Cretté (18 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: Neuf.

Zustand: Neuf.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Zustand: New.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Zustand: new. vendeur pro. Envoi soigne en 24/48h.

1 feuillet. 359 pages. 3 planches. 12 pages. (13x21cm). Broché. Couverture papier muette. Non rogné. Dos fendillé. Taches à la couverture. Pages brunies aux bords. Quelques traces de mouillure. Cachet dans la page de titre. Quelques pages presque détachées à la fin. Sinon bon état général. Avec 3 planches illustrées d'instruments et machines agricoles. Agronome innovateur, Crette-Palluel se distingua par plusieurs plantations, lesdites prairies artificielles, et par la suppression des jachères. En 1785, il eut une médaille d'or de la part de la Société d'agriculture de Paris, en récompense de ses travaux, et en devint membre en 1787, ce qui fit redoubler son zèle, sa ferme devenant le théâtre des expériences de cette Société. Complet.…

Pour modification de l'acte de naissance d'une enfant née à Vincennes en 1813, après reconnaissance et légitimation, suite au mariage de ses parents à Paris en 1816. Le bandeau "BOUQUINERIE AURORE" visible sur le scan n'est bien-sûr pas présent sur le document original, il n'a été placé ici que pour garder le caractère unique du document.…

Stampa litografica, antica ed originale, del Castello di Cisterna d'Asti. Tratta da una delle più importanti raccolte iconografiche dei principali castelli del Piemonte e Valle d'Aosta, raffigurata da 200 tavole. L'opera "Album delle principali Castella feudali della Monarchia di Savoja" è edita a Torino presso Fontana e Isinardi Editori dal 1841 al 1860. La litografia è inserita nel fascicolo con brossura originale illustrata che riporta i titolo dell'opera e nr del fascicolo 30. Autore: Gonin Enrico dis. & Crette e Vargnano lit. Luogo: Cisterna d'Asti. Tecnica: litografia. Dimensioni: 257x340 mm.…

Couverture rigide. Zustand: Bon. Georges Cretté (1893-1969), relieur. L.A.S., 21 février 1955, 1p in-8 oblong. « Cher Monsieur, J'adresse au trésorier du Livre contemporain ma cotisation pour l'année et je vous avise en même temps que la reliure de Pasiphaé et celle du Barrès (sang.volupté.mort) sont terminées. Je poursuis les autres. Veuillez agréer, cher Monsieur, l'expression de mes sentiments bien dévoués. G Cretté ». Cette lettre est possiblement au bibliophile J Exbrayat. En effet, on retrouve un exemplaire de l'édition de Pasiphaé de 1953 dans sa bibliothèque (vente 1962, n°208 ; vente Artcurial, 15 mai 2009, n°133). Toutefois, n'ayant pu consulter le catalogue, nous ne pouvons confirmer la présence d'une édition de Barrès dans le même catalogue. Peu commun. [364]. …

36 : 25,5 cm. 4 leaves, 265 pages with many b/w illustrations, 3 leaves, 204 full-page plates mostly in colours. Unbound signatures as originally issued, Publisher's embossed paper chemise binding in slip case. First edition. - One of 450 numbered copies. - The major work and catalog raissone on Georges Crette (1893-1969), the successor of Marius Michel and one of the greatest twentieth century bookbinders. Documentation of 659 bindings, sorted by authors and with references to the sales in which they figured in and the prices that were realized (where available). - Témoinages par Germaine de Coster, Roger Devauchelle, Henri Dubreuil, Raoul Dufy, André Dunoyer de Segonzac, Pierre Ferri, Julien Flety, Charles Jouas, René Kiefer, Alexandre Loewy.…

Zustand: Good. 4to. Fine. 320 x 266mm. Green morocco binding with gilt and black stamped motifs of leaves, circles and curlicues, signed by the binder. Dentelles of light green suede; matching half morocco chemise with spine slightly darkened in matching slipcase. This binding is correctly reproduced in "Georges Cretté. Études par Harry Vinckenbosch," which shows 3 bindings for this title at nos. 113-115. It is however reproduced as a binding for "Les Géorgiques," also illustrated by the artist. One of 150 numbered copies on Van Gelder with 36 incl. 13 hors texte etchings.References: Aimée Lioré & Pierre Cailler "Catalogue de l'oeuvre gravé de Dunoyer de Segonzac. Tome III ," nos. 596-631; Nicolas Rauch, Les Peintres et le Livre, Alan Wofsy Fine Arts, 1991, no. 120; Monod, no. 3047; The Artist & The Book, 1860-1960, no. 280.COLETTE. La Treille muscate. S.l.n.d. [Paris, 1932]. Grand in-4°, maroquin vert entièrement orné sur lesplats et le dos d'un décor personnalisé doré et à froid, tranches dorées, doublure et gardes de chamois beige,couverture conservée, chemise en demi-maroquin vert à petits recouvrements et étui (Georges Cretté).ÉDITION ORIGINALE & PREMIER TIRAGE.36 eaux-fortes par André DUNOYER de SEGONZAC, la moitié à pleine page, dont un frontispice et un portrait de Colette.Tiré à 165 exemplaires sur hollande Van Gelder, celui-ci n° 94.Dos de la chemise passé.Expert Emmanuel de BROGLIECabinet Revel57 rue de Verneuil - 75007 Paris33 (0)1 42 22 17 13.…

Zustand: Good. 4to. Fine. 320 x 266mm. Green morocco binding with gilt and black stamped motifs of leaves, circles and curlicues, signed by the binder. Dentelles of light green suede; matching half morocco chemise with spine slightly darkened in matching slipcase. This binding is correctly reproduced in "Georges Cretté. Études par Harry Vinckenbosch," which shows 3 bindings for this title at nos. 113-115. It is however reproduced as a binding for "Les Géorgiques," also illustrated by the artist. One of 150 numbered copies on Van Gelder with 36 incl. 13 hors texte etchings.References: Aimée Lioré & Pierre Cailler "Catalogue de l'oeuvre gravé de Dunoyer de Segonzac. Tome III ," nos. 596-631; Nicolas Rauch, Les Peintres et le Livre, Alan Wofsy Fine Arts, 1991, no. 120; Monod, no. 3047; The Artist & The Book, 1860-1960, no. 280.COLETTE. La Treille muscate. S.l.n.d. [Paris, 1932]. Grand in-4°, maroquin vert entièrement orné sur lesplats et le dos d'un décor personnalisé doré et à froid, tranches dorées, doublure et gardes de chamois beige,couverture conservée, chemise en demi-maroquin vert à petits recouvrements et étui (Georges Cretté).ÉDITION ORIGINALE & PREMIER TIRAGE.36 eaux-fortes par André DUNOYER de SEGONZAC, la moitié à pleine page, dont un frontispice et un portrait de Colette.Tiré à 165 exemplaires sur hollande Van Gelder, celui-ci n° 94.Dos de la chemise passé.Expert Emmanuel de BROGLIECabinet Revel57 rue de Verneuil - 75007 Paris33 (0)1 42 22 17 13.…

Hardcover. Zustand: Good. Small folio 15 1/2 x 12 inches, original blind embossed cloth, later leather lettering label. 10 FINE LITHOGRAPH VIEWS OF NICE, lithographed by Guiaud from photographs by Crette. A good clean copy of this rare work. A VERY SCARCE VIEW BOOK OF NICE- no mention found in COPAC or the auction record site ABPC. The vendor is unsure if it is all published. See photos.…

Stampa litografica, antica ed originale, del Castello di Guerene in prov. di Cuneo. Tratta da una delle più importanti raccolte iconografiche dei principali castelli del Piemonte e Valle d'Aosta, raffigurata da 200 tavole. L'opera "Album delle principali Castella feudali della Monarchia di Savoja" è edita a Torino presso Fontana e Isinardi Editori dal 1841 al 1860. Autore: Gonin Enrico dis. & Crette e Vargnano lit. Luogo: Guarene CN. Anno: 1842. Tecnica: litografia. Dimensioni: 255x340 mm.…

464 x 344 mm. (18 1/4 x 13 1/2"). Two volumes. Translated by Michel de Marolles. SUPERB GRASS-GREEN MOROCCO BY GEORGES CRETTÉ (stamp-signed on front turn-in), covers dominated by a central sunburst formed by 16 triangular radiations of 10-14 gilt fillets, with heads of wheat (volume I) or grapes and leaves (volume II) tooled in black peeking through the rays, smooth spines with intersecting gilt fillets, vertical gilt lettering, emerald green suede doublures and endleaves, all edges gilt. Original paper wrappers bound in. Housed in leather lined, green morocco-trimmed chemises and matching morocco-lipped slipcases. With 119 etchings by Dunoyer de Segonzac, 20 of these vignettes, 99 full-page plates, and WITH TWO ORIGINAL DRAWINGS, one of these SIGNED, an original etching signed and numbered 18/50 on Japanese paper, AND A SUITE OF 25 ORIGINAL ETCHINGS preceded by an autograph title page reading: "XXV études pour Les Georgiques / A. Dunoyer de Segonzac / 31/50." With Latin text (in Garamond italic) and French text (in Garamond) on facing pages. The Artist and the Book 1860-1960 281; Liore et Cailler V, 11-13. For the binding: Garrigou, Georges Cretté 617; Exhibition: "La Reliure originale" (Original Binding), Bibliothèque nationale de France, 1959, no. 342; Duncan & De Bartha, Art Nouveau and Art Deco Bookbinding, p. 66. Occasional light foxing (as in almost all copies, due to storage conditions at the press), a couple of minute marginal stains, but A BEAUTIFUL SET, clean, fresh, and bright internally, with vast margins, and IN PRISTINE BINDINGS. This imposing illustrated edition of Virgil's long poem devoted to the trials and triumphs of agriculture comes in bindings celebrating the sun that powers agriculture, created by an artisan whose "virtuosity as a gilder," says Duncan & De Bartha, "earned him the sobriquet 'maître des filets.'" One of the most prominent binders of his day, Georges Cretté (1893-1969) was a brilliant student at the Ecole Estienne, where he worked under Godefroy and Masset, and later was invited to join the firm of Henri Marius Michel, where he soon established himself as that famous workshop's outstanding gilder. After World War I, he took over the day-to-day business, and succeeded Marius Michel as head of the firm upon the master's death in 1925. At first, Cretté adhered to the Art Nouveau floral designs that had characterized Marius Michel bindings, but as Duncan & De Bartha reports, "he gradually began to promote his own more traditional geometric style, which was built around compositions of gold and blind-tooled fillets." In the present example, his meticulously tooled, perfectly spaced gilt fillets create a sunburst of rays that make the blank space at center into a sun with 16 points. The black-tooled wheat and grape leaves beneath the rays are, by contrast, drawn in an open and easy style, seemingly doodled, rather than drawn, in a moment of idleness, but with great focus and technical skill. It is the perfect covering for the poet's examination of the tensions between man and nature, and the perilous life of the farmer, dependent on the whims of the weather gods. (From an anthropological perspective, the text also offers interesting information on viticulture, animal husbandry, and beekeeping in the first century B.C.) When our artist, the painter and etcher André Dunoyer de Segonzac (1884-1974), was approached by art dealer and publisher Ambroise Vollard to illustrate a bibliophile's edition of a Colette work, Segonzac persuaded Vollard to allow him to do Virgil instead. He spent the next 15 years creating more than 100 etchings for the project, and in the process produced the present masterpiece. According to "The Artist & the Book," "his landscape has a classical, pastoral quality whose freshness is due to the immediacy of execution. Not only did Segonzac work directly on the copper from nature, but most of the plates were etched in a single biting of the acid, with additional tonal values ac.…