Co engraver (11 Ergebnisse)

Verlag: London: Gebbie & Barrie, circa 1878., 1878
- Kunst / Grafik / Poster
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 67,66
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Zustand: Good. Illustration. 22.5 x 29 cm (sheet). Very Good, minor surface soiling in the margin areas, brown tape along top sheet edge.

Verlag: London: Hinton, Simpkin & Marshall, 1831
- Kunst / Grafik / Poster
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
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EUR 67,66
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Zustand: Good. Hand-colored steel engraving. 22.5 x 28 cm. (sheet). Very Good. Light toning along sheet edges. A few few, short tears along sheet edges.

Verlag: [London: Jennings and Chaplin], circa 1831., 1831
- Kunst / Grafik / Poster
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 67,66
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Zustand: Good. Steel engraving. 13.5 x 20.5 cm. (sheet). Very Good, some foxing in the margins.

Verlag: London: I.T. Hinton & Simpkin & Marshall., 1831
- Kunst / Grafik / Poster
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 67,66
EUR 8,76 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Zustand: Good. Steel Engraving. 20.6 x 27 cm. (sheet). Good, light foxing and minor surface wear.

Verlag: [Paris: French Publisher, circa 1838]., 1838
- Kunst / Grafik / Poster
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 67,66
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Zustand: Good. Steel engraving. 5 1/4 x 8 in. (sheet). Good, sheet water stained, some foxing.

Verlag: [Paris: French Publisher, circa 1838]., 1838
- Kunst / Grafik / Poster
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 67,66
EUR 8,76 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Zustand: Good. Steel engraving. 5 1/2 x 8 1/4 in. (sheet). Very Good, minor surface soiling.

Gems, principally from the antique, drawn and etched by Richard Dagley / with illustrations in verse by the Rev. George Croly, A.M
Croly, George (1780-1860). Dagley, Richard -1841 [engraver]. Moyes, James (-1838) [printer]. Hurst, Robinson, and Co [bookseller]. Archibald Constable & Co. [bookseller]
Verlag: London : printed for Hurst, Robinson, and Co.; and Archibald Constable and Co. Edinburgh, 1822
- Hardcover
- Erstausgabe
Anbieter: MW Books, New York, NY, USAMW Books
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EUR 282,20
Versand nach gratisVersand innerhalb von USAAnzahl: 1 verfügbar
First Edition. Near fine copy quarter leatherette over marble boards with gilt-blocked label to the spine. Remains well-preserved overall; tight, bright, clean and sharp-cornered. Provenance; from the library of Humphry and Mary ward with their bookplate holding the inscription 'On bokes for to rede I me delyte'. Physical descri…ption; xx, 52 p. : frontis., plates ; 18 cm. Notes; Printed by James Moyes. Subject; Gems. Genre; Illustrated. 3 Kg.

Verlag: Paris: [19th Century French Publisher], [1800s]., 1800
- Kunst / Grafik / Poster
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 90,22
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Zustand: Good. Original B&W gravure. 14 x 10 inches. Very Good. A few light spots of foxing, and minor smudging across surface. Scarce.
[ Henry Lemon, English engraver. ] Three Autograph Letters Signed to his publishers of Messrs. E. Gambert & Co., the first two regarding his engraving 'The Miller's Daughter', and the last proposing to engrave 'The Saviour in the Temple'.
Henry Lemon (1822-1902), English engraver [ Messrs E. Gambert & Co., London publishers ]
Verlag: The first two from 4 Chalcot Terrace London. 21 April and 11 December The third from 2 Winchester Road Avenue Road Regents Park NW. 24 December 1860, 1858
- Manuskript
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
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EUR 96,71
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The three items in good condition, on lightly aged and worn paper. ONE: 4 April 1858. 2pp., 12mo. Bifolium. Addressed to 'Mr. H Moore | Messrs. Gambert & Co.' Regarding the financial arrangement surrounding his engraving 'The Miller's Daughter'. On the subject of 'the two repayment bills', he would 'rather not part with £50.00 f…or some two or three months to come'. TWO: 11 December 1858. 1p., landscape 12mo. Directing the firm to give the bearer 'six (6) Artists Proofs of Millers Daughter -, which I long since promised to the owner of the Picture'. THREE: 24 December 1860. 2pp., 12mo. He has finished the work he has 'in hand', and is 'looking around me to see how next to occupy myself'. He considers that it 'might be to your inclination & interest to put the plate into my hands' of 'The Saviour in the Temple'. He knows 'how important time is in the carrying out of such an enterprise as this', and undertakes 'to devote to it the whole of my time, & as to price I do not imagine we should have any difficulty as to that'.

[John Pye, line engraver.] Autograph Letter Signed, offering the artist William Carpenter his vote 'at the forthcoming election for Sec[re]t[ar]y of the Artists' Annuity Fund'.
John Pye (1782-1874), line engraver, praised by Turner, promoter of professional associations and co-operative movements [William Carpenter (1818-1899), painter; Artists' Annuity Fund, London]
Verlag: 21 June 42 Cirencester Place Fitzroy Square. London, 1839
- Signiert
- Manuskript
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
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EUR 217,60
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Pye was an active figure in nineteenth-century British art. According to his entry in the Oxford DNB he was the engravers' 'best spokesman', hoping 'to raise the fortunes, status, and public profile of engravers by means of professional association and co-operation'. He was the author of a number of works, including 'Patronage o…f British Art' (1845). His collection of prints after Turner was acquired by the British Museum in 1869, and the proofs of Turner's 'Liber Studiorum' followed in 1870. His notebooks are in British Library. 1p, 4to, on the recto of the first leaf a bifolium, with the address, with fragment of a red wax seal, on the reverse of the second: 'William Carpenter Esqr / No 10 Nottingham Place / New Road'. In good condition, lightly aged and worn, folded five time. Signed 'John Pye'. He confirms that he is offering him his vote 'at the forthcoming election for Sec[re]t[ar]y of the Artists' Annuity Fund'. The 'good feeling' he has always entertained towards Carpenter, whom he now informs him is withdrawing from the contest, 'would have led me to do this earlier had I not given a promise in favor of Mr. Wood before I heard of your being a Candidate': 'By this change of circumstances your position as a Candidate becomes very much strengthened: for, I esteem the friends of Mr. Wood in this affair as being your friends'. He concludes: 'If I can say or do anything for you at the meeting for election or support of your hitherto more active friends, command me'. See image.
[ Edward Bocquet, historical engraver. ] Autograph Letter Signed ('E Bocquet') to the London booksellers Messrs. Lackington & Co.', regarding his engraving for them of a portrait of the Earl of Southampton.
Edward Bocquet, historical engraver [ Lackington & Co., London booksellers; Joseph Harding ]
Verlag: Without place. 11 January, 1816
- Manuskript
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 217,60
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2pp., 12mo. In fair condition, aged and rather dusty, with small closed tear at head. He begins by explaining that he has been 'prevented by ill health from finishing the plate confided to my care, & of waiting upon you to make you acquainted with the cause of the delay. The engraving is 'in a state of forwardness', and he is wi…lling to let 'Mr Satchwell' give his opinion of it before he sends it to them. 'I shall prove the plate again next week, after which I shall be enabled to state the time of its completion'. He ends by remarking that when he 'stated ten weeks as the time for completing a plate, I understood with the same portion of the work as in those of which Mr Harding [ senior partner Joseph Harding ] she me the Impressions. The Portrait of the Earl of Southn. has a great m more minutiae than any of those I inspected.' Postscript regarding a letter sent to Harding in Finsbury Square.