bates dominic (11 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Zustand: Très bon. Edition 2023. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2023. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Zustand: Brand New. 96 pages. 9.00x6.00x0.20 inches. In Stock.

Paperback. Zustand: Brand New. 208 pages. 9.21x6.14x0.52 inches. In Stock.

Vintage studio still photograph from the 1971 film, showing Julie Christie in costume. Provenance stamp on the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 8 x 10 inches. Near Fine. Vogel, Film as a Subversive Art.

Vintage reference photograph from the 1971 film, showing actress Julie Christie sporting a fringed shawl and riding a bicycle on the set. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 8 x 10 inches. Near Fine. Vogel, Film as a Subversive Art.

Vintage borderless double weight photograph of director Joseph Losey, actor Michael Redgrave, and a camera crew on the set of the 1971 film. With a printed mimeo snipe affixed to the verso, along with a provenance stamp. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 8 inches, with a wide bottom margin. Near Fine. Vogel, Film as a Subversive Art.

Vintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard, with cast and crew members looking on. With two printed mimeo snipes affixed to the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 7 inches. Near Fine. Vogel, Film as a Subversive Art.

Vintage borderless reference photograph of director Joseph Losey, actor Dominic Guard, and crew members on the set of the 1971 film. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 8 inches, with a wide bottom margin. About Near Fine, slightly wavy on the bottom edge. Vogel, Film as a Subversive Art.