Barbara h berrie (15 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 176 pages. 9.00x7.00x0.60 inches. In Stock.

Paperback. Zustand: Brand New. 176 pages. 9.00x7.00x0.60 inches. In Stock.

Zustand: New. In English.

Zustand: NEW.

Zustand: New. &Uumlber den AutorBarbara H. Berrie is senior conservation scientist and head of the Department of Scientific Research at the National Gallery of Art in Washington, DC. Caroline Fowler is Starr Director of the Research and.

Hardcover. Zustand: Very Good. Well-illustrated reference work designed to reach a wide audience as the ultimate authority on artists' colorants. xiii, 233 pages : illustrations ; 25 cm. Slight fading to spine, from the library of Jilleen Nadolny with her signature on title page, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Gebunden. Zustand: New. As an artist, Edgar Degas (1834-1917) defies easy description. Including essays on Degas life and work, his sculptural technique and materials, and the story of the sculptures after his death, this title features art-historical and technical discussions of.

hardcover. Zustand: New. 1st.

Hardcover. Zustand: Brand New. 408 pages. 11.75x10.00x1.25 inches. In Stock.

Buch. Zustand: Neu. Neuware - This is the 4th volume in the Artists' Pigments series published initally by the National Gallery of Art, Washington D.C. and Oxford University Press.This volume is published by the National Gallery of Art in association with Archetype Publications The pigments covered in this volume are : - Pigments based on Carbon (by John Winter and Elisabeth West Fitzhugh) - Iron Oxide Pigments (natural and synthetic) (Kate Helwig) - Asphalt (Catarina Bothe) - Cobalt Blue (Ashok Roy) - Arylide (Hansa) Yellow Pigments (Susan Lake and Suzanne Lomax) This series is aimed : - For the practicing artist to learn a pigment's color, hiding power, lightfastness, toxicity, compatibility - For the art historian to know how an artist worked, what pigments were used, whether they were pure or mixed, opaque or tranparent, layered or not - For the conservator to devise techniques necessary for care and conservation of works of art; to determine what is original, to repair damages, to compensate for missing portions of a painted surface - For the curator/connoisseur to know the history of manufacture and use of pigments to authenticate and assign probable dates to works of art - For the conservation scientist to learn identification methods used, including optical microscopy, microchemical tests, x-ray diffraction, infrared and reflectance spectrophotometry, and electron microscopy Review Volume 4 has the same high standard of content, clarity and production as its predecessors, making it easy to use for reference and enjoyable to browse ICON News September 2007.…

Zustand: gut. 2007. Artists' Pigments: A Handbook of Their History and Characteristics In englischer Sprache. pages.

Washington, National Gallery of Art & London, Archetype Publ., [2007]. 233 pp. Col. & b./w. ills. Orig. hardcover (pictorial boards). 8vo. _ Stamp on verso of title page. [ISBN: 9781904982234]. - Overall a very good copy.Harder to find fourth part of the series.