cranston meg (30 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

2 vol. : vol. 1 : 143 pp. ; vol. 2 : 281 pp.; 2 vol. : vol. 1 : 27.6 x 21.2 cm. ; vol. 2 : 27.6 x 21.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, San Diego, July 27 - September 5, 1998. Traveled to Museo de las Artes and Instituto Cultural Cabañas, Guadalajara, México, September 10 - November 22, 1998; Museo de Monterrey, Mexico, February - April, 1999; Museo Universitario Contemporáneo de Arte, Mexico City, April - June, 1999; Auditorio de Galicia and Iglesia San Domingos de Bonaval, Santiago de Compostela, Spain, July 10 - September 5, 1999 and Sala Amos Salvador, Logroño, Spain, November 1999 - February 2000. Volume one texts by Elizabeth Armstrong, Julian Zugazagotta, and Kevin Power. Volume two texts by Karal Ann Marling and an interview with Ralph Rugoff by Tom Patchett. Texts about the artists in the exhibition, in both volumes, by Tania Owcharenko Duvergne, Rita Gonzalez, Melissa Ho, Karal Ann Marling, Holly Myers, and CC:Collector's Comments. Artists (A - L, Vol. 1) include Janine Antoni, John Baldessari, Beattie & Davidson, Joseph Bertiers, Joseph Beuys, Dominique Blain, Chris Burden, Mónica Castillo, Chema Cobo, Meg Cranston, Georganne Deen, Georganne Delvoye, Marcel Duchamp, Nicole Eisenman, Fluxus, Llyn Foulkes, Robert Gober, David Hammons, David Ireland, Ray Johnson, Mike Kelley, Martin Kippenberger, Rachel Lachowicz, Sherrie Levine, and Charles Long. Artists (M - Z, Vol. 2) include Daniel J. Martinez, Paul McCarthy, Cady Noland, Manuel Ocampo, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Rubén Ortiz Torres, Burt Payne 3, Raymond Pettibon, Alan Rath, Charles Ray, Man Ray, Edward Ruscha, Cindy Sherman, Kiki Smith, Mark Tansey, Fred Tomaselli, Andy Warhol, John Wesley, and Christopher Wool, as well as Americana, Neon Signs, and Vernon Kilns Dinnerware. Texts in English and Spanish. Very Good. Yellowing and light soiling of covers with light bumping of corners. Light yellowing of pages. Two-volume set. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Paperback. Zustand: Used-Very Good. Pap. Minor shelf wear. Else a bright, clean copy.

Paperback. Zustand: Brand New. 250 pages. 7.00x5.00x1.00 inches. In Stock.

Zustand: New. In.

Zustand: New. Editor(s): Cranston, Meg; Obrist, Hans-Ulrich. Series: Documents. Num Pages: 250 pages, 15 b&w illustrations. BIC Classification: ACXJ5; AGB. Category: (G) General (US: Trade). Dimension: 151 x 211 x 19. Weight in Grams: 346. . 2013. Paperback. . . . . Books ship from the US and Ireland.

Softcover. Zustand: Fine. First edition. Quarto wrappers. 136pp. Fine. Exhibition catalogue.

Paperback. Zustand: Brand New. 250 pages. 8.50x6.00x0.75 inches. In Stock.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 17 x 24 cm, 160 pages, 30 b/w illustrations. - The book offers a creative and original overview of the SoCal art scene from 1990 to the present. "Inside" examines new initiatives from within the institutional or commercial sectors of the art world; "Outside" discusses developments situated outside of this more sanctioned sphere, whether in alternative spaces, art/music crossovers, or the public domain; "New Locations" takes on innovative art-related activities in sites, such as the Southern California deserts and San Diego-Tijuana border that are relatively remote from the culturally dominant LA basin; "Endpapers" rounds out the book with short presentations by five artists and critics whose independent thinking and constructively targeted polemic has helped shape art-world discourse in Southern California in recent years.

Hardcover. Many ills in color. 123 p. -(Some shelf-wear, but overall in very good condition.). ISBN 3883753963.

Soft cover. Zustand: About Fine. 1st Edition. Illustrated throughout, primarily in colour. Text in English with Spanish translation. Approximately 10 pages. Back cover slightly sunned. Clean and bright copy. 12mo.

Hardcover. Zustand: Brand New. reprint edition. 312 pages. 11.75x9.50x1.50 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First. Flexible navy boards with metallic lettering, 239 pages, Very Good condition all around with just a little crimping to dust-jacket. Profusely illustrated.

Paperback. Zustand: Brand New. 128 pages. 11.25x8.75x0.50 inches. In Stock.

123 pp.; 28.5 x 24 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Sprengel Museum Hannover, Hanover, Germany, September 26, 1999 - January 2, 2000. Traveled to the Staatliche Kunstsammlungen Dresden, Gemäldegalerie Neue Meister, Dresden, Germany, January 16 - April 2, 2000. Texts by Meg Cranston, Thomas Weski, Dave Hickey, and Diedrich Diederichsen. Includes checklist and appendix. Texts in English and German. Good / Very Good. Rubbing of covers with light dust soiling and 5 cm. and 1 cm. area of indentation to recto. Scratching of verso and 3 mm. of soiling to verso and rubbing of corners. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges may be required for international orders.

Taschenbuch. Zustand: Neu. Neuware.

255 pp.; 24 x 17 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Annual publication focusing on art and artists. Conceived, organized and with a text by Christiane Schneider. Artists include Franz Ackermann, Angela Bulloch, Douglas Coupland, Meg Cranston, Stefan Dillemuth, Stan Douglas, Laura Emrick, Norman Foster, Liam Gillick, Michael Joaquin Grey, Klaus Hahlbrock, Carsten Höller, Ronald Jones, Inez van Lamsweerde, Jens-Marten Lohse, Helmut Neunzert, Hanno Otten, Jorge Pardo, Dan Peterman, Joe Scanlan, Julia Scher, Laura Stein, Beat Streuli, Lincoln Tobier, Peter M. Todd, Petra Wirth and Andrea Zittel. "Christiane Schneider presents contributions from various areas of society and research that are currently in a state of upheaval, such as biotechnology, mathematics, architecture, etc. non-artistic strategies, how much the social change affects the art of the 90s." --publishers statement. Text in German with some English. Fine. As issued, clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Zustand: Very Good. Hardcover. 4to. Published by Orange County Museum of Art and Del Monico Books, Newport Beach and Munich, London and New York, 2012. 240 pgs. Illustrated. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. This important retrospective volume highlights Jack Goldstein's far-reaching influence. During the late 1970s, Jack Goldstein helped initiate an avant-garde art movement informally known as the "Pictures Generation." Along with fellow artists such as Sherrie Levine, Robert Longo, and Troy Brauntuch, Goldstein merged the concerns of Conceptual art with media issues raised by Pop art and helped initiate a paradigm shift in art that focused on the critical examination of images. Goldstein's films of the mid-1970s, amond his most recognized achievements, appropriated and restaged imagery that referenced its media sources. This companion volume to a new retrospective of Goldstein's work, organized by the Orange County Museum of Art, includes stills from these films as well as reproductions of sculptures, records, installations, paintings, and text-based works to show the breadth of his artistic production. While many of his close associates enjoyed popular and critical success in the 1990s, Goldstein disappeared from the public eye for years. And although he enjoyed renewed acclaim at the turn of the twenty-first century, his career ended tragically with his death in 2003. Featuring critical essays along with Goldstein's last interview, which was previously unpublished, this volume helps restore an important artist to the stature he and his work deserve. ; 240 X 25 X 280 millimeters; 240 pages.

(12)pp. 9 color illus. Sm. 8vo. Wraps. Parallel texts in English and Spanish. "This book was produced as a supplement to an installation created for IVAM, Valencia, Spain, May 1989.".

(12)pp. 9 color illus. Sm. 8vo. Wraps. Parallel texts in English and Spanish. "This book was produced as a supplement to an installation created for IVAM, Valencia, Spain, May 1989.".

(12)pp. 9 color illus. Sm. 8vo. Wraps. Parallel texts in English and Spanish. "This book was produced as a supplement to an installation created for IVAM, Valencia, Spain, May 1989.".

(12)pp. 9 color illus. Sm. 8vo. Wraps. Parallel texts in English and Spanish. "This book was produced as a supplement to an installation created for IVAM, Valencia, Spain, May 1989.".

(12)pp. 9 color illus. Sm. 8vo. Wraps. Parallel texts in English and Spanish. "This book was produced as a supplement to an installation created for IVAM, Valencia, Spain, May 1989.".

Hardcover. Zustand: Brand New. 240 pages. 11.26x9.72x0.94 inches. In Stock.

124 Seiten. 4°. Gut erhalten. O-Pappband. Text deutsch und englisch.

53 pp.; 28 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1987 issue of Journal. Edited by Margaret [Meg] Cranston. Contents include: double-page artist's project / advertisement for "New Observations : The Construction and Maintenance of Our Enemies, Issue #44," by Steven Prina, and Christopher Williams; "Fear of Success," by Tim Power; "TV Generations," by Judy Fiskin; "Gift," by Eric Blum; "Untitled," by Diane Buckler; "Learning About Great Art," by Ilene Segalove; "Feature: Arts and Histories Reconsidered," by edited by Marcos Sanchez-Tranquilino; "Art in Public Places," by Al Nodal; "Lectio Divina," by Deborah Irmas and an Anonymous Artist; "Deja Vu," by Luciano Perna and "Untitled," by Jamey Bair. Cover by Glugio Gronk Nicandro. Very Good / Fine. Light rubbing of cover edges and light handling wear. Contents clean and unmarked.

295 pp.; 30 x 24 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Haus der Kunst, Munich, August 3 - December 10, 1997. Traveled to Nationalgalerie SMPK, Berlin, December 1997 - January 1998; Kunstmuseum Düsseldorf im Ehrenhof, February 1998; P.S.1 Contemporary Art Center, New York, July 5 - August 30, 1998 and Henry Art Gallery, Seattle, November 5, 1998 - January 31, 1999. Curated by Hubert Gaßner, Stefan Iglhaut, Ingrid Schaffner, Bernhart Schwenk, and Matthias Winzen. Additional texts by Geoffrey Batchen, Eugen Blume, Benjamin H.D. Buchloh, Susan Buck-Morss, Sheryl Conkelton, Trevor Fairbrother, Justin Hoffmann, Stefan Iglhaut, Jon Ippolito, Geert Lovink, Bernhart Schwenk and Susan Stewart. With an interview between Ingrid Schaffner and Elizabeth Lunning. Artists include: Arman, Arndt/Moonen, Richard Artschwager, Eugéne Atge, Eugène Atget, Hannelore Baron, Bernd and Hilla Becher, Joseph Beuys, Douglas Blau, Jennifer Bolande, Christian Boltanski, Karsten Bott, Marcel Broodthaers, David Bunn, Sophie Calle, Christo, Joseph Cornell, Meg Cranston, Ingrid Scharlau, Hanne Darboven, David Deutsch, Marcel Duchamp, Hans-Peter Feldmann, Fleischmann/Strauss, Fluxus Collective, Vera Frenkel, Jochen Gerz, Sabine Groß, Lynn Hershman, Stefan Hoderlein, On Kawara, Karen Kilimnik, Peter Kogler, Louise Lawler, George Legrady, Piero Manzoni, Paul McCarthy, Annette Messager, Reinhard Mucha, Wilhelm Mundt, Claes Oldenburg, Nam June Paik, Robert Rauschenberg, Jason Rhoades, Edward Ruscha, Jeanne Silverthorne, Daniel Spoerri, Steinle/Rosefeldt, Thomas Virnich, Aby Warburg, Andy Warhol, Ute Weiss-Leder, H.C. Westermann, and Peter Wüthrich. Includes an index, selected bibliography, and author biographies. Texts in German. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Pamela A. Ivinski and Tod Lippy. Essays "Real Life in Maracaibo," by Gareth Jones; "Private Specter," project by Meg Cranston; "Confessions of Rock Critic," by Pamela A. Ivinski; "Enjoying the Psychodrama of Living in Australia," by Angus Trumble; "Eating with Publicsfear," project by Rirkrit Tiravanija; "Interview with Stacy Cochran," by Pamela A. Ivinski and Tod Lippy; "The Reluctant Lover," project by Matthew Higgs "New York City Emergency Room Stories," by [Various]. Table of contents illustration: Scott Menchin. Fine. Covers and contents clean and unmarked.

hardcover, 312 pages, 66 color- & 91 b/w illustrations, 22,5 x 28 cm, English. ISBN 9783037645185. A portrait of the artist as an inspiring teacher: this publication focuses on Baldessari?s practice at the intersection between pedagogy and art. Visually organized in alphabetical order, Learning To Read features essays, artworks, a chronology, and personal insights on Baldessari?s teaching and influence by a group of the artist?s former students and CalArts collaborators such as Ashley Bickerton, Liz Craft, Meg Cranston, Matt Mullican, and Tony Oursler. As ludic and non-authoritarian as John Baldessari?s art, this new monograph on the ?father of Conceptual art? is dedicated to his practice as an artist and a teacher, and the many ways in which both practices intertwine in his life. Having been trained as an arts educator, John Baldessari is today renowned for his work as much as for his innovative post studio class at CalArts, Los Angeles, where he has formed many generations of artists and participated in shaping the West Coast art scene. Visually organized in alphabetical order, ?Learning to Read with John Baldessari? ? which accompanies a retrospective of his work at Museo Jumex, Mexico City, from November 11, 2017, to April 8, 2018 ? gathers together a comprehensive essay on the artist?s approaches to art making and teaching, a biography of the artist as a teacher, artworks reproduced thematically, and many stories and anecdotes told by former students such as Liz Craft, Ed Henderson, Matt Mullican, Tony Oursler, David Salle, about their years at CalArts, and the uniqueness and serious playfulness of their formation. Emphasizing Baldessari?s works in which language, task making, and learning processes are tackled, this publication highlights what the artist describes as the central function of art making: to communicate in a way that people can understand. *****Our copy is in perfect condition and sealed***** !! 1690 g.