Clements simon (20 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Galkin, Simon (illustrator).

Zustand: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Galkin, Simon (illustrator). …

Zustand: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Galkin, Simon (illustrator).

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Galkin, Simon (illustrator).

Hardcover. Zustand: Good. Secondhand. Ex school library book. Good book. Covers lightly worn, and pages lightly tanned.

Zustand: Good. 2nd Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 2nd Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Zustand: New. In English.

Soft cover. Zustand: Fair. No Jacket. * PUBLISHER : SHEED AND WARD * YEAR : 1967 * ISBN : N/A * No OF PAGES : 190 * CONDITION : USED - ACCEPTABLE * OTHER: THE COVER IS HEAVILY RUBBED AND CREASED WITH BUMPING ALONG THE EDGES AND CORNERS. THE SPINE IS HEAVILY RUBBED WITH BUMPING AT BOTH ENDS. THE BINDING IS FIRM. THE PAGES ARE TANNED, THOUGH PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.…

Hardcover. xx, 330 p.; 22 cm. Carries Nihil obstat and Imprimatur. Contents -- Preface -- Introduction -- Part one. Structures of community: 1. Political commitment, Stuart Hall; 2. The concept of community, John Benson; 3. Community in the urban-industrial society, J. D. Halloran; 4. The demography and sociography of the Roman Catholic community of England and Wales, A. E. C. W. Spencer; Note: the implications of sociology, John Brothers -- Part two. Community problems: 5. The changing family in Britain, Noel Timms; 6. The church on the new estate, Derek Palmer; 7. Society and mass culture, Roy Shaw; 8. Education and cultural community, Simon Clements; 9. Industrial work, David Armstrong; 10. Delinquency and its treatment, F. H. McClintock; 11. Coloured people, Wilfred Wood; Note: the conforming church, Victor de Waal -- Part three. Theology of community: 12. The serving church, Piet Fransen SJ; 13. Images of the church, Joseph Rhymer, note: John Coulson; 14. The liturgical community, Laurence Bright OP; 15. The church: a radical concept of community, Brian Wicker; 16. The church in the world, Leo Alting von Geusau -- Index. VG orig. gray boards in vg price-clipped white dj.…

Zustand: Good. 1970. Reprinted. 175 pages. No dust jacket. Pictorial cloth covered boards. Black and white photographs. Pages remain bright and clean. Binding remains firm. Minor pencil inscription to front free endpaper. Boards have mild shelf wear with light rubbing and corner bumping. Some mild marking and tanning.…

Paperback. Zustand: Very Good. shows minor wear.

Paperback. Zustand: Very Good. used copy with minimal wear.

Zustand: Good. 1966. Paperback. Clean copy with minor shelf wear. Previous owner's name to half-title page. Some foxing to front cover but remains a good copy. . . . . Books ship from the US and Ireland.

Zustand: Good. 1966. Paperback. Clean copy with minor shelf wear. Previous owner's name to half-title page. Some foxing to front cover but remains a good copy. . . . .

hardcover. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A good condition book.…

Paperback. Zustand: Brand New. second edition. 283 pages. 9.80x7.00x0.90 inches. In Stock. Shane Dimmick (illustrator).

Hardcover. Zustand: New. 1st Edition. 118 pages : colour illustrations ; 21 x 21 cm. "A year ago, I started to make a piece of work as an exercise to overcome a creative block; I would attach handles to things - things I₂d made or found. In the end the process of doing this developed its own momentum - and its own logic. The process was a mixture of heuristics, and psychic automatism but in three dimensions, orbiting round the device of attaching a handle. Were they "assisted readymades?" A set of conceptual tools for reality testing? A search for a Freudian Lost Object? The illustration of a Design Algorithm at work? This book is a catalogue of the objects accompanied by texts which develop the idea without in any way "explaining" it. This will include an introduction by Dr. Wayne Clements, a short fiction by S.W.Garnett, inspired by the collection and a comprehensive, if not always comprehensible, "index" which will generate unexpected connections between the Things and the Words" --from the artist's website.…

Hardcover. Zustand: Good. Good condition 2014 First Edition Paperback (almost new condition).Published by Orbis Games, UK.Created by Simon Clements & Dan Voyce.Art by Ollie Cuthbertson, Gary Chalk and John 'Doc' White.Synopsis: Orbis Terrarum is a unique fantasy role-playing game set in a richly detailed world shaped by sword, sorcery, history and evolution.This is a game set in a rich, living world and ecology. This is low fantasy with a lot in common with the classic pulp adventures of Conan, Fafhrd and the Grey Mouser, Nifft the Lean, and other heroes of sword and sorcery. There are no Elven kingdoms or Dwarven clans, but rather vibrant human cultures and history. Science and magic have equal weight - alchemy and.…

315 x 130 mm. (12 3/8 x 5"). 35, [1] pp., [4] leaves. Calligraphed text in red and black written out by Sally Johnson on a unique vellum copy, and photo-lithographed on BFK Rives paper for this edition. STRIKING MULTI-COLOR MOROCCO, INLAID IN AN ABSTRACT DESIGN, BY JEFF CLEMENTS, covers and spine with wrap-around design composed of brown, black, taupe, and citron morocco with geometric blind rules and a quadrilateral tooled in white on the upper cover, DARK GREEN MOROCCO DOUBLURES tooled with a blind geometric design, tan suede endleaves. In a custom gray cloth drop-back box with niche for the accompanying cassette tape. Patterned flyleaves, frontispiece, and six double-page etchings by Natalia d'Arbeloff. With a cassette tape recording of a reading of the play by Charles Turner and Jack LeWhite. A typed letter signed by binder Jeff Clements and a photocopied review of the Designer Bookbinders exhibit in which this binding appeared laid in. âIn mint condition. Despite the vaguely unpleasant title, this is a notable and obviously extremely limited artist's book, offered here in a striking binding that is distinctly tall and narrow, with design elements inspired by events in the text, a dramatic dialogue between a "Shakespearean Superstar and his Understudy." According to the binder's letter to Professor John Burton, the original purchaser of the binding, "The design is very much based on the narrative itself with references to blindness as in the blind sun in white within the incised leather; the play takes place in a sewer, also evident, and the lower corner on the back cover is a hint about the mule which appears on the last pages of the play." (Perhaps these plot elements are not as compelling as "King Lear," but they certainly are curious.) Clements notes further that the binding was completed in 1981 and exhibited in a Designer Bookbinders show, and he has enclosed a copy of a review of that show, underlining the portion where the critic compares this binding to the paintings of British artists William Scott and Ben Nicholson. Clements (1934-2021) studied at the Plymouth College of Art and Design, receiving the National Diploma in Design in 1955, and continued his education in bookbinding at the Central School of Arts and Crafts. He became a fellow of Designer Bookbinders in 1957, and served as the organization's president from 1981 to 1983. Since 1988, he has been based in Amsterdam, where he operates Binderij Meridiaan with Katinka Keus. British-American artist Natalia (or Natalie) d'Abeloff is a painter, printmaker, book-artist, cartoonist and teacher, but is best known for her livres d'artiste, copies of which are held by institutions including the Rijksmuseum, the Victoria and Albert Museum, and the Library of Congress. The present work represents an early venture into multimedia works, an area she has continued to explore in the digital age, creating a "Bloggers' Parliament" and authoring a popular web comic. Jerry Jenkins, Curator of Contemporary British Published Collections at the British Library, notes the many ways the various elements of Abeloff's books--paper, print, illustrations--and the techniques she employs give her works appeal to a number of senses on a number of levels. With "Fungus and Curmudgeonly," he was impressed by the impact of being able to follow the text while hearing actors perform the roles, noting that "this offers an aural immersion into the play along with the performance." She is a Fellow of the Society of Designer Craftsmen, and her papers are held by the V&A. No. 4 OF 10 COPIES SPECIALLY BOUND BY DESIGNER BOOKBINDERS, from an edition of 50 copies signed by the author and artist.…