Douglas crimp (135 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

120 pp.; 22.7 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Edited by Rosalind Krauss and Annette Michelson. Essays "On the Eve of the Future: The Reasonable Facsimile and the Philosophical Toy," by Annette Michelson; "Cinematographic Views," by Georges Méliès; "A Picturesque Stroll around Clara-Clara," by Yve-Alain Bois; "The Index of the Absent Wound (Monograph on a Stain)," by Georges Didi-Huberman; "Interview with Jonas Mekas," by Scott MacDonald "On First Hearing about Hermeneutics," by Joseph Rykwert. Fair / Poor. Significant water damage and staining of covers. Partial separation of pages 1-6 from spine and full separation of pages 7-14 from spine. Light wave to pages, contents otherwise clean and unmarked. …

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardback. Zustand: Fair. Douglas Crimp is the rare art critic whose work profoundly influenced a generation of artists. He is best known for his work with the "Pictures Generation" the very name of which Crimp coined to define the work of artists like Robert Longo and Cindy Sherman who appropriated images from mass culture to carry out a subversive critique. But while his influence is widely recognized, we know little about Crimp's own formative experiences before "Pictures."Before Pictures tells the story of Crimp's life as a young gay man and art critic in New York City during the late 1960s through the turbulent 1970s. Crimp participated in all of what made the city so stimulating in that vibrant decade. The details of his professional and personal life are interwoven with this the particularly rich history of New York City at that time, producing a vivid portrait of both the critic and his adopted city. The book begins with his escape from his hometown in Idaho, and we quickly find Crimp writing criticism for ArtNews while working at the Guggenheim where, as a young curatorial assistant, he was one of the few to see Daniel Buren's Peinture-Sculpture before it was removed amid cries of institutional censorship. We also travel to the Chelsea Hotel (where Crimp helped the down-on-his-luck couturier Charles James organize his papers) through to his days as a cinephile and balletomane to the founding of the art journal October, where he remained a central figure for many years. As he was developing his reputation as a critic, he was also partaking of the New York night life, from drugs and late nights alongside the Warhol crowd at the Max's Kansas City to discos, roller-skating, and casual sex with famous (and not-so-famous) men. As AIDS began to ravage the closely linked art and gay communities, Crimp eventually turned his attention to activism dedicated to rethinking AIDS. Part biography and part cultural history, Before Pictures is a courageous account of an exceptional period in both Crimp's life and the life of New York City. At the same time, it offers a deeply personal and engaging point of entry into important issues in contemporary art.…

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. 50 pages. 8.50x5.50x0.25 inches. In Stock.

127 pp.; 22.8 x 17.7 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1984 issue of October, edited by Rosalind Krauss and Annette Michelson. Essays include: "Broadness and Diversity of the Ludwig Brigade," by Hans Haacke; "An Unpublished Text for an Unpainted Picture," by Walter Grasskamp; "A Conversation with Hans Haacke," by Yves-Alain Bois, Douglas Crimp and Rosalind Krauss; "The Art of Exhibition," by Douglas Crimp; "From Faktura to Factography," by Benjamin H. D. Buchloh and "Francis Picabia: From Dada to Pétain," by Yves-Alain Bois. Fair / Good. Significant water damage and staining and separating of some pages from spine. Light wave to interior pages, otherwise clean and unmarked.…

First Edition. First edition. Hardcover. 224 pages. Exhibition catalog for a show that ran October 1, 2011 through January 8, 2012 at the Contemporary Arts Museum and then traveled to two other locations for additional dates. Foreword by Bill Arning. Featues texts by Valerie Cassel Oliver, Bill Arning, Russell Ferguson and a conversation between Moffett and Douglas Crimp. Includes numerous color illustrations, a chronology by Sarah G. Cassidy, list of works in the show. A tight close to near fine copy in cloth boards with color plate affixed to the front cover and with some bumping to the top edge of the boards and corners. No dust jacket as issued. Internally a clean copy.…

Trade Paperback. Zustand: Used. First Edition. First Edition with minor bumps/wear at edges/corners. Pages are clean and bright. Spine is straight and tight. Overall a very good first edition October 34.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

142 pp.; 22.7 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1989 issue of October, edited by Joan Copjec, Douglas Crimp, Rosalind Krauss and Annette Michelson. Contents include: "Mourning and Militancy," by Douglas Crimp; "Flaming Closets," by Michael Moon; "Kant with Sade," by Jacques Lacan; "From Breton to Dali: The Adventures of Automatism," by Laurent Jenny and "A Conversation with OCTOBER," by The V-Girls. Good. Light rubbing and yellow spotting of covers, light edge wear and gentle 3 cm. bend to bottom corner of verso carrying through gently to last ten pages. Contents otherwise clean and unmarked.…

Zustand: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

142 pp.; 22.7 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1989 issue of October, edited by Joan Copjec, Douglas Crimp, Rosalind Krauss and Annette Michelson. Contents include: "Mourning and Militancy," by Douglas Crimp; "Flaming Closets," by Michael Moon; "Kant with Sade," by Jacques Lacan; "From Breton to Dali: The Adventures of Automatism," by Laurent Jenny and "A Conversation with OCTOBER," by The V-Girls. Very Good / Fine. Light dusting of covers and mild edge wear, otherwise Fine. Contents clean and unmarked.…

Paperback. Zustand: Brand New. 261 pages. 8.50x6.00x1.00 inches. In Stock.

Trade Paperback. Zustand: Used. First Edition. First Edition with minor bumps/wear at edges/corners. Pages are clean and bright. Spine is straight and tight. Overall a very good first edition October 37.

Trade Paperback. Zustand: Used. First Edition. First Edition with minor bumps/wear at edges/corners. Pages are clean and bright. Spine is straight and tight. Overall a very good first edition October 28.

Soft cover. Zustand: Near Fine. 1st Edition. Pp 69-128. Printed Wrappers. Near Fine.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

127 pp.; 22.8 x 17.7 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1984 issue of October, edited by Rosalind Krauss and Annette Michelson. Essays include: "Broadness and Diversity of the Ludwig Brigade," by Hans Haacke; "An Unpublished Text for an Unpainted Picture," by Walter Grasskamp; "A Conversation with Hans Haacke," by Yves-Alain Bois, Douglas Crimp and Rosalind Krauss; "The Art of Exhibition," by Douglas Crimp; "From Faktura to Factography," by Benjamin H. D. Buchloh and "Francis Picabia: From Dada to Pétain," by Yves-Alain Bois. Very Good. Light yellowing and scratching of covers with light rubbing of cover corners. Pages 115 to 130 have separated from the spine. Light yellowing of page edges. Contents clean and unmarked.…

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. On the Museum's Ruins presents Douglas Crimp's criticism of contemporary art, its institutions, and its politics alongside photographic works by the artist Louise Lawler to create a collaborative project that is itself an example of postmodern practice at its most provocative. Crimp elaborates the new paradigm of postmodernism through analyses of art practices broadly conceived, not only the practices of artists--Robert Rauschenberg, Cindy Sherman, Marcel Broodthaers, Richard Serra, Sherrie Levine, and Robert Mapplethorpe--but those of critics and curators, of international exhibitions, and of new or refurbished museums such as the Staatsgalerie in Stuttgart and the Martin-Gropius-Bau in Berlin.The essays: - Photographs at the End of Modernism.- On the Museum's Ruins.- The Museum's Old, the Library's New Subject.- The End of Painting.- The Photographic Activity of Postmodernism.- Appropriating Appropriation.- Redefining Site Specificity.- This is Not a Museum of Art.- The Art of Exhibition.- The Postmodern Museum.…

Zustand: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Zustand: Comme neuf. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Zustand: Very Good. Among the most influential feminist artists working today, Mary Kelly (b.1941) first came to prominence as a Conceptual artist in 1976 with the controversialPost Partum Documentseries, notorious for incorporating her baby's dirty nappies. She creates large series of indexical works - drawings, images, text panels, photographs - which combine investigations into the diverse relations between psychoanalysis, feminism and art.Kelly often deploys prevailing literary or scientific genres, ranging from romantic fiction to psychoanalytical and medical diagnoses that define women as 'other'. She subtly yet insistently turns them on their head with her own richly textured narratives and images. While phases in her work have been represented in catalogues, Kelly's complete oeuvre has never been published before in its entirety.In the Survey, art historian Margaret Iverson explores Kelly's substantial oeuvre using three classical yet contentious Freudian themes: fetishism, hysteria and paranoia. Author ofOn the Museum's Ruinsand numerous articles on AIDS, Douglas Crimp talks with the artist about her work within a broader critical context. Homi K. Bhabha, author ofLocations of Culture, focuses onGloria Patri, a work revolving around masculinity and the Gulf War. Mary Kelly has chosen writings by the philosopher and psychoanalyst Julia Kristeva and the novelist Lynne Tillman. Kelly's theoretical writings have been central to postmodern discourse. In addition to key texts, this book includes interviews and examples of her fiction fromInterim. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…