Barbara vance (39 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 6th Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 4th. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Zustand: Good. Barbara R. Vance (illustrator).

Zustand: Good. 3rd. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Barbara R. Vance (illustrator).…

Zustand: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Barbara R. Vance (illustrator). …

Zustand: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. Barbara R. Vance (illustrator). …

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Barbara R. Vance (illustrator).

Softcover. Zustand: Very Good. Very good in wrappers, a paperback. Corners slightly bent. Shelf rubbing to cover. Sticker on back cover. Name inside cover.

Paperback. Zustand: Good. 326 pages. Cover worn/ faded.Introductory text for secondary level students which sets works of art, from pre historic times, in historical context; explains the narrative content of selecte d works; illustrates key aspects of art movements; describes the personal and so cial worlds of important artists; quotes contemporary art criticism. Encourages students to develop an analytical approach to art. Includes glossary, bibliograp hy and index.…

Softcover. Zustand: Near Fine. Single issue. Quarto wrappers. 258pp. Corners lightly rubbed, else fine. Essays, interviews, poems, fiction, and reviews with contributions by Lewis P. Simpson, M.L. Rosenthal, Glenn Cannon Arbery, James C. Cobb, W.T. Bandy, Louis Daniel Brodsky, Louis Simpson, Kathleen Atkins, Andrew Hudgins, Catharine Savage Brosman, Maureen Bloomfield, W.D. Snodgrass, Neal Bowers, Priscilla Sneff, Rosemary Gates, Lewis Horne, Michael Burns, Heather Tosteson, Walter Griffin, Maurya Simon, Henry W. Russell, David Citino, Catherine Brewton, David Case, Anne Whitney Pierce, Vance Bourjaily, Barbara Leith, Clyde Edgerton, Joyce Renwick, Daniel Hoffman, and R.L. Barth. …

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. 1st US edition ; 144 pp. ; illustrated with color photographs and paintings ; 27 cm. ; ISBN: 0679404791 ; 9780679404798 LCCN: 91-10305 ; OCLC: 23253132 ; LC: SB454.3.C64; Dewey: 635.9/68; Originally published: Colour your garden. London : Conran Oct opus Ltd., 1991 ; purple cloth with white lettering, in color photographic dustjacket ; nick to top of dustjacket ; ."[I]ncludes 18 planting schemes, providing year-round appeal, designed to exploit color in many different settings.Working with light, creating an illustion of distance, staging seasonal effects and using color to calm, excite ot impress are just some of the aspects considered."--jacket ; FINE/VG. Book.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: New. pp. 704.

Zustand: New. In English.

Paperback. Zustand: Brand New. 704 pages. 10.00x7.10x1.70 inches. In Stock.

Hardcover. Zustand: Brand New. 192 pages. 8.90x6.70x1.00 inches. In Stock. Barbara R. Vance (illustrator).

Zustand: New.

Hardcover. Zustand: Brand New. 297 pages. In Stock.

Zustand: New.

Gebunden. Zustand: New.

Zustand: New. In English.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - 1. 0. V2 AND NULL SUBJECTS IN THE HIS TORY OF FRENCH The prototypical Romance null subject language has certain well known characteristics: verbal inflection is rich, distinguishing six per sonlnumber forms; subject pronouns are generally emphatic; and, when there is no need to emphasize the subject, the pronoun is not expressed at all. Spanish and Italian, for example, fit this description rather weIl. Modem French, however, provides a striking contrast to these lan guages; it does not allow subjects to be missing and, not unexpectedly, it has a verbal agreement system with few overt endings and subject pronouns which are not emphatic. One of the goals of the present work is to examine null subjects in two dialects of Romance that fit neither the Italian nor the French model: later Old French (12th-13th centriries) and MiddIe French (14th- 15th centuries). Old French has null subjects only in contexts where the subject would be postverbal if expressed (cf. Foulet (1928)), and Mid dIe French has null subjects in a wider range of syntactic contexts but does not freely allow a11 persons of the verb to be null. The work of Vanelli, Renzi and Beninca (1985) (along with many other works by these authors individually) shows that a number of other geographically proximate medieval dialects had similar systems, though it appears that there are significant differences in detail among them.…

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - 1. 0. V2 AND NULL SUBJECTS IN THE HIS TORY OF FRENCH The prototypical Romance null subject language has certain well known characteristics: verbal inflection is rich, distinguishing six per sonlnumber forms; subject pronouns are generally emphatic; and, when there is no need to emphasize the subject, the pronoun is not expressed at all. Spanish and Italian, for example, fit this description rather weIl. Modem French, however, provides a striking contrast to these lan guages; it does not allow subjects to be missing and, not unexpectedly, it has a verbal agreement system with few overt endings and subject pronouns which are not emphatic. One of the goals of the present work is to examine null subjects in two dialects of Romance that fit neither the Italian nor the French model: later Old French (12th-13th centriries) and MiddIe French (14th- 15th centuries). Old French has null subjects only in contexts where the subject would be postverbal if expressed (cf. Foulet (1928)), and Mid dIe French has null subjects in a wider range of syntactic contexts but does not freely allow a11 persons of the verb to be null. The work of Vanelli, Renzi and Beninca (1985) (along with many other works by these authors individually) shows that a number of other geographically proximate medieval dialects had similar systems, though it appears that there are significant differences in detail among them.…