Angus william 1752 1821 (4 Ergebnisse)
"Malaga" - Malaga Andalucia Andalusien Espana Spain Spanien Espagne grabado
Swinburne, Henry (1743-1803) and William Angus (c. 1752-1821):
Sprache: Englisch
Verlag: London, John Scott, 1808
- Kunstdruck
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, DeutschlandAntiquariat Steffen Völkel GmbH
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EUR 59,99
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OriginalKupferstich von 1808 nach einer Zeichnung von H. Swinburne. -- Blatt-Format: ca.57x44 cm. Bild-Format: ca. 26,5 x 24 cm. -- gut erhalten. || Original copper engraving after a drawing by Henry Swinburne. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! - No copy! - N…o reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Englisch.
"Granada"- Granada Andalucia Espana Spain Spanien Espagne grabado
Swinburne, Henry (1743-1803) and William Angus (c. 1752-1821):
Sprache: Englisch
Verlag: London, 1808
- Kunstdruck
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, DeutschlandAntiquariat Steffen Völkel GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 69,99
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OriginalKupferstich von 1808 von William Angus nach einer Zeichnung von H. Swinburne. -- Blatt-Format: ca.57x44 cm. Bild-Format: ca. 36 x 27 cm. -- gut erhalten. || Original copper engraving after a drawing by Henry Swinburne. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original…! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Englisch.
Weitere BilderGraphic illustrations of the most prominent features of the French capital : with characteristic figures in the foregrounds, comprised in twelve stroke engravings, from accurate designs taken in Paris during the imperial reign of Buonaparte : with descriptive notices and interesting anecdotes. First edition of the elephant folio edition. Complete.
Demachy, Pierre-Antoine (1723-1807), after; Sparrow sculpsit," ; "Dadley sculpsit,"; "Angus sculpsit." The latter is probably William Angus (1752-1821),
Verlag: London : Harper and Co. (successors to Mr. Kearsley), 1816
- Hardcover
- Erstausgabe
- Signiert
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
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EUR 6.762,79
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Zustand: Good. Oblong elephant foilio. Much rarer than the smaller format edition. 69 x 50cm. 27 x 19.5 inches.Original printed boards, rubbed and soiled; repaired with new goatskin spine. (The more common smaller format is 43x38cm. 17 by 15 inches). .12 engraved plates, scattered spotting and marginal browning throughout, damp…stain to lower margin of one plate, one leaf loose, repaired tear to final leaf.OCLC Number / Unique Identifier:461746497.Description by Juliette Jestaz.Conservatrice des manuscrits, livres rares et plans à la Bibliothèque historique de la Ville de Paris. Référente d'histoire de Paris pour la bibliothèque."These very discreet graphic illustrations of the most prominent features of the French capital, with characteristic figures in the foregrounds, bear no artist's name on the title page. The plates themselves are signed "S. Porter sculpsit," "Sparrow sculpsit," "Dadley sculpsit," or "Angus sculpsit." The latter is probably William Angus (1752-1821), a British draftsman and engraver. We have not been able to identify the other engravers.At least one of the plates is based on a drawing by Pierre-Antoine Demachy (1723-1807), author of numerous views of Paris, particularly panoramas of the quays. It is tempting to attribute to him all the aquatint drawings in the collection?a technique decidedly in vogue for veduta at the turn of the century. The drawings of him that are kept at the Musée Carnavalet or in the Destailleur collection of the BnF do not, however, correspond to those in our album, and cannot confirm this attribution.The first edition was published in 1815 by Howlett and Brimmer in London. This edition, published by Harper the following year, suggests that the album was successful, coming just a few months after Waterloo had reopened France to the British after twelve years of closure. These two publishers had previously produced picture albums of the Allied countries: *The Costume of the Russian Empire*, 73 engravings, 1803, with descriptions in French (the international language at the time) and English, and *Sketches of Military Costume in Spain and Portugal*, 1810.Like Nattes's album, this one does not focus on the Empire's achievements in Paris: neither the Arc de Triomphe du Carrousel, nor the Place du Châtelet, the Palais de la Chancellerie (Hôtel de Salm), nor the Louvre's expansions. The buildings depicted on the plates could, as in Nattes's work, be presented in their state from 1802-1803.The album nevertheless focuses primarily on the heart of Napoleonic power, the Louvre-Tuileries-Champs-Élysées district, to which eight of the twelve plates are devoted. It also provides two panoramas from the North and the South. The panorama from Montmartre is a classic viewpoint, dating back to that captured by Mathieu Merian in 1620.".
Weitere BilderThe seats of the Nobility and Gentry : in Great Britain and Wales in a collection of select views, engraved by W. Angus. From pictures and drawings by the most eminent artists. With descriptions of each view. Second edition.
Angus, William ( 1752-1821); Engraver and publisher : Artist: After Robert Adam (British, Kirkcaldy, Scotland 1728-1792 London);Artist: After Samuel James Arnold (British, London 1774-1852 Walton upon Thames);Artist: After James Barret (British, London, active 1785-1819 London);Artist: After Joseph Charles Barrow (British, died 1804);Artist: After William Beilby (British, Durham 1740-1819 Hull);Artist: After John Bird (British, 1768-1829 Whitby);Artist: After John Carter (British, London 1748-1817 London);Artist: After William Bernard Cooke (British, 1778-1855 Camberwell, London);Artist: After George Cuit the Elder (British, Moulton, Yorkshire 1743-1818 Richmond, Yorkshire);Artist: After Nicholas Thomas Dall (Scandinavian, died London, 1776);Artist: After Thomas Day, Esqr. (British, active 1791);Artist: After Edward Dayes (British, London 1763-1804 London);Artist: After Viscount Frederick Duncannon (British, London 1758-1844 Dorset);Artist: After Samuel Evans (British, Mold, Wales 1762
Verlag: Islington, [London],: Published by W. Angus, Gwynne's Buildings, Feby. 1 [1815], 1787
- Hardcover
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 1.036,96
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Zustand: Good. 4to. 26.2 x 25 cm.Contemporary straight-grain morocco blind-stamped decorative gilt border, extremities rubbed. 64 leaves, LXIII leaves of plates : ill. ..additional engraved title and 63 engraved views by Angus after Sandby, Turner, Nattes & others, each with explanatory leaf of text, spotting and foxing througho…ut.OCLC Number / Unique Identifier:22224907.Engraved title page.First issued 1787-[1797] with 48 plates. Reissued in 1815 with an additional 15 plates; these 63 plates are dated 1787-1815Some leaves have printing on verso.
