Chaplin sydney (7 Ergebnisse)

Original lobby card for the 1959 film "The Chaplin Revue," a re-release of three of Charlie Chaplin's earlier films: "A Dog's Life" and "Shoulder Arms" (both from 1918), and his final short film, "The Pilgrim" (1923). Lobby card No. 7 in the set depicts a scene from "Shoulder Arms," where the Tramp is a boot camp private who goes on a mission in enemy territory. The 1959 re-release included a new soundtrack written by Chaplin, designed to increase appeal to modern audiences. Universally acclaimed as an actor, director, and producer, Chaplin and his iconic Tramp character especially captured the hearts of the filmgoing population, and to this day he is considered a legendary innovator in comedic cinema. By rereleasing his films together in this manner he hoped to win over a new generation of audiences to his character, and to an extent it worked. Though Chaplin would remain in Europe throughout the 1960s, his status in the public eye as a blacklisted Communist began to shift. 14 x 11 inches. An attractive piece, in Near Fine condition.…

Audio CD. Zustand: Sehr gut. ACHTUNG: LP von 1964 (Capitol/EMI - Stereo). Cover leicht nachgebräunt, Platte excellent. Versand aus München 2013511 Sprache: Deutsch Gewicht in Gramm: 82.

audioCD. Zustand: Gut. Seiten; B3400-141 Sprache: Deutsch Gewicht in Gramm: 500.

230 : 160 mm. Seite aus einem Programmheft des Theaterstückes The Night of the Iguana" (1961) mit eigenh. Unterschrift von Louis Guss. Rückseitig eigenh. Unterschriften von Sydney Chaplin, Orson Bean und Phyllis Newman.

4to. 28 pp. A lengthy legal document signed "Charles Chaplin". It pertains to a lawsuit Chaplin filed against Vitagraph-Lubin-Selig-Essanay, Inc. and the Essanay Film Manufacturing Company concerning his movie A Burlesque of Carmen, which Chaplin had written, directed, and starred in for Essanay. Chaplin seems to have been unhappy with changes that Essanay made for a second version released after Chaplin had moved on to another film company, and he was suing to have it pulled from the market due to concern for how it could harm his reputation. He ultimately lost the suit. Chaplin signed on the second page, following a short affidavit concerning his contract with the movie makers and his idea of the film. His affidavit mentions Geraldine Farrar and Theda Bara, though neither was involved in the suit. A notary also signed. The remaining eight pages contain the unsigned statement of Essanay General Manager Walter W. Irwin. The document is in fine condition with filing holes and occasional losses to the edges. There is a similar, accompanying document signed by Sydney Chaplin, the elder half-brother of Charlie. The second document also has news clippings and programs attached to the legal sized sheets. …

PERSÖNLICHER SCHECK (E.Original-Dokument 1 S. kl. 8° quer mit fett gedrucktem Counter Check) über US-$ 15,00 für Cash, eigenhändig signiert Los Angeles, CA. 3/7/1956.

Zustand: Fine. Fine. - A collection of 7 original 10 inch by 8 inch black & white gelatin silver photographs of the theatrical personalities surrounding the 1956 Broadway production of the musical "Bells Are Ringing". Included are photographs of the 2 Tony Award-winning stars of the stage production: 1) Judy Holliday, here portrayed from the chest up, sitting at a desk or table while smoking. The number "18809-1-7" is written in pencil on the verso. 2) Sydney Chaplin is portrayed from the chest up, wearing an open collar white shirt as he sits at what appears to be a card table. The number "18809-1-11" is penciled on the verso. 3) Adolph Green, the Musical's co-author and co-lyricist, is portrayed in a dark suit jacket over white shirt and tie, seated at a desk with a glass in the foreground. The number "188-9-1-8" is penciled on the verso. Three other photographs, possibly other cast or crew members, are identified as "Barney" seated at a table playing cards with a stack of chips and a bottle of liquor in front of him. This photo is numbered "3199-1" in pencil on the verso. "Skippy" wearing glasses, with a cigarette in his mouth, is numbered "6257-4-11" in pencil on the verso. "Harold" wearing glasses and the stub of a cigar in his mouth, is numbered "6257-4-13" in pencil on the verso. A seventh photograph titled "The Gang - Circa '60" depicts 5 people viewed from the back seated at a large round card table. Sydney Chaplin is possibly the person depicted at the center with Skippy to his left. This photograph is numbered "6257-4-7" in pencil on the verso. The number "E 9738" is additionally stamped on the verso of all of the photographs and all of the photographs are identified in black felt in the margin under the image and all are in fine condition. Judy Holliday (1921-1965) won an academy award for her role in the film version of "Born Yesterday". Accused of being associated with communism, she was called to testify before the Senate Internal Security Subcommittee in 1952. With the help of her mentor Jean Dalrymple, Judy came through unscathed and found sanctuary with the New York theater community. She co-starred with romantic lead Sydney Chaplin in the Broadway production of "Bells Are Ringing" from 1956 to 1959, recreating the role for the movie version opposite Dean Martin in 1960. The second son of Charlie Chaplin and Lita Grey, Sydney Chaplin (1926-2009) played the leading role opposite leading lady Judy Holliday in "Bells Are Ringing". He won the Tony Award for Best Featured Actor in a Musical for his 1957 Broadway performance in that musical. Adolph Green (1914-2002) co-wrote the screenplay & lyrics with Betty Comdon for the musical. [Provenance]: From the estate of Jean Dalrymple (1902-1998), the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville, appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing, the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski, Mary Martin, Jos Iturbi, Andre Kostalanetz, Nathan Milstein, and Lily Pons. She began her work at City Center with its founding in 1943, serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951, Jean Dalrymple married Major-General Philip deWitt Ginder, commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.…