La parc (18 Ergebnisse)

geheftet. Zustand: sehr guter Zustand. 8 Seiten 50 gr.

Faltblatt. Zustand: sehr guter Zustand. 4 Seiten 30 gr.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Couverture souple. Zustand: Comme neuf.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Library Binding. Zustand: Used: Very Good. voir photo.

Zustand: AS NEW. Etat de NEUF / AS NEW condition 2857446535 9782857446538 EDI-26 2.

Zustand: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Zustand: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Zustand: Assez bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Encuadernación de tapa blanda. Zustand: Muy Bien. 1� Edición. Cuadernos de MR. CRUSOE pretendió ser una revista bimensual y terminó en este único número, tan lujoso que fundió a la editorial. La concepción es la del divertimento y los actos performánticos a la moda en la época del Arte Pop, y los happenings. Impresa en diferentes materiales, texturas, y tamaños de páginas, tela, papel metalizado, papel pulpa, encuadernación cosida, y tapa plásticas simil madera con letras doradas. Importantes artistas colaboraron como Jorge de la Vega, que aportó una historieta o comic, y Le Parc el artista conceptual que agregó una interesante obra que utiliza un espejo para incorporar al lector. Además, viene con un poster/tablero , aparte, de 37 X 38,5 cms. (muy raro de encontrar con el ejemplar) para jugar a un juego de estrategia inventado para la revista. Cuadernos de MR. CRUSOE pretended to be a bi-monthly magazine but it ended up in this unique number, so luxurious that it fused the publisher. The conception is an amusing performance on the way of these years of Pop Art, and happenings. Printed with different materials, textures, and sizes of pages, metallized paper, pulp paper, stitched binding, and plastic cover similar to wood with gold letters. Important artists collaborated as Jorge de la Vega, who contributed with a comic strip, and Le Parc the conceptual artist who added an interesting work that uses a mirror to incorporate the reader to the art piece. In addition, it comes with a poster / board, apart, of 37 X 38.5 cms. (very rare to find with the copy) to play a strategy game invented for the magazine. Jorge de la Vega, Carlos del Peral , Guillrermo Thiemer, Le Parc (illustrator).…

Softcover. Zustand: Gut. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. w15673 8414774507009 Sprache: Italienisch Gewicht in Gramm: 350.

In-8 broché de 133 pages, illustrations en noir. Bon état. Expédition : tarifs de La Poste en vigueur.

Zustand: D'occasion - Comme neuf.

Couverture souple. Zustand: bon. RO80214092: 1984. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 82 pages. Nombreuses illustrations en noir et blanc hors texte. . . . Classification Dewey : 708-Galeries, musées, collections d'art.

Soft cover. In French 0.0.

Paperback. Zustand: Very Good +. Book. 265 x 210 mm, 36 pp. in printed stapled wraps. Winter/Spring 1966. Front cover image in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. Symbiotic of its artistic agenda, this issue brings together a comprehensive, edited selection of the writings of the Groupe Recherche d'art Visuel (Paris, 1960-65) - many of which had hitherto never been published in translation, and the majority of which were first published in ephemeral catalogues or leaflets. Edited and translated by Stephen Bann and Reg Gadney, their introduction to the manifesto-texts of the Groupe Recherche d'art Visuel reads: 'These writings are not a prescription for kinetic art, nor are they sufficient to define the position of the GRAV on the modern scene. They are the product of a radical reappraisal of the relationship between artist, work and spectator and as such they have a unique interest.' From 1960 is a text declaring the aims of the GRAV, entitled 'Act of Foundation'; from 1961: a statement made by GRAV on the occasion of an exhibition of kinetic art at the Museum of Modern Art in Stockholm ('We prefer to consider the artistic phenomenon as an exclusively visual experience on the level of physiology rather than of emotion'); from September 1961: a secondary manifesto entitled 'Enough of Mystification', from 1962: extracts from 'Individual Declarations' by the artists of GRAV; from 1962/3: an extract from a text by Le Parc, entitled 'On the Subject of Art-Spectacle', and a text distributed for the opening of the 3rd Paris Biennale in October 1963; also from 1963, a text entitled ''Instability'-The Labyrith' and a talk by Le Parc at Rimini Congress. A series of questionnaires, from Bann, Gadney and Ohio University, conducted in 1965 (and translated by Annette Kobak), is also included. This issue also features an essay by the art historian and Image contributing editor, Stephen Bann, entitled 'Kinetic Art and Poetry' (a particular attention is given to Ian Hamilton Finlay's kinetic poetry); together with a text by Frank Popper entitled 'Mueller's Machine 'M'', examining the work by Hans-Walter Mueller Machine M, that was shown at the Fourth Biennale of Paris, as well as photographs of Edina Ronay, young actress-daughter of Hungarian gourmet, Egon Ronay. Rare, our last copy. Condition: light wear to front cover, light soiling to left edge of cover and crease to bottom corner, internally fine. Overall: Very good+.…

°°° ATMOSPHERIC OVERSIZE ORIGINAL PHOTOGRAPHS OF THE HISTORIC SITE, THE OLD-AGE RESIDENCE OF JOSEPHINE DE BEAUHARNAIS, NAPOLEON BONAPARTE'S FIRST WIFE, WHO GREW A LARGE VARIETY OF ROSES THERE, probably taken shortly after Napoleon III. ownership when it became a private property in 1877, first of a merchant and later of the 'Suchet d'Albuféra'-Family. - The cardboards minimally used, THE PHOTOGRAPHS IN BEST CONDITION.…