after matham jacob (11 Ergebnisse)

Personification of Faith, holding a cross in in her hand and a book in the other; signed at upper right corner:'HGoltius Inuent / CJVisscher ex' (HG and CJV interlaced respectively) Two lines Latin text in margin:'Sacra fides.foedere gentes / C. Sconaeus.' Numbered within margin and within plate below:'1'. l Engraving on paper, trimmed to platemark; total: 155 x 104 mm; top right corner damaged and restored; New Hollstein 138-copya (state I/4, Hollstein does not describe Visscher's copy as a reverse).

Personification of the Winter: an old man with heavy clothes walks in a landscape with winds blowing. Lettered belo: 'Vergentis finis quanquam . gemmea reddit.' Above to the left the zodiacal sign of Capricornus and on the right the Pisces; on the sky the Aquarius. On the verso unknown collector s mark l Engraving on paper, trimmed to platemark; total: 164 x 112 mm. Not in Hollstein, reverse copy of Hollstein 299; New Hollstein 214 in reverse.

The prophet Isaiah; on the background Jesus preaching and making miracles. Second plate from the series of Prophets after Goltzius.Lettered on the bottom:'Jsaias, que. morte recenset.' numbered within the margin and below:'2'.According to a pencil inscription on the verso the print belonged to the collection of August Klipstein (L.138d). Engraving on paper, trimmed to platemark, pasted on cardboard; print: 249 x 162mm, total: 306 x 220 mm, state II/2; New Hollstein 286; B. 241.

Interior scene with members of the States General, standing and at the center King Charles II of England, on the wall behind them four portraits of stadtholders. Signed below: 'J. T. vliet in:'; T. Matham fe.' Used in: Abraham de Wicquefort, Verhael in forme van journael, van de reys ende 't vertoeven van [.] Carel de II koning van Groot Britannien, Adriaen Vlacq, Den Haag 1660. Engraving on laid paper; with margins; platemark: 358 x 476 mm; total: 395 x 504 mm; watermark: Strasbourg lily in coat of arms; vertical centerfold; some darkening and smudges in the margins, paper frayed at the edges; inscription in ink in upper right corner: 'Pag. 8'; second state. Muller 2156-4a: 'fine engraving'.

The prodigal son receiving his inheritance.Signede on lower left:'KVM Jnuent (KVM interlaced) / J. Maetham schulp. / CJVisscher excudit (CJV interlaced)' dated on the bottom left '1592'; four lines of Latin text on the bottom:'Prodigus, et monitis. metuensque futuri. / FE (Franco Estius)'.Numbered on the bottom right:'1' Engraving on paper trimmed to platemark; total: 235 x 172 mm; state II/4; some tiny foxing and small damages on the paper surface. New Hollstein 26, Bartsch 172.

The Last Supper; Christ, sits at a long table with his apostles; a series of steps lead up to the table and the room is flanked by columns; in the foreground are a number of servants, including one pouring wine into another container; one climbs the steps and another waits on the sidelines at right with a dish of food.According to the Hollstein: 'In reverse after the fresco with the Last Supper by Taddeo Zuccaro in the vault of the Cappella Mattei in S. Maria della Consolazione in Rome. As noticed by Gere, Matham erroneously identified the scene as the Wedding at Cana (Gere 1969, p. 60). Philippe Thomassin made an engraving in the same direction as the fresco by Zuccaro, published in Rome [.]'.Titled, signed and dated at bottom: Ieh.2. NUMPTIAE IN CANA GALILEAE / Taddeo Zucchero inv. I. Matham sculp. / Robb de Baudous excudit 1616[NL] Christus aan tafel met zijn leerlingen tijden het Laatste Avondmaal. Op de voorgrond worden spijzen en dranken door bediendes aangereikt. Gemaakt door Jacob Matham. Engraving on laid paper, trimmed within plate mark; total: 292 x 394 mm; state I/4; mounted in paper passepartout. Restorations and other repairing especially on the margins; on the recto visible wear due to handling, though in good condition. On verso are some figures of seventeenth century noblemen drafted in pen and ink, and in pencil. some annotations in ben and brown ink have almost completely disappeared. Hollstein 35 (Matham).

Jacob Matham after H. Goltzius (illustrator). 'CEBETIS THEBANI TABULA.'The Table of Cebes, or The Journey of Human Life, is an allegory - popular in Europe from the fifteenth through the eighteenth centurythat represents the dangers and temptations that beset man and threaten to divert him from an existence predicated upon piety and study, including the study of mathematics. It is often depicted in the form of three concentric walled enclosures, each accessible by a single gate and populated with a variety of figures engaged in the pursuit of knowledge and self-knowledge. Kandel's print subverts the traditional values of the inward spatial progression, whereby each move closer to the center symbolizes a greater degree of moral purity. Here, even the innermost sanctum is not immune to worldly desires - a Reformation-era commentary on the hypocrisy of institutions claiming to uphold standards of human behavior.Made by Nicolaes Visscher II after Jacob Matham after H. Goltzius.Medium: Engraving on hand laid (verge) paper.Sheet size: 50.5 x 40.2 cm (19.88 x 15.83 inch).TABULA CEBETIS, VISSCHER, 1640, MYTHOLOGY, ANCIENT HISTORY, RELIGIOUS, MASTER PRINT | PCO-EXPO-242BACKGROUND INFORMATIONEngraving published by Nicolaes / Claes Jansz Visscher II, dated 1640. Ref: Hollstein 194, copy A (reduced copy).Reference: Hollstein 194, copy A (reduced copy).Biography engraver: Nicolaes Visscher II (1649-1702) was a Dutch cartographer and engraver from Amsterdam, known for his detailed maps and allegorical prints.Biography artist: Jacob Matham (1571-1631) was a Dutch Golden Age engraver and printmaker, famous for his works after paintings by Goltzius. Condition: good, given age. Doubled with Japanese; margins cut short; formerly folded, some thin spots along horizontal fold; small chip in upper right margin, just touching border line; small restored chip in top margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Susanna bathing in a fountain. On the background the elders. Monograms and address on the rim of the fountain: 'JM. Inue et excud - NB. sculp. [JM and NB interlaced]'Two lines of Latin text below: 'Quo veteratires ruitis vos? corda seiat. / SSH (interlaced)' On the verso unidentified collector's mark l Engraving on paper; trimmed to platemark: total: 221 x 171 mm; only state; New Hollstein 365; B. 5; W. 5; Le Bl. 6; Print Quarterly 8 (1991) p. 275 OMP (Old Masters Prints Black Folders) Bl-Bo (3).

Rachel and Leah, the two women of the patriarch Jacob. Print from a series of three, with the wives of the patriarchs of the Old Testament. two lines of Latin text below by Cornelius Schonaeus:'Prodijt ex. Semine terra. C. Schonaeus.', monogrammed within representation:'HG Jnuentor' l Engraving on paper, trimmed to platemark; total: 223 x 163 mm; Hollstein 22; Bartsch 250.

Allegory of the month of June. Beautiful landscape with farmers shaving their flock of sheep. Two shepherds in the left foreground are washing the animals in the river. Towards the right, beyond a large tree, a shepherd on the horse leads the animals back on the fields.Signed blow on the right: 'Iohan Wild. Invent And Stockus sculpsit Hhondius excudit'. Four lines of Latin text below: 'Junius, en, cernens fegetis. nos Ira potes' in center: 'IUNIUS'.Interestingly, on the verso, are traces of another impression that had still wet ink when our plate was stocked on the top of the previous.Numbered on the bottom left corner: 6. Engraving on laid paper, trimmed to plate; total: 289 x 423 mm; state II/4; watermark with three lilies in shield; Hollstein (Hondius) not documented but other plates of the set nr. 72-75. Also Orenstein, Nadine Monica: Hendrick Hondius and the business of prints in seventeenth-century Holland, p. 186, cat.nr. 263-266. The paper is sometimes thinner, yet very beautiful and rare impression.

Monumental composition with the Holy Family in the center, surrounded by shepherds in adoration of the newly born Christ. On the background ruins in mountainous landscape. Above angels flying.The Adoration of the shepherds; the Christ child appears to hover and radiates light besides a cow and a donkey; the Virgin and Joseph and shepherds surround Him and look in awe; on either side of the airy space are two broken columns and the high-ceiling comprises wooden rafters where various putti frolic.Inscribed at the bottom: Promissus nobis hic Christus nascitur infans, / Vt redimat nostramo precioso sanguine culpam. '/ C. Schoneus.Signed on the bottom left: 'Taddeo zucchero Inuent / I Matham sculp.'[NL] De aanbidding van de herders; het Christuskind lijkt te zweven en straalt licht uit naast een koe en een ezel; de Maagd en Jozef en de herders omringen Hem en kijken vol ontzag; aan weerszijden van de luchtige ruimte staan twee gebroken zuilen en het hoge plafond bestaat uit houten spanten waar verschillende putti ronddartelen. Engraving on paper, trimmed within plate mark; total: 583 x 391 mm; State I/2; some restorations on the verso and some stains in the front: on the left shoulder of the shepherd in the foreground and on the heads of the angels above. Outstanding engraving. New Hollstein 20; Hollstein 38; Bartsch 235. Rare.