aleksei kruchenykh (28 Ergebnisse)

Zustand: New. In.

Paperback. Zustand: Brand New. box edition. 364 pages. 10.25x7.25x1.50 inches. In Stock.

Zustand: New.

Paperback. Zustand: Brand New. box edition. 364 pages. 10.25x7.25x1.50 inches. In Stock.

Zustand: NEW.

Taschenbuch. Zustand: Neu. Neuware.

Artists Bookworks, 2009. 2 vol. in-8 brochés, couv. ill., sous étui illustré, 156 et 144 pp. (texte en anglais), nbr. ill. in-t., quelques unes en couleurs. Bibliogr., index. Album en deux parties consacré à l?opéra futuriste créé à Saint-Pétersbourg en 1913, sur un livret de A. KRUCHENYKH, une musique de M. MATIUSHIN, des décors et costumes de K. MALEVICH. Avec la traduction anglaise du livret, photographies, fac-similés, articles de presse et essais. /92B As new.

Kartoniert / Broschiert. Zustand: New. KlappentextrnrnThis Futurist opera was presented in snowy Petrograd in December 1913 to a riotous audience. The atonal music composed by Mikhail Matiushin accompanied the alogical libretto by Aleksei Kruchenykh, the action taking place in the 1.

Taschenbuch. Zustand: Neu. Neuware - This Futurist opera was presented in snowy Petrograd in December 1913 to a riotous audience. The atonal music composed by Mikhail Matiushin accompanied the alogical libretto by Aleksei Kruchenykh, the action taking place in the 10th Land where 'the windows of houses all face inside' and 'all the paths go up to the earth', while the hands of a clock 'both go backwards immediately before dinner'. The cardboard costumes by Kazimir Malevich were surfaces lit by his roving coloured spotlights, the characters bigger than life. This first English translation by Dr. Evgeny Steiner is accompanied by the Russian facsimile, followed by what is known of the musical score by Mikhail Matiushin, and a selection of Malevich's Cubist costume designs. Contemporary documents, from statements by the artists and photographs, to press reviews complete the contents of Vol. 1. Vol. 2 is a collection of scholarly essays on the Russian Futurist arts of language, music and performance, with Kruchenykh's own contribution to the 'New Ways of the Word' first published in 1913. Together, this two volume collection of Victory Over the Sun presents Russian Futurism in all its guises. It is a tool for study, while it invites recreations of it today by theatre groups and those interested in the arts of language.

broschiert/ Taschenbuch. 32 Seiten/pages. Orig. Broschur (der Umschlag leicht lichtspurig, sonst gutes und sauberes Exemplar). 8°. Faksimile der Ausgabe Moskau [Moskwa]: Izdanie avtora 1926. -------------------------------------------------------------------------- ------------------------------------------------------------ ------------------------------------------------------------ -------------------------- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland.

Kartoniert / Broschiert. Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Third edition. Paperback, 31[+1]pp. 170 x 135mm. Square missing from rear endpaper. Some scribbling to rear endpaper. Worn with some dampstaining to covers. A work inspired by the suicide of Sergei Yesenin.Please contact us if you would like to see an image of the book.

Soft cover. Zustand: Near Fine. 1st Edition. Octavo18x13 cm., wrappers, 47(1)pp. The third in a series of tracts of the International Association of Futurists, this contains four essays on some of his major works, and focusing on futurist verse, with its focus on sonic and rhythmic shifts, assonance, nonsense, ingenious invention and humor. Includes a fine abstract drawing by Natalia Nagorskaia (1895-1983), who studied under A. Ekster and taught in Vkhutemas until being dismissed in 1925 as a social alien hostile to the Soviet regime. She moved to Novo Nikolaevsk and worked in Siberian ethnography with accomplishment. OCLC locates seven North American holdings. This copy near fine,with rear cover stamp; uncut signatures.

Soft cover. Zustand: Near Fine. 1st Edition. Octavo, wrappers, 72pp. 2000 copies. 500 New Puns & Witticisms of Pushkin. Using shiftology (svidologiia), Kruchenykh demonstrates how sound shifting can alter meaning in poetry through lexicological references and cross associations, sometimes producing comic effects. Russian language permits such play and these devices have often been a hidden source of enjoyment and amazement in its poetic traditions. Fine. OCLC finds this in 12 North American institutions. MOMA 563.

edited: 2000 copies - first edition - 17,8 x 12,9 cm - [2]+26 pgs - soft thick paper cover with illustration by Klutsis - stappled - one of at least 7 small booklets by Kruchenykh on Esenin 's suicide or used it as pretext, see MOMA 644 - Campton: Russian avant-garde books pg 58 and 59,- condition bottom of back used, otherwise in good condition, library number (?) on front part of wrappers, slightly discolored front part (see pictures).

[Moskva (Mosca)] , [Vserossijskogo Sojuza Poètov (Unione panrussa dei poeti)] , [Produkcija] n. 151, 1928, Prima edizione. Ottimo esemplare, appena consolidato professionalmente sul dorso muto, per il resto freschissimo e pulito: non comune in queste condizioni. Raccolta di documenti e saggi, in una prospettiva insieme storicizzante e ancora militante, curata e in gran parte compilata da Kru ënych, con un introduzione / appello di Artëm Vesëlyj, poesie inedite di Velimir Chlebnikov (scomparso nel 1922), profili autobiografici di Semën Kirsanov, Sergej Tret'jakov, lo stesso Kru ënych, una commemorazione dei «deceduti» di Igor Terent'ev. Pregevole l'apparato iconografico, che consiste di sette tavole a piena pagina: un bel autoritratto di Chlebnikov del 1910, Nikolaj Aseev in una caricatura di Marija Sinjakova, un fotomontaggio di Klucis che raffigura Kru ënych mentre declama poesie futuriste e tre caricature di Igor' Terent'ev dei membri del teatro di Leningrado. The Russian Avant-Garde Books MoMa, Checklist n. 739; Salaris, Futurism in the World, pp. 908-909 in 16°, brossura avana stampata in inchiostro rosso, design di Gustav Klucis (o: Klutsis) in stile parolibero, pp. 67 [1] con alcune tavole b/n comprese nella numerazione. Prima edizione. Ottimo esemplare, appena consolidato professionalmente sul dorso muto, per il resto freschissimo e pulito: non comune in queste condizioni. brossura avana stampata in inchiostro rosso, design di Gustav Klucis (o: Klutsis) in stile parolibero,

[Moskva] , [Izd. Vseros. soyuza poetov] . . , 1925, Prima edizione. Ottimo esemplare (alcune iscrizioni in inchiostro e grafite ai margini del frontespizio). 3000 esemplari stampati per le edizioni dell'«Unione di tutti i poeti russi»: antologia di versi e prose tratte dalla rivista «LEF» e commentate da Kru ënych. Raro pezzo di design sovietico e una delle prime riflessioni critiche sulla poesia di Mayakovsky. Russian Modernism: the Collections of the Getty Research Institute, nr. 366; Rowell - Wye, The Russian Avant-Garde Book, nr. 597 in 16°, brossura stampata in nero e rosso (dorso muto); design di Valentina Kulagina - Klutsis nello stile della rivista «LEF», pp. 61 [3] in carta patinata, Prima edizione. Ottimo esemplare (alcune iscrizioni in inchiostro e grafite ai margini del frontespizio). brossura stampata in nero e rosso (dorso muto); design di Valentina Kulagina - Klutsis nello stile della rivista «LEF»,

Soft cover. Zustand: Near Fine. 1st Edition. Octavo 22.3x16 cm., original illustrated wrappers with a lithograph by Olga Rozanova. 22 leaves. This polemical work by Kruchenykh sneers at the preoccupations of Russian writers such as Dostoyevsky and Lermontov with the theme of the devil and demons and how Russian literature has been saved by Futurism. Kruchenykh, perhaps unsurprisingly, cites his own works ('Half Alive' and 'A Game in Hell') as examples of the correct approach to any treatment of the devil and demons in literature. The cover lithograph by Rozanova is a particularly gruesome image of a demon with sharp teeth biting off the head of an infant. A very nice, crisp copy with a striking lithograph by Rozanova. MOMA 41, Getty 354.

Hardcover binding, 107[+5]pp. 195 x 170mm. Bound in magenta and dark blue patterned paper-covered boards, retaining original wallpaper wraps, bound in. Some splitting to gutters. External wear to extremities, otherwise good. Printed on pale cyan-coloured paper. A landmark compilation of prose and art, including a call for the implementation of Zaum a new trans-rational language. Rare.Please contact us if you would like to see an image of the book.

Third edition. Cover by Gustav Klutsis. Illustrations of designs by Klutsis for Radio Orators.Paperback, 60[+4]pp. 170 x 130mm. Chip with loss to foot of spine, otherwise good.Please contact us if you would like to see an image of the book.

Cover and Illustrations by Mariya Sinyakova. Paperback, 27[+3]pp. 270 x 180mm. Slight thumbing to cover edge, otherwise very good condition.Please contact us if you would like to see an image of the book.

Cover by Valentina Kulagina. Paperback, 30[+2]pp. 190 x 140mm. Photographic frontispiece. Very good condition. Slight wear to cover edges.Please contact us if you would like to see an image of the book.

Soft cover. Zustand: Fine. 1st Edition. Octavo 17.9x12.9 cm., wrappers, 30 (2) pp. Cover by Vera Kulagina-Klutsis. Edition of 1000 copies. The Notebook of Velimir Khlebnikov (1885-1922) is a posthumous publication of Khlebnikov who died tragically at age 37. It is edited by his friend Aleksei Kruchenykh; both of them were founders of za um, a transrational language and one of the most important developments in Russian Futurism. Khlebnikov is considered a giant among 20th century Russian poets. OCLC locates ten North American library holdings. MOMA 598, Getty 316. A fine copy.

Moscow: Moskovskaia Assotsiatsiia Futuristov, 1922 (cover date 1923). Octavo (18.5 × 14 cm). Original printed wrappers; 46 pp. Decorative title and two Suprematist woodcut illustrations by Ivan Kliun. Wrappers toned, with chipping and fraying to spine and a few nicks to edges; else good or better. First edition of this programmatic essay by the Russian Futurist poet, one of the pioneers of "zaum", or trans-rational language, along with Velimir Khlebnikov. Published as no. 2 of the Moscow Futurist Association (MAF)'s theoretical series (Seriia teorii). With two illustrations by Ivan Kliun (1873-1943), the Russian avant-garde artist influenced by Suprematist and Constructivist tendencies. Getty 380.

12mo, pp. 59, [5 (bibliography of works by Kruchenykh and advertisements)]; a very good copy in the original wrappers, printed in red and black with a woodcut design by Valentina Kulagina-Klutsis, some edge wear, a little dusty; cloth box.First edition, a critical study of six poets by 'the most effective theoretician of cubo-futurism and its most loyal and consistent advocate of transrational language or the destruction of meaning in poetry For Kruchonykh, transrational language also reflected the confusion and chaos of modern life' (Terras). Included at the end is his 'Declaration No.5. On transrational language in contemporary literature'.Getty 392; Hellyer 260; MoMA 599; Compton, Russian Avant-Garde Books 1917-34, p. 80 + illustratio n. Language: Russian.