Charles alfred stothard (6 Ergebnisse)
- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes KönigreichPBShop.store UK
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes KönigreichPBShop.store UK
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: London : Chatto and Windus, 1876
- Hardcover
Anbieter: MW Books, New York, NY, USAMW Books
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In den WarenkorbNew Edition. Worn copy bound in half worn leather over marble boards with gilt-blocked label to the spine. Spine is ribbed. Some minor wear and tear to the spine and boards, along with some dust-toning. Remains preserved overall;, bright, clean and sharp-cornered. Provenance; from the libraries of Frank Greenhill and Claude Blair with their respective bookplates. Edition; A new edition. Physical description; xxviii, 199 pages, 146 unnumbered pages of plates : illustrations (black and white) ; 31 cm. Notes; Includes bibliographical references and index. Subjects; Sepulchral monuments Great Britain. Christian antiquities Great Britain. Monuments Great Britain. Genre; Illustrated. 6 Kg.…
Anbieter: James Cummins Bookseller, ABAA, New York, NY, USAJames Cummins Bookseller, ABAA
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In den Warenkorb14 x 9 inches. 14 x 9 inches. This is a preliminary sketch for Stothard's "Monumental Effigies of Great Britain." It consisted of over 140 beautifully etched plates of medieval sculpted effigies in churches and cathedrals across England. Charles Stothard was the son of the artist Thomas Stothard. He became a student at the Royal Academy and exhibited there from 1811. In that year he began his series of monumental effigies, which was dedicated to the Prince Regent in 1817. Nine parts, each with twelve engravings appeared up to 1820. In the meantime he was employed by Daniel Lysons for the Magna Britannia series. In 1815 he was appointed historical draughtsman to the Society of Antiquaries and the following year he went to Normandy to make drawings of the Bayeux Tapestry. Through his detailed knowledge on medieval costume he was able to confirm that it was indeed a near contemporary account of the conquest and not a century or more later as some had thought. On 28 May 1821 he was on a ladder in Bere Ferrers church in Devon, drawing a stained glass window, when he made the fatal mistake of stepping back to admire his work. He is buried in the churchyard there. His widow Anna Eliza Stothard devoted much time and money to seeing that his work reached publication which it finally did in 1832 with text by Alfred John Kempe, Anna's brother. Matted. Signed with artist?s monogram of three rings. Fine.…
