baxter george h (24 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 70 pages. 6.00x0.15x9.00 inches. In Stock.

Single Issue Magazine. Zustand: Very Good. original wraps show minor wear, tear, chipping. pages tanned.

Paperback. Zustand: Brand New. 206 pages. 9.00x6.00x0.47 inches. In Stock.

Zustand: New.

Zustand: New. In.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Paperback. Zustand: Very Good. No Jacket.

Taschenbuch. Zustand: Neu. Neuware - Fade wakes up in a suit of combat armor, in a space elevator, heading straight into the unknown. He doesn't know how he got there. He doesn't know the elite strike team calling him 'Captain.' And he definitely doesn't know why he's leading a high-risk mission into a silent alien-infested research station.But turning back isn't an option.With hostile tech, strange biohazards, and deadly secrets waiting in every corridor, Fade is thrust into a fight for survival. The station has gone dark and something inside wants to keep it that way.He'll have to move fast, adapt faster, and hope the team doesn't figure out he has no idea what he's doing.Explosive, fast-paced, and packed with sharp humor, Eternal Atake is a pulse-pounding sci-fi adventure for fans of Edge of Tomorrow, The Expanse, and Dead Space.

Soft cover. Zustand: Very Good. 12 volume paperback set of magazines in the Pictures Of George Baxter series, 1920-21, collected in a slipcase. In overall very good used condition with only minor signs of age, handling and storage - slipcase rubbed to edges; magazines slightly toned. Bindings tight and appear little read. Internally clean, no annotation or inscriptions; text and illustrations bright and clear throughout. This set weighs over 3kg packaged and additional postage may be required if shipped outside the UK. Photographs available.

480pp, xv, [1] 22x15, white parchment, ornate glt decoration and text on spine, crest with dates on front, front and bottom edges not trimmed. Parchment grubby and rubbed, end papers splitting, uncut edges a bit rough, foxing throughout, a few pages uncut, good thus The seventeen volumes of this edition of Booth's huge undertaking were published in 'series': the first was on Poverty, and was volumes 1 to 4; the second was volumes 5 to 9 on Industry; series 3 covered volumes 10 to 16 on Religious Influences, and the final 17th volume was the Summary. The famous 'poverty maps' were published as a fifth unnumbered volume of the first series.

432pp, xv, [1] 22x15, white parchment, ornate glt decoration and text on spine, crest with dates on front, top edge glt, front and bottom edges not trimmed. Parchment grubby and rubbed, small chip from top of spine, end papers splitting, uncut edges a bit rough, good thus The seventeen volumes of this edition of Booth's huge undertaking were published in 'series': the first was on Poverty, and was volumes 1 to 4; the second was volumes 5 to 9 on Industry; series 3 covered volumes 10 to 16 on Religious Influences, and the final 17th volume was the Summary. The famous 'poverty maps' were published as a fifth unnumbered volume of the first series.

Single Issue Magazine. Zustand: Fair. Illustrated by Lambert, Harold M.; Parkhouse, Stan; Jousset, Albert;Eldridge, Harold (illustrator). First Edition. 52 pages. Features: We're fumbling victory - Allied bickereing and indecision is wrecking Europe and sewing the seeds of another world conflict; Tell Them the Truth - a very philosophical and interesting piece by G. Brock Chisholm, M.D.; Romance in the Dark; Disease Killer from the Soil - Dr. Selman A. Waksman and streptomycin; CCF Show Window - after 18 months of socialist government, Saskatchewan is a small-scale display of what the CCF Party would like to do with the rest of Canada - article with photo of Saskatchewan's CCF Cabinet at work; Fish 'n' Ships (fiction); Prodigy at Sixty - author Tom Costain - article with photo; House that Sun Built - article (with photos) on passive solar construction; They Make Money - The Canadian Mint - article with photos; Keep 'Em Happy (fiction); fantastic full-page colour ad for White trucks shows a highway full of their products; 3/4 centerfold ad for Firestone Champion tires; Nice Carling's beer ad inside back cover shows winter horse-logging scene; Coke ad on back cover shows friends at a soda fountain; and more. Somewhat above-average external wear. Unmarked. Moisture staining to top edge of most pages. A worthy vintage copy.; Folio - over 12" - 15" tall; Maclean's - Canada's National Magazine, January 15, 1946 Tommy Douglas Allied bickereing and indecision is wrecking Europe and sewing the seeds of another world conflict; Tell Them the Truth - a very philosophical and interesting piece by G. Brock Chishol.

Single Issue Magazine. Zustand: Good. Illustrated by Solon, Leon V. (illustrator). First Edition. 193-288, [128] ads, pages. Profusely illustrated with black and white photos and drawings. Printed upon glossy stock. The many pages of ads include an abundance of nostalgic photos and illustrations. Features: The Residence of Mrs. Andrew Welch, San Francisco, California - Willis Polk & Co., Architects; Some Principles of Design and Construction in Domestic Building; A Post-War Construction Program - The Building Bureau of the International Committee of the Y.M.C.A. - Part I; The Government's Housing Project at Quincy, MA; Modern Industrial Plants - Part V; Portfolio of Current Architecture; Notes and Comments. Average wear. Faint library stamp atop front cover otherwise unmarked. Binding intact. Two small binding holes near spine. A sound copy of this wonderful vintage issue.; 4to - over 9¾" - 12" tall; Architecture, Mrs. Andrew Welch, San Francisco, Willis Polk & Co., Architects, Domestic Building - Design, Post-War Construction Program, Building Bureau - International Committee of the Y.M.C.A., Housing Project - Quincy MA, Modern Industrial Plants, Cu.

[4] pp.; 30 x 30 cm.; black-and-white; edition size 20; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include: Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. The 2008 screenprinted gatefold cover, produced by Specific Object, is an exacting reproduction of original 1969 offset printed cover, which incorporates an installation image on the back cover, and extensive introductory text and additional texts on each participating artist. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Fine. Original 1969 vinyl LP housed in 2008 screenprinted facsimile album cover. Vinyl in good condition, jacket is New.

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine including scratching and scuffing. 2.5 cm. and 3 cm. of soiling to recto. Yellow spitting to verso. Yellowing and dust soiling to inside of album cover. Light scratching of record. This is a copy of the original album jacket and original vinyl LP.

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine. LP's vinyl is clean showing only light wear. LP has been played and tested and has no material defects. This is a copy of the original album jacket and original vinyl LP.