arnatt keith (12 Ergebnisse)

Zustand: Good. Paperback, illustrated with numerous photographs in colour, 4to.

Paperback. Zustand: Very Good. 0863551440. British Council, bright clean copy, Professional booksellers since 1981.

SOFTCOVER. Zustand: AS NEW. 1st Edition. 4to in stiff card covers, 30pp on glossy art paper, colour plates, sepia illustrations in text, etc. one of 750 copies . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

SOFTCOVER. Zustand: Fine. 1st Edition. Large Folio size in colour printed stiff card covers, 5pp text plus 9 full page and very finely printed colour photos. Dual text in English and Portuguese . [CONDITION: An extremely well preserved almost AS NEW copy (minute speck of shelf rub to cover corner tips) ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Card covers, stapled spine. Zustand: Near fine in wraps. First Edition. 21 x 30cm 20pp near fine card-covered exhibition catalogue with stapled spine. Manipulation of natural and man made objects in the rural environment, the work of Keith Arnatt reveals a deep sculptural imagination that informed his conceptual and photographic practices. Through his preoccupations with the box, body and burial in the early part of his career, Arnatt challenged sculptural conventions long before he was seen as a photographer. With three major essays by Jon Wood, Mike Sperlinger and Andrew Wilson, together with black and white reproductions.

203 pp.; 29.5 x 21 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph of new art and artists selected by fifteen artists and writers in 1973 - 1974. Edited by Willem Sandburg. Introduction by Sam Hunter. Artists selected by Jean-Christophe Ammann, Ludo Bekkers, Richard Bellamy, Gilbert Brownstone, Yona Fischer, Klaus Groh, Pontus Hultén, Zelimir Koscevic, Achille Bonito Oliva, Ad Petersen, Barbara Reise, Alfred Schmeller, R. Stanislawski, Harald Szeemann, and Rafael Santos Torroella. Artists include Sergi Aguilar, Gilles Aillaud, Keith Arnatt, Gábor Attalai, Lothar Baumgarten, Ola Billgren, Alighiero Boetti, Christian Boltanski, Marcel Broodthaers, Boris Bucan, Luciano Castelli, Mary Corse, William Crozier, Hanne Darboven, Jan Dibbets, Braco Dimitrijevié , Gino De Dominicis, Benni Efrat, Luciano Fabro, Robert Filliou, John-E Franzén, Hamish Fulton, Tibor Gayor, Avital Geva, Zbigniew Gostomski, Allan V. Harrison, Jeroen Henneman, Martha Jungwirth, Zdzislaw Jurkiewicz, Per Kirkeby, Christof Kohlhöfer, Harriet Korman, Piotr Kowalski, Richard Long, Urs Lüthi, Inge Mahn, Richard Nonas, Lev Nusberg, Panamarenko, Antonio Soler Pedret, Ireneusz Pierzgalski, Vettor Pisani, Juan Hernández Pijuán, Carl J. Plackman, Markus Raetz, Franz Ringel, Salvador Saura, Kjartan Slettemark, Hugo Suter, Endre Tót, Jerzy Trelinski, Carel Visser, Rolf WinnewisserSergi Aguilar, Gilles Aillaud, Keith Arnatt, Gábor Attalai, Lothar Baumgarten, Ola Billgren, Alighiero Boetti, Christian Boltanski, Marcel Broodthaers, Boris Bucan, Luciano Castelli, Mary Corse, William Crozier, Hanne Darboven, Jan Dibbets, Braco Dimitrijevié , Gino De Dominicis, Benni Efrat, Luciano Fabro, Robert Filliou, John-E Franzén, Hamish Fulton, Tibor Gayor, Avital Geva, Zbigniew Gostomski, Allan V. Harrison, Jeroen Henneman, Martha Jungwirth, Zdzislaw Jurkiewicz, Per Kirkeby, Christof Kohlhöfer, Harriet Korman, Piotr Kowalski, Richard Long, Urs Lüthi, Inge Mahn, Richard Nonas, Lev Nusberg, Panamarenko, Antonio Soler Pedret, Ireneusz Pierzgalski, Vettor Pisani, Juan Hernández Pijuán, Carl J. Plackman, Markus Raetz, Franz Ringel, Salvador Saura, Kjartan Slettemark, Hugo Suter, Endre Tót, Jerzy Trelinski, Carel Visser, and Rolf Winnewisser. Tex in English. Good / Very Good. Wear to spine, light wear to covers and edges. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.

80 pp.; 27.5 x 20.8 cm.; sewn bound; black-and-white; edition size 3500; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Stedelijk Museum, Amsterdam, December 21, 1979 - February 10, 1980. Traveled to Museum Boymans van Beuningen, Rotterdam, February 29 - April 13, 1980 Kölnische Kunstverein, Köln, April 30 - June 1, 1980 and Museum voor Hedendaagse Kunst, Gent, June 15 - August 30, 1980. With a foreword by Edy de Wilde, and texts by Dorine Mignot, Ursula Wevers, and the artist. Profusely illustrated in color and black-and-white, featuring many video stills. Artists include Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alghiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino De Dominicis, Ger van Elk, Barry Flanagan, Gilbert & George, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Rückriem, Richard Serra, Robert Smithson, Franz Erhard Walther, Lawrence Weiner, Gilberto Zorio. Includes statements and descriptions of works, biography, and bibliography. Texts in Dutch and English. Very Good / Fine. Light cover wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Pamphlet. Zustand: Very Good. 50p A4 guide, clean pages, cover in very good condition, well preserved, limited to 750 copies, scarce Language: English.

Paperback. Zustand: Very Good. Book. 290 x 210 mm, invisible bound with red on light green printed wraps. Important exhibition catalogue of Conceptual Art published to coincide with the seminal exhibition 'The Wall Show' at the Lisson Gallery, London, December 1970-January 1971. Features text-based and conceptual works by Keith Arnatt; Sue Arrowsmith; Tom Edmonds; Barry Flanagan; Michael Ginsborg; Gerard Hemsworth; John Hilliard; John Latham; Bob Law; Sol LeWitt; Roelof Louw; Ian Munro; Gerald Newman; Palermo; Klaus Rinke; Ed Sirrs; John Stezaker; Lawrence Weiner; Richard Wentworth (the final page features a contribution by Wentworth in which the printed page is torn and taped back together with text that reads: 'To draw a grid onto tracing paper / To destroy paper by tearing / To tape pieces together.') Condition: A ding to the front cover on the top left. The first page is stamped with LYC library stamp in black ink and there are two yellow LYC stickers on the spine. Internally clean and fine. VG/VG+.

Self-wrappers. pp. (18). With nine black-and-white photographic reproductions, including one on front cover.Keith Arnatt's first solo exhibition featured one of the most celebrated works of the period, Self Burial, also called The Disappearance of the Artist. This television intervention was based upon a series of nine photos which progressively document as a sequence of images a purported ?self burial? Arnatt first stands centre frame upright on a piece of grass facing the viewers. The grassy area is bordered in the background by bushes. The following shots with unchanged picture composition show the artist buried ever further in the ground - first up to his calves, then to his knees, then thighs and so on - until the only thing which can be seen on the last picture is the hair on the top of his head at ground level. Arnatt changes his posture only minimally during this process; it is only the constantly growing, circular areas of loose soil surrounding his body which break up the static impression of the shots and suggest the burial process. Every evening at 8.15 pm and 9.15 pm from 11 to 18 October 1969 scheduled programming on West German television was abruptly cut to two pictures from this series; the second image broadcast at 9.15 pm was repeated the next day at 8.15 pm. The broadcast first lasted two and a half seconds and from 13 October they lasted four seconds. They were broadcast without any introduction or accompanying commentary. Only on the last day of the project did Arnatt explain his work in a feature in the culture magazine ?Spectrum? which was filmed at the Kölner Kunstmarkt in 1969; during this feature the ninth picture in the series also faded up. To mark the project this brochure ?Keith Arnatt : TV Project Self Burial? appeared in the same year, as Publication n°10 of Fernsehgalerie Gerry Schum. This brochure appeared in a print-run of 500 copies and it was financed by the collectors Gustav Adolf and Stella Baum and distributed by the Fernsehgalerie to interested parties free of charge. The brochure contained facsimiles of the TV schedules as well as montages where the nine photos are given a black cache.

48 pp.; 31.5 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Hardback variant of Studio International, Vol. 180, No. 924 (July / August 1970) containing only the conceptual catalogue for an exhibition that took place within the pages of the issue organized, and with an introduction by, Seth Siegelaub. Curated chapters by David Antin, Germano Celant, Michel Claura, Charles Harrison, Lucy R. Lippard, and Hans Strelow. Artists include Dan Graham, John Baldessari, Richard Serra, Eleanor Antin, Fred Lonidier, George Nicolaidis, Keith Sonnier, Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Mario Merz, Giuseppe Penone, Emilio Prini, Pistoletti, Gilberto Zorio, Daniel Buren, Keith Arnatt, Terry Atkinson, David Bainbridge, Harold Hurrell, Michael Baldwin, Victor Burgin, Joseph Kosuth, Barry Flanagan, John Latham, Roelof Louw, Robert Barry, Stephen Kaltenbach, Lawrence Weiner, On Kawara, Sol LeWitt, Douglas Huebler, N.E. Thing Co., Frederick Barthelme, Jan Dibbets, and Hanne Darboven. "This exhibition was organized by requesting six critics to each edit an 8-page section and in turn, to make available their section to the artist(s) that interest them." -- from Siegelaub's introduction. Text in English, German, and French. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 39. "International General, Distributing Independently Produced Vanguard Art Books, Catalogues and Information" by Seth Siegelaub. New York, NY : International General, 1971. "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 208-211. "Six Years, The Dematerialization of the Art Object from 1966 to 1972 : A Cross-Reference Book of Information on Some Esthetic Boundaries . / edited and annotated by Lucy R. Lippard." by Lucy R. Lippard. Praeger Publishers Inc., NY / DC : Praeger Publishers Inc., 1973, pp. 179. Good / Very Good. Curve to recto with mild rubbing of covers. Light yellowing of pages. Contents otherwise clean and unmarked.

[4] pp.; 29.5 x 21 cm.; black-and-white; edition size 800; unsigned and unnumbered; offset-printed Single folded sheet / artist's projects by Keith Arnatt published in conjunction with show held May 30 - June 13, 1970. Text in English. References : "Art & Project Bulletins 1 - 156 : September 1968 - November 1989" by Clive Phillpot, Adriaan van Ravesteijn, Tin Geerts. London / Cambridge / Paris, United Kingdom / United Kingdom / France : Cabinet Gallery / 20th Century Art Archives / & Christophe Daviet-Thery Livres et éditions d'artistes, 2011. "In & Out of Amsterdam : Travels in Conceptual Art, 1960 - 1976" by Christophe Cherix, Phillip van den Bossche, Cathleen Chaffee, Rini Dippel, Paula Feldman, Christian Rattemeye. New York, NY : The Museum of Modern Art, 2009, pp. 148. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 235. No. 567 in "Extra Art : A Survey of Artists' Ephemera 1960 - 1999" by Steven Leiber, Ralph Rugoff, Anne Moeglin-Delcroix, Todd Alden, Ted Purves. San Francisco / Santa Monica, CA : California College of Arts and Crafts [CCAC] / Smart Art Press, 2001, pp. 129. Good. Mailed copy with mailing marks and wear, folded in three for mailing. Yellowing of recto along fold lines with foxing along bottom edge and dappled yellowing of verso in addition to moderate dinging. This copy sent to "Centro Di.".