chaim soutine (89 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Very Good. 1st Edition. Exhibition catalogue: At the Tate Gallery, London, 28 September - 3 November. 1st printing (1963). 28pp + 32 plates. Stapled paper covers. VG+ copy but for small stain to front cover.

Zustand: Very good. London: Arts Council of Great Britain, (1982)., (1982). Very good. - Quarto, 10-5/8 inches high by 8-1/4 inches wide. Softcover, bound in color pictorial cream wraps. The covers are slightly rubbed & creased. 255 & [4] pages, profusely illustrated in color and black & white. Very good.

Paperback. Zustand: Very Good-. Card covers are age-toned and shelf-marked, corners and spine bumped; binding is tight; pages are age-toned but unmarked, edges foxed. ; 8.25 x 0.75 x 10.7 inches; 255 pages.

paperback. Zustand: good. Soutine, Chaim (illustrator). Malou Wedel Bruun / Kirsten Degel (Red.): Chaim Soutine: Mod stroemmen (Louisiana Revy 64. Argang Nr. 2, 2024). Eigenverlag Louisiana Museum of Modern Art, Humlebaek / Dänemark 2024. Broschur, 104 Seiten mit zahlreichen farbigen Abbildungen; ordentlicher Zustand. - Text nur in Dänisch / in Danish only / dansk.

paperback. Zustand: fine. Soutine, Chaim (illustrator). First. 32 color illustrations, 84 in black-and-white, plus a photo essay. 207 pages. glossy pictorial wrappers. New York: Prestel Jewish Museum, (1998). First softcover edition. A fine copy. With contributions by Romy Golan, Donald Kuspit, Colette Giraudon, et al.

paperback. Zustand: fine. Chaim Soutine (illustrator). Illustrated in color and some b/w photos. Unpaginated. Tall slim 4to, stiff pictorial wrappers. New York: Cheim & Read, 2006. A fine copy.

hardcover. Zustand: New. Brand New.

paperback. Zustand: acceptable. Soutine, Chaim (illustrator). Ernst-Gerhard Güse (Hrsg.): Chaim Soutine 1893 - 1943. Begleitband zur Ausstellung 1981/82. Verlag Gerd Hatje, Stuttgart 1981. Broschur, Format 21 x 28 cm, 257 Seiten mit Abbildungen; Knickstellen, etw. gebrauchsspurig. - Volumina.

OLnbd., 25 x 20 cm. Zustand: Gut. 116 Seiten, Second Reprint 1969. - Nachdruck eines Kataloges zu einer Ausstellung im Museum of Modern Art New York. - Mit zahlreichen Abbildungen. - Einige wenige Seiten mit Anstreichungen in zartem Bleistift. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9780714623405 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 585.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Jackson Pollock; Chaim Soutine; Earl Kerkam (illustrator). Lovely copy of this uncommon title which investigates 3 crucial figures in the history of paintings movement away from direct figuration. 184 pages with black and white reproductions. Well bound, tight, square. Bright and clean interior with no marks or damage. Covers have light shelfwear, mostly just some very negligible rubbing at one or two of the edges. Excellent copy !

First edition, first printing. Fine paperback exhibition catalogue.

Paperback. Zustand: Good. No Jacket. Jackson Pollock; Chaim Soutine; Earl Kerkam (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First Edition. Los Angeles County Museum of Art, (1968). First Edition. 11" x 8.75". 152pp. Cloth. Book in fine condition, dj very good (moderately worn, creases at fold). Catalogue of a comprehensive exhibition, with 19 color plates, 97 b&w illustrations, and a "penetrating analysis of influences, techniques and development of style" (dj). ; 8vo 8" - 9" tall; 152 pages.

257 S. Kartoniert. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Ecken und Kanten minimal berieben. Sonst gut erhalten. Sprache: deu.

Pictorial wrappers, fine. On pp. 149-59, 160-68, 169-194, 195-209, 210-22 in Konsthistorisk tidskrift / Art Review published by the Society of Art History, 60 (1991):3-4. Stockholm 1991. 4to. Pp. 149-232. Illustrated. "Felicitas. On the identification of a Dürer drawing" in German, "Architecture in Nancy at the turn of the century. With the Lorraine nature as a model book" in Swedish with Summary in English.

Hardcover. Zustand: Brand New. 160 pages. 11.00x8.75x0.79 inches. In Stock.

4°. 107 S. mit vielen, meist farbigen Abbildungen. OBrosch. Sprache: deutsch.

4° (25-35 cm), kart. 257 S. : Ill. (z.T. farb.) Buch in guter Erhaltung, Einband sauber und unbestoßen, Seiten hell und sauber, 0 Sprache: Deutsch Gewicht in Gramm: 1150.

First Edition. Very good paperback copy; edges slightly dust-dulled and -toned, with minor bumps to corners. Remains well-preserved; tight, bright, clean and especially sharp-cornered. Series; Arts Council exhibition catalogues ; 364. Physical description; 257 pages : illustrations (some color) ; 27 cm. Notes; "Landschaftsverband Westfalen-Lippe, Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster 13.12.1981-28.2.1982, Kunsthalle Tübingen 26.3.1982-31.5.1982, Hayward Gallery, London (Arts Council of Great Britain) 14.7.1982-22.8.1982, Kunstmuseum Luzern 31.8.1982-31.10.1982"--Page 1. Includes bibliographical references and index. Translation from the German. Subjects; Soutine, Chaim (1894-1943) ; Exhibitions. Soutine, Chaim (1893-1943) ; Catalogues. Soutine, Chaim (1893-1943) Criticism and interpretation. Soutine, Chaim (1893-1943) ; Exhibitions. Hayward Gallery, (London) 1982. Painting, Russian. Painting, French ; Exhibitions. Painters France 20th century ; Exhibitions. Jewish painters France 20th century ; Exhibitions. Chaim Soutine (1893-1943). Painters - [Early 20th Century - France]. French paintings Soutine, Chaim Catalogues. Soutine, Chaim Exhibitions. Soutine Chaim Russian painting. Genres; Bibliography. Catalogue. Exhibition catalogs. Exhibitions. Illustrated. 2 Kg.

Erste Auflage. 28 x 25 cm. 199 S. OKarton mit illustriertem OKlappenumschlag. Vorderer Deckel und Buchrücken mit kleineren Flecken, mit zwei Knickspuren am Buchrücken und minimale Bereibungen an den Kapitalen. Sonst gutes Exemplar. Erschienen anlässlich der Ausstellung des Museo d'Arte Moderna della Città di Lugano, der Villa Malpensata, Lugano, vom 12. März - 18. Juni 1995. Durchgehend mit meist farbigen Abbildungen versehen. Text in Englisch.

hardcover. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hardcover. Zustand: Wie neu. 1. Auflage. Beiträge von Claire Bernardi, Marta Dziewa?ska, Catherine Frèrejean, Sophie Krebs, Susanne Meyer-Büser, Pascale Samuel. Katalog zu den Ausstellungen in Düsseldorf (9. Februar bis zum 14. Juli 2024) und im Kunstmuseum Bern (16. August bis 1. Dezember 2024) Im Jahr 1913 traf ein zwanzigjähriger, völlig mittelloser junger Mann, der aus einem kleinen Ort in der Nähe von Minsk im damaligen russischen Zarenreich stammte, mit dem Zug vierter Klasse in Paris ein: Chaïm Soutine. 176 Seiten, 22.5 x 28 cm, 1038 g.

Zustand: Good. 8vo. [circa 30 pp]. Soft cover. Very Good. Color plates.From the collection of Peter Selz, Art History Professor at UC Berkeley.

Zustand: Good. 4to. 151pp. Soft cover. Black and white and color plates. Poor. From the collection of Peter Selz, Art History Professor at UC.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.