Sprache: Englisch
Verlag: Paris, 1938
Anbieter: Panoply Books, Lambertville, NJ, USA
Soft cover. Zustand: Very Good. Illustrated wraps show some smudges, toning at extremities, edgewear. Corners are worn, with small chip. See photos. Spine, darkened and split in pieces, is reinforced with tape. See photos. Binding is partially disbound; interior gatherings are intact, front and back are loose. See photos. Illustrations, black and white photographs and color plates, are bright and clear, with a little toning at edges. Complete with 4 lithos. Interior is gently age-toned. Inside pages are free of writing and intentional marks.** PS2025.1015** 132 pages. 10.5 X 14 inches** Issue number three of the first volume of one of the great art periodicals of all time, in the English edition. Color wraps by Pierre Bonnard. Richly illustrated with b/w illustrations, color plates, and 4 original lithographs in color by Marc Chagall, Joan Mirò, Abraham Rattner, and Paul Klee. All present and in very good condition. Condition is Very Good- with damage and reinforcement to spine, and loose gatherings. Interior is Very Good, with all plates Very Good and complete.** Essays translated from the French by Robert Sage.** Printed in Paris. Typography and color process work by Imprimerie des Beaux Arts. Heliogravure in colors by Draeger Frères. Heliogravure in black and white by Néogravure. Lithography by Mourlot Frères.** "Postage for oversized and international shipping will be calculated by size and weight. AbeBooks shipping quotes are ESTIMATES only. Seller Inventory #010341"**.
Sprache: Englisch
Verlag: Teriade, Paris, 1937
Anbieter: Spenlow & Jorkins, Denver, CO, USA
Soft cover. Zustand: Fine. Complete. All lithographs & leaves are present. Bright, flat, and fresh. No marks. Sharp edges. Excellent color. Remarkably, two of the original boxes are mostly present (worn and in pieces) as well as the subscription order card in No. 1. Total of 432 pp; 4.75 pounds. (In English. Published and printed in France.) No. 1 has an intact binding that opens wide in a few spots. Please note: these are oversized 90 year old periodicals with admirably heavy paper; some leaves will detach at some point in the future. Covers are by Matisse, Braque, and Bonnard. A rich roster of contributors including some vibrant examples of Modernist lithography as refined in Paris between the Wars (at and in collaboration with Mourlot Studios.) Matisse, Chagall, Miro, Joyce, Gide, Tagore, Claudel, List, Blumenfeld, Bonnard, Klee, Zucca, Verger, Man Ray, Cartier, Picasso, Brassai, Guichard, Maillol, Derain, Vollard, Cezanne, Zola, Delacroix, Malraux, Hemingway, Bataille, Giotto, Kandinsky, et al.
Verlag: Editions de la Review Verve, 1943
Erstausgabe
Hardcover. Zustand: FINE. Zustand des Schutzumschlags: Fair. First Edition. Tall 4to, 35.5cm., sewn binding in original lithograph paper over cards, with original acetate dust jacket. Introductory essays in French by Paul Valery and E.A. Van Moe. WIith small tipped in color plate of L'Institution de L'Ordre de Saint-Michel, followed by 12 tipped in color plates reproducing Fouquet's illustrations for The Antiquities of Josephus. The original acetate jacket is tattered and severed, but it has kept the lithograph wrappers over boards very clean and bright, text itself very fresh and sharp.
Verlag: Éditions de la Revue Verve 1940. 1948, 1948
Anbieter: Rönnells Antikvariat AB, Stockholm, Schweden
35,5x26,5 cm. 76 pp. With tipped-in colour plates and other illustrations, including a colour lithograph of "Sunset Over the Mediterranean" by Pierre Bonnard. Original printed wrappers wtih a dustäjacket by Matisse. Spine abit worn and with minor damages but overall a very good copy.
Verlag: Editions de la Revue Verve, 1940
Erstausgabe
Hardcover. Zustand: FINE. First Edition. Complete Astrological Calendar. Text in English. Tall 4to, 35.5cm., sewn binding in white paper over cards (often mistaken for the DJ itself), with original blue lithograph dust jacket. Introductory essay by Malo, translated into English by Robert Sage. With very richly colored plates reproducing the entirety of the astrological calendar of the Tres Riches Heured du Duc de Berry. DJ spine faded, original covers exceedingly clean and sharp, text entirely crisp and bright. Now covered in our thick mylar jacket. 'Teriade had always found room for selections from French illuminated manuscripts in Verve's early 'miscellaneous or general issues.' With Verve No. 7, this predilection was in full flood. The Calendar from Les Tres Riches Heures du Duc de Berry inaugurated a series devoted exclusively to illuminated texts from the thirteenth, fourteenth, and fifteenth centuries. Verve Nos. 7, 9, 10, 11, 12, 14/15, 16, and 23--which spanned a nine-year period--attest to the importance Teriade attached to this art form.' (Michel Antonioz, VERVE: The Ultimate Review of Art and Literature, 121). In an introductory essay, Teriade himself relays the great difficulty in attempting to reproduce the paintings: 'There are no more exquisite paintings in the world than those contained in this manuscript, and their colors are so delicate that faithful reproduction seemed mpossible by means of mechanical processes using chemical tones . The purit of the manuscript's colors, as Robert Draeger discovered, defied the sensitive emulsions of photographic plates. Only after patient effort could the minute drawing and transparent colors be reconstituted. The result achieved demanded extraordinary crafstmanship, and may well mark a date in the history of colored reproduction. For the first time, the Calendar of Les Tres Riches Heures now belongs to the public in its entegrality and in the exact dimensions of its original paintings.' Each of the calendar months depict in great detail a scene from the agricultural life of 15th century France-- 'No document exists which shows more fully and accurately the life of Medieval France: in it are expressed the elegance, the refinement, and the vigor of the France of the past.'.
Verlag: Editions De La Revue Verve, 1943
Erstausgabe
Hardcover with Dust Jacket. Zustand: FINE. First Edition. Tall 4to, 35.5cm., 16 color plates tipped in. sewn binding in original lithographic printed paper over cards (often mistaken for the DJ itself), with original acetate dust jacket. Introductory essay in French by Henri Malo. Acetate jacket is tattered and severed, but has kept the lithographic-printed covers quite clean and bright, with just a single tear at the head of spine; text iteself is entirely clean and sharp.
Verlag: Editions De La Verve, 1945
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Hardcover. Zustand: NEAR FINE. First Edition. Jean Fouguet's Hours of Etienne Chevalier in two volumes. Tall 4tos, 35.5cm., sewn binding in original lithograph paper over cards. Each volume with introductory text by Henri Malo in French and followed by 14 tipped in color reproductions of the Hours of Etienne Chevalier, painted by Jean Fouquet in the 1450's. Wrappers torn and chipped along the spine and rear, both books and text are exceedingly clean and sharp, now with thick protective mylar jackets.
Verlag: Editions de la Revue Verve, 1943
Erstausgabe
Hardcover with Dust Jacket. Zustand: FINE. Zustand des Schutzumschlags: Very Good. First Edition. Double issue. Tall 4to, 35.5cm., sewn binding in original blue lithograph paper over cards (often mistaken for the DJ itself), with original manilla lithograph dust jacket. Introductory essays in French by Emile Male and Edmond Pognon. 30 color tipped in plates. Male's text is bordered with very stunning B/W lithographic floral accents from the original manuscript.
Verlag: Editions Albert Skira, 1933
Anbieter: Visible Voice Books, Cleveland, OH, USA
Paperback. Zustand: Very Good. Editions Albert Skira January 1933 Binding: Trade Paperback Picasso cover is intact save some minor chips at it's edges . the spine has been crudely repaired. Seminal art document on modern art and surrealism . $NRP.
Verlag: Editions de la Revue Verve, 1946
Hardcover. Zustand: FINE. Zustand des Schutzumschlags: NEAR FINE. In French. Large 4to. FINE copy with acetate wrapper and scarce manilla lithograph printed dust jacket over the gilt-embossed paper-folded-over-board hardcovers. These paper covers are often mistaken for the actual jacket, which is very seldom seen. Illustrated throughout with b/w and color lithograph reproductions. Exceedingly clean and sharp; DJ with some trivial wear to the extremities.
Verlag: Editions de la Revue Verve, 1950
Hardcover. Zustand: FINE. Zustand des Schutzumschlags: Very Good. Tall 4to, 35.5cm., sewn binding in paper-under-board hardcovers with Chagall's original lithograph jacket overlaid by the publisher, creating an integral design. Very mild bump to the fore tail corner, exceedingly clean and fresh otherwise; DJ/cover with a 2' tear to head of spine, spine tail taped, and light rubbing to the tips. Very prone to wear and much nicer than commonly seen. Verve issue with Chagall's original illustrations for Boccaccio's Decameron alongside tipped-in color plates from the Manuscript of the Ducs de Bourgogne.
Verlag: Paris, Éditions de la Revue Verve (1947)., 1947
Anbieter: Antiquariat Haufe & Lutz, Karlsruhe, BW, Deutschland
Erstausgabe
Folio (35,5 x 26,3 cm.). [42] Bl. mit 1 Orig.-Farblithographie von Pierre Bonnard und zahlr. teils farb. Abbildungen und Tafeln. Farbig illustr. Orig.-Pappband in Farblithographie von P. Bonnard. Sondernummer der berühmten Kunstzeitschrift über den Post-Impressionisten Pierre Bonnard (1867-1947). Mit Texten von Bonnard und einem Essay von Angèle Lamotte "Le bouquet de roses" von 1943. - Rücken restauriert, Deckel etwas berieben, sonst gut erhalten. Sprache: französisch.
Verlag: Éditions de la Revue Verve 1938. 1948, 1948
Anbieter: Rönnells Antikvariat AB, Stockholm, Schweden
35,5x26,5 cm. 140 pp. Numerous plates and illustrations in the text, including lithographs bound in by Matisse (La Dance), Derain and the 14th Century Book of Health. Publisher's printed wrappers, spine worn, otherwise very good. With photos by a.o. Barna ("Rilke in Paris"), Brassaï (La chasse) and Bill Brandt (Le Londres de Gustave Doré retrouvé).
Verlag: Editions de la Review Verve, 1947
Erstausgabe
Hardcover with Dust Jacket. Zustand: FINE. Zustand des Schutzumschlags: NEAR FINE. First Edition. In French. Large 4to. FINE copy with acetate wrapper and scarce manilla lithograph printed dust jacket over the gilt-embossed paper-folded-over-board hardcovers. These paper covers are often mistaken for the actual jacket, which is very seldom seen. The jacket is printed with a unique design, similar to but distinct from the foldover covers. has kept the foldover covers in exceedingly clean and sharp condition, retaining very bright color. FINE copy in NEAR FINE jacket with just a bit of edgewear. Collecting 15 years worth of unpublished works by Pierre Bonnard in color and b/w reproductions. With frontispiece and original jacket and cover design printed in lithograph by Mourlot.
Verlag: Verve, Paris, 1938
Erstausgabe
Paperback. Zustand: Very Good+. First Edition. Color lithographs; Heliogravure photos, color; Folio 13" - 23" tall; 132 pages; Paris: Verve, No. 3 (OctoberDecember 1938). English-language edition. Oversize folio paperback in color lithograph wraparound covers by Pierre Bonnard. Contains four original color lithographs (Chagall, Miró, Rattner, Klee) representing the "Four Seasons" suite, along with striking color lithographs of Indian divinities and works by Matisse, Chagall, Rembrandt, and others. Richly illustrated throughout with heliogravures, drawings, and photographs. Literary contributions by Malraux, Valéry, Michaux, Bataille, Caillois, Tagore, and others. A landmark issue exemplifying Tériade's synthesis of Eastern and Western visual traditions and avant-garde modernism. Complete, with all plates and lithographs present. Light sun fading to the unlettered spine edge; lightly shelf-bumped at the top front corner with a superficial stress dent to the top corner of all pages; just minor shelf evidence to cover edges and surfaces. VG to VG+ . Oversize book likely to require additional charges for expedited or international shipping.
Verlag: Editions de la Revue Verve (Draeger Frères), 1946
Hardcover with Dust Jacket. Zustand: FINE. Zustand des Schutzumschlags: NEAR FINE. Tall 4to, 35.5cm. Illustrated throughout by Picasso on every page, with 18 mounted heliogravures, and text by Picasso and Jaime Sabart?s. Sewn binding in Picasso-designed lithographic paper over boards. Verve double issue devoted to Picasso's lithographs, etchings, and paintings which he made specifically for his Grimaldi Chateau, just purchased while in the Golfe-Juan on the French Riviera with (another) young lover, Francoise Gilot, muse for most of the work here. With lithographic cover and dust jacket, both designed by Picasso expressly for this issue. The manilla DJ is fairly scarce and here has kept the book itself extremely clean and sharp. Now covered in our thick mylar jacket. ?In September, October and November he turned out a prodigious amount of work, often using boat paint and plywood or fibro-cement because supplies were short and he thought they would better withstand the ch?teau?s damp. The centerpiece was the enchanting ?Joie de vivre? or ?Antipolis? with a dancing Gilot in the center, surrounded by frolicking satyrs and fauns? Picasso was recalling an antique past and Antipolis, the ancient Greek name of Antibes? (New York Times).
Verlag: Harcourt, Brace and Company / Editions de la Revue Verve / Mourlot Freres, 1954
Hardcover. Zustand: FINE. Zustand des Schutzumschlags: Very Good. American edition, printed in France by Verve with lithographs by Mourlot. Tall 4to, 35.5cm. Sewn binding in lithographic printed paper over boards with original design by Picasso featuring mirrored-matchbooked ponytail figures of his muse, Sylvette David / Lydia Corbett. Double issue featuring 180 drawings by Picasso made in Vallauris during the Winter of 1953/'54. With centerfold color lithograph frontispiece and 12 additional color lithograph plates. With the scarce dust jacket, which has kept this copy exceptionally clean and sharp. DJ spine chipped at head, gashed mid-spine, still clean and bright otherwise, wrapped in mylar; Book itself is uncommonly sound and fresh.
Verlag: Editions de la Revue Verve, 1940
Erstausgabe
Hardcover. Zustand: FINE. Zustand des Schutzumschlags: NEAR FINE. First Edition. First American Edition, with tipped in 'Occupation of Paris' notice. Tall 4to, 35.5cm., sewn binding in Henri Matisse-designed lighograph printed cover on black paper over cards (often mistaken for the DJ itself), with original brown kraft paper lithographed dust jacket. The dust jacket was often treated as a throwaway, especially since it was taped over, making it impossible to see the beautiful Matisse covers without tearing it; they are quite uncommonly seen. We have not attempted removing the dust jacket here, though we have supplied a photograph from another copy showing the design. This is a unique opportunity to for a collector to have not only a copy of the book *as issued* with the jacket, but a uniquely clean and fresh copy of the cover itself, entombed within the protection of the jacket. The book itself is exceedingly clean and sharp. Illustrated throughout in color and black and white with contributions from Verve's usual suspects: Matisse, Miro, Picasso, Rouault, Braque, and a spectacular center-fold lithograph by Pierre Bonnard. In spite of the statement in the 'Occupation notice that half the American edition was lost, this is not a terribly scarce book -- perhaps because subscribers immediately recognized the significance of what it represented, namely the destruction of the thriving modern art movement in France at the hands of the neo-classical obsessed Nazis. But the jacket and condition make this an uncommon survival.
Paperback. Zustand: FINE. First Edition. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue, Verve would incorporate fresh artwork into its cover designed, newly commissioned by artists such as Miro, Picasso, Chagall, and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers, Mourlot. Early issues came in litho-printed card wrappers in boxes, later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design, but left the books themselves extremely fragile and succeptible to wear. Additionally, the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare, with each volume preserved COMPLETE + FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red, blue, and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue, lithographed by Fernand Mourlot printers, was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves? . Matisse and Teriade shared a common ideal. For both of them, painting was life itself.' (Michel Antonioz, VERVE: The Ultimate Review of Art and Literature, 35-36).
Verlag: Editions de la Revue Verve, 1943
Hardcover with Dust Jacket. Zustand: VERY GOOD. Zustand des Schutzumschlags: Very Good. COMPLETE with both original Matisse lithographs--title page and La Chute d'Icare. With the very scarce original manilla dust jacket with Matisse's green drawing matching the green and white paper-cutout lithographed paper-over-board covers (which are often mistaken for the dust jacket). Tall 4to, 35.5cm. Covers torn along front hinge about 3', dj torn 5' at the same, small puncture 2/3 up the spine. Internal contents exceedingly clean and sharp. Matisse's pochoir study of The Fall of Icarus was his first of two, the latter appearing in Jazz, published in 1945 by Teriade. Created in 1943 with Nazi troops occupying the streets outside his apartment in Paris, it has been suggested that they were the referent for his falling image. 'In the final decades of his life, Matisse invented a new form of art, the cut-out. Working with scissors and sheets of gouache-painted paper, he cut various shapes?from the organic to the geometric?and arranged them into lively compositions. Cut-outs formed the prototypes for the printed images . which Matisse insisted remain absolutely faithful to the original colors. In response, the publisher [Teriade] turned to pochoir, a stencil printing technique in which the same gouaches could be used.' (MOMA).
Verlag: Editions de la Revue Verve, 1948
Erstausgabe
Hardcover with Dust Jacket. Zustand: FINE. Zustand des Schutzumschlags: NEAR FINE. First Edition. Double issue collecting paintings and drawings by Matisse from 1944-1948. Folio, sewn binding with original Matisse-designed lithographic paper-over boards in yelow and black and matching manilla dust jacket printed in blue. The paper-folded-over-board covers are often mistaken for the jacket itself, which is quite scarce and here has kept the yellow covers uncommonly clean and vibrant. Contents complete with lithographic frontispiece. Very small stain to the head of spine and top gutter of the FFEP, else FINE, exceedingly clean and sharp with very bright lithographic covers; Manilla wrappers show some light toning to the spine and trivial rubbing to the tips.
Verlag: Editions De La Verve, 1952
Erstausgabe
Hardcover. Zustand: FINE. First Edition. Tall 4to, 35.5cm. Sewn binding in lithographic printed paper over boards with original design by Braques. George Braque honorary double issue, Profusely illustrated with original lithographs created for this issue by Miro, Bores, Chagall, Matisse, and others. Spine paper chipped at head, moderately toned and splitting at a few points, otherwise exceedingly clean and sharp internal text with crisp, bright paper. COMPLETE with all lithographs. A binding very prone to wear--much nice than commonly seen.