avedon capote (28 Ergebnisse)

Hardcover. Zustand: Good. 1st Edition. "Observations", Text by T. Capote. London, Weidenfeld and Nicolson, 1959, 1st Engl. ed., 151,(1)p., photogr. ills. by R. AVEDON, orig. boards, in good condition, slight rubbing to edges, orig. slipcase, folio. - in original Slipcase, sl. worn along extremities.

Hardcover. Zustand: Fine. FIRST. A VERY GOOD PLUS FIRST IN CHIPPED GLASSINE DJ. IN WORN SLIPCASE.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Richard Avedon (illustrator). Photographs by Richard Avedon, comments by Truman Capote, 152 pages, 103 photogravure plates, 1st edition, folio, hardcover, glassine dust jacket in cardboard slipcase. Good condition, dust-jacket has some slight wear and chips., slipcase has wear as well. Dealer inventory 67561-3.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. FROM DIANE KEATON'S LIBRARY WITH HER BOOKPLATE A FINE FIRST EDITION IN ACETATE DUSTJACKET SLIPCASE IS VERY DOO GIVEN TO HER BY LARRY MCMURTRY WITH HIS BOOKPLATE ALSO.

Zustand: Fair. Original pictorial boards with removable plastic cover, illustrated with numerous (full page) photographs in b/w, unpaged, folio.; Spine-ends worn/damaged; no slipcase.

Zustand: Good. New York: Simon & Schuster, 1959. Folio hardcover in slipcase. 151pp. B/W portraits. Good book. Fair slipcase. Slipcase has heavy shelfwear, is slightly dampstained, and is torn along the top edge. Two ink gifter's inscriptions on the front endpage. Light to moderate soiling to pages. In polypropylene bag. (Portrait Photography, Artistic Photography, Richard Avedon, Truman Capote) Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

hardcover. Zustand: very good(-). Avedon, Richard (illustrator). Profusely illustrated with fine photographs by Avedon, many full-page. Comments by Capote. 151 pages. Thin folio, glossy white printed boards (spine sunned and worn/scuffed at edges), printed slipcase. New York: Simon & Schuster, 1959. First edition. Overall a very good(-) copy in the publisher's printed board slipcase, which is sunned, soiled and well-rubbed at extremities.

Hardcover. Zustand: Very Good. 1st Edition. 38 x 28 cm. 151 pp. Slipcase has some rubbing and age-related marks but presents well with no damage. The clear cellophane over-mantle was split and has been removed. Book is Very Good indeed: entirely clean and square with A1 binding. Very lightest wear top and tail of spine. A substantial pre-60s design piece in itself, this is the first UK edition published simultaneously with the American imprint.

Laminate boards. Zustand: Very Good +. First Edition. A very presentable copy of the 1959 1st edition of this formidable collaboration between Truman Capote and James Baldwin. Solid and VG+ in its white laminate boards, with very mild rubbing at the panels. Lacking the publisher's unprinted glassine dustjacket but including a sturdy, VG example of the printed card slipcase, with a bit of spotting to the rear panel and a touch of light wear at the spine ends. Folio, beautifully designed by the great art director Alexey Brodovitch (of Harper's Bazaar fame).

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good-. First Edition; First Printing. Hardcover. 4to. Published by Simon and Schuster, Inc, New York. 1959. 151 pgs. Illustrated with Black and White Plates. First Edition/First Printing. Slipcased. Slipcase has wear present (slipcase is chipped and worn to the extremities). Bound in paper covered illustrated boards. Boards have light shelf-wear present to the extremities No ownership marks present. Text is clean and free of marks. Binding tight and solid. "Observations is the culmination of a creative collaboration between Avedon and Alexey Brodovitch that began in 1945, when the imperial art director hired the 22-year-old photographer as the youngest member of his team at Harper's Bazaar" (Roth, 148). Avedon's "later adoption of a seamless white studio background for most of his fashion and portrait photography was at least partly inspired by Mr. Brodovitch's characteristic use of 'white space, ' a means of making the subject seem suspended and weightless on the page" (Times). Not long after Capote and Avedon finished their work on Observations, they again collaborated in documenting the story of a brutal murder in Kansas, In Cold Blood (1965). EB; Folio 13" - 23" tall; 151 pages.

First Edition. First edition and first printing. Hardcover. Avedon's landmark first book, a collaboration with Capote who supplies the text. A striking collection of full-bleed black and white images. An about very good copy with a small stain to the base of the front board, some wear to the spine ends and some bumping to the bottom front corner in an about very good paper slipcase that has some wear, soiling and some staining as well. No dust jacket. Despite the flaws a solid copy of a poorly made, but beautiful book. (Roth 148-149).

Hard Cover. Zustand: Very Good. First English Edition. This is a very good hardcover copy with the mylar wrapper, missing the slipcase. Light wear around the edges. Completely clean. Truman Capote contributes Comments on the black & white photographs of Richard Avedon. The book was of course designed by the incomparable Alexander Brodovitch. Large folio, 15" high X 11" wide, 151 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 151 pages. Avedon's landmark first book, a collaboration with Capote who supplies the text. A striking collection of full-bleed black and white images. A clean very near fine copy in paper covered boards in a very good acetate dust jacket with some large chips/chunks missing and in a near fine slipcase with some light wear. Still a much nicer than usual copy of a book that is inherently fragile. (Roth 148-149).

151 S. Mit zahlreichen ganzseitigen Foto-Tafeln. Folio. Orig.Pappband Der stabile Pappschuber mit nur leichten Gebrauchsspuren. Der Cellophan-Umschlag für das Buch mit drei geringfügigen Ein- bzw. Ausrissen. Der Buchrücken im Bereich des oberen und unteren Kapitals minimal gebräunt. Auf der Innenseite des Vorderdeckels dezent kleines Eigentümerlabel. Von diesen durchaus übersehbaren Kleinmängeln abgesehen, sehr gut erhaltenes Exemplar.

Hardcover. Zustand: Very good +. Richard Avedon (illustrator). First Edition. 151p, folio. A very good + copy in publisher's slipcase. 3 tiny nicks to the back panel in a fine glassine dust jacket (provided). Scattered foxing throughout. Enclosed in a very good slipcase dinged at the crown.

First Edition. [Photography] FIRST EDITION. Quarto (37 x 28cm), pp.151 [1]. White card covers lettered in grey to boards and spine. With white card slipcase lettered in red, blue, and grey to sides and spine. Black and white photogravure reproductions by Avedon throughout. Previous owner's gift note in black ink, otherwise internally clean, some spotting to preliminaries, endpapers and top edge of textblock, some rubbing to spine edges. Toning to slipcase, bumping and rubbing to edges and spine joints. Very good. Richard Avedon was an American fashion and portrait photographer. 'Observations' includes numerous portraits of famous people, including Picasso, Marilyn Monroe, and J. Robert Oppenheimer.

Zustand: Fine in fine jacket. Zustand des Schutzumschlags: dj. First printing. First edition of Avedon's first book, designed by Alexey Brodovitch and featuring commentary by Capote - in the original acetate jacket and publisher's slipcase, in uncommonly nice condition. The icons and artists captured in Avedon's trademark too-close gaze include Marilyn Monroe; the impeccable Marella Agnelli (before Capote's friendship and betrayal); the cracked and weathered Duke and Duchess of Windsor; the "changeling's face" of Gabrielle Chanel; Marianne Moore in three-cornered hat; and finally Capote himself, louche in suspenders, not as young as he once was. 14'' x 10.5''. Original white boards with grey lettering. In original clear acetate dust jacket. In original slipcase. Illustrated with black and white photographs throughout. 150, [2] pages. Trace wear to boards. Light edgewear and small chip to upper corner of slipcase. Sharp and clean.

Hardcover. Folio. Glossy paper over boards, original clear acetate wrapper, slipcase. 151pp. Numerous illustrations. Near fine/near fine/very good. Quite minor slipcase wear; ownership signature on rear flyleaf. Tight and quite lovely first edition of the first book by the fashion and portrait photographer (1924-2003), accompanied by Capote's provocative text. While copies signed by Avedon and/or Capote are especially desirable, this unusual extra-illustrated copy bears bold signatures of six of the photographer's celebrity subjects in ink on fine, matching heavy stock 5" X 3" cards tipped to front flyleaf. Top row, left to right, is BRIGITTE BARDOT (1934-2025, French actress and model, appears on page 107), who signs hugely in blue fineline, dating it September 1983 at upper right; and RUDOLF BING (1902-97, long-time New York Metropolitan Opera manager, appears on page 21), who signs boldly in black ink, dating it 20 March 1980 at upper right. Middle row, left to right: ALFRED HITCHCOCK (1899-1980, British film director, appears on page 15), who signs in black fineline, with typed date of 14 June 1979 at upper right; and LENA HORNE (1917-2010, singer, dancer and actress, appears on pages 86-87), who signs boldly in black fineline, adding "To Richard" at upper left and dating it 10 September 1969 at upper right. Bottom row, left to right: ZINKA MILANOV (1906-89, Yugoslav-born operatic soprano, appears on page 24), who signs in black fineline, dating it 2 November 1983 at upper right; and MAUREEN STAPLETON (1925-2006, Oscar-winning actress of screen, stage and television, appears on page 112), who signs in blue ballpoint, dating it 10 January 1969 at upper right. Laid in are all six original transmittal envelopes. A superb copy with a most unusual signature grouping affixed.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition; First Printing. Hardcover. Folio. Published by Simon and Schuster, Inc, New York. 1959. 151 pgs. Illustrated with Black and White Plates. Signed and inscribed with a drawing by Richard Avedon on the FFEP. First Edition/First Printing. Slipcased. Slipcase has wear present (slipcase is chipped and worn to the extremities). Bound in paper covered illustrated boards. Boards have light shelf-wear present to the extremities No ownership marks present. Text is clean and free of marks. Binding tight and solid. "Observations is the culmination of a creative collaboration between Avedon and Alexey Brodovitch that began in 1945, when the imperial art director hired the 22-year-old photographer as the youngest member of his team at Harper's Bazaar" (Roth, 148). Avedon's "later adoption of a seamless white studio background for most of his fashion and portrait photography was at least partly inspired by Mr. Brodovitch's characteristic use of 'white space, ' a means of making the subject seem suspended and weightless on the page" (Times). Not long after Capote and Avedon finished their work on Observations, they again collaborated in documenting the story of a brutal murder in Kansas, In Cold Blood (1965). E-378; Folio 13" - 23" tall; 151 pages.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition; First Printing. Hardcover. 4to. Published by Simon and Schuster, Inc, New York. 1959. 151 pgs. Illustrated with Black and White Plates. Signed and inscribed by Richard Avedon on the FFEP. First Edition/First Printing. Slipcased. Slipcase has wear present (slipcase is chipped and worn to the extremities). Glassine DJ present but chipped and worn with a piece missing from the crown of the spine. Bound in paper covered illustrated boards. Boards have light shelf-wear present to the extremities No ownership marks present. Text is clean and free of marks. Binding tight and solid. "Observations is the culmination of a creative collaboration between Avedon and Alexey Brodovitch that began in 1945, when the imperial art director hired the 22-year-old photographer as the youngest member of his team at Harper's Bazaar" (Roth, 148). Avedon's "later adoption of a seamless white studio background for most of his fashion and portrait photography was at least partly inspired by Mr. Brodovitch's characteristic use of 'white space, ' a means of making the subject seem suspended and weightless on the page" (Times). Not long after Capote and Avedon finished their work on Observations, they again collaborated in documenting the story of a brutal murder in Kansas, In Cold Blood (1965). EB; Folio 13" - 23" tall; 151 pages; Signed by Author.

Hardcover. Zustand: gut. 1959. A must-have time capsule of an era passed An absolutely extraordinary vintage book in good condition. What a delight for the eyes and for the mind! First edition. Hardcover. First printing. Avedon's landmark first book, a collaboration with Capote who supplies the text. A striking collection of full-bleed black and white images Über den Autor: RICHARD AVEDON (b. 1923) was the editor, with his classmate James Baldwin, of The Magpie, the literary magazine at De Witt Clinton High School in the Bronx. In 1942 he joined the photography department of the U.S. merchant marine. He was a staff photographer at I>Harper's Bazaar (1951-1965) and Vogue (1966-1988), and he collaborated with James Baldwin on Nothing Personal (1964), a book about the civil rights movement. In 1992 he became the first staff photographer at The New Yorker. Richard Avedon Observations - mit einem Text von Truman Capote Richard Avedon (Autor) In englischer Sprache. pages.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First edition. Folio. [152]pp. Fine in very good original unprinted glassine dust jacket with a large chip at the top of front and back panels, and with near fine original printed card slip case fine overall with a small piece missing at the bottom edge. A very nice, better than usual copy of this collaboration between photographer Richard Avedon and author Truman Capote, with the photographer's iconic portraits complemented by Capote's text throughout.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First edition. Folio. [152]pp. A little wear at the base of the spine, near fine in very near fine original unprinted glassine dust jacket with a little wrinkling on the rear panel in lightly edgeworn very good or better, original printed slip case. A nice, better than usual copy of this collaboration between photographer Richard Avedon and author Truman Capote, with the photographer's iconic portraits complemented by Capote's text throughout.

Zustand: Gut. 151 S. Mit zahlreichen ganzseitigen Foto-Tafeln. Folio. Orig.Pappband m. Umschlag im Schuber Schuber bestoosen und etwas fleckig. Cellephanumschlag mit Ausriisen bzw. Einrissen) Das Buch mit leichten Gebrssp. krankheitsbedingt erfolgt der Versand nur 1x pro Woche. Sprache: Deutsch.

Avedon, Richard - Capote, Truman. Observations. Mit 82 Photolithographien nach Photographien von Richard Avedon. Luzern, Camera Verlag, 1959. 37 x 28 cm. 151 S. Original-Papp-Einband mit Rücken- und Deckeltitel, Original-Papp-Schuber mit Deckeltitel. - Roth, S. 148-49: "Beobachtungen sind der Höhepunkt einer kreativen Zusammenarbeit zwischen Richard Avedon und Alexey Brodovitch [dem Herausgeber des Magazins]. Capote, der seinen Arch-Text zwischen Breakfast at Tiffany's und In Cold Blood geschrieben hat, ist hier am wertvollsten, um Avedons Worte zu vermitteln, insbesondere die Beobachtungen des Fotografen über die Schönheit des Alters." - Erste englische Ausgabe. - Das berühmte und gesuchte Photobuch im Überformat mit Portraits von Marilyn Monroe, Brigitte Bardot, Anna Magnani, Louis Armstrong, Frank Lloyd Writhgt, Gianni Agnelli, Pablo Picasso, Georges Braque, Marcel Duchamp, u. v. a. - Ins Deutsche übertragen von Jella Lepman. - Cellophan-Umschlag fehlt. - Rücken etwas angestaubt, schwach bestossen; im Schnitt leicht gebräunt; Schuber berieben, im unteren Rand feuchtfleckig.

27,5 x 37 cm. 152 S., illustriert. Originalpappband mit Transparentfolie in Schuber. Erste deutsche Ausgabe. Erschien gleichzeitig mit der englischen Ausgabe. Gedruckt bei Bucher. Ins Deutsche übertragen von Jella Lepman. - Neuwertig die empfindliche Transparentfolie fehlerlos. Sprache: n.

Folio, pp.150. Original white boards, lettered in silver to both panels and spine. Plain acetate wrapper. Slipcase, replicating the book's outer typography in red, blue and silver. Slight loss and chipping to spine and edges of acetate wrapper, but a near fine copy with a little wear to spine ends, housed in a well preserved slipcase. Profusely illustrated with the photographs of Richard Avedon. First UK edition, published the same year as its US counterpart. Although well established by the time of its appearance, this was the first collection of Avedon's photographs to appear in book form. As well as providing the text which accompanies the photographs, Truman Capote also wrote the book's introductory essay, On Richard Avedon.

First edition, first printing, of Avedon's first book, a striking collection of portraits of artists, authors, musicians, and performers, with accompanying text by Capote. Roth p. 148 Quarto. Illustrated throughout with full-page gravure reproductions of photographs by Avedon. Original white boards, lettering to front cover and spine in grey. With acetate dust jacket. Housed in original card slipcase. A couple of small chips to acetate and light rubbing to slipcase, otherwise a near-fine example.