Bourdon sebastien (31 Ergebnisse)

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 2020. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Edition 2020. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Softcover. Zustand: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Loose Leaf. Zustand: New. Reproduction. Original title: To Bury the Dead, from The Works of Mercy German: Um die Toten zu beerdigen, aus den Werken der Barmherzigkeit French: Pour enterrer les morts, des ?uvres de la miséricorde Spanish: Enterrar a los muertos, de las obras de misericordia High-quality fine-art reproduction based on an original work from the Artic. Creation period: 17th century (1656?57). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Zustand: Neuf.

Zustand: Neuf.

ÉTAT : NEUF / NEW CONDITION 9782021507775 588744 8.

Häftad, tr. omslag, gott skick. Exlibris för Dag Strömbäck. Ingår på sid. 55-62 + 2 planscher i Vetenskaps-societeten i Lund årsbok 1921 / Yearbook of the New Society of Letters at Lund, Lund 1921. 8:o. 64 sid. + planscher. Avser två porträtt i Söderfors bruksherrgård som Hahr menar målats av Bourdon under sin tvååriga vistelse i Sverige 1752-4. Det ena föreställer drottning Kristinas hovskräddare Johan Leijoncrona, det andra en namnlös militär. - - - "Two new Bourdon portraits discovered in a Swedish collection", in Swedish, on pp. 55-62 + 2 plates in Yearbook 1921 of the New Society of Letters, Lund, Sweden. Printed wrappers, fine, bookplate. Refers to two portraits at Söderfors manor which Hahr believes were painted by Bourdon during his two-year stay in Sweden 1752-4. One depicts Queen Christina's court tailor Johan Leijoncrona, the other an unnamed military man.…

Stapled, pictorial wrapper. Small library ticket. Inscribed by the author to Sune Zachrisson. Offprint / duplicate from Konsthistorisk tidskrift / Art Review published by the Society of Art History, 58 (1989):3. Stockholm 1989. 4to. Pp. 95-108. Illustrated.

Zustand: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Zustand: Comme neuf. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Zustand: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782488855044.

Zustand: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782021507775.

Zustand: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782021566284.

Gedruckt auf Velin. Zustand: Gut. Size (image): 260 x 220 mm. Sheet: 470 x 325 mm. *Sebastien Bourdon (geb 2. Februar 1616 in Montpellier; gest. 8. Mai 1671 in Paris) war ein französischer Maler. Nach Guilly gehörte er zu den brillantesten Malern Frankreichs im 17. Jahrhundert und brachte es zu seiner Zeit zu hohem Ansehen. - Frühe Lithographie, Abzug vor der Schrift. Sauber und gut erhalten. Sprache: Deutsch Gewicht in Gramm: 1000.…

Zustand: Good. Etching. 22.5 x 18.5cm. Mounted on a support sheet. Rare. No other image in the internet. Signed in the plate. Later printing on thin wove paper.

Paris, Librairie de l'Art Jules Rouam, 1886, in-8°, 28 x 18 cm, 316 pp ills. noir/blanc (dont trois gravures) etchings), broché, couverture souple d'origine. Couverture légèrement pouss., non coupé, non ouvert. Bon exemplaire quasi neuf de l'édition originale de 1886.

Image measures 7.75 in. x 11.25 in. Matted in frame measuring 14.5 in. x 17.5 in. In Very Good condition with light age toning. Shelved at Rockville PS1101-VII. 1414051. Special Collections - Upstairs.

Zustand: ACEPTABLE. dapres le Tableau de Seb. Bourdon gravé par Jac. Coelemans. Grabado realizado en base a la obra del pintor francés barroco Sébastien Bourdon (Montpellier, 1616-París, 1671) por el grabador holandés Jacques Coelemans (c.1670 y c.1735). Se representa a un grupo de guardias ataviados de época y jugando a las cartas mientras otro soldado con lanza y perro montan guardia. Esta obrapertenece a un género menor, conocido con el nombre debambúchadesque Bourdonaprendió durante su estancia en Roma (1634-1637) con el pintorPieterVanLaer(1592-1642). LasBambuchades eran escenas más o menos burlescas o pintorescas, que representaban escenas de la vida cotidiana, pasadas en mercados, tabernas, con soldados alborotadores y borrachos y otras marcas populares.El origen del nombre proviene de la palabra italianaBamboccio, que era el apododespectivo que seledaba en Roma aPieterVanLaery que significa más o menostítereo muñeco aburrido. Medida de Hoja : 59 x 42 cm. Formato (cm): 29x22.…

A view of a castle in France during the mid 17th century.Sebastien Bourdon (1616 ? 1671) was a French painter and engraver. His chef d'?uvre is The Crucifixion of St. Peter made for the cathedral of Notre Dame., Image Size : 300x460 (mm), 11.81x18.11 (Inches), Platemark Size : , Paper Size : 310x474 (mm), 12.20x18.66 (Inches), Black & White, Etching Very Good. Margins trimmed laid on 18thc century paper.…

0. Am Rand etwas fleckig, ansonsten gute Erhaltung. Sprache: Deutschu.

Zustand: Befriedigend. 43 x 58 cm (bis zum Bildrand beschnitten). *An den Rändern teils etwas beschabt. Sprache: Deutsch Gewicht in Gramm: 2001.

'64. SPONSABO TE MIHI.'(I'll betroth you to me.) The marriage of Saint Catherine, while receiving a ring from Jesus helf by the virgin Mary and observed by the young John the Baptist.Made by Jacques Coelemans after Sebastien Bourdon.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 28 x 24 cm (11.02 x 9.45 inch). Image size: 20 x 16 cm. (7.87 x 6.3 inch).SAINT CATHERINE RECEIVING RING FROM JESUS-VIRGIN MARY-JOHN THE BAPTISTPCO-B6-30BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Sebastien Bourdon (1616-1671) was a French painter and engraver from Montpellier, active in Rome, Paris and Sweden. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Sebastien Bourdon (illustrator).…

'69. UN PAISAGE.'(A landscape.) An arcadian landscape with a bridge over a stream and a castle.Made by Jacques Coelemans after Sebastien Bourdon.Etching / engraving on hand laid (verge) paper.Sheet size: 25.5 x 24.5 cm (10.04 x 9.65 inch). Image size: 28.5 x 20 cm. (11.22 x 7.87 inch).ARCADIAN LANDSCAPE-BRIDGE-CASTLEPCO-B6-33BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Sebastien Bourdon (1616-1671) was a French painter and engraver from Montpellier, active in Rome, Paris and Sweden. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Sebastien Bourdon (illustrator).…

'70. PISCATORES AUTEM DESCENDEBANT ET LAVABANT RETIA.'(The fishermen were coming down and washing their nets.) Coastal landscape with fishermen tending to their nets.Made by Jacques Coelemans after Sebastien Bourdon.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 36.5 x 22.5 cm (14.37 x 8.86 inch). Image size: 30.5 x 18 cm. (12.01 x 7.09 inch).LANDSCAPE-SHORE FISHERMEN-WASHING-NETSPCO-B6-33BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Sebastien Bourdon (1616-1671) was a French painter and engraver from Montpellier, active in Rome, Paris and Sweden. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Sebastien Bourdon (illustrator).…

A crowned Bathseba/Batseba indicates her son Salamo a throne where a crown and scepter are. Behind them bystanders and angels in clouds are walking towards them. Above two putti holding up a bible open engraved with a title. In the bottom margin of the Latin text: 'Egredimini et videte filiae Sion regem Salomonem in diademate quo coronavit illum mater sua.' Title page for Guy Michel Le Jay's 'Biblia Hebraica, Samaritana, Chaldaica, Graeca, Syriaca, Latina, Arabica [.]. Signed on the floor on the bottom right: 'Seb. Bourdon Pinxit Aegid Rousselet Sculp.'. Engraving on paper with some margin; plate mark: 430 x 289 mm, total: 490 x 327 mm; some foldings and stains; some damages along the margins. Date of print: 1645, published in Paris.…

Frontispiece to the Polyglot Bible with portrait of Guy Michel Le Jay in an oval held by a flying Fama. Three female figures are gathered around an opened book, the Polyglot Bible. Time is lying on the ground, under the Bible. Engraving on paper with some margin; plate mark: 430 x 289 mm, total: 490 x 327 mm; some traces of foldings; some damages along the margins.…

'68. PROPOSUERAT ENIM PAULUS TRANSNAVIGARE EPHESUM, NE QUA MORA ILLI FIERET IN ASIA.'(For Paul had determined to sail past Ephesus, so that he might not spend time in Asia.) Mountain landscape with Saint Paul travelling over a river.Made by Jacques Coelemans after Sebastien Bourdon.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 34 x 28.5 cm (13.39 x 11.22 inch). Image size: 27.8 x 24.3 cm. (10.94 x 9.57 inch).SAINT PAUL-TRAVELLING-EPHESUS-LANDSCAPEPCO-B6-33BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Sebastien Bourdon (1616-1671) was a French painter and engraver from Montpellier, active in Rome, Paris and Sweden. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Sebastien Bourdon (illustrator). …

'71. QUAND JACOB FUT PARTI AVEC TOUT CE QUI LUY APPARTENOIT PASSA LA RIVIERE POUR ALLER VERS LA MONTAGNE DE GALAAB.'(When Jacob had gone with all his belongings passes the river to go to the mountain of Galab.)Made by Jacques Coelemans after Sebastien Bourdon.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 37.5 x 28 cm (14.76 x 11.02 inch). Image size: 32.3 x 23.4 cm. (12.72 x 9.21 inch).JACOB-PASSES RIVER FOR CALABPCO-B6-34BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Sebastien Bourdon (1616-1671) was a French painter and engraver from Montpellier, active in Rome, Paris and Sweden. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Sebastien Bourdon (illustrator). …

'67. CORPS DE GARDE.'(Guard house.) With soldiers passing time with playing cards.Made by Jacques Coelemans after Sebastien Bourdon.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 31.5 x 39.8 cm (12.4 x 15.67 inch). Image size: 21.2 x 20.3 cm. (8.35 x 7.99 inch).GUARD HOUSE WITH SOLDIERS PLAYING CARDSPCO-B6-32BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Sebastien Bourdon (1616-1671) was a French painter and engraver from Montpellier, active in Rome, Paris and Sweden. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Sebastien Bourdon (illustrator).…

'66. ALEXANDRE CONSIDERANT LES RUINES DE LA VILLE DE TROYE, HONORE LE TOMBEAU D'ACHILLE ET Y MET DESSUS UNE COURONNE.'(Alexander the Great considering the ruins of the city of Troy, honors the tomb of Achilles and puts a crown on it.)Made by Jacques Coelemans after Sebastien Bourdon.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 44 x 37 cm (17.32 x 14.57 inch). Image size: 36 x 29 cm. (14.17 x 11.42 inch).ALEXANDER THE GREAT-RUINS-TROY-ACHILLES TOMBPCO-B6-32BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Sebastien Bourdon (1616-1671) was a French painter and engraver from Montpellier, active in Rome, Paris and Sweden. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Sebastien Bourdon (illustrator). …