Braque georges et al (8 Ergebnisse)

Stapled Pamphlet. Zustand: Good. 15pp. Wrappers tanned and foxed. Light foxing througout.

Zustand: Good. 8vo. [Oblong], French Fold Sheets, Deckled Laid Paper, Very Good. Illustrated Cover. Scarce. [4 pp.].The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.…

Zustand: Good. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.…

Paperback. Zustand: Acceptable. Transition Pamphlet No. 1. Staplebound paperback (15 pages) in acceptable condition. Both covers have detached from the spine, however remain present. Covers are marked, tanned and scuffed. Edges are creased and nicked, including small tears. Previous owner's name penned to front cover and inside front cover. Pages within remain tightly bound and are clear. LW. Used.…

First Edition. First edition. Softcover. Volume Two Number Eight. Text in English with contributions by Julian Cain, Paul Valery, Pierre Reverdy, Adrienne Monnier, and others. Includes illustrations of works by Georges Rouault, Henri Matisse, Georges Braque, Andre Derain, Pablo Picasso. Includes a color lithograph of "Sunset Over the Mediterranean" by Pierre Bonnard. An about very good copy in wrappers with an illustration by Henri Matisse and with a chip to the top of the spine and front cover copy and some other light wear. Internally a clean copy. Internally a clean copy.…

Hardcover. Zustand: FINE. Zustand des Schutzumschlags: NEAR FINE. First Edition. First American Edition, with tipped in 'Occupation of Paris' notice. Tall 4to, 35.5cm., sewn binding in Henri Matisse-designed lighograph printed cover on black paper over cards (often mistaken for the DJ itself), with original brown kraft paper lithographed dust jacket. The dust jacket was often treated as a throwaway, especially since it was taped over, making it impossible to see the beautiful Matisse covers without tearing it; they are quite uncommonly seen. We have not attempted removing the dust jacket here, though we have supplied a photograph from another copy showing the design. This is a unique opportunity to for a collector to have not only a copy of the book *as issued* with the jacket, but a uniquely clean and fresh copy of the cover itself, entombed within the protection of the jacket. The book itself is exceedingly clean and sharp. Illustrated throughout in color and black and white with contributions from Verve's usual suspects: Matisse, Miro, Picasso, Rouault, Braque, and a spectacular center-fold lithograph by Pierre Bonnard. In spite of the statement in the 'Occupation notice that half the American edition was lost, this is not a terribly scarce book -- perhaps because subscribers immediately recognized the significance of what it represented, namely the destruction of the thriving modern art movement in France at the hands of the neo-classical obsessed Nazis. But the jacket and condition make this an uncommon survival.…

Paperback. Zustand: FINE. First Edition. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue, Verve would incorporate fresh artwork into its cover designed, newly commissioned by artists such as Miro, Picasso, Chagall, and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers, Mourlot. Early issues came in litho-printed card wrappers in boxes, later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design, but left the books themselves extremely fragile and succeptible to wear. Additionally, the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare, with each volume preserved COMPLETE + FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red, blue, and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue, lithographed by Fernand Mourlot printers, was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves? . Matisse and Teriade shared a common ideal. For both of them, painting was life itself.' (Michel Antonioz, VERVE: The Ultimate Review of Art and Literature, 35-36). …

Zustand: Sehr gut. [4], 83, [5] p. No 243 of 350 on velin de Rives, with an color etching after " Trois oiseaux sur fond violet" by Braque and orig. lithgraphs by Pablo Picasso, Joan Miro, Pierre Tal-Coat, Raoul Ubac, Pierre Pallut. Sprache: Französisch Gewicht in Gramm: 2090 Loose sheets in cardboard map in slipcase.…