Bann stephen ed (20 Ergebnisse)

Sprache: Englisch
Verlag: Reaktion Books, 1991
- Softcover
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

- Hardcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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Zustand: New. The revealing letters of probably the most significant Scottish public intellectual and artist of the late 20th century. Editor(s): Bann, Stephen. Num Pages: 400 pages, black & white illustrations, colour illustrations. BIC Classification: 1DBKS; 2AB; 3JJPK; BJ; DSC. Category: (G) General (US: Trade). Dimension: 16…5 x 241 x 42. Weight in Grams: 1158. . 2014. annotated edition. Hardcover. . . . . Books ship from the US and Ireland.
Weitere BilderSprache: Englisch
Verlag: Taylor & Francis Ltd., London, 1985
- Softcover
- Erstausgabe
Anbieter: William Glynn, Reydon, Vereinigtes KönigreichWilliam Glynn
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In den WarenkorbCard Covers. Zustand: Very Good. First Edition. Volume 1 number 2 April-June 1985. pp. 133-211, b/w illustrations. Minor wear, soiling to covers, contents fine, unmarked, publisher's flyer laid in. [795] Size: 280mm. X 215mm.
Verlag: Thames and Hudson 1974. 1974, 1974
- Hardcover
Anbieter: Rönnells Antikvariat AB, Stockholm, SchwedenRönnells Antikvariat AB
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In den WarenkorbL, 334 pp. Illustrated. Publisher's cloth, dust-jacket. Some neat pencil underlines in the text, otherwise very good. (Documents of 20th-century Art). Recourseful anthology of constructivist writings by Vladimir Tatlin, Naum Gabo, Alexei Gan, Lissitzky, Osip Brik, Moholy-Nagy, and many others.

Sprache: Englisch
Verlag: Thoemmes Continuum, 2004
- Hardcover
Anbieter: Antiquariat Andree Schulte, Grafschaft-Ringen, DeutschlandAntiquariat Andree Schulte
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In den WarenkorbXXVI, 295 S. -TEXT IN ENGLISCH- Sprache: Englisch Gewicht in Gramm: 700 Gr.-8°. Original-Pappband, kein Schutzumschlag, Rücken verfärbt, Kopfschnitt etwas fleckig, sonst gut.

Verlag: Anne Berthoud Gallery, London, 1990
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbZustand: Fine. Zustand des Schutzumschlags: fine. 210x270mm. 16pp. black and colour printed on white wraps staplebound in yellow wrappers. Catalogue created on the occasion of Forster's exhibition at the Anne Berthoud Gallery, June 1990. Essay by Stephen Bann. Condition: fine.
Weitere BilderTHE CORAL MIND: ADRIAN STOKES'S ENGAGEMENT WITH ARCHITECTURE, ART HISTORY, CRITICISM, AND PSYCHOANALYSIS
BANN, Stephen (Ed.), Alex Potts, Stephen Kite, Peter Leech, Et Al
Sprache: Englisch
Verlag: The Pennsylvania State University Press, University Park, 2007
- Hardcover
- Erstausgabe
Anbieter: Any Amount of Books, London, Vereinigtes KönigreichAny Amount of Books
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Hardcover. Large 8vo. viii, 230. Colour illustrated covers. Illustrated in colour and black and white. ISBN: 9780271029702 Very good minus, light bump to head of spine and fading at spine and portion of front cover. Top edge of pages slightly toned.

Verlag: Published by Philip Steadman, Girton, Cambridge, 1967
- Softcover
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbPaperback. Zustand: very good. Book. 245 x 245 mm, 32 pp. in stapled, printed wraps. Special issue of the groundbreaking art, architecture and literary magazine FORM, which was edited by influential Cambridge academics of the period, and was noteworthy for republishing and translating avant-garde texts. This particular issue is…dedicated to the 'Brighton Festival Exhibition of Concrete Poetry'. Features a map and index of the works exhibited (the exhibition was directed by FORM editor Stephen Bann), as well as a translation of 'The first years of Concrete Poetry' by Eugen Gomringer. This issue also includes: an essay by Lewis Shelley on the avant-garde Black Mountain College (the first in a series); an essay by Joseph Albers entitles 'My courses at the Hochschule fur Gestaltung at Ulm', and an essay on 'Albers' 'Graphic Tectonics' by Irving Finkelstein'; 'What is Kinetism?' by Lev Nusberg - translated from his manifesto; 'Symmetry: Nature and the Plane' and 'A Non-Aristotelian Creative Reality' by Charles Biederman; poetry by Anselm Hollo, and a section on 'Great Little Magazines', with this particular issue focused on 'Mecano', which was edited by Theo von Doesburg. Reprinted from 'Mecano' here is 'Two Men' by Kurt Schwitters, 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and 'Manifesto on the Lawfulness of Sound' by Raoul Hausman (translated by Richard Taylor'. Ref: Allen, Artist's Magazines, MIT Press, 2011. p. 261 Condition: crease to front cover as seen, minor toning to covers, internally near fine. Overall very good.

KINETIC ART - Four Essays by Stephen Bann, Reg Gadney, Frank Popper and Philip Steadman
Stephen Bann, Reg Gadney, Frank Popper and Philip Steadman (ed.); Contributors: Stephen Bann, Reg Gadney, Frank Popper and Philip Steadman / Featuring artists: Vasarely, Tomasello, Tinguely, Kosice, Von Graevenitz, Alexander Calder, Kenneth Martin, Nino Calos, John Healey, Sandu Darie, Frank Malina, Agam, Schoffer, Joel Stein, Andree Dantu, Martha Boto, Vardanega, Carlos Cruz-Diez, Auguste Herbin, GRAV, Francois Morellet
Verlag: Motion Books, London, 1966
- Softcover
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbPaperback. Zustand: Near fine. Book. 265 x 210 mm, 70 pp., invisible bound printed wraps - with a front cover image of Alexander Schoffer's Chronus sculpture. Printed by the Highbury Press, London; typographical design by Philip Steadman. Features: an essay by Frank Popper entitled 'Kinetic Art - Yesterday, Today and Tomorrow',…extensively illustrated with works by Vasarely, Tomasello, Tinguely, Kosice, Von Graevenitz, Alexander Calder, Kenneth Martin, Nino Calos, John Healey, Sandu Darie, Frank Malina and Agam; text by Stephen Bann entitled 'Colour Music'; an essay by Reg Gadney entitled 'Aspects of Kinetic Art and Emotion', with 'lumidyne' works by Frank Malina featured alongside the text, as well as 'Spatiodynamic' works by Nicolas Schoffer, and works by Joel Stein, GRAV, Andree Dantu and Martha Boto. The final essay by Stephen Bann is entitled 'Unity and Diversity in Kinetic Art', which focusses on the work of GRAV, Vardanega, Agam, Carlos Cruz-Diez, Auguste Herbin, Victor Vasarely and Francois Morellet. Condition: Near fine.

Image - Kinetic Art: Concrete Poetry
Philip Steadman (ed.); Stephen Bann, Martha Boto, Nino Calos, J-M. Cruxent, Andree Dantu, Ian Hamilton Finlay, Reg Gadney, Eugen Gomringer, Richard Hardwick, Knud Hvidberg, David Larcher, Frank Malina, Frank Popper, Mike Weaver (contributors); featuring: Ian Hamilton Finlay, Pierre Garier, Augusto de Campos, Decio Pignatari, Haraldo de Campos, Eugen Gomringer, Dom Sylvester Houedard, Nicolas Schoffer, Frank Malina, Gregorio Vardanega, Martha Boto, J-M. Cruxent, Andree Dantu, Knud Hvidberg, William Soya, Nino Calos
Verlag: Kingsland Prospect Press, 1964
- Softcover
- Erstausgabe
- Magazin//Zeitschrift
Anbieter: Aeon Bookstore, New York, NY, USAAeon Bookstore
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In den WarenkorbSoft cover. Zustand: Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.

Poor Old Tired Horse (P.O.T.H) no. 25: One Word Poems
Ian Hamilton Finlay (ed.); Jim Nicholson (design and calligraphy); with Ronald Johnson, Edwin Morgan, George MacKay Brown, Jerome Rothenberg, Guy Davenport, Stuart Mills, Pedro Xisto, Kenelm Cox, Stephen Bann, Dick Sheeler, Oswald de Andrade, Ernst Jandl, Gael Turnbull, Jonathan Williams, Ian Hamilton Finlay
Verlag: Wild Hawthorn Press, Stonypath, Lanark, Scotland, 1967
- Softcover
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbPaperback. Zustand: VG+. Book. 240 x 170 mm, undated, c1967, stapled, printed blue on cream stock. Final issue of P.O.T.H, special 'one word poem' themed issue. Contributors include: Ronald Johnson, Edwin Morgan, George MacKay Brown, Jerome Rothenberg, Guy Davenport, Stuart Mills, Pedro Xisto, Kenelm Cox, Stephen Bann, Dick Shee…ler, Oswald de Andrade, Ernst Jandl, Gael Turnbull, Jonathan Williams, Ian Hamilton Finlay et al. Condition: Toning & light wear to top edge front and back, some handling marks.Very Good +. Jim Nicholson (illustrator).
Weitere BilderPoor Old Tired Horse (P.O.T.H) 24
Ian Hamilton Finlay (ed.); Graham Keen; Claus Bremer; Eugen Gomringer; Ian Hamilton Finlay; Hansjorg Mayer; John Furnival; Stephen Bann; Edwin Morgan; Kenelm Cox
Verlag: Wild Hawthorn Press, Stonypath, Lanark, Scotland, 1967
- Softcover
- Erstausgabe
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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EUR 108,12
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In den WarenkorbPaperback. Zustand: Very good+. Book. 229 x 61 mm, stapled, b&w printed wraps. Special issue of Finlay's POTH, focused on the Brighton Concrete Poetry Festival (1967), featuring: Claus Bremer; Eugen Gomringer; Ian Hamilton Finlay; Hansjorg Mayer; John Furnival; Stephen Bann; Edwin Morgan; Kenelm Cox. Photographs by Graham Keen,…designed by Alistair Cant. Condition: some handling marks; no tears or writing. Overall: Very good+.
Weitere BilderImage - Kinetic Art: Concrete Poetry
Philip Steadman (ed.); Stephen Bann, Martha Boto, Nino Calos, Jose Maria Cruxent, Andree Dantu, Ian Hamilton Finlay, Reg Gadney, Eugen Gomringer, Richard Hardwick, Knud Hvidberg, David Larcher, Frank Malina, Frank Popper, Mike Weaver (contributors); featuring: Ian Hamilton Finlay, Pierre Garier, Augusto de Campos, Decio Pignatari, Haroldo de Campos, Eugen Gomringer, Dom Sylvester Houedard, Nicolas Schoffer, Frank Malina, Gregorio Vardanega, Martha Boto, J-M. Cruxent, Andree Dantu, Knud Hvidberg, William Soya, Nino Calos
Verlag: Kingsland Prospect Press Ltd., London, 1964
- Softcover
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbPaperback. Zustand: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young gradu…ates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).
Weitere BilderImage : Groupe Recherche d'art Visuel Issue 6
Philip Steadman (ed.), Stephen Bann; Frank Popper; Groupe Recherche d'art Visuel (La Parc, Garcia Rossi, Garcia Miranda, Stein, Yvaral, Sobrino and Morellet); Reg Gadney (contributors); featuring: Ian Hamilton Finlay; Pierre Garnier; Morellet; Hans-Walter Mueller; La Parc; Christian Sidenius; Sobrino; Stein; Garcia Rossi; Yvaral
Verlag: Ian Duncan Ltd., London, 1966
- Softcover
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbPaperback. Zustand: Very Good +. Book. 265 x 210 mm, 36 pp. in printed stapled wraps. Winter/Spring 1966. Front cover image in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the…day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. Symbiotic of its artistic agenda, this issue brings together a comprehensive, edited selection of the writings of the Groupe Recherche d'art Visuel (Paris, 1960-65) - many of which had hitherto never been published in translation, and the majority of which were first published in ephemeral catalogues or leaflets. Edited and translated by Stephen Bann and Reg Gadney, their introduction to the manifesto-texts of the Groupe Recherche d'art Visuel reads: 'These writings are not a prescription for kinetic art, nor are they sufficient to define the position of the GRAV on the modern scene. They are the product of a radical reappraisal of the relationship between artist, work and spectator and as such they have a unique interest.' From 1960 is a text declaring the aims of the GRAV, entitled 'Act of Foundation'; from 1961: a statement made by GRAV on the occasion of an exhibition of kinetic art at the Museum of Modern Art in Stockholm ('We prefer to consider the artistic phenomenon as an exclusively visual experience on the level of physiology rather than of emotion'); from September 1961: a secondary manifesto entitled 'Enough of Mystification', from 1962: extracts from 'Individual Declarations' by the artists of GRAV; from 1962/3: an extract from a text by Le Parc, entitled 'On the Subject of Art-Spectacle', and a text distributed for the opening of the 3rd Paris Biennale in October 1963; also from 1963, a text entitled ''Instability'-The Labyrith' and a talk by Le Parc at Rimini Congress. A series of questionnaires, from Bann, Gadney and Ohio University, conducted in 1965 (and translated by Annette Kobak), is also included. This issue also features an essay by the art historian and Image contributing editor, Stephen Bann, entitled 'Kinetic Art and Poetry' (a particular attention is given to Ian Hamilton Finlay's kinetic poetry); together with a text by Frank Popper entitled 'Mueller's Machine 'M'', examining the work by Hans-Walter Mueller Machine M, that was shown at the Fourth Biennale of Paris, as well as photographs of Edina Ronay, young actress-daughter of Hungarian gourmet, Egon Ronay. Rare, our last copy. Condition: light wear to front cover, light soiling to left edge of cover and crease to bottom corner, internally fine. Overall: Very good+.

Verlag: De Bladen Voor de Poezie, Lier, Belgium, 1968
- Hardcover
- Erstausgabe
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbHardcover. Zustand: Good +. 1st Edition. Paul de Vree, Poezie in Fusie, De Bladen Voor de Poezie, Lier, Belgium, 1968. 304 x 208mm, 128pp. Printed black on white stock. Printed by Sanderus in Oudenaarde, commissioned by de Bladen Voor de Poezie. Cover design by Walter Pluym. Introduction by Paul de Vree who edited this Internati…onal Concrete Poetry Anthology. Illustrations of work by the editor together with Pierre Albert-Birot,Alain Arias-Mission, Ronaldo Azerido, Stephen Bann, Max Bense, Julien Blaine, J.F.Bory, Edgar Braga, Augusto de Campos, Haroldo de Campos, Ugo Carrega, Henri Chopin, Hans Clavin, Bob Cobbing, Oyvind Fahlstrom, Ian Hamilton Finlay, john Furnival, Heinz Gappmayr, Hochen Gerz,Mathias Goeritz, Eugen Gomringer, B.Grogerova, J.Hirsal, Jose Lino Grunwald, Brion Gysin, Dom Sylvester Houedard, ernst Jandl, Jiri Kolar, F.Kriwet, A.Lora-Titino, Hansjorg Mayer, Franz Mon, M.Nannucci, D.Pignatari, Diter Rot, Gerhard Ruhm, John Sharkey, Mary Ellen Solt, Adriano Spatola, Timm Ulrichs, Jiri Valoch, Edgardo Antonio Vigo, Herman de Vries, Ivo Vroom, Emmett Williams, Pedro Xisto et al. Text in Flemish. Condition: slight toning throughout, general wear to hard cover on edges and corners, Very Good +.
Weitere BilderControl magazine - complete set (Issues 1-21)
Stephen Willats (ed.); contributors: Vito ACCONCI, Sue ARROWSMITH, Stephen BANN, Logie BARROW, Mark BOYLE, Victor BURGIN, Laurie BURT, Helen CHADWICK, Tony CRAGG, Simon CUTTS, Jeremy DELLER, Dan GRAHAM, Lili FISCH, Herve FISCHER, Noel FORSTER, Hamish FULTON, Jenny HOLZER, Thomas HIRSCHHORN, Anish KAPOOR, Mary KELLY, Jan KOPINSKI, John LATHAM, Tom PHILLIPS, Martha ROSLER, Douglas SANDLE, John SHARKEY, Alan SONDHEIM, John STEZAKER, John UPWARD, Lawrence WEINER, Stephen WILLATS, Andrew WILSON, Joe WILSON, Bill WOODROW
Verlag: 0, London
- Softcover
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbPaperback. Zustand: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writ…ing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia et al / No.20, 17, C: Merlin Carpenter, Bedfellows, Francisco Camacho Herrera, Radio Anti, Willats, Eliana Otta et al / No.21, C: Helen Walker & Harun Morrison, Pete Clarke, Lucie Kolb, Gary Bratchford & Robin Parkinson, Rebecca Davies & Eva Sajovic, Elina Otta, Stephen Willats, Javier Calderon, Chalton Gallery. Collated and correct. Near fine.
Weitere BilderVerlag: Cambridge, 1968
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbZustand: Near fine. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue 8 of the most significant British magazine of the 60s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. The contents include Russian Exhibitions 1904 to 1922, Xanti Schawinskys - Spectodrama, and a feature on… Pierre Albert-Birot with Barbara Wrights translations from - Grabinoulor. Great Little Magazines No.7 'SIC' with work by Apollinaire, Tristan Tzara, Pierre Albert-Birot. Condition: minor toning and handling to covers, near fine.
Weitere BilderVerlag: Cambridge, 1966
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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EUR 78,09
EUR 25,08 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Very good +. Zustand des Schutzumschlags: good. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue 3 of the most significant British magazine of the 60s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. This issue features 'G' with work by Kurt Schwitters, Theo van Does…burg, Mies van der Rohe, Miklos Bandi, Charles Biederman, Victor Pasmore, El Lissitzky, Ian Hamilton Finlay, Robert Binget, Ernst Jandl, Paul de Vree, Kenneth Robinson. Condition: minor toning to covers as seen, minor even toning to pages, no tears or writing, very good + with good only covers.

Verlag: Cambridge, 1969
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht - Sehr gut
EUR 120,13
EUR 25,08 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Fine. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue 9 of the most significant British magazine of the 60s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. Number 9: Contents includes articles by Hans Richter, Joost Baljeu, H. H. Stuckenschmidt. 'Notes on Theatre a…t Black Mountain College (1948-1952)' by Mark Hedden. 'Theo van Doesburg is of Today' by Maurice Agis and Peter Jones. Great Little Magazines section No 8: 'Kulchur' with work by Robert Indiana. Condition: fine.
Anbieter: Moby Dick, Noordwijk, NiederlandeMoby Dick
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 35,00
EUR 49,10 VersandVersand von Niederlande nach USAAnzahl: 1 verfügbar
In den WarenkorbLondon 1974, 334 pp., plates and ill., dust jacket (code O-38).