brown earle (36 Ergebnisse)

Unknown. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

LP Record in Gatefold Jacket. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Mainstream MS/5000. Definitive recordings by one of the greatest performers of avant-garde piano music (and a gifted composer as well). REPERTOIRE: [Xenakis] Herma (1960-61, dedicated to Yuji Takahashi); [Reynolds] Fantasy for Pianist (1963-64); [Y. Takahashi] Metatheses (1968); [Brown] Corroboree (1963-64). CONDITION: The LP is remarkably quiet, showing a bit more surface noise (with occasional light pops and crackles) in the Xenakis track. I'm tempted to grade this copy as Very Good Plus but prefer to grade it more conservatively as VG. Its jacket is bright, solid, and unmarked, with moderate shelf-wear and a couple small areas where the clear lamination has loosened. The LP is now in a new audiophile inner sleeve (replacing the plain original) and the entire album is nestled in a strong mylar outer sleeve. It will be cleaned again before being securely packed and promptly shipped, domestically (USA) and internationally.

LP Record in Jacket. Zustand: Near Fine. CRI SD 330. Four remarkable works by this distinguished American composer and member of the "Cage circle". REPERTOIRE: Times Five (1963); Octet I (1953); December 1952 (1952); Novara (1962). NOTE: *** See accompanying scan images for further details. CONDITION: The LP has surprisingly quiet surfaces, with only a few instances of perceivable (minimal) noise - and the recording quality is high. Its Very Good Plus jacket is bright, solid, and unmarked, with light edge- and corner-wear, a slight corner bend/crease, and the faintest hint of ring-wear. This exceedingly scarce LP is now in a new audiophile inner sleeve (replacing the plain original) and the entire album is nestled in a strong mylar outer sleeve. It will be cleaned again before being securely packed and promptly shipped, domestically (USA) and internationally.

Spiral-bound Card. Zustand: Good. First Edition. 166 Pp. Metal Spiral Bound, Metal Is Rusted. Front Cover Only, Rear Cover Lacking. Contents Clean And Unmarked, Pages Unworn. Inscribed To Wine Expert Robert Balzer, "To Bob Balzer For Good Cooking! Hope You Enjoy These Recipes - Sylvia Sebastiani August 1971". Inscribed by Author(s).

Hardcover. Zustand: Fair. Expanded Edition. Ex-Library. Green Cloth cover. Cover has tears along edges of spine. Moderate wear. Typical library marks. Text is clean. G9.

Zustand: Fine. CD in original jewel case with original insert. Disc is LIKE new, case shows only faint wear and has a small sticker to its front panel. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: New. In.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. Green Cl. Good - Very Good/Sl. Chipped & Darkened, Fair. (1st). 8vo. pp xii 567, ind., gloss.

Hardcover. Zustand: Good - Cash. Zustand des Schutzumschlags: Fair. General reader wear to the corners, edges, and cover. Corners have been bumped a bit. The pages show some general reader wear as well. The book is in good condition with some normal reader wear. Previous owner's name(s) inside. The dust jacket has heavy wear, chipping, tears, and missing pieces. Stock photos may not look exactly like the book.

Softcover. Zustand: Near Fine. First edition. [44]pp. Stapled printed wrappers. Margins very faintly tanned, front wrap with a light crease, about near fine. Contains the first appearance of May Sarton's poem "Japanese Prints"; additional contributions by Charles Guenther, Joanne de Longchamps, Earle Birney, Sue Abbott Boyd, Rosellen Brown, Lloyd Zimpel, Emilie Glen and more.

Soft cover. Zustand: Near Fine. 1st Edition. A very good clean copy. A detailed, archive?based biography of Sir William Manchester (1913-2001), one of New Zealand's most influential plastic and reconstructive surgeons. It traces his journey from rural beginnings to international prominence, highlighting both his wartime service and his long-term impact on surgical practice in New Zealand.

ALL UK PARCELS SENT TRACKED! ALL OVERSEAS PARCELS SENT AIRMAIL, TRACKED! (S/hand, Hardcover, 1949). 1949 1st edition. 8vo (150 x 220mm). Ppviii,259. B/w photographs, black and red line drawings. Green cloth, upper board and spine titled in gilt on black panels. Steoger Arms Corporation label to front end-paper, foxing to edges, a little musty but good-plus in rubbed, price-clipped dust-wrapper. "When you stop to consider you will realize that while the average sportsman does not consider himself interested in optics, there are but few who do not own some type of rifle scope, spotting scope, a pair of binoculars or a camera. .It is a fact that the average sportsman's knowledge of the essentials of optics and what should be looked for in order to produce the most suitable equipment for a particular purpose, is practically nil. He depends in most cases 100 percent upon the persuasiveness of the salesman (who frequently knows little more than the customer) and of course, upon a few outstanding names such as Bausch & Lomb and Zeiss, which are in themselves a guarantee of quality. .One of the principal reasons for the general ignorance on this subject is that it is normally such a highly technical one that books on the subjects are far beyond the comprehension of the average man. Up to this time, no book has ever been published which has made basic optics really basic - yet sufficiently thorough, while at the same time being readable and extremely interesting to anyone with the slightest inclination to increase his knowledge along these lines. .[This book] has been written with emphasis on those points in which the sportsman would be most interested. Particular attention has been given to the matter of rifle and spotting scopes, as well as binoculars and cameras. A short outline on the principles of microscopes and astronomical telescopes has been included." (From the preface by A.F. Stoeger). Chapters include:- Optical terms and concepts; Basic optical components; Instruments and the eye; Rifle scopes; Binoculars; Telescopes; Cameras; The microscope; Optical malfunctions; Deterioration of optical instruments; Maintenance of optical instruments; Theoretical optics. Appended is a glossary of optical terms. .

Paperback. Zustand: Brand New. 8 pages. 17.00x11.00x0.50 inches. In Stock.

Hardcover. Zustand: Very Good. viii 645p thick hardback, fresh dustjacket, excellent copy, no names or stamps, first edition Language: English.

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. A tight, very sharp copy of the 1949 1st edition. Clean and Near Fine in a crisp, price-intact, Near Fine dustjacket, with one very small closed tear at the front panel's lower-edge. Octavo, over 170 figures complementing Earle Brown's text.

Broschiert. Zustand: Gut. Edition AV 4. 23x30 cm, 6 Seiten / p. Aus dem Vorbesitz von Prof. Dr. Dieter Schnebel, einem Pionier der Neuen Musik und des Fluxus in Deutschland. - altersgemäß sehr guter Zustand - Program Notes -- THREE PIECES for Piano (1951); PERSPECTIVES for Piano (1952) and MUSIC FOR VIOLIN, CELLO AND PIANO (1952)all composed in Denver, Colo., are works which use 12 tone pitch rows and serially composed rhythmic groups. This juxtaposing of tone rows and rhythmic figurations and their virtually infinite possibilities of integral extension and variation was first suggested to me in my studies of Schillinger techniques but is also similar in concept to old techniques of iso-rhythm(mic) composition. I later discovered that Schillingers rhythmic groups are what Olivier Messiaen called cellulesas the word suggests, cells, subject to subdivision, multiplication, expansion, permutation, etc. Apart from these rather technical procedures I composed form, dynamics, melodic trajectories and densities very subjectively and spontaneously. My subjective personality tends to avoid the rather dark qualities of much 12 tone music of the time. - Earle Brown [Earle Brown Music Foundation] -- Earle Brown (* 26. Dezember 1926 in Lunenburg, Massachusetts; 2. Juli 2002 in Rye, New York) war ein US-amerikanischer Komponist. -- In den 1950er Jahren traf er John Cage, der ihn bewegte, nach New York zu ziehen. Dort galt er dann mit Morton Feldman, David Tudor und Christian Wolff als Mitglied der sogenannten New York School von Komponisten. -- Das Brown zugerechnete neue Notationsprinzip der sogenannten offenen Form war sein wichtigster Beitrag zur Musikgeschichte des 20. Jahrhunderts. -- Dieses Prinzip beeinflusste nicht nur seine Freunde und Kollegen im New York der 1950er und 1960er Jahre, sondern hatte auch später großen Einfluss auf jüngere europäische und US-amerikanische Komponisten: John Zorn und (in einigen früheren Werken) Karlheinz Stockhausen sind wohl die bekanntesten Komponisten, die auf diese Idee zurückgriffen. -- Sein bekanntestes Werk ist December 1952, das mit seiner streng geometrisch-grafischen Notation Aufsehen erregte. Available Forms ist das meistgespielte Orchesterwerk Browns [Wikipedia]. Sprache: Englisch Gewicht in Gramm: 550.

Broschiert. Zustand: Gut. 23,4 x 31,2 cm, 5 Seiten / p. Aus dem Vorbesitz von Prof. Dr. Dieter Schnebel, einem Pionier der Neuen Musik und des Fluxus in Deutschland. - Einband leicht gebräunt, ansonsten tadelloser Zustand - Program Notes -- THREE PIECES for Piano (1951); PERSPECTIVES for Piano (1952) and MUSIC FOR VIOLIN, CELLO AND PIANO (1952)all composed in Denver, Colo., are works which use 12 tone pitch rows and serially composed rhythmic groups. This juxtaposing of tone rows and rhythmic figurations and their virtually infinite possibilities of integral extension and variation was first suggested to me in my studies of Schillinger techniques but is also similar in concept to old techniques of iso-rhythm(mic) composition. I later discovered that Schillingers rhythmic groups are what Olivier Messiaen called cellulesas the word suggests, cells, subject to subdivision, multiplication, expansion, permutation, etc. Apart from these rather technical procedures I composed form, dynamics, melodic trajectories and densities very subjectively and spontaneously. My subjective personality tends to avoid the rather dark qualities of much 12 tone music of the time. - Earle Brown [Earle Brown Music Foundation] Sprache: Englisch Gewicht in Gramm: 550.

Paperback. Zustand: Brand New. reprint edition. 189 pages. 9.25x6.10x0.44 inches. In Stock.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book serves as a guide for senior trainees preparing for their final professional exams at the end of at least 4 - 5 years of advanced training in an approved plastic and reconstructive surgery training programme. These exams are extremely challenging and difficult to pass, and a knowledge of plastic surgery alone is not enough. Judgement, discipline and the ability to handle the pressure of the exam interactions are key. The book dissects each segment of the exam and presents the common clinical, anatomical and pathological cases that candidates are likely to encounter.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book serves as a guide for senior trainees preparing for their final professional exams at the end of at least 4 - 5 years of advanced training in an approved plastic and reconstructive surgery training programme. These exams are extremely challenging and difficult to pass, and a knowledge of plastic surgery alone is not enough. Judgement, discipline and the ability to handle the pressure of the exam interactions are key. The book dissects each segment of the exam and presents the common clinical, anatomical and pathological cases that candidates are likely to encounter.

Schott, Mainz, 1966, 75 Seiten, kartoniert (leicht fleckig)--- 184 Gramm.

Two vintage portrait photographs from the 1938 film, one showing actors Lyda Roberti, Jane Wyman, and Joe E. Brown, and one showing Wyman and actor Alison Skipworth. It's up to a small town soda jerk to stop a group of mobsters staying at a local inn with the intention of stashing their stolen loot. Set in the fictional town of Willow Springs. One photograph 8 x 10 inches, one photograph 10 x 8 inches. Very Good, with light, even toning and edgewear, and one with light foxing to the verso.

Hardcover. First Edition, First Printing. Quarto, 272 pages. In Very Good condition. Green cloth spine with gilt titling; red cloth with gilt titling to boards. Binding shows light bumping and shelf wear. Small dent to upper edge of text block. No dust jacket, as issued. Shelved in Alcove. 1386997. Special Collections.

[1] pp.; 35.5 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Flyer / announcement published in conjunction with a series of dance performances held [February 19 - March 27, 1966 ?]. Choreography and performances by Jeff Duncan, Linda Tolbert, Selina Croll, Martha Clarke, Kathy Posin, Earle Brown, Jack Moore, Lucas Foss, Cliff Keuter, Judith Dunn, Judith Willis, Za'eva Cohen, Art Bauman, Ray Cook, Deborah Jowitt, Kenneth King, and Alan Silva. Good. Folded in three with light wear to corners, otherwise clean and unmarked.

Hardcover. Cloth 8°. IV, 259 p. with 173 figures. good condition in englischer Sprache (in english).

LP 30 cm. Farbig illustriertes OCover. Cover sehr gut. Platte tadellos. Deutsche Erstpressung. Sprache: de.

Second Edition, a trade softcover original, with all inserts present. The faithful reprint of the seminal Fluxus manifesto, originally published in 1963. INSCRIBED by editor Jackson MacLow on the front wrapper verso: "This copy for David [and] Ellie [and] Blaine / Jackson / 3/11/74." Good to Very Good in perfect bound red-and-black wrappers, with loss at the bottom fore-edges, and moderate fading on the spine and page edges. Fluxus Codex US. Signed.

[3] pp.; 73 x 18.3 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman and Carolee Schneemann. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. 2.4 cm. dog-ear to bottom right corner of recto with bumping, light bumping of bottom left corner, and 1.2 cm. dog-ear to upper right corner with 7.7 cm. area of bumping. Multiple light fingerprint marks on verso.

[1] pp.; 58.2 x 27.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman, and Carolee Schneemann. Designed by George Maciunas. Good. Folded in sixteen with wear along fold lines and light soiling on verso along fold lines. 1.6 cm. dog-ear to bottom right corner and bumping of bottom left corner and edge. Light bumping of upper left corner of recto and 6 cm. area of light soiling to verso.