Adam engraver (21 Ergebnisse)

Original Kupferstich von 1805. -- Blatt-Maße: ca. 28,5 x 39 cm. Platte: ca. 21 x 36 cm. -- gut erhalten. || Original copper engraving from 1805. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.…

Single Sheet. Zustand: Fine. Original Antique Engraving. Very Attractive Engraving By Franciscus Van De Steen (1625-1672), Of Artist David Teniers, After A Self-Portrait By Adam Willaerts. From A Suite Of Artist's Portraits Published By Meyssens And His Son, Cornelius Meyssens. Numbered 17 Beforer Title. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Ioannes Meyssens [John Meyssens], Engraver And Printer, Engraved By Franciscus Van De Steen After A Self-Portrait By Adam Willaerts (illustrator).…

Single Sheet. Zustand: Fine. Original Antique Engraving. Very Attractive Engraving Of Roelant Savery, After A Portrait. From A Suite Of Artist's Portraits Published By Meyssens And His Son, Cornelius Meyssens. Numbered 22 At Lower Right Immediately Beneath The Portrait. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album.…

Zustand: Good. Hand-colored etching. 22 x 34 cm (sheet). Very Good, crease in left margin.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Zustand: Good. Hand-colored etching. 22 x 34 cm (sheet). Good, crease in left quadrant, staining in image and margins.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Zustand: Good. Hand-colored etching. 31 x 38 cm (sheet). Good, light printed? areas in left quadrant, surface soiling in the margins.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Zustand: Good. Hand-colored engraving and etching . 22 x 34 cm (sheet). Good, some staining, rubs in upper quadrant of image and tears along top sheet edge.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Zustand: Good. Engravings. 60 x 43 cm (sheet). Very Good, light foxing and water staining in the margins, short tear at upper right sheet edge, print chine-colled to another support sheet.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Zustand: Good. Stipple and line engraving. 32 x 23 cm. (sheet). Very Good. Missing lower right sheet corner.

Zustand: Good. Steel engraving. 9 x 6 in. (sheet). Good, toning and foxing in the margins.

Zustand: Good. Steel engraving. 5 x 8 in. (sheet). Good, toning and foxing in the margins.

Zustand: Good. Steel engraving. 11 x 7 1/4 in. (sheet). Good, some foxing.

Zustand: Good. Steel engraving. 7 3/4 x 11 in. (sheet). Good, some foxing in the margins.

Zustand: Good. Hand-colored engraving. 3 1/2 x 5 in. (image); 5 x 8 1/4 in. (sheet). Very Good, light toning and foxing in the margins, tape along top edge of sheet verso.

Zustand: Good. Engraving on laid paper, mounted to a support sheet. 42 x 30.5 cm (sheet). Very Good. Sheet trimmed to the plate mark. Soiling and light foxing.

Zustand: Good. Oblong folio. 391 x 535 mm. Later calf, upper cover decorated in blind and gilt with initials "SRG" and armorial crown motif, gilt lettered morocco spine label.5 parts in one volume.Engraved calligraphic title and 5 engraved calligraphic section titles by J.A Delsenbach, engraved calligraphic dedication page by Fischer von Erlach, 85 (of 86) plates (3 folding, Book 3 plate 6 trimmed, lacking Book IV plate 20). A few plates with tears, repaired on verso.FIRST EDITION of this history of architecture, "the first of its kind" (Neville). The work includes plates illustrating a broad array of architectural styles, including pyramids, temples, castles, palaces, and churches. Each volume highlights the architecture of a different regions and styles or decorative objects: the Near East architecture (Part I), Roman architecture (Part II), Islamic and Asian architecture (Part III), Fischer von Erlach's own works, primarily in Vienna and Salzburg (Part IV), and antique and Baroque vases (Part V). Berlin Kat. 2105; see Kristoffer Neville: "The Early Reception of Fischer von Erlach's Entwurff einer historischen Architectur," Journal of the Society of Architectural Historians vol 66, no 2, 2007, pp 160-175.Erstes Buch. Die von der Zeit vergrabene Bau-arten der alten Ju?den, Egy?ptier, Sy?rer, Perser, und Griechen.Andres Buch. Alte unbekante Ro?mische.Drittes Buch. Einige fremde, in- und ausser-europa?ische, als der Araber, und Tu?rcken, etc. auch neue persianische, siamitische, sinesische, und japonische Geba?ude.Viertes Buch. Einige Geba?ude von des Autoris Erfindung und Zeichnung.Fischer's architectural oeuvre ranges from summer and city residences for the Viennese nobility, to church buildings for the Archbishop of Salzburg and the major imperial monuments of baroque Vienna. By eloquently referring to antiquity while being unmistakably modern, his buildings complied with the notion of noble representation, with its roots in tradition and history."Entwurff Einer Historischen Architectur," which Fischer published in 1721, was the first illustrated history of global architecture. The work, ranging in content from the Wonders of the Ancient World and Greek, Roman, Arabic, Persian, and Chinese monuments to his own projects, earned him acclaim across Europe. The impressive copperplates from "Historischen Architektur" and the preserved preparatory drawings form the centerpiece of the exhibition, which was organized in cooperation with the Salzburg Museum. Its nine chapters span an arc from Fischer's early days in Rome to his later masterpieces and, above all, the Karlskirche. A wealth of objects, some previously unseen ? drawings, prints, models, paintings, sculptures, and books ? illustrate his exceptional artistic oeuvre. By presenting Fischer's buildings from new, and sometimes unexpected, perspectives, the photographs taken by Werner Feiersinger trace the artistic intentions of the architect.Die Karlskirche gilt als das bedeutendste Bauwerk des Barock in Österreich und ist ein Wahrzeichen Wiens. Ihr Architekt Johann Bernhard Fischer von Erlach (1656-1723) steht im Zentrum der ersten Sonderausstellung im neueröffneten Wien Museum. Fast 70 Jahre nach der letzten großen Schau wird Fischers Werk neu betrachtet und mit der Gestaltung durch Werner Feiersinger in einen zeitgenössischen künstlerischen Kontext gestellt. Fischers Schaffen als Architekt reicht von Garten- und Stadtpalästen für den Wiener Adel über die Kirchenbauten für den Erzbischof von Salzburg bis hin zu den großen kaiserlichen Monumenten in Wien. Seine Bauten verwiesen auf die Antike und waren doch unverkennbar modern - damit kamen sie den zeitgenössischen Vorstellungen herrschaftlicher Repräsentation entgegen, für die Tradition und Geschichte eine zentrale Rolle spielte.1721 veröffentlichte Fischer mit dem ?Entwurff Einer Historischen Architectur" die erste Weltgeschichte der Baukunst in Bildern. Das Werk, das von den Weltwundern der Antike über griechische, römische, arabische, p.…

Zustand: Good. 4to. 26.2 x 25 cm.Contemporary straight-grain morocco blind-stamped decorative gilt border, extremities rubbed. 64 leaves, LXIII leaves of plates : ill. ..additional engraved title and 63 engraved views by Angus after Sandby, Turner, Nattes & others, each with explanatory leaf of text, spotting and foxing throughout.OCLC Number / Unique Identifier:22224907.Engraved title page.First issued 1787-[1797] with 48 plates. Reissued in 1815 with an additional 15 plates; these 63 plates are dated 1787-1815Some leaves have printing on verso.…

Zustand: Good. Hand-colored engraving and etching . 22 x 31 cm (sheet). Very Good, minor water staining in lower left corner of image.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Zustand: Good. Stipple and line engraving. 49.5 x 34.4 cm. (sheet). Drystamp of the publisher. Very Good. Light foxing in the margin areas. "Storia della pittura dal suo risorgimento in Italia, dimostrata coi monumenti della Reale Galleria di Firenze." OCLC no. 83041262.

Zustand: Good. Original B&W gravure. 14.75 x 10.25 inches. Very faint signs of foxing. Signed in the plate. Scarce.

Zustand: Good. Etching and engraving top; with letterpress below the image. 35 x 24cm. Very rare. Similar to British Museum number 1935,0522.2.120 and Museum number 2010,7081.2109. Also similar to Reverse image of Colonial Williamsburg Object number 1967-338. From the collection of Frederick Gale Ruffner Jr (1926-2014) , the founder of Gale Research, Detroit.…