adolf de meyer (22 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: Good.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. Edited by Robert Brandau. Features an essay by Philippe Jullian. Includes 72 images by de Meyer of the likes of Gloria Vanderbilt Whitney, Vaslav Nijinsky, Alvin Langdon Coburn, Eugene O'Neill, Anna Pavlova, Gloria Swanson and numerous others. An about good copy with faint evidence of moisture to the bottom corner of some of the last pages and some other minor wear and in a very good dust jacket with some sunning to the edges and other light wear. Despite the flaws a solid reference copy.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Edited by Robert Brandau and a biographical essay by Philippe Jullian, photography by Baron Adolf de Meyer. 50 (4) pages, 72 illustrations, quarto (4to), hardcover, black boards embossed on cover, gold text on spine, dust jacket. Fine condition, a solid clean book, very minor wear on the dust jacket, which is wrapped in mylar dust jacket. Inventory #17318-1.

First Edition. First edition. Hardcover. First printing of 5000 copies. 113 pages. A collection of images by De Meyer of his wife Olga who was rumored to be the daughter of Edward VII. A near near fine copy in cloth boards with a sepia toned plate affixed to the front cover with some slight sunning to the base of the front panel and some small spots and a cloth blemish to the rear cover. No dust jacket as issued. A nicely printed book.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. De Meyer, Baron Adolf (illustrator). First Edition. 51pp.Black cloth, blind stamp Text is clean. minor shelf-wear. Size: Folio - over 12" - 15" tall. Z4.

Zustand: Very good. New York: Alfred A. Knopf, 1976., 1976. Very good. - Quarto, 12-3/4 inches high by 9-7/8 inches wide. Hardcover, bound in black boards with the title stamped in blind on the front cover and in gilt on the spine. The book is housed in its sienna-toned pictorial dust wrapper. The dust jacket is slightly rubbed and there is a short serrated tear to the top edge of the dust jacket's front panel. 50 numbered pages with 10 full-page photographic illustrations, plus 51 plates and [4] pages of notes and credits. Near fine in a very good dust wrapper. First edition. Edited by Robert Brandau. With a Biographical Essay by Philippe Julian. It was in the 1920's that Baron Adolf de Meyer influenced the development of a new genre of photography. His portraits captured the "beauty and elegance" of the period and set the stage for fashion photography.

hardcover. Zustand: fine. Zustand des Schutzumschlags: near fine. Baron Adolf de Meyer (illustrator). First. With a Bibliographical Essay by Philippe Jullian. Illustrated with 51 sepia plates and 21 other photographs by Baron Adolf de Meyer. 50 pages of text. Slim 4to, black boards, very slightly edgeworn dust wrapper. New York: Knopf, 1976. First Edition. A fine copy. Baron de Meyer's camera defined the beauty and elegance of the 1920's and helped establish the new genre of fashion photography.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 1 pages; Description: 51 plates. Subjects: Fashion Photography. Baron Adolf de Meyer. Impressively illustrated with a series of photo-plates. 4 Kg.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. First edition, first printing. Hardcover. Black leatherette cloth-covered boards with debossed facsimile signature on cover and title stamped in gold on spine, with photographically illustrated dust jacket. Photographs by Baron Adolf de Meyer. Edited by Robert Brandau. Biographical essay by Philippe Jullian. Includes a list of plates. Designed by R. D. Scudellari. 160 pp., with 51 sepia-toned plates and additional illustrations finely printed in New York by Rapoport Printing, using their "Stonetone" process. 12-5/8 x 9-3/4 inches. Fine in Near Fine dust jacket (light wear to the extremities and a 2 1/2-inch closed tear at the front right top edge of the dust jacket).

121 pp.; 27.5 x 24 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 288 of Galeries Magazine, edited by Francisco Asís Cabrero. Contents include: "Je vous salue Marie," by Luis Moreno Mansilla; "The Role of Journals," by Pedro Urzaiz/Carlos Perez-Pla; "They Fall from Inconceivable Heights," by Félix de Azúa; "Spanish Pavillion Expo 92," by E. Torres/J.A. Martínez Lapeña/A. Cruz/A. Ortiz; "Pieces for a Collection," by A.C.B.; "3 Masterpieces of the Late-twentieth-century Design Theory," by Jeff Kipnis; "Abide/Abode," by Arthur C. Danto; "Alfonso Guerra, General Vice-.," by El País; "Donald Judd, Architect of the Chinati Foundation," by Emilio Tuñón/Luis Feduchi; "The Giants of El Despoblado," by Luis Feduchi; "Six Notes in Response to the Book 'Donald Judd - Architektur," by Emilio Tuñón; "The Chinati Foundation: Photographs," by Luis Asín of 'Fifteen Concrete Works,' 'Artillery Sheds,' 'Arena,' 'Chamberlain Building'"; "The Decadence of Ideas or the Triumph of Materials," by Horacio Fernández; "Hannes Meyer: 1926 - 1930," by Federico Soriano; "Bauen," by Federico Soriano; "The New World," by Hannes Meyer; "petersschule, basel," by Hannes Meyer/Hans Wittwer; "league of nations building, geneva," by Hannes Meyer/Hans Wittwer; "Federal school in Bernau, Berlin Architect Hannes Meyer," by Adolf Behne; "ADGB Federal School, Bernau," by Hannes Meyer; "Works: Becerril/Corrales, Martínez Castillo/Matos, Mangado;" "Aluche Sports Center Extension," by Esteban Becerril / Mateo Corrales; "The Metaphor of the Mirror," by José González Gallegos; "Industrial Building. Hijos de Juan Garay, S.A. Oñate," by A. Martínez Catillo/B. Matos; "Two Housing Competitions," by A. Martínez Catillo/B. Matos; "Marco Real's Cellar, Olite," by Francisco J. Mangado; "Hospice, Obanos," by Francisco J. Mangado; "Misericordia's Complex," by Francisco J. Mangado; "Readings;" "Three Beginnings and Three Endings for an Essay on Richard Long and Hamish Fulton," by Agustín Tena; "On Explaining to a Dead Hare We Saw the El Lissitsky Exhibition in Madrid," by José María Lapuerta; "Cities of Desire / Boundaries of Cities," by Kate Nesbitt and "A Whirlwind where Turbulence is Normal," by Eduardo Belzunce. Cover: a photograph of Chinati, Marfa, TX taken by Luis Asin. Good. Light bumping with curl to bottom right corner of magazine, 4.8 cm. dog-ear to top left corner of verso with a 3 mm. tear. Rubbing of cover edges and of covers at spine with light surface tearing near spine edges. Light yellowing of pages, contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

in-quarto, 50 pages de texte72 photographies en noir et blanc, reliure cartonnée, de chez l éditeur, sous jaquette illustrée Très bon état.

Hardcover. Zustand: Very Good. Dust Jacket Included. First Edition. London, Thames and Hudson, 1976. Large quarto, [106] pages with 72 illustrations from photographs by de Meyer. Synthetic cloth; edges lightly foxed; an excellent copy with the lightly sunned price-clipped dustwrapper. The biographical essay runs to some 34 pages.

Broschiert. Zustand: Gut. 32 Seiten 32 S. ; 8° [Umschlagt.] Stempel auf dem vorderen Umschlag und erstem Blatt, Papier leicht wellig Sprache: Deutsch Gewicht in Gramm: 50.

Zustand: Bon. 1 vol. in-4 reliure demi-maroquin brun, dos à 5 nerfs, couvertures d'origine contrecollées en plat, Offices of "The Studio", London, Paris & New York ("Bureau du Studio, à Paris" on cover, 1908, 10 pp. et 113 planches / 4to, half morroco leather binding, Offices of "The Studio", London, Paris & New York ("Bureau du Studio, à Paris" on cover, 10 pp. et 113 planches Nice copy with its great morocco binding (binding very slightly rubbed, slight foxing) ! With photographs by James Craig Annan, Alvin Langdon Coburn, Frank Eugene, Baron Adolf de Meyer, Frances Stebbins Allen, Mary Electa Allen, Dwight Arthur Davis, Robert Demachy, Rudolf Dührkoop, David Octavius Hill, Gertrude Käsebier, Clarence H. White, Alexander Keighley, Joseph Turner Keiley, Guido Rey, Eva L. Watson-Schutze, George H. Seeley, Alfred Stieglitz, Heinrich Kühn, Malcolm Arbuthnot, Anne W. Brigman, J. Dudley Johnston, or Charles Job. De la bibliothèque Henry Frugès avec son bel ex-libris arabisant signé "Abd En Nor". Passionné d'art, l'industriel sucrier Henry Frugès (1879-1974) tenait de sa grand-mère maternelle née Bentajou que sa famille descendait d'une certaine Zohra, fille de l'émir El Hadj Abd En Nor El Maimouny, général de Boadbil, le dernier roi de Grenade ; il restera profondément attiré par l'art musulman, comme le montre son amusant ex-libris avec sa devise "Je m'éclaire !". Langue: Français.

Zustand: Molto buono (Very Good). 72 fotografie di Adolf De Meyer. A cura di Robert Brandau. Saggio biografico di Philippe Jullian . 4to. pp. 108 circa. . Molto buono (Very Good). Sovracoperta sciupata con piccole mancanze (Worn and chipped dust jacket). Prima edizione (First Edition). . Rilegato, sovracoperta (hard cover, dust jacket). Book.

Hardcover. Zustand: Very Good. 1st Edition. 4° - 50 plates in b/w - Detailed plans and quality photographs of the periods most important works: Le Mouvement Constructif Russe, Entretiens sur l'Architecture Vivante, Ecole d'Amsterdam (Luthmann - De Klerk - Berlage), Maison a Tokyo (Raymond), Ornement et Crime (Adolf Loos).Text in French language. Original boards (portfolio)loose Plates. Book in excellent condition.

De Meyer, Baron Adolf (illustrator). Hand-pulled photogravure, 8 5/8 x 6 7/16 inches [21.90 x 16.35 cm] printed on tissue and tipped to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine full-tone photogravure from CAMERA WORK 40, 1912. Adolf Meyer (1868 - 1946) a Parisian, was educated in Dresden, Germany. By the mid 1890s, he was a member of the Royal Photographic Society living in London, making portraits of the fashionable set. He exhibited widely with the Pictorialists in Paris, London, New York, among others, and was a Fellow of the Council of the Photo-Secession. By 1914, living in New York, he was appointed as the official fashion photographer for Vogue. At the end of the first world war, he returns to Paris, only to returned to the United States at the outbreak of World War II.

De Meyer, Baron Adolf (illustrator). Hand-pulled photogravure, 7 3/4 x 6 inches [19.69 x 15.24 cm] printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine full-tone photogravure from CAMERA WORK 40, 1912. Adolf Meyer (1868 - 1946) a Parisian, was educated in Dresden, Germany. By the mid 1890s, he was a member of the Royal Photographic Society living in London, making portraits of the fashionable set. He exhibited widely with the Pictorialists in Paris, London, New York, among others, and was a Fellow of the Council of the Photo-Secession. By 1914, living in New York, he was appointed as the official fashion photographer for Vogue. At the end of the first world war, he returns to Paris, only to returned to the United States at the outbreak of World War II.

Zustand: Fine. Modern second generation print. Modern second generation print. 1 vols. Image 9-1/2 x 7-1/2 inches. Notes Witkin and London: "Baron Adolf de Meyer's connections with socially important and fashionable people and his own sense of elegance made him the first great fashion photographer." Until 1914 he photographed his social friends as a service rather than a commercial venture; that year he accepted an offer to photograph for Vogue and Vanity Fair, and continued on into the 1930s. He was noted for his special effects--backlighting, special lenses, photographing through thin gauze. In this photograph, obtained directly from the Vanderbilt family, he has achieved a memorable image of elegant sophistication. Witkin and London, pp. 123-24 1 vols. Image 9-1/2 x 7-1/2 inches.