Brasco miguel (11 Ergebnisse)

tapa blanda. Zustand: Muy bien.

116 p 17 cm Primera edición. Encuadernación editorial en rústica con Lomo con pequeño faltante y huella de uso. Colección Prosistas Argentinos Nº 3.

Softcover. Zustand: Gut. Andanzas. 297p., Sprache: Spanisch, USADO / GEBRAUCHT / USED. Rústica con solapas./ Buen estado. El ingeniero Schlagensohn viaja a Quejido Huacho, en la provincia de Buenos Aires, para cumplir una tarea oficial. Despistado y curioso, se pierde en una red de peripecias que lo alejan de su objetivo: policías corruptos, una banda de traficantes de hongos alucinógenos, un pueblo de ladrones de ganado y un ejército privado que los persigue; tres solteronas que hacen medialunas únicas y una familia de comerciantes que quieren robarles la receta; un bar donde un travesti emula a Marlene Dietrich, dos hermanos que vieron a la Virgen, una mujer que se excita ante la presencia de ingenieros y un perro barcino de lealtad inquebrantable. Por encima de todos, se alza la sombra de Barsut, amo de la religión. Y, más arriba aún, el "number one" teje alianzas desde la impunidad del poder. Esta primera novela de Miguel Brascó inventa una Argentina delirante y contradictoria, peligrosamente parecida al país real. Y coloca a su autor entre los escritores más originales de nuestra narrativa. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 20,70 (original price 23,00) **.…

55 p 19 cm Encuadernación editorial en rústica. Estado de conservación: Bien.

Encuadernación de tapa blanda. Zustand: Bueno. 1ª Edición. Buenos Aires. Editorial Zona. 1965. 154p. 3h. Rústica con solapas. Ordenada por: César Fernández Moreno, Noé Jitrik y Francisco Urondo. Primera edición. Buen estado.

Encuadernación de tapa dura. Zustand: Bien. Buenos Aires. Rev. Cuisine & Vins. El Club de la buena vida. 28x14 cm. 193 págs. Ilust. cartoné edit. # vinos.

Zustand: leido. 2ª ed. aumentada y corregida Rústica con solapas. cubierta algo deslucida 410.

Encuadernación de tapa blanda. Zustand: Muy bien. In-4. #1 Jul 1963 - #4 Nov 1964. (Lacks #2). Wrappers. Collaborators : Octavio Paz, Enrique Molina, Enrique Lihn, Francisco Madariaga, Noe Jitrik, Francisco "Paco" Urondo, Alberto Girri, Enrique Molina, Alberto Vanasco, Oliverio Girondo, Albero Lores, Among others. Noe Jitrik tells us about the Magazine: It was César Fernández Moreno who had the idea of ??making a poetry magazine. During his life as a lawyer had not stopped writing, a parental mandate had led him to that, but suddenly he felt something like the revelation of boredom, even with regard to his poetry preceding. From the contact with Brascó, in his own studio, but then with the bubbling porteño poetic of those years (Trejo, Vanasco, Urondo, Bayley, Madariaga, Vasco) was discovered "conversational"; poems like "Airports" date back then, "Argentine until death" and many others. His idea, or proposal, also supported by the strong ties of affection that bound everyone those poets, was quickly picked up, in particular by Urondo and myself (who was in Córdoba), as well as by Vanasco and Bayley, although not necessarily around a poetic program since each one went their own way; one could be a poet of "experience" but also inherited-surreal, as well as that each one conserved, without the need for announce it, his own poetics but we all agreed that we should organize each number from proposals. But above all, everyone believed in poetry in their own way. Tarcus p61. F1.…

Encuadernación de tapa blanda. Zustand: Muy bien. "In-8. #1 Jul 1956 - #3 May 1957. (Complete set). wrappers.The three issues of Correspondencia magazine are published in Buenos Aires, between July 1956 and May 1957. Its editors are: Jaime Alberto Barceló, Jorge Carrol, Ramiro de Casasbellas, Claudio David, Eduardo Dessein, Juan van Deurs, César Fernández Moreno, Manrique Fernández Moreno, Sigfrido Radaelli and Juan Diego Vila, who are joined by Miguel Brascó and Muñoz Unsain as collaborators. The first issue of Correspondence opens with the poem by César Fernández Moreno, Argentino hasta la muerte which, in some way, sets the tone of the magazine, whose pages are numbered continuously: the colloquial and unprejudiced tone, the humor, the uses of the everyday and the testimonial, the manners, the criticism. This tone, also present in their covers, is displayed mainly in the section "La Licuadora", made up of literary, musical, theatrical and cinematographic commentaries. Its main darts are destined for artistic institutions, the Argentine Society of Writers, the cultural supplements of the great newspapers, the Sur magazine. Jorge Rivera says the caustic humor, the brulote and the irreverence () points to a kind of notorious and healthy intellectual ethicism, which if in its most opportunistic facets reflects the mere belligerence and the movement of accommodation of the new promotions, in their more permanent facets reissues both the lesson of humor and lucidity of writers such as Oliverio Girondo and Macedonio Fernández, as well as the long-standing tradition of the most casual and provocative Creole journalism, so vitally related, on the other hand, with the forms of observation and definition of popular humor " Tarcus p42. Provenzano p262. F4.". …

Zustand: Bueno. Ediciones Zona, 1965. Ordenada por César Fernández Moreno, Noé Jitrik y Francisco Urondo. Pág, 154. Med, 20x13. Rústica. Abr/16/27.