achille devéria (68 Ergebnisse)

Zustand: New. In.

Zustand: New. In.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. x, 396 pp., [8] pp. of plates : illustrated ; 25 cm. ; LCCN: 88-21919 ; OCLC: 18191403 ; grey and mauve cloth with silver lettering, in pictorial dustjacket ; 1st ed., 1st printing ; crease to back dustjacket flap ; VG/VG. Book.

Soft cover. Zustand: Very Good. This catalog entry features a 1985 publication from the Musee Renan-Scheffer, focusing on Achille Deveria, a notable figure in Parisian Romanticism during the early 19th century. The book provides a detailed overview of Deveria's contributions to the artistic scene of his time, with illustrations and scholarly commentary. The publication is a hardcover edition, offering durable binding and clear print quality. From the Library of John Russell Taylor.

Zustand: New.

No Binding. Zustand: Good. First Edition. 33.8 X 23.8 Cm. Dampstaining In Upper Right Corner, Small Intrusion Into The Printed Area. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Charles Nicolas Lemercier (1797-1859) Was Known As A Printmaker, Painter And Draughtsman. He Was A Pupil Of Regnault And Lethière. Achille Jacques-Jean-Marie Devéria (1800 - 1857) Was A French Painter And Lithographer Known For His Portraits Of Famous Writers And Artists. Devéria Became A Student Of Anne-Louis Girodet-Trioson And Louis Lafitte. In 1822, He Began Exhibiting At The Paris Salon. At Some Point, He Opened An Art School Together With His Brother Eugène, Who Was Also A Painter. By 1830 Devéria Had Become A Successful Illustrator And Had Published Many Lithographs In The Form Of Notebooks And Albums (E.G., His Illustrations To Goethe's Faust, 1828) And Romantic Novels. He Also Produced Many Engravings Of Libertine Contents. Devéria's Experience In The Art Of The Vignette And Mezzotint Influenced His Numerous Lithographs, Most Of Which Were Issued By His Father-In-Law, Charles-Etienne Motte (1785-1836). Most Of His Work Consisted Of "Pseudo-Historical, Pious, Sentimental Or Erotic Scenes". (Wright) Since He Rarely Depicted Tragic Or Grave Themes, He Appears Less Romantic Than Many Other Artists Of The Time. His Paintings Were Mainly Done Using Watercolours. The French Poet And Critic Charles Baudelaire Referred To His Portrait Series As Showing "All The Morals And Aesthetics Of The Age". Devéria Was Also Known For Doing Portraits Of Artists And Writers, Whom He Entertained In His Paris Studio On Rue De L'ouest. The List Of His Sitters Includes Alexandre Dumas, Prosper Mérimée, Sir Walter Scott, Jacques-Louis David, Alfred De Musset, Charles Augustin Sainte-Beuve, Honoré De Balzac, Théodore Géricault, Victor Hugo, Marie Dorval, Alphonse De Lamartine, Alfred De Vigny, Jane Stirling, And Franz Liszt. In 1849 Devéria Was Appointed Director Of The Bibliothèque Nationale's Department Of Engravings And Assistant Curator Of The Louvre's Egyptian Department. In The Following Years, He Taught Drawing And Lithography To His Son, Théodule Devéria, And Both Worked On A Family Portrait Album From 1853 Until His Death. They Applied Ink Wash To Several Of The Portraits In The Album, Possibly In Preparation For Printing Lithographs From The Photographs. The Album Photographs By Théodule Devéria Are Dated 1854. Devéria Spent His Last Days Traveling In Egypt, Making Drawings And Transcribing Texts.

Zustand: Good. Lithograph. 23 x 30 cm. From magazine publication "Le Charivari"; printed text on verso. Signed A. D. and Lith. de Benard in the plate. VG.

Maße: ca. 20 x 14 cm. -- Seltene Lithographie. -- leicht fleckig, sonst gut erhalten. || Rare lithograph. -- slightly stained, otherwise in good condition. -- Under the Restoration, the Extinguisher was a caricature motif very popular in liberal circles. The editors of the newspaper Le Nain Jaune (1814-1815) imagined ridiculing the men in power and the supporters of the clergy by awarding them the Order of the Extinguisher, denouncing the obscurantism and blindness of royalist circles. This lithograph is one of the rare works by Devéria with an anticlerical and satirical spirit. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

rigide. Zustand: Assez bon. 150 Vignettes par Célestin Nanteuil, Tony Johannot, Devéria, Jeanron, Édouard May, Jean Gigoux, Camille Rogier, Achille Allier. Suivi d'un Catalogue complet des Romans, Drames, Poésies, ornés de vignettes, de 1825 à 1840, 1 vol. in-4 reliure demi-vélin à coins, reliure signée de Paul Vié, E. Dentu, Libraire-Éditeur. Paris, 1883,VIII-438 pp. Etat très satisfaisant (reliure un peu frottée avec 2 petits accrocs en dos, rouss., bon état par ailleurs) Langue: Français.

No Binding. Zustand: Good. First Edition. 34.7 X 27.8 Cm. Dampstaining In Lower Right Corner, Outside The Printed Area. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Charles Nicolas Lemercier (1797-1859) Was Known As A Printmaker, Painter And Draughtsman. He Was A Pupil Of Regnault And Lethière. Achille Jacques-Jean-Marie Devéria (1800 - 1857) Was A French Painter And Lithographer Known For His Portraits Of Famous Writers And Artists. Devéria Became A Student Of Anne-Louis Girodet-Trioson And Louis Lafitte. In 1822, He Began Exhibiting At The Paris Salon. At Some Point, He Opened An Art School Together With His Brother Eugène, Who Was Also A Painter. By 1830 Devéria Had Become A Successful Illustrator And Had Published Many Lithographs In The Form Of Notebooks And Albums (E.G., His Illustrations To Goethe's Faust, 1828) And Romantic Novels. He Also Produced Many Engravings Of Libertine Contents. Devéria's Experience In The Art Of The Vignette And Mezzotint Influenced His Numerous Lithographs, Most Of Which Were Issued By His Father-In-Law, Charles-Etienne Motte (1785-1836). Most Of His Work Consisted Of "Pseudo-Historical, Pious, Sentimental Or Erotic Scenes". (Wright) Since He Rarely Depicted Tragic Or Grave Themes, He Appears Less Romantic Than Many Other Artists Of The Time. His Paintings Were Mainly Done Using Watercolours. The French Poet And Critic Charles Baudelaire Referred To His Portrait Series As Showing "All The Morals And Aesthetics Of The Age". Devéria Was Also Known For Doing Portraits Of Artists And Writers, Whom He Entertained In His Paris Studio On Rue De L'ouest. The List Of His Sitters Includes Alexandre Dumas, Prosper Mérimée, Sir Walter Scott, Jacques-Louis David, Alfred De Musset, Charles Augustin Sainte-Beuve, Honoré De Balzac, Théodore Géricault, Victor Hugo, Marie Dorval, Alphonse De Lamartine, Alfred De Vigny, Jane Stirling, And Franz Liszt. In 1849 Devéria Was Appointed Director Of The Bibliothèque Nationale's Department Of Engravings And Assistant Curator Of The Louvre's Egyptian Department. In The Following Years, He Taught Drawing And Lithography To His Son, Théodule Devéria, And Both Worked On A Family Portrait Album From 1853 Until His Death. They Applied Ink Wash To Several Of The Portraits In The Album, Possibly In Preparation For Printing Lithographs From The Photographs. The Album Photographs By Théodule Devéria Are Dated 1854. Devéria Spent His Last Days Traveling In Egypt, Making Drawings And Transcribing Texts.

Couverture rigide. Zustand: Bon. Deux volumes in-8°, (4) III 439 et (4) 438 pp. Reliure de l'époque en demi-basane, dos à nerfs orné de pièces de titre et de tomaisons en maroquin rouge, de palettes dorées ainsi que de fers et de palettes estampées, gardes cailloutées. (reliures légèrement frottées, petite perte de cuir aux coiffes supérieures, présence de rousseurs sur la gouttière et dans l'intérieur des volumes, néanmoins ces rousseurs restent peu soutenues et éparses dans l'ensemble, plusieurs planches sont uniformément brunies). Ouvrage illustré, selon Vicaire (I, 402-403) de 40 magnifiques lithographies hors texte coloriées d'Henri Monnier et de vignettes de Devéria. La plupart des exemplaires, comme celui-ci, n'en contiennent que 33 (27-6). Exemplaire non rogné. RARE.

Couverture rigide. Louis Janet | Paris 1929 | 14.50 x 22 cm | relié | Edition originale collective. Reliure en demi veau olive, dos lisse orné de motifs décoratifs romantiques dorés, un petit accroc en tête du dos, plats de papier marbré, coins inférieurs émoussés, gardes et contreplats de papier à la cuve, tranches marbrées, reliure romantique de l'époque. Ouvrage illustré d'un portrait de l'auteur en frontispice. Quelques rousseurs. | [ENGLISH DESCRIPTION FOLLOWS] First collected edition. Half olive calf binding, smooth spine decorated with gilt romantic decorative motifs, small tear at head of spine, marbled paper boards, lower corners slightly bumped, marbled endpapers and pastedowns, marbled edges, contemporary romantic binding. Work illustrated with a portrait of the author as frontispiece. Some foxing. *.

Achille Deveria (illustrator). 'J'AURAIS FAIT A L'INSTANT, MADAME!'Another fine example of an erotic French engraving from around 1900, after Achille Deveria. The scene unfolds in an intimate boudoir setting, where a well-dressed gentleman eagerly engages with a partially undressed woman seated on a couch. Her expression suggests playful resistance. A second woman peeks through a partially open door in the background, adding to the intrigue of the composition. The refined interior, complete with delicate wallpaper, a side table with scattered objects, and a carefully placed painting on the wall, enhances the sense of private domesticity. Devéria was known for his masterful ability to depict sensual and provocative moments with a touch of humor and elegance.Made by an anonymous engraver after Achille Deveria.Medium: Engraving and aquatint etching on wove (vellin) paper.Sheet size: 26.8 x 23.2 cm (10.55 x 9.13 inch). Image size: 24.5 x 19 cm. (9.65 x 7.48 inch).ACHILLE DEVERIA, EROTIC PRINT, FRENCH ENGRAVING, 19TH-CENTURY ART, LIBERTINE, BOUDOIR SCENE, INTIMATE ILLUSTRATION, ROMANTICISM, SENSUALITY, SEDUCTION | PCO-E21-47BACKGROUND INFORMATIONEarly 20th-century reproduction based on an original 19th-century design by Deveria.Biography artist: Achille Deveria (1800-1857) was a 19th-century French artist, famous for his lithographic portraits of writers and artists, as well as his erotically themed engravings and illustrations. His works are considered emblematic of the Romantic era. Condition: very good, given age. Light age-toning and minor foxing, but well-preserved overall with crisp details. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Achille Deveria (illustrator). 'LES FEUX DE CUISINE'A detailed and finely executed French erotic engraving from around 1900, after Achille Devéria. This intimate and playful scene takes place in a rustic kitchen setting, where a male cook and a woman engage in a passionate embrace near a wooden counter. The kitchen is filled with household objects, including a fireplace, hanging pots, and scattered utensils, contributing to the lively and humorous character of the scene. Devéria, known for his expertise in depicting intimate and sensual moments, created numerous works in the Romantic and libertine genre, using techniques such as engraving and mezzotint.Made by an anonymous engraver after Achille Deveria.Medium: Engraving and aquatint etching on wove (vellin) paper.Sheet size: 26.8 x 23.2 cm (10.55 x 9.13 inch). Image size: 24.5 x 19 cm. (9.65 x 7.48 inch).ACHILLE DEVÉRIA, EROTIC PRINT, FRENCH ENGRAVING, 19TH-CENTURY ART, LIBERTINE, BOUDOIR SCENE, INTIMATE ILLUSTRATION, ROMANTICISM, SENSUALITY, KITCHEN SCENE | PCO-E21-47BACKGROUND INFORMATIONEarly 20th-century reproduction based on an original 19th-century design by Deveria.Biography artist: Achille Deveria (1800-1857) was a 19th-century French artist, famous for his lithographic portraits of writers and artists, as well as his erotically themed engravings and illustrations. His works are considered emblematic of the Romantic era. Condition: very good, given age. Light age-toning and minor foxing, but well-preserved overall with crisp details. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Good. KÜNSTLER: Achille Devéria; TITEL: Geburt Heinrich IV. und Zitadelle von Bayonne; JAHR: o.J.; DARSTELLUNG: Darstellung der Geburt von Heinrich IV. Darunter Ansicht der Zitadelle von Bayonne am Wasser.; BESCHRIFTUNG: Oberhalb der Darstellungen betitelt "France Pittoresque" sowie Anmerkung unterhalb der oberen Darstellung "Naissance d´Henri IV", "Derevia pinxit"; Anmerkung unterhalb der unteren Darstellung "Port et Citadelle de Bayonne", "Civeton del", "Couche sculp".; MAßE: Das Blatt misst ca. 26,2 x 18,4 cm, die Darstellung ca. 16,2 x 11,6 cm.; ZUSTAND: Das Papier ist altersbedingt gebräunt, leicht fleckig und minimal knickspurig. Am linken Blattrand sind Reste einer vorherigen Montage. Das Papier ist an Rand und Ecken leicht bestoßen. Die Darstellungen sind in einem guten Zustand.; VITA: Achille Devéria (geboren 1800 in Paris; gestorben 1857 ebenda) war ein französischer Maler, Lithograf und Illustrator. Seine Lehrer waren der Maler Anne Louis Girodet-Trioson und Louis Lafitte. 1822 stellte er erstmals im Pariser Salon aus. Mit seinem Bruder Eugène eröffnete er 1830 eine Malschule und arbeitete als Illustrator für mehrere Verlage. Außerdem portraitierte er berühmte Persönlichkeiten wie Honoré de Balzac, Victor Hugo, Charles Baudelaire, Franz Liszt, Alphonse Lamartine und viele mehr. Neben seiner künstlerischen Tätigkeit war er Leiter der Grafischen Sammlung der Bibliotheque Nationale und stellvertretender Kurator der Ägyptischen Sammlung des Louvres.

Zustand: Good. Engraving. 21 x 14 cm (sheet). Very Good, some foxing in the margins.

Zustand: Good. Engraving. 20.5 x 15 cm (sheet). Very Good, some light foxing and water staining in the margins.

Zustand: Good. Engraving. 21 x 14 cm (sheet). Very Good, some light foxing and water staining in the margins.

Zustand: Good. Hand-colored engraving. 16 x 12 cm (sheet). Very Good, foxing, minor surface dirt, creases along bottom sheet edge, missing lower left sheet corner.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Zustand: Good. Lithograph. 30 x 23.5 cm (sheet). Good, some foxing throughout.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Zustand: Good. Hand-colored lithograph. 44 x 30.5 cm (sheet). Very Good, some foxing in the margins.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Zustand: Good. Color reproductive lithograph. 15 x 22.5 cm (sheet). Very Good, minor surface soiling in the margins.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Zustand: Good. Original hand-colored lithograph. 34 x 26 cm (sheet). Very Good, some soiling in the margins.

Zustand: Good. Engraving. 4to. Very Good.

couverture souple. Imp. de Léon Boitel | Lyon 1848 | 14 x 22.50 cm | broché | Edition originale. Brochure présentée sous couverture muette d'attente comportant de petites manques angulaires sans gravité, agréable état intérieur. Rare. | [ENGLISH DESCRIPTION FOLLOWS] First edition. Pamphlet in plain temporary wrapper with minor corner lacks without damage, handsome interior condition. Rare. *.

Zustand: Good. Lithograph. 21.5 x 28cm. Published in L'Artiste : journal de la littérature et des beaux-arts. Vol. IV. Catalogued in "Les Estampes de L'Artiste, 1831-1904" by Pierre Sanchez and Xavier Seydoux, no. 1832-59.Fondée en 1831 aux plus beaux jours de la révolution romantique, la revueL'Artiste connut une longue vie, se transformant et se renouvelant plusieurs fois au cours du XIXe siècle, pour ne s'éteindre définitivement que dans les toutes premièresannées du XXe siècle. C'est dire que, durant ses soixante-quatorze ans d'existence, cetterevue porte un témoignage direct sur l'évolution des mouvements artistiques etlittéraires, ayant joué souvent un rôle actif soit dans la légitimation de la modernité et de l'innovation, soit au contraire dans la défense des principes proclamés et propagés par les organes officiels de l'Institut et du gouvernement.

Cartonné. In-4 (22,5 x 30,5 cm), cartonné, XII pages d'introduction suivies de 12 planches en noir et blanc, rare réimpression de l'introuvable édition de Paris (vers 1835) ; frottements aux mors et coins, traces et résidus d'étiquettes sur les plats, par ailleurs intérieur frais, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.

Demi-cuir. Zustand: Bon. Achille DEVERIA (illustrator). Paris: Ladvocat, 1824. In-8°. 293pp. (29 illustrations non signées in-texte dont celle de la page de titre) + 11 planches hors texte sous serpente de Devéria. Reliure demi-cuir (dos à nerfs orné de filets dorés, quelques traces de frottement, rousseurs). Bon état. Format 13,5 x 20,5 cm. Contenu: Préface de l'éditeur. Livre Premier : Envoi des Messéniennes à Madame ***. Première Messénienne : La Bataille de Waterloo. Seconde Messénienne : La Dévastation du Musée et des monuments. Troisième Messénienne : Du Besoin de s'unir après le départ des étrangers. Quatrième Messénienne : La Vie de Jeanne d'Arc. Cinquième Messénienne : La Mort de Jeanne d'Arc. Sixième Messénienne : Le Jeune Diacre, ou la Grèce chrétienne. Septième Messénienne : Parthénope et l'Etrangère. Huitième Messénienne : Aux Ruines de la Grèce païenne. Neuvième Messénienne : Tyrtée aux Grecs. Dixième Messénienne : Le Voyageur. Onzième Messénienne : A Napoléon. Epilogue. Livre Second : La Découverte de la Vaccine, discours en vers. Discours d'ouverture du Second Théâtre Français. Discours d'inauguration pour le Théâtre du Havre. Epître à Messieurs de l'Académie française. Livre Troisième : Les Troyennes, cantate. Danaé. Antigone et Ismène. Hymne à Vénus. Ode. Versailles, élégie. A mes Amis. Au Vallon d'Argentol. L'Attente. A mon Ami ***, en lui demandant, pour une vieille femme, une place dans un hospice. Stances. Imitation de l'Hécube d'Euripide. Livre Quatrième : Epître à M. A. de Lamartine. Douzième Messénienne : Lord Byron.

Hardcover. Zustand: Near Fine. Limited Edition. Very good plus copy in original wraps now bound in half red Morocco. Four architectural raised bands on spine, gilt titles. Marbled paper boards and endpapers. Top edge gilt. Numbered 203 of the 360 copies. Illustrations are, according to colophon, supposed to be in black but are colored. Also, laid in are 10 loose plates inspired by original images, but fashioned in a more modern style. 4to. Binding is in beautiful shape. We would be happy to send photos upon request.

Couverture rigide. Furne | Paris 1827 | 13 x 21.50 cm | 4 volumes reliés | Troisième édition illustrée d'un portrait de l'auteur en frontispice du premier volume. Reliures en plein veau cerise, dos légèrement passés à quatre nerfs ornés de triples caissons dorés, dates dorées en queues, roulettes dorées sur les coiffes, encadrements de sextuples filets dorés et à froid sur les plats se rejoignant en écoinçons, pointillés dorés sur les coupes, encadrement d'une roulette dorée sur les contreplats, gardes et contreplats de papier à la cuve, toutes tranches dorées, élégantes reliures romantiques de l'époque. Rousseurs éparses. | [ENGLISH DESCRIPTION FOLLOWS] Third edition illustrated with a portrait of the author as frontispiece to the first volume. Full cherry red calf bindings, spines slightly faded with four raised bands decorated with gilt triple compartments, gilt dates at foot, gilt roulettes on headcaps, frames of sextuple gilt and blind fillets on boards meeting at corners, gilt dotting on leading edges, gilt roulette frame on pastedowns, marbled endpapers and pastedowns, all edges gilt, elegant contemporary Romantic bindings. Scattered foxing. *.