schuster jean (145 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Couverture souple. Zustand: Très bon.

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Joseph Smrkowski, John Heartfield, Madame Aussoir, Jean-Claude Silbermann, Gustave Moreau, Andre Breton, Jean-Francois Bury, Jacques Derain, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Zustand: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of the revolutionary manifesto of Tull, Benjamin Mendoza, Jacques Bazin, Jacques Vache, Jean-Claude Silbermann, Robert Benayoun, Hassan Fathy, Maurice Blanchard, Pierre Boujut, Earl Spartre, Stephen Schwartz, Christian Rochefort, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Zustand: Near Fine. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Tel Quel, the Kings of Bretagne, Alain Legrand, Yves Ellequet, Henri-Francois Rey, E. Kienholz, M. Fontenet, the Ministre de Travail, Georges Bataille, Jindrich Styrsky and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Zustand: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Walter Benjamin, the Student Revolution of 1968, Jean-Paul Sartre, Herve Telamaque, Regis Debray and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Zustand: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Charles Fourier, Benjamin Peret, William Shakespeare, Josef Stalin, Eva Beuys, Joseph Beuys, Lilo Klapheck, Konrad Klapheck, a month-by-month horoscopic calendar for 1970, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Zustand: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Sharon Tate and Bernadette Devlin, Georges Pompidou, Carlos Franqui, the photography of Nicole Pierre and Man Ray, poetry, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Paperback. Zustand: Good. 205p square format paperback, orange card cover sunned at the spine, most pages uncut, a fresh and firm copy, like new Language: French.

Zustand: New. In.

Soft cover. Zustand: Very Good. 1st Edition. Wrappers. Covers faded at spine. From the library of the poet David Gascoyne, with the Gascoyne library book-label and inscribed opposite the half-title, "Exemplaire de David Gascoyne".

205 S., 1 Bl. Erste Ausgabe (eine Lage lose, Gebrauchsspuren). Sprache: Französisch Gewicht in Gramm: 700 8°. Orig.-Karton (lichtrandig).

Soft cover. Zustand: Good. quelques pliures/accrocs/taches sans consequence sur la lecture. état général très correct.

Soft cover. Zustand: Good. marques de pliage bon état général.

205 pp. Soft cover.

Eric Losfeld, 1969, 205 p., broché, couverture frotté et haut du dos émoussé, bon état pour le reste et intérieur très propre, pages non coupées (jamais lu).

Broché. In-8, (19x10 cm), broché, couverture à rabats, non paginé, édition originale, 1 des 485 exemplaires tirés sur vergé teinté, ici le n° 255 ; plats très légèrement insolés, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.

Le Terrain vague, Dir. André Breton, novembre 1965. Un volume in-8 broché, 128 p. Edition originale. Nombreuses illustrations en noir et blanc. Couverture un brin fanée, sinon bon état.

Zustand: BUONO. Bordeaux, Pleine Page / Ovales cm.12x19, pp.158,(2), br., cop.fig.a col. (copia in stato eccellente; allegata una cartolina raffigurante un'opera della scultrice Danielle Bigata, con invio autogr. a matita di Schuster sul verso.).

Couverture souple. Zustand: Bon. Edition originale pour cet essai d'inventaire de l'activité du mouvement surréaliste entre 1957 et 1968 par l'un de ses membres et fondateur de la revue Quatorze Juillet en 1958 et directeur d'Archibras en 1966. Annexes et Index nominum in fine. Pas de grand papier annoncé. 205 pages. Broché. Format : 14,5 x 19,5 cms. A noter : insolation en cadre sur les plats.

Nouvelle Série - Janvier. 64 pp. Near fine in illustrated wrappers with a small split at base of spine. Contributions by Benjamin Peret, André Breton, Eugene Ionesco, Marcel Duchamp, and many others appear.

in-8vo, 208 p., richement ill. avec des reproductions de peintures et de photographies en couleurs et en n/bl., cartonnage original ill. en couleurs. Catalogue de l?exposition au Musée d?Art et d?Histoire à Fribourg. Avec une importante index des noms de personnes (les peintres et leurs sujets).Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

Zustand: Très bon état. in-8, broché, 128 pp., index Edition originale sans grand papier. Envoi autographe signé de l'auteur. Très bon état.

hardcover. Zustand: Good.

hardcover. Zustand: Fine.

hardcover. Zustand: Very Good.

Quadrat-8°. 208 S., viele Abb. OKart.

Zustand: New. In.

Editeur le Terrain Vague, Bieff, N°3 (15 janvier 1959), broché, environ 31x24cm, 6 p., des rousseurs sur la couverture, quelques taches de liquide sur le second plat, dos frotté, intérieur propre.