Charles stothard (18 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Good. No Dust Jacket. Early imprint, title page dated 1883 with no additional printings listed. Author's name is not noted in the book. Tightly bound in ornate quarter leather binding, gilded text block edges and marbled endpapers. Wear to the edges and the leather corners are rubbed through. The contents include 23 engraved illustrations and remain near fine; clean and unmarked. International shipping may require added postage charges.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

No Binding. Zustand: Fine. 1st Edition. Original Engraving. 5 1/8" X 4 1/2" Including Large Margins. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Charles Fox (1794-1849) Was An English Engraver. He Executed All The Engravings For A Periodical Called The Florist. Fox Engraved Plates After Wilkie For Robert Cadell's Edition Of Sir Walter Scott's Novels, And Various Illustrations To The Annuals Of The Day.…

No Binding. Zustand: Fine. 1st Edition. Original Engraving. 5 1/8" X 4 1/2" Including Large Margins. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Charles Fox (1794-1849) Was An English Engraver. He Executed All The Engravings For A Periodical Called The Florist. Fox Engraved Plates After Wilkie For Robert Cadell's Edition Of Sir Walter Scott's Novels, And Various Illustrations To The Annuals Of The Day.…

Hardcover. Zustand: Good +. No Jacket. Chipped at head of spine. Taped strengthening at endpapers. Owner's name. Stothard & Inskipp (illustrator).

Cloth. Zustand: Very Good. A soundly rebound, illustrated Victorian edition of Walton"s celebrated angling classic, enriched with memoirs by Sir Harris Nicolas, sixty engravings, and two unique photographic additions laid in by the previous owner. Rebound in full green cloth.'The Compleat Angler' is a well known seventeenth century work celebrating the art and spirit of fishing, in both prose and verse.This edition includes original memoirs and notes by Sir Harris Nicolas, and is illustrated with sixty engravings after designs by Thomas Stothard and Inskipp. Extra illustrated with two original photographs taken by the previous owner laid down to the verso of the frontispiece. Collated, complete.The work was admired by the likes of Charles Lamb, who admired it for it's innocence and simplicity of the heart. In fact it is so popular that it is the second most reprinted book in English after the King James Bible.Written by Izaak Walton, who is now best known for this work, though he professed to not be an expert with a fishing fly. He also wrote a collection of short biographies called 'Walton's Lives'.32 pages of publisher's advertisements to rear. Rebound in full green cloth. Externally, smart. Slight rubbing and bumping to extremities resulting in very slight loss to cloth. Library annotation to spine. Slight cracking to upper extremities of rear joint. Previous owner's contemporary ink inscription to front free endpaper. Bookplate of Stafford public Library to front paste down. Library stamp to verso of title page. Slight offsetting to endpapers. Internally, firmly bound. Pages generally bright and clean with light scattered spotting to fore edge and one or two minor handling marks. Discreet library stamping to the odd page and plate. Very Good. Stothard and Inskipp (illustrator). book.…

New Edition. Worn copy bound in half worn leather over marble boards with gilt-blocked label to the spine. Spine is ribbed. Some minor wear and tear to the spine and boards, along with some dust-toning. Remains preserved overall;, bright, clean and sharp-cornered. Provenance; from the libraries of Frank Greenhill and Claude Blair with their respective bookplates. Edition; A new edition. Physical description; xxviii, 199 pages, 146 unnumbered pages of plates : illustrations (black and white) ; 31 cm. Notes; Includes bibliographical references and index. Subjects; Sepulchral monuments Great Britain. Christian antiquities Great Britain. Monuments Great Britain. Genre; Illustrated. 6 Kg.…

With numerous engravings. London: I.- Printed for Longman, Hurst, Rees, Orme, and Brown. 1820. 322pp. II.-London. Printed by Bensley and Son, Bolt Court, Fleet Street. 1819. 10pp. Alguna anotación marginal. 27 x 23 cm. Enc. actual en plena piel.(Q.0470).

14 x 9 inches. 14 x 9 inches. This is a preliminary sketch for Stothard's "Monumental Effigies of Great Britain." It consisted of over 140 beautifully etched plates of medieval sculpted effigies in churches and cathedrals across England. Charles Stothard was the son of the artist Thomas Stothard. He became a student at the Royal Academy and exhibited there from 1811. In that year he began his series of monumental effigies, which was dedicated to the Prince Regent in 1817. Nine parts, each with twelve engravings appeared up to 1820. In the meantime he was employed by Daniel Lysons for the Magna Britannia series. In 1815 he was appointed historical draughtsman to the Society of Antiquaries and the following year he went to Normandy to make drawings of the Bayeux Tapestry. Through his detailed knowledge on medieval costume he was able to confirm that it was indeed a near contemporary account of the conquest and not a century or more later as some had thought. On 28 May 1821 he was on a ladder in Bere Ferrers church in Devon, drawing a stained glass window, when he made the fatal mistake of stepping back to admire his work. He is buried in the churchyard there. His widow Anna Eliza Stothard devoted much time and money to seeing that his work reached publication which it finally did in 1832 with text by Alfred John Kempe, Anna's brother. Matted. Signed with artist?s monogram of three rings. Fine.…