Leonhard karin (34 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9781847183743.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9781847183743.…

Zustand: New.

Zustand: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 176 pages. 9.00x7.00x0.60 inches. In Stock.

Zustand: New. In English.

Hardcover. Zustand: As New. Hardcover, 11 x 8.25 in. / 140 pgs / 100 color. Signed by the artist on title page. As new. Tokyo-based Austrian artist Sarah Bildstein collaborated with scientists at the University of Konstanz to transform 100 water samples gathered from around the world into a series of abstract, watercolor-like paintings. Derived from nature, these works reflect timely issues surrounding climate change and the global water crisis. Signed by Author(s).…

Zustand: Very Good.

Taschenbuch. Zustand: Neu. Neuware - A concise illustrated history of one of art's most important and elusive elementsOver the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigmentsthe organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of color opens new perspectives on visual culture and the history of art.…

Hardcover. Zustand: Brand New. 296 pages. 11.00x9.50x1.10 inches. In Stock.

Zustand: New. &Uumlber den AutorBarbara H. Berrie is senior conservation scientist and head of the Department of Scientific Research at the National Gallery of Art in Washington, DC. Caroline Fowler is Starr Director of the Research and.

Hardcover. Zustand: Brand New. 296 pages. 11.00x9.50x1.10 inches. In Stock.

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Zustand: New. (Please scroll down for english version) Kathrin Linkersdorffs (*1966) faszinierende grossformatigen Arbeiten bewegen sich zwi- schen Kunst und Wissenschaft. Mit Experi- menten, in denen sie das Wesen von Pflanzen und ihren Strukturen und Texturen ergruendet..

Buch. Zustand: Neu. Neuware - Die ästhetische Bedeutung der 'Kraft' mit ihren semantischen Nachbarn 'Intensität' und 'Energie' wird seit einigen Jahren verstärkt in der Literaturwissenschaft untersucht und findet innerhalb der philosophischen Ästhetik zunehmend Beachtung. Eine historische und interdisziplinäre Auseinandersetzung mit diesen zentralen Begriffen künstlerischer Produktion und Wirkung steht aber noch aus. Der vorliegende Band erkundet dieses kaum vermessene und reich profilierte Gelände. Die Beiträge gehen von der Annahme aus, dass die Beziehungen zwischen ästhetischen und naturphilosophischen Wissensfeldern, zwischen künstlerischen und naturwissenschaftlichen Modellierungen im Zeichen der Kraft enger sind, als bisher vermutet wurde.…

Buch. Zustand: Neu. Kraft, Intensität, Energie | Zur Dynamik der Kunst | Frank Fehrenbach (u. a.) | Buch | XIX | Deutsch | 2018 | De Gruyter | EAN 9783110457582 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. …

hardcover. Zustand: New. 1st.

Hardcover. Zustand: Brand New. 280 pages. 11.75x9.00x1.00 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. Many challenges hinder the historical study of early modern color. These essays offer a way forward through the category of color worlds -constituted by practices, concepts and objects-and examine the emergence of the languages and objects used to communic.

Zustand: New. Christine Goettler, Professor Emerita of Art History at the University of Bern, specializes in the art of early modern Europe. She has published widely on collecting practices, the interactions between various arts and crafts, the alchemy of color, and th.

Zustand: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware - Color has recently become the focus of scholarly discussion in many fields, but the categories of art, craft, science and technology, unreflectively defined according to modern disciplines, have not been helpful in understanding color in the early modern period. 'Color worlds', consisting of practices, concepts and objects, form the central category of analysis in this volume. The essays examine a rich variety of 'color worlds', and their constituent engagements with materials, productions and the ordering and conceptualization of color. Many color worlds appear to have intersected and cross-fertilized at the beginning of the seventeenth century; the essays focus especially on the creation of color languages and boundary objects to communicate across color worlds, or indeed when and why this failed to happen.Contributors include: Tawrin Baker, Barbara H. Berrie, Fokko Jan Dijksterhuis, Karin Leonhard, Andrew Morrall, Doris Oltrogge, Valentina Pugliano, Anna Marie Roos, Romana Sammern (Filzmoser) and Simon Werrett.…

Zustand: gut. Fertile Ground of Painting: Seventeenth-Century Still Lifes and Nature Pieces. In englischer Sprache. pages.

Hardcover. Zustand: Wie neu. Tadelloses Exemplar!---.

Kartoniert / Broschiert. Zustand: New. Natalitaet ist, nach Hannah Arendt, der Neubeginn, der mit jeder Geburt in die Welt kommt . Waehrend Natalitaet im philosophischen Diskurs oft im Schatten der Fragen nach Sterblichkeit, Tod und Ende steht, beanspruchen die Kuenste sie seit langem als Metapher .

Gebunden. Zustand: New. Die Naturgeschichte in der Fruehen Neuzeit ist sowohl gelehrte Liebhaberei als auch exakte Wissenschaft. Ausgehend von diversen AkteurInnen beleuchtet der Band eine Vielfalt naturhistorischer Verfahrensweisen. Der hier gewaehlte interdisziplinaere Ansatz traegt.

Hardcover, 304 pages ., 162 colour ill., 225 x 300 mm, Languages: English. ISBN 9781912554065. Still Life painting thematizes the ability of Nature and Art to produce similarities and is therefore predestined for a theorization of mimetic strcutures of Art in general. 17th-Century Netherlandish Still Life painting actively participated in the intellectual discourse of natural philosophy and the natural sciences, even though art history until recently described it, somewhat simplifying, as realistic-representative painting. We urgently need a rehabilitation of the notion of Mimesis. The author restarts the discussion, by putting more emphasis on the historical notions of Nature and Image. She examines how mimetic structures acquired a biotic reproductive capacity in the 17th century. Still Life painting thematizes the ability of Nature and Art to produce similarities and is therefore predestined for a theorization of mimetic strcutures of Art in general. Karin Leonhard is professor of art history at the University of Konstanz. 0 g.…