem, which concludes at the head of the third page. It is followed by an illustration of an exotically-dressed lady washing her feet while sitting on steps in a Dublin street. It is coloured in green, blue, purple, red and orange. It is followed by an anonymous eight-line poem titled 'The Spanish Lady', beginning: 'As I was walking through Dublin City / At the hour of twelve in the night / Who should I see but a Spanish Lady / Washing her feet by candle light;'. At the head of the last page is a short musical score, headed 'Tune to "The Spanish Lady"'. The item is from the Lynd archive, and there are pencil notes of keys to both scores, apparently by Sylvia Lynd. Also in pencil, on the first page, is what looks like the word 'Oil', but by comparison with other items from the archive it is the price: '6d'.

Subscription Twelve Shillings A Year Post Free. [Containing]. THE YOUNG LADY'S LAMENTATION FOR THE LOSS OF HER TRUE LOVE. By James. Guthrie. Limited to 300 copies, folio, 28cm, 1 sheet printed on 3 pages (each part was printed on 3 page only, page 4 being blank), with hand colour woodcut illustration on pages one and two and a full page black and white illustration on page three by Jack B. Yeats, slight dust worn, a very good copy (ids) See Millar pp49-54 & 120-121.

First edition thus, first impression, one of 200 copies. The Anglo-Irish clergyman Thomas Parnell (1678-1718) was a friend of Pope and Swift and an ancestor of W. B. Yeats's political hero, the nationalist politician Charles Stewart Parnell. His poems are accompanied by an introductory essay by the dramatist Lennox Robinson. The Cuala Press was one half of Cuala Industries, a co-operative business run by Elizabeth and Lily Yeats. Cuala Industries was founded with the aim of reviving the craft of book printing in Ireland and "to give work to Irish girls" (McMurtrie, p. 472). In 1925 it moved to a premises in Dublin which, for the first time, allowed a showroom to display the business's books, prints, cards, and embroideries. The press's "clearly legible, slender volumes with their distinctive paper labels may be seen as the sole survivors of the handcrafted ideal established in 1900 by Walker and T. J. Cobden-Sanderson's Doves Press" (ODNB). This copy is from the library of Louis Claude Purser (1854-1932), brother of the artist Sarah Purser. A fellow classics student with Oscar Wilde at school, Purser was appointed professor of Latin at Trinity College, Dublin, and later served as president of the Royal Irish Academy. Elizabeth Yeats was his closest female friend. Miller 39; Ransom 39. Douglas McMurtrie, The Book: The Story of Printing and Bookmaking, 1943. Octavo. Cuala press mark on title page. Original quarter linen, paper label to spine printed in black, pale blue paper boards, front cover lettered in black, blue endpapers, edges untrimmed. Maunsel & Co. 4 pp. Tower Press Booklets catalogue loosely inserted. Head of spine lightly bumped, faint browning to boards, toning to free endpapers as often, contents clean: a very good copy.

First edition, first impression, one of 300 copies. The work was printed in October 1923 but not released until January 1924. In January 1923, Gogarty was held by militant republicans, but escaped by leaping into the Liffey. In gratitude he ceremonially introduced two swans to the river, commemorated in the title of this collection of his poetry. The Cuala Press was one half of Cuala Industries, a co-operative business run by Elizabeth and Lily Yeats. Cuala Industries was founded with the aim of reviving the craft of book printing in Ireland and "to give work to Irish girls" (McMurtrie, p. 472). The press's "clearly legible, slender volumes with their distinctive paper labels may be seen as the sole survivors of the handcrafted ideal established in 1900 by Walker and T. J. Cobden-Sanderson's Doves Press" (ODNB). This copy is from the library of Louis Claude Purser (1854-1932), brother of the artist Sarah Purser. A fellow classics student with Oscar Wilde at school, Purser was appointed professor of Latin at Trinity College, Dublin, and later served as president of the Royal Irish Academy. Elizabeth Yeats was his closest female friend, and he was on the subscribers list for the press from its inception. Miller Douglas McMurtrie, The Book: The Story of Printing and Bookmaking, 1943. Octavo. Dun Emer pressmark on title page. Text printed in red and black. Original quarter linen, paper label to spine printed in black, pale blue paper boards, front cover lettered in black, blue endpapers, edges untrimmed. "Déanta in Éireann" Irish national trademark sticker (introduced in 1927) on rear free endpaper. Spine and board edges browned, contents clean, a couple of leaves unopened: a very good copy.

First edition, first impression, number 180 of 300 copies numbered by Elizabeth Yeats. Higgins's bucolic poems "belonged to the last wave of the literary revival, which made a cult of ballad and folk poetry. no Irish poet of his generation had a finer feeling for landscape or colour" (DIB). He was a student of W. B. Yeats, often described as the literary heir apparent, and collaborated with the Yeats siblings on the press's Broadsides. He served on the board of the Abbey Theatre from 1935, taking on the role of managing director from 1938. The Cuala Press was one half of Cuala Industries, a co-operative business run by Elizabeth and Lily Yeats. Cuala Industries was founded with the aim of reviving the craft of book printing in Ireland and "to give work to Irish girls" (McMurtrie, p. 472). In 1925 it moved to a premises in Dublin which, for the first time, allowed a showroom to display the business's books, prints, cards, and embroideries. The press's "clearly legible, slender volumes with their distinctive paper labels may be seen as the sole survivors of the handcrafted ideal established in 1900 by Walker and T. J. Cobden-Sanderson's Doves Press" (ODNB). This copy is from the library of Louis Claude Purser (1854-1932), brother of the artist Sarah Purser. A fellow classics student with Oscar Wilde at school, Purser was appointed professor of Latin at Trinity College, Dublin, and later served as president of the Royal Irish Academy. Elizabeth Yeats was his closest female friend. Miller 51. Douglas McMurtrie, The Book: The Story of Printing and Bookmaking, 1943. Octavo. Cuala pressmark on title page. Half-title and colophon printed in red. Original quarter linen, paper label to spine printed in black, blue paper boards, front cover lettered in black, blue endpapers, edges untrimmed. Bumps to spine ends, spine label flaking at edges, no loss to lettering, spot of wear to corners, boards bright, contents clean: a very good copy.

First edition, first impression, one of 300 copies. Edward Dowden (1843-1913) was an Irish literary critic and Shakespeare scholar. This posthumous and anonymous collection of love poetry was edited by his second wife, Elizabeth. Published out of respect for Dowden's friendship with John Butler Yeats, it met with disapproval from his son W. B., with whom Dowden repeatedly clashed on the merits of the Irish Literary Revival. The Cuala Press was one half of Cuala Industries, a co-operative business run by Elizabeth and Lily Yeats. Cuala Industries was founded with the aim of reviving the craft of book printing in Ireland and "to give work to Irish girls" (McMurtrie, p. 472). The press's "clearly legible, slender volumes. may be seen as the sole survivors of the handcrafted ideal established in 1900 by Walker and T. J. Cobden-Sanderson's Doves Press" (ODNB). This copy is from the library of Louis Claude Purser (1854-1932), brother of the artist Sarah Purser. A fellow classics student with Oscar Wilde at school, Purser was appointed professor of Latin at Trinity College, Dublin, and later served as president of the Royal Irish Academy. Elizabeth Yeats was his closest female friend. Miller 19; Ransom Douglas McMurtrie, The Book: The Story of Printing and Bookmaking, 1943. Octavo. Original quarter linen, spine and front cover lettered in black, cream paper boards, plain endpapers, edges untrimmed. Binder's ticket to front pastedown. Spine browned, boards faintly soiled with a couple of marks, free endpapers browned; a very good copy.

First edition, first impression, one of 500 copies. This collection contains poems such as "All Souls' Night" and "Nineteen-Hundred and Nineteen", here entitled "Thoughts upon the Present State of the World". The Cuala Press was one half of Cuala Industries, a co-operative business run by Yeats's sisters Lily and Elizabeth. Cuala Industries was founded with the aim of reviving the craft of book printing in Ireland and "to give work to Irish girls" (McMurtrie, p. 472). The press's "clearly legible, slender volumes with their distinctive paper labels may be seen as the sole survivors of the handcrafted ideal established in 1900 by Walker and T. J. Cobden-Sanderson's Doves Press" (ODNB). Miller 32; Wade 132. Douglas McMurtrie, The Book: The Story of Printing and Bookmaking, 1943. Octavo. Title page vignette by T. Sturge Moore printed in red, text printed in black and red. Original white linen-backed grey boards, front cover lettered in black, grey endpapers, edges untrimmed. "Déanta in Éireann" Irish national trademark sticker (introduced in 1927) on rear free endpaper. Bookseller's ticket to front pastedown. Spine lightly toned, spot of wear to corners, browning to free endpapers as usual, contents clean: a very good copy.

First edition, first impression, one of 400 copies printed by Elizabeth Yeats in October 1935 and published in December, the errata slip loosely inserted. The autobiographical extracts first appeared in The London Mercury in November and December of that year. The Cuala Press was one half of Cuala Industries, a co-operative business run by Lily and Elizabeth Yeats. Cuala Industries was founded with the aim of reviving the craft of book printing in Ireland and "to give work to Irish girls" (McMurtrie, p. 472). The press's "clearly legible, slender volumes with their distinctive paper labels may be seen as the sole survivors of the handcrafted ideal established in 1900 by Walker and T. J. Cobden-Sanderson's Doves Press" (ODNB). This copy is from the library of Louis Claude Purser (1854-1932), brother of the artist Sarah Purser. A fellow classics student with Oscar Wilde at school, Purser was appointed professor of Latin at Trinity College, Dublin, and later served as president of the Royal Irish Academy. Elizabeth Yeats was his closest female friend. Miller 54; Wade 183. Douglas McMurtrie, The Book: The Story of Printing and Bookmaking, 1943. Octavo. Title page vignette by T. Sturge Moore. Original quarter linen, paper label to spine printed in black, blue paper boards, front cover lettered in black, blue endpapers, edges untrimmed. Shallow chips to spine label, edges of which sometime reglued, boards and endpapers bright, a couple of leaves uncut: a very good copy.