Alberto vanasco dir (4 Ergebnisse)
Weitere BilderRevista ZONA de la Poesía Americana
Edgar Bayley, Miguel Brascó, Ramiro de Casasbellas, César Fernández Moreno, Julio E. Lareu, Noé Jitrik, Jorge Souza, Francisco Urondo & Alberto Vanasco (Dir)
Verlag: Buenos Aires Talleres Lumen, 1963
- Softcover
- Magazin//Zeitschrift
Anbieter: Chaco 4ever Books, Montevideo, MO, UruguayChaco 4ever Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut bis sehr gut
EUR 311,93
EUR 27,26 VersandVersand von Uruguay nach USAAnzahl: 1 verfügbar
In den WarenkorbEncuadernación de tapa blanda. Zustand: Muy bien. In-4. #1 Jul 1963 - #4 Nov 1964. (Lacks #2). Wrappers. Collaborators : Octavio Paz, Enrique Molina, Enrique Lihn, Francisco Madariaga, Noe Jitrik, Francisco "Paco" Urondo, Alberto Girri, Enrique Molina, Alberto Vanasco, Oliverio Girondo, Albero Lores, Among others. Noe Jitrik tel…ls us about the Magazine: It was César Fernández Moreno who had the idea of ??making a poetry magazine. During his life as a lawyer had not stopped writing, a parental mandate had led him to that, but suddenly he felt something like the revelation of boredom, even with regard to his poetry preceding. From the contact with Brascó, in his own studio, but then with the bubbling porteño poetic of those years (Trejo, Vanasco, Urondo, Bayley, Madariaga, Vasco) was discovered "conversational"; poems like "Airports" date back then, "Argentine until death" and many others. His idea, or proposal, also supported by the strong ties of affection that bound everyone those poets, was quickly picked up, in particular by Urondo and myself (who was in Córdoba), as well as by Vanasco and Bayley, although not necessarily around a poetic program since each one went their own way; one could be a poet of "experience" but also inherited-surreal, as well as that each one conserved, without the need for announce it, his own poetics but we all agreed that we should organize each number from proposals. But above all, everyone believed in poetry in their own way. Tarcus p61. F1.
Verlag: Buenos Aires El Corregidor, 1972
- Softcover
- Magazin//Zeitschrift
Anbieter: Chaco 4ever Books, Montevideo, MO, UruguayChaco 4ever Books
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EUR 445,61
EUR 27,26 VersandVersand von Uruguay nach USAAnzahl: 1 verfügbar
In den WarenkorbEncuadernación de tapa blanda. Zustand: Muy bien. In-8 #1 Dic 1972 - #4 Aug 1974. (Complete set). Wrappers. After directing the literature, art and cinema magazine Macedonio, Alberto Vanasco and Juan Carlos Martini Real embark on a new company: Latinoamericana. The magazine is published in Buenos Aires, with the endorsement of t…he Ediciones Corregidor label, between the hectic months that go from December 1972 to August 1974. Four numbers were published. The continuity with Macedonio is evident, although with a more political profile, typical of the moment. Ideologically close to revolutionary Peronism, one of the outstanding features of her intervention is that the critical discourse of dependency, the detailed evaluation of the Latin American Boom, the failure of the Chilean socialist experience, the problem of cultural liberation, prevails in its pages. The summary of its editions reproduces literary texts by important Latin American authors like Juan Carlos Onetti, João Guimarães Rosa, José María Arguedas, Felisberto Hernández, Juan Rulfo, Pablo Neruda, among others, along with readings by prominent critics Like Jorge Ruffineli, Augusto Roa Bastos, Ernesto Goldar, Luis Gregorich, Blas Matamoro, Gemán García. Jorge Lafforgue elaborates a survey today classic on Argentine literature and criticism that appears in two installments, following the models of the Survey: literary criticism in Argentina, published in Rosario in 1963, product of Adolfo Prieto's seminar, and the one published in Los Libros, in number 28, in September 1972. Nora Dottori, Aníbal Ford, Luis Gregorich Josefina Ludmer, Beatriz Sarlo, Jorge Rivera, Graciela Maturo, Ángel Núñez and Nicolás Rosa, among others, answered. Tarcus p69. CodZ.
Weitere BilderMERIDIANO 70. Literatura, plástica, teatro, cine, música, danza, T.V. y crítica
Juan José Manauta, Juan Carlos Martini, Dalmiro Sáenz, Alberto Vanasco (Dir)
Verlag: Buenos Aires, 1967
- Softcover
- Magazin//Zeitschrift
Anbieter: Chaco 4ever Books, Montevideo, MO, UruguayChaco 4ever Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut bis sehr gut
EUR 445,61
EUR 27,26 VersandVersand von Uruguay nach USAAnzahl: 1 verfügbar
In den WarenkorbEncuadernación de tapa blanda. Zustand: Muy bien. Folio. #1 Jan 1967 - #3 June 1968. (Complete set). Wrappers. Collaborators : Julio Cortazar, Haroldo Conti, Pedro Orgambide, Francisco Paco Urondo, Ernesto Goldar, Among Others. Tarcus p57. CodMK.
Verlag: Buenos Aires Editores Calatayud, 1968
- Softcover
- Magazin//Zeitschrift
Anbieter: Chaco 4ever Books, Montevideo, MO, UruguayChaco 4ever Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut bis sehr gut
EUR 802,10
EUR 27,26 VersandVersand von Uruguay nach USAAnzahl: 1 verfügbar
In den WarenkorbEncuadernación de tapa blanda. Zustand: Muy bien. In-8º. #1, December 1968 - #13 Summer of 1972 (Complete set). Wrappers. Collaborators : Raúl Gustavo Aguirre, Carlos Astrada, Manuel Bandeira, Edgar Bayley, Antonio Berni, Juana Bignozzi, Haroldo Conti, Julio Cortázar, Marco Denevi, Carlos Drummond de Andrade, Juan Gelman, Raúl G…onzález Tuñón, José Agustín Goytisolo, Liliana Heker, Jorge Lafforgue, Francisco Madariaga, Juan José Manauta, Leopoldo Marechal, Enrique Molina, Pablo Neruda, Juan Carlos Onetti, Pedro Orgambide, Olga Orozco, Aldo Pellegrini, Augusto Roa Bastos, Elvio Romero, Hermenegildo Sábat, Dalmiro Sáenz, Francisco Urondo, Bernardo Verbitsky, among others. Macedonio appeared in Buenos Aires between 1968 and 1972. It was one of the most fertile publications in a period of growing political radicalization. Directed by Juan Carlos Martini and Alberto Vanasco, it published thirteen issues in nine installments with four double issues.One of its purposes was to intervene in "historical time", to unite the aesthetic avant-garde with the political avant-garde, art for minorities and art for the majority, theory and praxis, as proclaimed in the editorial of the first issue. , which is also a declaration of principles about the activity of publishing literary magazines: «To do, yes. But at the same time keep thinking of us, as Macedonio surely also meant. The writer always has a deep nostalgia for the action, since he has chosen the activity that least resembles it. One of his actions has always been editing magazines. This wants to be, therefore and within its limitations, the way of acting of some Latin American writers. Act so that the freedom and faculty to discern the truth and make it known and discuss it with everyone, are not diluted or disappear. We want to continue, therefore, thinking of ourselves to know what we have to do. A literary magazine can never be a mere gesture of justification. It demands as a commitment the seriousness and permanence of its men and its ideology. It must comply with the historical time that makes it possible, as one more part of the struggle of its people or of the militancy of its intellectuals.». In number 4-5, corresponding to the summer of 1969-1970, the magazine published a "Brief Manifesto" in which it made six points: «1) That Latin American unity must be declared and sustained in fact, from now on, in all the orders of culture by those who work in it; 2) That there can be no literary vanguard without an ideological vanguard; just as the inverse, the social without the aesthetic, forms an indefensible contradiction; 3) That the change that the artist and the intellectual of our time must strive to produce is the passage from an elite culture to a culture of all, with all the implications that this means, where any of the members of society have the possibility and opportunity to know and to project yourself in what is related to you; 4) That demystifying does not consist only in denouncing and pointing out evils known to all, but in supplying, especially to youth, the capital and essential elements to understand and unravel reality, in order to be able to modify it; 5) That we belong to Western culture and we can do nothing with our backs to it, but that nothing is universal, either, if it is not previously national or local; 6) That youth is nothing more than a transitory state and that it is their rebelliousness that must become a permanent condition, because we must not forget that all the conformists, insensitive, accomplices and sensual who, when passing from one Age to age, they ended up identifying themselves and, what is worse, taking even further the situation of injustice and derision against which they had revolted when they were young. That it is, therefore, that rebellion of youth that must be safeguarded so that it reaches adulthood intact, in which it will be beneficial.». Tarcus p59. W15.
