Charles a hay (22 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. In English.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. In English.

Hardcover. Small 4to. Tan cloth spine with paper label and blue paper over boards. 92pp. Near fine. Tight, nice first edition of this annual publication. Hay's introduces Angle's "Abraham Lincoln: Circuit Lawyer" and Cole's "Abraham Lincoln and the South.".

Taschenbuch. Zustand: Neu. Neuware.

Encuadernación de tapa dura. Zustand: Bien. 2� Edición. Tapa dura. Buen estado. Dep. Legal: B. 20520-1971. 689 ilustraciones de ellas 199 en color. 490 fotografías, dibujos, mapas, y cuadros cronológicos. Dirigida por David Talbot Rice. Gran formato. Historia. Historia del arte. VV.AA. (illustrator). …

Drawn by Ape. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 31 x 18.5cm. With original leaf of biographical text.

Drawn by Ape. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 31 x 18.5cm. Margin lightly foxed, image unaffected. With original leaf of biographical text.

Buch. Zustand: Neu. Neuware - This classic work tells the inspiring true story of a Civil War captain who experienced a profound spiritual transformation. Through his own personal journey, Captain William E. came to understand the power of forgiveness, compassion, and faith, and his story offers a powerful message of hope and redemption. With its vivid storytelling and timeless themes, this book is a must-read for anyone seeking inspiration and encouragement.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

No Binding. Zustand: Very Good. First. A fine original colour lithograph from Vanity Fair, a magazine which was published from 1869-1914, featuring a large caricature portrait each week. These were drawn by various artists, the most famous of whom was Leslie Ward who used the 'nom de crayon' of "Spy". This portrait will come mounted/matted and ready to frame using archivist quality materials, mount size 18 x 12 inches, 47 x 31 cms. It will be presented in a cellophane wrapper with our label guaranteeing authenticity. We pack very well, between sheets of hardboard. This is an excellent opportunity to purchase a portrait of Sir John Hay, Bart, MP, with the caption ''THe retired list'' with a one page biographical sheet. Sir John Charles Dalrymple-Hay, 3rd Baronet (11 February 1821 - 28 January 1912) was a British Admiral and politician. He succeeded to the Baronetcy on 19 March 1861 and was made a Privy Counsellor in 1874. drawn By Ape (illustrator).…

No Binding. Zustand: Very Good. A splendid engraved portrait, printed in circa 1837. Plate Size Approx 10 x 8 Ins, 25 x 20 Cms. Engraved size approx 4 x 3 Ins, 10 x 8 Cms. Mounted and ready to frame. This is an excellent opportunity to purchase an attractive and decorative engraved portrait. By John Paton Kay (illustrator).…

Pas de couverture. Zustand: bon. RO50009451: XXème. In-4. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. 4 pages. Couverture muette. . . . Classification Dewey : 780.26-Partitions.

First collected, and first hardcover edition, first printing. Signed by the the authors. Publisher's original quarter black faux leather and textured paper covered boards, with titles in silver to the spine, in the Michael Whelan illustrated dustwrapper. Housed in the grey cloth, velvet-lined solander box, with a paper title label to the spine. Black silk bookmark. A fine copy, the binding square and firm, bright and fresh. The contents are clean throughout, and without previous owners' inscriptions or stamps. Complete with fine pictorial dustwrapper that is without fading, loss or tears. Not price-clipped ($150.00 to the rear flap). The solander box is also in fine condition. Issued in an edition of 300 copies from which this example is numbered 58, and is signed by the editor and contributor Karl Edward Wagner and the following authors: David Drake, Michael Bishop, T. E. D. Klein, Darrell Schweitzer, Richard A. Moore, Alan Ryan, Robert Keefe, Hugh B. Cave, William Relling Jr., Dennis Etchinson, Jack Vance, Russell Kirk, Janet Fox, John Carter Tibbetts, Harlan Ellison, Lisa Tuttle, Ramsey Campbell, Steve Sneyd, Eddy C.Bertin, and Peter Valentine Timlett. The third volume in the 'Horrorstory' series, collecting all forty short stories from DAW Books' 'Year's Best Horror Stories VII, VIII, and IX', spanning the years 1979-1981. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers.…

First edition of both parts of this important work which established the standard depiction of peoples of the ottoman empire and the levant. In addition to the sixty or so plates depicting Turkish Court, noble, military and other costume, the work illustrates the regional, religious or national costume of several other parts of the Turkish Empire. These include Greeks (10); Albanians (2); Jews (3); Hungarians (2); Wallachians (3); Bulgarians (2); Crimean Tartars (1); Armenians (5); Persians (2); Indians (2); Arabs (1); Barbary Coast (4); and Moors (1). The plates for this work were commissioned by Charles de Ferriol (1652-1722), the French ambassador to the Porte between 1699 and 1709. The plates were engraved after drawings by the Flemish artist J.B. van Mour, who lived and worked in Constantinople for many years during the first part of the eighteenth century. It has been suggested that van Mour came to Constantinople with the entourage of Ferriol in 1699. When the paintings were complete, Ferriol helped Le Hay to publish the present prints of the pictures. Le Hay's work was an instant success and the plates quickly became the principal source of turqueries for artists and publishers throughout Europe. In recognition of van Mour's talents, he was granted the unique post of 'Peintre ordinaire du Roi en Levant' in 1725. Van Mour's paintings (and the plates that derive from them) show Constantinople as a cosmopolitan place with Muslims and non-Muslims uniting in shared 'Ottoman' pleasures. Armenians, Franks, Greeks and Persians are shown drinking coffee, playing mankeh (a version of backgammon), or making music. One of the folding plates shows the famed Whirling Dervishes. First edition; 2 vols in one (as intended), large folio (50 x 35 cm); [6 (title, blank, preface, advertisements)], [1]-26pp., copper-engraved music plate, copper-engraved title, 102 copper-engraved costume plates, of which 3 double-page, a touch of foxing to text only, a few marginal paper flaws, small tear and hole repaired to 100th plate; contemporary French mottled calf, gilt spine in eight compartments, gilt red morocco lettering-piece, board-edges gilt rolled, edges speckled green and red, joints and corners professionally restored, a little rubbing to extremities, a very good copy. Atabey 429; Blackmer 591; Cohen de Ricci 619; Colas 1819, 1820; Lipperheide 413, 414.…

Hardcover. Zustand: Good. Folio 19 x 13 1/2 inches, full period calf, spine repaired. 2 parts in one volume. Engraved title, (iv) pages and 102 FINE ENGRAVED PLATES (3 double page) plus one engraved sheet of music. 2nd title page to Explication and 26 pages of descriptive text. One leaf of text repaired in the blank margin. Complete. Fine dark impressions of these iconic costumes plates of the peoples and customs of the Levant in the eighteenth century. The females and males being equally represented. A good copy. Commissioned by Charles de Ferriol French ambassador to the Porte between 1699 and 1709, Le Hay's work was widely appreciated and became the template for future prints of regional costumes of this area. The Levant - a large area of the Eastern Mediterranean including Turkey and the Greek Islands. Reference Atabey 430; Blackmer 591: Colas 1819-1820.…

An exceptional example. Most copies were issued uncoloured. Few were sold with hand-colouring and a smaller number were issued heightened with gold and mica. Very few copies, however, have as many engravings heightened with mica as the present one. This important work forms the 'basic prototype for Levantine costume plates' (Atabey). The most luxurious edition, with hand-coloured plates, many enhanced with gold and mica, arguably the finest colour plate costume book of the Ottoman Empire. In addition to the sixty or so plates depicting Turkish Court, noble, military and other costumes, the work illustrates the regional, religious or national costume of several other parts of the Turkish Empire. These include Greeks (10); Albanians (2); Jews (3); Hungarians (2); Wallachians (3); Bulgarians (2); Crimean Tartars (1); Armenians (5); Persians (2); Indians (2); Arabs (1); Barbary Coast (4); and Moors (1). The plates for this work were commissioned by Charles de Ferriol (1652-1722), the French Ambassador to the Porte between 1699 and 1709. The plates were engraved after drawings by the Flemish artist J.B. van Mour, who lived and worked in Istanbul for many years during the first part of the eighteenth century. It has been suggested that van Mour came to Istanbul with the entourage of Ferriol in 1699. When the paintings were complete, Ferriol helped Le Hay to publish the present prints of the pictures. Le Hay's work was an instant success and the plates quickly became the principal source of turqueries for artists and publishers throughout Europe. In recognition of van Mour's talents, he was granted the unique post of 'Peintre ordinaire du Roi en Levant' in 1725. Van Mour's paintings (and the plates that derive from them) show Istanbul as a cosmopolitan place with Muslims and non-Muslims uniting in shared 'Ottoman' pleasures. Armenians, Franks, Greeks and Persians are shown drinking coffee, playing mankeh (a version of backgammon), or making music. Folio (49 x 33 cm approx.), engraved throughout, comprising: title with preface by Cars on verso, 'Anecdotes' (pp.I-II), 'Explication des figures' (pp.III-XIV), leaf of music (printed recto only), and 102 engraved plates (3 double-page), all with fine contemporary hand-colouring, 30 plates heightened with gold and mica; full contemporary French red morocco, boards & spine richly tooled in gilt, with superb floriated endpapers; some restoration to extremities of spine; a particularly fine example. Koç 105; Atabey 430 (uncoloured); Brunet 947-48; Blackmer 591; Colas 1819-20.…

[Paris: Le Hay, Duchange, 1714]. In-fol.: 50 x 34.5 cm, 100 pl. grav. chiff. 1 à 99 + 1 pl. double in fine. Recueil de 100 grandes figures orientales principalement par Scottin et Simonneau mais également par Du Bosc, J. Haussard, Cochin, J. du Franssieres, P. Rochefort et B. Baron. Notre exemplaire ne comporte que les planches. Ces estampes représentent principalement des costumes de l'mepire Ottoman. Elles furent exécutées d'après les tableaux du peintre flamandJ.B. Van Mour, qui arriva à Constantinople avec l'entourage deCharles de Ferriolen 1699. On y découvre aussi des costumes de Grecs, Juifs, Albanais, Hongrois, Perses, Arméniens, Bulgares ou Arabes. Reliure moderne en veau brun. Dos à six nerfs avec pièce de titre en maroquin rouge et caissons fleurdelisés, Encadrement à froid des plats. Manque en tête de la pl. 48. Quelques rousseurs. Exceptionnel recueil de figures orientales caractéristiques de la gravure du premier XVIIIe siècle français.…