breton marc (29 Ergebnisse)

Softcover. Zustand: Très bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Slight signs of wear on the cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Couverture souple. Zustand: Bonne Condition. Couverture légèrement usée. Intérieur propre. Envoi soigné.

Zustand: New. In.

Zustand: Neuf.

Zustand: Neuf.

Broché. Zustand: Bon état. in-8 Description :192 pp. Couverture défraîchie. Langue : français Nb de volumes : 1.

Zustand: Neuf.

Couverture rigide. Zustand: Très bon état. In-8 relié 27 cm sur 20. 1 pages. Très bon état d'occasion. in-8°.

Zustand: Bon. 119 pages : illustrations en noir et en couleurs, couverture illustrée en couleurs ; 22,8 x 27,8 x 1,3 cm || Texte français.

Zustand: New.

Zustand: New. An exhaustive catalogue of catalogues raisonnes and critical catalogues published on artists born between 1240 and today, consisting of two volumes in a slipcase. Text in English and French.KlappentextrnrnAn exhaustive catalogue of catalogue.

[13258].

Hardcover. Zustand: Brand New. 2nd x hardbacks, boxed edition. 1260 pages. French language. 10.12x4.88x3.31 inches. In Stock.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 374 Pp. Large Format Hard Cover, Blue Cloth, Gilt, Yellow Endpapers. First Printing, Not The Beaux Arts Editions Reprint. Fine In Fine Dust Jacket Priced $75.

Couverture souple. Zustand: bon. RO20271078: 2018. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. environ 120 pages illustrées en couleur. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

Couverture souple. Zustand: bon. RO20271079: 2019. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. environ 120 pages illustrées en couleur. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

Couverture de Nicole José-Pierre. Edition originale sans grand papier. [8017].

Zustand: new. vendeur pro. Envoi soigne en 24/48h.

Lausanne : L'âge d'homme, 1988 - Un volume 15,3x22,5cm broché, de 198 pages - exemplaire en bon état - Livres.

Zustand: very good. Le livre peut montrer des signes d'usure dus a une utilisation constante, etre marque, porter des marques d'identification ou presenter plusieurs dommages esthetiques mineurs. vendeur professionnel; envoi soigne en 24/48h.

Taschenbuch. Zustand: Neu. Neuware.

Frontispice de Raymond Crémeaux. [6336].

FIRST GERMAN TRANSLATION circa1976, first published in Paris in 1969. 4to approximately 310 x 240 mm, 12¼ x 9½ inches, 1 ORIGINAL COLOURERD LITHOGRAPH, 24 plates in colour and 200 black and white reproductions, portrait frontispiece of the artist and 7 more photos of him in the Foreword, 136 pages, 21 poems and essays in Chagall's honour, bound in original publisher's red cloth, gilt lettering to upper cover and spine. Slightly darkened area at lower edge of upper cover, 10 mm (½") tear with slight loss of cloth at tail of spine, slight shelf-wear to lower corners. A previous owner has mounted a large colour plate of a Chagall painting on the reverse of the title page, otherwise contents very nice. Binding tight and firm. A very good copy. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

Soft cover. Zustand: Fine. 1st Edition. 4° - 120pp - B/w Plates and reproductions. Exhibition Catalog " Corps" participating: Adzak, Andersson, Andrea, Andrelis-Rye, Bacon, Bauret-Allard, Brice, Burden, Cesar, Chon-Faure, Cremonini, Danicher, Delay, Dodeigne, Dolla, Dufour, Franta, Gnoli, Haas, Hugues, Ipousteguy, Jeanclos, Journiac, Kacere, Krasno, Klein, Lewandowski, Luthi, Muehl, Nessim, Nitsch, Pane, Rainer, Recalcati, Renonciat, Saulnier, Sandorfi, Sarri, Schlosser, Segal, Vanarsky, Velickovic & Vignes. First edition, text in the French language. Original wrappers. In Fine condition.

427 pp.; 27.8 x 21.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and numbered; offset-printed Revised 1965 edition of an anthology of critical essays by André Breton. Artists, philosophers, and other figures mentioned in the text include André Breton, Corneille Agrippa, Guillaume Apollinaire, Apulee, Louis Aragon, Alexander Archipenko, Hans Arp, Gaston Bachelard, Honoré de Balzac, Hans Bellmer, Bleuler, Umberto Boccioni, Jérôme Bosch, Constantin Brancusi, Georges Braque, Victor Brauner, Bettina Brentano, Jean-Paul Brisset, Charles de Brosses, Robert Browning, Giordano Bruno, Alexander Calder, Leonora Carrington, Blaise Cendrars, Paul Cezanne, Marc Chagall, Giorgio de Chirico, Cimabue, Joseph Cornell, Piero di Cosimo, Georges Courteline, Charles Cros, Salvador Dali, Paul Delvaux, André Derain, Denis Diderot, Oscar Dominquez, Enrico Donati, Isidore Ducasse, Marcel Duchamp, Raymond Duchamp-Villon, Eckhardt, Albert Einstein, Paul Eluard, Max Ernst, Serge Essenine, Joachim de Flore, Théodore Flournoy, Jean Fouquet, Charles Fourier, Esteban Frances, James George Frazer, Sigmund Freud, von der Gabelentz, Alberto Giacometti, Giotto, Goethe, Arshile Gorky, Mathias Grunewald, Gutenberg, David Hare, S. William Hayter, Heraclite, Herold, Morris Hirshfield, Victor Hugo, Sidney Janis, Alfred Jarry, Frido Kahlo, Søren Kierkegaard, Paul Klee, Heinrich von Kleist, Kraepelin, Wifredo Lam, Henri Laurens, Eliphas Levi, Georg-Christoph Lichtenberg, Jacques Lipschitz, Raymond Lulle, Mabuse, Maurice Maeterlinck, René Magritte, Majakowsky, Stéphane Mallarmé, André Masson, Pierre de Massot, Henri Matisse, Matta, Meissonnier, Joan Miró, Henry Moore, Nadja, Gérard de Nerval, Friedrich Nietszche, Novalis, Richard Oelze, Gordon Onslow-Ford, Wolfgang Paalen, Blaise Pascal, Benjamin Peret, Francis Picabia, Pablo Picasso, Edgar Poe, Jacques Prévert, Jean Racine, Man Ray, Marcel Raymond, Charles Renouvier, Retz, Arthur Rimbaud, Diego de Rivera, Simon Rosenkreuz, Henri Rousseau, Jean-Jacques Rousseau, Sabato, Marquis de Sade, Kay Sage, Nicolas Saunderson, Caroline Schlegel, Kurt Schwitters, Kurt Seligmann, Georges Seurat, Wirt Sikes, Hélène Smith, Philippe Soupault, HIppolyte Taine, Yves Tanguy, Leo Trotsky, Tristan Tzara, Raoul Ubac, Uccello, Jacques Vache, Paul Valery, Vincent Van Gogh, Jacques Vaucanson, Leonardo da Vinci, and Edward Young. Includes index of names and list of illustrations. Printed in color and black-and-white. Text in French. Fair / Good. 5 cm. tear to the book cloth along spine and 1 cm. of soiling. 2 cm. stain on inside front endpapers and flyleaf which carries through lightly to the title page. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges may be required for international orders.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 2nd Edition. 4° - 136pp - One original color lithograph and Color & B/w reproductions. Hommage à Marc Chagall (1887-1985) Russian-French artist. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. First German edition - second edition, the first edition, was published in french by XXe siècle) - containing one original color lithograph. Original binding and dust-jacket. In Very good condition.

8vo. (230 x 154 mm). [3 unnumbered leaves, one large and fold-out]. Title to front cover, verso and interior of folding flap with text 'Europe' by James Thrall Soby, page (also to interior of wrapper) with 'Catalogue' with artist, title and date of each work, leaf of white paper with the text 'America' by Nicola Calas recto, verso with blank leaf with notes here with numerous signatures (see below), following fold-out spread with monochrome reproduction photograph by George Platt Lynes of the participating artists (see also below), recto and verso also with the text 'America' concluding on the inner rear wrapper. Original publisher's pale yellow printed wrappers with folding flap, titles to front cover in green, later green board slipcase. [PROVENANCE: Margaret and Alfred Barr; acquired from Barr's estate by Thomas Walther; private collection Berlin]. Margaret and Alfred Barr's presentation copy of the catalogue for the exhibition they had done so much to enable, signed by all of the participating artists and by the gallerist Pierre Matisse. Pierre Matisse's presentation is in black ink to the foot of the blank 'Notes' leaf bearing the signatures of the participating artists: 'THIS IS A SPECIALLY SIGNED COPY FOR MARGARET AND ALFRED BARR / Pierre Matisse / NEW YORK MARCH 3d 1942'. The copy is signed in various colour inks by all of the participants: Marc Chagall (blue ink), Pavel Tchelitchew (turquoise), Ossip Zadkine (red), Eugene Berman (purple), Yves Tanguy (umber), Fernad Léger (red), Max Ernst (blue), André Masson (red), André Breton (turquoise), Amedée Ozenfant (blue), Kurt Seligmann (umber), Piet Mondrian (blue / black), Roberto Matta Echaurren (sepia) and Jacques Lipchitz (green). It is significant that Margaret Scholari Barr, known as Marga, is listed first in the presentation by Pierre Matisse, as from 1940 she had taken charge of the ongoing operations to help artists and writers fleeing Europe. Each individual required 'a visa from the State Department, an affidavit of financial support, an affidavit of moral sponsorship vouching that he or she was in imminent danger and would not be inimical to U.S. interests, biographical sketches and letters of reference proving identities and the above, and at least $400 for ocean passage'. In conjunction with Curt Valentin (himself a beneficiary of the Barrs' help), Kay Sage (she married Yves Tanguy, another beneficiary in 1940), Kay Boyle and the Emergency Rescue Committee. Although no exact list of all of those who benefited from the help of the Barrs and the ERC remains extant, the majority of those who exhibited in 'Artists in Exile' did and the present catalogue represents a remarkable testament to their work, their efforts and their humanity. The exhibition - perhaps an unlikely one given the range of participants and their differing outlooks, temperaments and sympathies - was held at Pierre Matisse, 41 East 57th Street, New York from 3rd - 28th March, 1942; each of the artists contributed one work undertaken after their arrival in the US, those by Masson and Lipchitz were courtesy of the Buchholz Gallery. 'Pierre Matisse did not run after publicity, but there were times when publicity ran after him. That is what happened in March 1942 when the Pierre Matisse Gallery in New York opened a show called 'Artists in Exile'. The title came fraught with pathos. So did the timing . The word 'exile' had sharp teeth . As he wrote to his father . 'I stayed in town to hang the exiles' show today, instead of tomorrow. I took this precaution because all the exhibitors are right here in town. You know what they are like. They'd insist on giving me advice, and making sure that their own painting had a very goood place . They number fourteen in all, and I got them together for a group photograph. As most of them didn't speak to one another when they were in France, I was afraid there would be trouble when they were all thrown together . '. (Pierre Matisse quoted by John Russell). 'In no sense were they a band of brothers. But they did all agree to huddle together before the camera . Given the variety of age, instinct, outlook, nationality, and relative achievement that was in question, the show was necessarily the equivalent of alphabet soup. It was not likely that the fourteen artists in question would ever again be in the same room at the same time. Not only were they a tight fit in the space available, but solidarity was minimal. And yet, for an uneasy quarter of an hour, along with other unlikely conjunctions, André Masson sat next to Piet Mondrian, and Marc Chagall sat between Max Ernst and Fernand Léger. There was zero eye contact. Unsmiling, they sat stiff and still and stared straight ahead.' (James Russell). ' . as the situation became increasingly desperate across the Atlantic [i.e. in Europe] in the 1930s, European artists, scholars, and arts workers began reaching out to MoMA for help. Working in concert with the Emergency Rescue Commitee (ERC), a group of New York-based activists, MoMA staff, including director Alfred H. Barr Jr. and his wife, art historian Margaret Scholari Barr, who led the initiative at the Museum, helped their peers in Europe secure the papers and funds necessary to immigrate to the US . Scholari Barr made 'rescue' operations her full-time occupation in these years . Artists including André Breton, Marc Chagall, Max Ernst and Piet Mondrian were able to relocate here through the aid of the Barrs and the ERC.' (MoMA catalogue). 'Sometimes doing more than the government was willing to do, MoMA was the final hope for many. The Barrs took advantage of their contacts and MoMA?s reputation to turn the museum into a literal protector and defender of modern art.' (Christina Eliopoulos). [see Christina Eliopoulos' 'In Search of MoMA?s ?Lost? History: Uncovering Efforts to Rescue Artists and Their Patrons', MoMA, 2016; see John Russell's 'Matisse: Father and Son', New York, 1999, pp. 201 - 203].

Dijon, directeur : Guy Chambelland. Un volume 23,5x18,5cm agrafé de 108 pages. Bon état. Livres.

Manquent les numéros 101-106, 108, 127, 130, 133-137, 139, 143, 146, 154. [5194].