bloom thomas (117 Ergebnisse)

Zustand: Acceptable. Used - Acceptable. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Hardcover. Zustand: As New. 2. Altersbedingte Gebrauchsspuren, evtl. auch sehr gutes Mängelexemplar---. nein.

Hardcover. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Grubby book may have mild dirt or some staining, mostly on the edges of pages. Aged book. Tanned pages and age spots, however, this will not interfere with reading.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.7.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.75.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 1.5.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.95.

xxii, 247 p. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Sprache: enp.

Zustand: New. In.

Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Softcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. Donald Baechler, Dara Birnbaum, Barbara Bloom, Eric Bogosian, Troy Brauntuch, Sarah Charlesworth, Nancy Dwyer, Jack Goldstein, Richards Jarden, Jeff Koons, Barbara Kruger, Thomas (illustrator). A Fatal Attraction. The Renaissance Society at the University of Chicago 2.5.-12.6.1982. 280:217mm. 24S. 20 Abb. Brosch. Texte von Thomas Lawson. Arbeiten von Donald Baechler, Dara Birnbaum, Barbara Bloom, Eric Bogosian, Troy Brauntuch, Sarah Charles-worth, Nancy Dwyer, Jack Goldstein, Richards Jarden, Jeff Koons, Barbara Kruger, Thomas Lawson, Robert Longo, Frank Majore, Matt Mullican, Richard Prince, Walter Robinson, David Salle, Cindy Sherman, Michael Smith.Leicht Gebrauchsspüren, u.a. Einbandrücken etwas berieben. Ann Goldstein S. 167.

Paperback. Zustand: Very Good+. Large 8vo 9" - 10" tall; 178 pages; 2001 Chelsea House Publishers. Larger trade size paperback in glossy color pictorial covers. Bright, snug and very neat. Prior owner surname penned top edge of front endpage; contents bright fresh and unmarked. Collects an impressive range of essays on Quixote by some of the leading writers of the 20th century. VG++ to NF.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.92.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.

Zustand: New.

Gebunden. Zustand: New.

Zustand: Good. Hardcover, dust jacket, light tan, good condition, 116pp.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The American theatrical critic Kenneth Macgowan fashioned an aesthetic defense for a new visual style of scenic design that began to appear on the American stage during the second decade of the twentieth century. Macgowan's defense for this new visual style, which he labeled the 'new stagecraft', was modeled after the British art critic Clive Bell's aesthetic theory of 'significant form' in art. Bell's formal theory of art, which favored formal abstraction over visual representation, provided Macgowan with an attractive premise upon which he could formulate his own theory of the simplified or abstracted new stagecraft style. Shaping his theory of the new stagecraft from an aesthetic theory devised for the static two-dimensioned space of the painting, Macgowan sought to apply the visual aesthetic of significant form to the four-dimensioned theatrical process. The contradictions caused by the application of Bell's theory to the dynamics of scenic design reanimated the dispute between the preeminence of form or content, picture or word in the theater.

Karlshamn; Blekinge Sjöfartsmuseum, 1997. 21x14,5 cm. 128 s. + löst bifogad erratalapp. Illustrerad. Häftad med tryckt omslag. Svag fläck över bakre omslag. Fint ex.

Zustand: New. Thomas Mann (1875-1955) won the Nobel Prize for literature in 1929. This is a collection of his shorter works. Death in Venice , is a poetic meditation on art and beauty, where the dying composer Aschenbach (modelled on Gustav Mahler) becomes fixated by th.

151 pp.; 26.5 x 26.7 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; March 1987 issue of Artforum, edited by Ingrid Sischy. Contents include: "The Opposite of Emptiness: On the Spirit in Art," by Thomas McEvilley; "Excuse Me Madame But It Seems To Me Unless I'm Mistaken That I've Met You Somewhere Before: A Conversation with Eugène Ionesco," by Sanda Miller; "Nine Beatitudes on Eight Pages: After 'Four Saints in Three Acts,' Another Act, with Pictures," by Ingrid Sischy; "Hans Haacke's Corporate Muse: 'Unfinished Business,'" by Jean Fisher; "The Sleeping Beauty in the Castle of Modern Art: A Slumberer Stirs," by Ida Panicelli; "Louise Bourgeois: Where Angels Fear to Tread, A Profile in Courage," by Donald Kuspit; "Museum Piece: Rain. Van Gogh's Last Works," by Sanford Schwartz; "Object: The Amniotic Cottage," by Alessandro Mendini; "Like Art: And On the Eighth Day, He Did a Voice-over," by Glenn O'Brien; "A Canvas of Episodes: Rez Learns That the Right Thing is Not Always the Appropriate Thing," by Frederic Tuten; "Remote Control: Sugar and Spice," by Barbara Kruger; "Speaker to Speaker: Breaking Away. In Praise of Music," by Greil Marcus "Special Effects. This Face: An Arrangement in Flesh Tones, Black, White, and Gray," by Carol Squiers. Reviews by Donald Kuspit, Ida Panicelli, Kate Linker, John Yau, Carlo McCormick, Patricia C. Phillips, Nancy Stapen, Ronny Cohen, John Howell, Charles Hagen, Glenn Harper, Colin Westerbeck, Buzz Spector, Mason Riddle, Susan Freudenheim, Ed Hill, Suzanne Bloom, Bill Berkson, Lisa Liebmann, Colin Gardner, Richard Rhodes, Aurora García, Jole de Sanna, Max Wechsler, Daniel Soutif, Doris von Drateln, Wolfgang Max Faust, and Michael Archer. Cover: Eugène Ionesco. Good. Dust soiling and yellowing of covers with 6.3 cm. crease to bottom right corner of recto, additional light scratching of covers, and rubbing of cover edges, with 5 mm. surface tear to bottom edge of recto. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Zustand: Good. 2nd ed. 2014. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.

Zustand: Fair. Acceptable condition. No Dust Jacket Former Library book. (Blood Coagulation Disorders, Medicine) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Salissures sur la tranche. Edition 1994. Tome 2. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Slight signs of wear on the cover. Stains on the edge. Edition 1994. Volume 2. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: New. pp. 1196 Illus.

183 pp.; 30 x 27.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the photography collection of Groupe Lhoist in Belgium. Edited by Pauline de Laboulaye and Jacqueline de Ponton D'Amécourt. Introduction by Pierre Apraxine. Artists include Mac Adams, John Baldessari, Lothar Baumgarten, Bernd & Hilla Becher, Max Becher, Andrea Robbins, Barbara Bloom, Christian Boltanski, Rudolph Bonvie, Denis Brihat, Ellen Brooks, Victor Burgin, Jean-Marc Bustamante, Sophie Calle, Sarah Charlesworth, Pierre Cordier, Lili Dujourie, Jeanne Dunning, Sylvie Eyberg, Patrick Faigenbaum, Peter Fischli/David Weiss, Gunther Förg, Michel François, Peter Fraser, Adam Fuss, Lynn Geesaman, Gilbert & George, Nan Goldin, Rodney Graham, Andreas Gursky, Jan Henle, Craigie Horsfield, Alfredo Jaar, Louis Jammes, Jürgen Klauke, Karen Knorr, Wilmar Koenig, Suzanne Lafont, Marie-Jo Lafontaine, Louise Lawler, Richard Long, Urs Luthi, Robert Mapplethorpe, Guy Mees, Hélène Mugot, Vic Muniz, Bruce Nauman, Luigi Ontani, Pierre & Gilles, Sigmar Polke, Richard Prince, Olivier Richon, Gerhard Richter, David Robbins, Michal Rovner, Thomas Ruff, Andres Serrano, Cindy Sherman, Laurie Simmons, Seton Smith, Thomas Struth, Hiroshi Sugimoto, jan Vercruysse, Didier Vermeiren, Not Vital, Jeff Wall, Boyd Webb, William Wegman, and James Welling. Text in French. Good. Moderate sunning and discoloration of covers, rubbing of cover edges, and bumping of bottom right corner. Light dust soiling of text block edge, contents clean and unmarked.

Zustand: New. pp. 360 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.