Bonanni f (22 Ergebnisse)

Tapa blanda. Prólogo de Enzo Forcella. 13x21 264 pp. Prólogo de Enzo Forcella. 13x21 264 pp. 264 pp. 13x21 firma antiguo dueño. Buen estado.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Zustand: Acceptable. Used - Acceptable. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Zustand: BUONO USATO. Da revisionare ITALIANO Brossura commerciale, modesti i segni alla copertina illustrata, aloni di polvere e dissolvenza diffusa, testo scolastico con tavole a esplicare il testo, vol. I e II unificati, buone le condizioni esterne, pulito e ben preservato l'interno. Numero Pagine 228.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN.…

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2011. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Zustand: New. In English.

Zustand: New.

Zustand: New. In English.

Gebunden. Zustand: New.

Paperback. Zustand: Brand New. 316 pages. 9.25x6.10x0.67 inches. In Stock.

Taschenbuch. Zustand: Neu. Social Responsibility, Entrepreneurship and the Common Good | International and Interdisciplinary Perspectives | C. Bonanni (u. a.) | Taschenbuch | xiv | Englisch | 2011 | Palgrave Macmillan | EAN 9781349332526 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Zustand: New. 2011. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 304 pages. 8.75x5.75x1.25 inches. In Stock.

Zustand: New. An exploration of the interplay between social responsibility, entrepreneurship and the common good which is organized into four sections: business and the common good; educating responsible entrepreneurs; corporate social responsibility (CSR) challenges and the common good; and CSR and entrepreneurship in emerging economies Editor(s): Bonanni, Carole; Lepineux, Francois; Roloff, Julia. Num Pages: 316 pages, biography. BIC Classification: KJG; KJH. Category: (P) Professional & Vocational. Dimension: 224 x 147 x 24. Weight in Grams: 508. . 2011. Hardback. . . . . Books ship from the US and Ireland.…

Hardcover. Zustand: gut. 2011. Social Responsibility, Entrepreneurship and the Common Good: International and Interdisciplinary Perspectives In englischer Sprache. pages.

Torino, 1978, in-8, br.

Hardcover. Zustand: Sehr gut. Quarto. Full-page engraving by Arnold van Westerhout after Stefano Sparigioni, 8 ff, 1 full-page engraving with the 50th Psalm, 170 [of 177] pp, 1 unn. p. Errori. 151 numbered copper plates of musical instruments, including 1 folded (plates 12/13 and 13/14 on one plate), 2 additional plates, 2 plates numbered 78. With a 4-page indice delle materie at the end. Somewhat later half vellum with marbled paper of the 18th century. EXCEPTIONAL COPY as PRIORITY EDITION in EARLIER PRINT of the FIRST EDITION with the maximum of engraved plates on stronger paper. Very beautyfuly and exceptionally clean copy of this rare and richly illustrated book in early print version with the plates on stronger paper. Still without the explanatory notes "Aggiunta", which explain the plates CXXXVII (137) to CXLVIII (148) and which were only added to the later copies. - One of the most important books concerning history of music instruments, which describes the instruments of the collection of the "Collegio Romano", till today a relevant document. The beautiful, carefully worked copper plates by A. von Westerhout reproduce the common and exotic musical instruments, for which the text part provides description and handling. Our copy with the maximum of copperplates. We point out that this is a work for which there is no uniform collation of the plates, because the publisher compiled the copies individually. - Eitner II, 107; RISM BVI1, 161; Not Cortot. (23476).…

Hardcover. Zustand: Gut bis sehr gut. Quart. Doppelblattgroßer Kupfertitel, XVI (Incl. Kupfertitel), XXIII, 1 unn. S., 114 (recte 214) S., 1 Bl., 151 Kupfertafeln (davon 1 gefaltet), 4 große Holzschnitt-Initialen, 1 Holzschnittvignette im Text. Kupfertitel und 1 Tafel hinterlegt, 2 Tafeln im Bug verstärkt. Wenige Seiten papierbedingt gebräunt, sonst wunderschönes, breitrandiges Exemplar. Pergamentband im Stil der Zeit. Sehr schönes Exemplar, dem zusätzlich zu der wie bei RISM angegebenen üblichen Anzahl Kupfer (142) noch 8 weitere Tafeln beigegeben sind. One of the most important books concerning history of music instruments, which describes the instruments of the collection of the "Collegio Romano", till today a relevant document. Die schönen, sorgfältig gearbeiteten Kupfertafeln von A. von Westerhout geben die gebräuchlichen und exotischen Musikinstrumente wieder, zu denen der Textteil Beschreibung und Handhabung liefert. Der prächtige Doppeltitel wurde von F. Rastaini nach V. Brenna zweisprachig gestochen, der Text liegt italienisch-französisch vor - der Musiktradition der Zeit entsprechend. Der "Bonanni" gehört zu den Druckwerken, für die es keine einheitliche Kollation der Tafeln gibt, weil der Verleger von Exemplar zu Exemplar Tafeln ausgetauscht hat. - Eitner II, 107; RISM BVI1, 161; Cortot 25.…

Softcover. Zustand: Gut. 1. Auflage. Quart. Ganzseitiges Kupfer von Arnold van Westerhout nach Stefano Sparigioni, 8 Bl., 177 S., 1 unn. S. Errata. 150 [von 151] nummerierten Kupfertafeln mit Musikinstrumenten, davon 1 gefaltete (Tafeln 12/13 und 13/14 auf einer Platte), 2 zusätzliche Tafeln, 2 Tafeln mit der Nr. 78. Mit einem 4-seitigen Indice delle materie am Ende. Unterschiedlich stark gebräunt, Buchblock teilweise gelockert. Pergamentband der Zeit mit Rückenschild. Sehr seltene, erste illustrierte Ausgabe. Dieses Hauptwerk zur Geschichte der Musikinstrumente beschreibt die im Collegio Romano vorhandenen Instrumente und stellt bis heute ein wichtiges Dokument dar. Die schönen, sorgfältig gearbeiteten Kupfertafeln von A. von Westerhout geben die gebräuchlichen und exotischen Musikinstrumente wieder, zu denen der Textteil Beschreibung und Handhabung liefert. - Ohne das ganzseitige Kupfer mit dem 50. Psalm und die Tafel CXXX (Nr.130) "Tevola per cossa dal Cappuccino. - Eitner II, 107; RISM BVI1, 161; Nicht Cortot.…

Hardcover. Zustand: Sehr gut. Quart. Doppelblattgroßer Kupfertitel, S. V-XVI, 114 (recte 214) S., 1 Bl., 144 Kupfertafeln (davon 1 gefaltet), 4 große Holzschnitt-Initialen, 1 Holzschnittvignette im Text. Schöner Lederband der Zeit mit reicher Rückenvergoldung. Very nice copy of this rare major work on the history of musical instruments. It describes the instruments present in the Collegio Romano and remains an important document to this day. The beautiful, carefully worked copper plates by A. von Westerhout reproduce the common and exotic musical instruments, for which the text part provides description and handling. The magnificent double title was engraved bilingually by F. Rastaini after V. Brenna, the text is in Italian-French - according to the musical tradition of the time. The "Bonanni" is one of the printed works for which there is no uniform collation of the plates, because the publisher exchanged plates from copy to copy. - Eitner II, 107; RISM BVI1, 161; Cortot 25. Sehr schönes Exemplar dieses seltenen Hauptwerks zur Geschichte der Musikinstrumente. Es beschreibt die im Collegio Romano vorhandenen Instrumente und stellt bis heute ein wichtiges Dokument dar. Die schönen, sorgfältig gearbeiteten Kupfertafeln von A. von Westerhout geben die gebräuchlichen und exotischen Musikinstrumente wieder, zu denen der Textteil Beschreibung und Handhabung liefert. Der prächtige Doppeltitel wurde von F. Rastaini nach V. Brenna zweisprachig gestochen, der Text liegt italienisch-französisch vor - der Musiktradition der Zeit entsprechend. Der "Bonanni" gehört zu den Druckwerken, für die es keine einheitliche Kollation der Tafeln gibt, weil der Verleger von Exemplar zu Exemplar Tafeln ausgetauscht hat. - Eitner II, 107; RISM BVI1, 161; Cortot 25.…

FIRST EDITION. 250 x 180 mm. (9 7/8 x 7 1/4"). 8 p.l., 170 pp. Contemporary stiff vellum, raised bands, burgundy morocco label lettered in gilt, all edges sprinkled. Engraved title page, frontispiece, and 151 PLATES DEPICTING MUSICAL INSTRUMENTS. Front pastedown with bookplates of John Smith, Esquire, Arthur & Charlotte Vershbow, Cia Fornaroli, and David R. Godine. Cicognara 1596 (citing 148 plates); Brunet I, 1086 (citing 136 plates); Graesse I, 480. A long, thin red ruled line to upper cover, a few small cuts at edge of front board, O1 with insignificant hole (trivial loss of text), a few light stains, isolated faint browning to plates, but quite AN EXCELLENT COPY--the leaves extremely fresh and clean, and the binding entirely sound and perfectly inoffensive. This is an excellent copy of a sumptuously illustrated Baroque compendium of musical instruments, which has been owned by three eminent collectors. A student of Athanasias Kircher, the Jesuit scholar Filippo Bonanni (also Buonanni, 1638-1723) produced works on wide-ranging subjects, including anatomy, shell-collecting, and porcelain lacquer. "Gabinetto Armonico" attempts to catalogue all known musical instruments, including a broad range of horns, as well as other wind, percussion, stringed, and keyboard instruments, not infrequently exotic in appearance and operation, from all regions, including Florida and the world of Islam. Many of the instruments included here were held in the collection of the Jesuit Collegio Romano, where Bonanni was teaching at the time he composed the book; other information was gleaned from various authors and ethnographical reports. The book is organized based on the use for which the music is intended (e.g., for festivals, funerals, battle, worship, hunting, and even navigation). The very attractive illustrations by Flemish-born painter and publisher Arnold van Westerhout (1651-1725) depict the instruments in the hands of their players in their native costumes and environs. While some of the depictions of the ancient and foreign musicians are fanciful, the majority of these engravings provide genuine, invaluable information on music and musical instruments up to the early 18th century. The musicians are as interesting as the instruments, dressed in keeping with the original homeland of the instrument, ranging from King David with his harp to fashionable rococo ladies at the keyboards of spinet and cimbalo. Our copy is from the library of Italian ballerina Cia Fornaroli (1888-1954) and her husband, Walter Toscanini (1898-1971), a bookseller and choreographer. The couple, whose distinguished careers were split between New York and Italy, assembled a large collection of works documenting the history of dance in Italy from the Renaissance until the 20th century. The bulk of their library now resides in the Jerome Robbins Dance Division of the New York Public Library for the Performing Arts. Our next notable owners were Arthur (1922-2012) and Charlotte Vershbow (1924-2000), who together built a large collection of prints, illuminated manuscripts, and printed books. Their collection sold at Christie's New York in a series of four auctions in 2013 (the present volume was lot 771). Most recently, our copy belonged to American publisher David R. Godine, who trained as a printer at Leonard Baskin's Gehenna Press before founding his own publishing firm in 1970. His interest in the art of the book led him to build an extensive library of early printed books, with a particular focus on antiquarian illustrated works. Two portions of his collection sold for more than $950,000 at Bonham's New York in May 2026. The book is not particularly rare at auction, but copies in desirable condition, even without the distinguished provenance seen here, command substantial prices. …