BARY, HENDRIK (9 Ergebnisse)

Hardcover. Zustand: g- to vg. First edition. Octavo (8 1/4 x 6 1/4"). [32], 847, [1], 56, [56]pp (Vol. 1); [28], 996, [48]pp (Vol. 2); [8], 976, [46]pp (Vol. 3); [2], 1116, [32]pp (Vol. 4). Contemporary full vellum, with handwritten title in ink to each spine. Engraved allegorical title page in first volume. Title vignette in each secondary title page. Decorative initials and tailpieces. First edition of Gerard Brandt's History of the Reformation in the Low-Countries from the 8th century (712) to 1623. Upon the author's death, only the first two volumes were published. "Historie der Reformatie" was completed by his sons in 1704. This work is illustrated throughout with: - Volume 1: 8 (of 9) striking portraits (Erasmus of Rotterdam, Pope Adrian VI, George Cassander, Hubert Duifhuis, Philips of Marnix, Dirck Coornhert, Franciscus Junius the Elder, Cornelis Hooft) engraved by the eminent Dutch engravors Hendrik Bary (1632-1707) and Antonie van Zylvelt (c. 1640-1695). Unfortunately, the engraved portrait of Prince William of Orange is missing. - Volume 2: 8 (of 8) engraved portraits of Franciscus Gomarus, Petrus Molinaeus (Pierre du Moulin), Jacobus Arminius, Maurice Prince of Orange, Philippe de Mornay, Louise de Coligny, Hugo de Groot, and Johannes Wtenbogaert, by Jan de Visscher (ca. 1636-1712). - Volume 3: 4 (of 5) engraved portraits of the author Gerard Brandt, Johannes Bogerman, Simon Episcopius, and Nicolaas Grevinchoven, by Dutch engravers Pieter van Gunst and Pieter Sluyter. Unfortunately, the engraving depicting the Synod of Dort is missing. - Volume 4: 4 (of 4) engraved portraits of Gerardus Vossius, Carolus Niellius, Caspar Barlaeus, and Eduard Poppius, by Pieter Sluyter and John de Leeuw. Volume 1 has the following flaws: Binding partly age-toned and darkened. Some light water-staining throughout pages 97 and 320, otherwise, pages in very good condition. Binding in overall good, interior in good- to very good condition. Volume 2 is slightly darkened along spine, otherwise in very good condition. Interior also in very good condition. Volume 3 is also slightly darkened along spine, otherwise in very good condition. Interior in very good condition. Volume 4: Binding darkened along spine, with some age-toning / light water-staing to covers. Some light to darker water-staining from page 489 on. Pages slightly rippled due to damp exposure. Binding in overall good- to good, interior in fair/good- to very good condition. Text in Dutch. About the author: Gerard Brandt (1626-1685) was a Dutch preacher, playwright, poet, church historian, biographer and naval historian. A well-known writer in his own time, his works include a Life of Michiel de Ruyter (1687, "Het Leven en bedryf van den Heere Michiel de Ruiter" - an important source on the admiral's life) and a "Historie der vermaerde zee- en koopstadt Enkhuisen" (1666, - still an important source for that city's early history).

'BEROEMDE JUNIUS, RECHTSCHAPEN PREDIKANT (.).'Original antique print showing a portrait of Franciscus Junius the Elder (born Francois du Jon, 1545 - 1602), a Reformed scholar, Protestant reformer and theologian.Made by after an anonymous artist.Medium: Engraving/etching on hand laid (verge) paper.Sheet size: 7.3 x 13.4 cm (2.87 x 5.28 inch).FRANCISCUS JUNIUS THE ELDER-PORTRAIT | PCO-C45-13BACKGROUND INFORMATIONPublished in The Netherlands c. 1665.Biography engraver: Hendrick Bary (c.1640-1701) was an excellent Dutch engraver from Gouda. He was a pupil of Reynier Persyn. . Condition: good, given age. Narrow margins, attached to larger carrier sheet with drawn linework. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Portrait print of Johann Christoph Doederlein (1745-1792) made by Küfner. Same print available in Rijksmuseum RP-P-OB-22.567.[NL] Petrus Bortius (1615-1674), advocaat voor de Hoven van Justitie te Den Haag. Trouwt Wendelina (Wijntje) de Witt. Met de tekst: Petrus Bortius. I.C. Hagiensis. Ora haec Bortiadce jam mista Silentibus umbris; Ausa est artificus vana referre manus; quid te sculptor agit? quondam virtutis imago; Qui fuit, hunc virtus sola referre potest. J.D.F. Alphenos. Portret, half-figuur, man staand naar rechts, het hoofd naar links. Engraving and etching on laid paper, no margins. Some slightly visible vertical folds on the right side. Total size 295 x 195 mm.

Portrait of Thaddaeus de Lantman, theologian in The Hague, bust to left but facing front, with long wavy hair, wearing a black coat with white collar; in oval; second state with lettering.Inscribed at bottom: Thaddæus de Lantman / Ecclesiæ Hagiensis Pastor.[NL] Portret van Thadaeus de Lantman, onder het portret zijn naam en functie. Pastoor in Den Haag. Gemaakt door Hendrik Bary. Engraving on laid paper, cut close to plate mark; total: 375 x 274 mm; state II/2; mounted on cardboard mat; some rubbing due to handling; overall in good condition. Nicely contrasted impression. Hollstein 56.

Bust portrait of Gerard van Wassenaer in an oval. Inscribed in the oval:'GERARDUS A WASSENAER J.V.D. ET CURIAE ULTRAJECTINAE, DUM VIVERET, ADVOCATUS, OBIIT. AC. CHRISTI 1664. AETAT 75.' On the bottom Latin text:'Hunc loquitur jam Fama Virum, quo jura loquente, Belgarum hic CRESCENS Papinianus erat. / L. v. P.' l Engraving and etching on paper, small margins; platemark: 249 x 153 mm; total: 255 x 158 mm; only state; Hollstein 79; W. 66; M. 5945. PP01W (Wassenaer) / black folders A-D.

Portrait of Cornelis Tromp (1629-1691), half-length, turned to the right but facing the left; wearing armour with a mantle draped around him, his right hand akimbo, his left hand holding a stick; in front of him on top of a pedestal are his coat of arms with on each side a canon, in the background a seabattle.Inscribed at bottom: 'Cornelis Tromp L'Admirael van Hollandt ende Westvrieslandt EST IN QEUIS PATRUM VIRTUS.' two columns of four lines each poem by Abrugge. A small correction on the left column, second line: 'Roos [en] Lely' , 'en' added in pen and brown ink.[NL] Antieke prent, portret van admiraal Cornelis Tromp met commandostaf in zijn zij door Hendrik Bary. Op de achtergrond is een zeeslag te zien. Onder het portret zijn wapen, naam en titels en een vers van twee kolommen met elk vier regels in het Nederlands door M. Abrugge. Engraving on paper trimmed within plate mark; total: 405 x 318 mm; state II/2; some rubbing and some dirt, traces of previous mounting on verso; overall in good condition. Hollstein 74, Wurzbach 60, Muller 5416.

Portrait of David Vlugh (1611-1673), Admiral of Holland, three-quarter length to left but facing front, with long wavy hair and moustache, wearing a long coat and a sash with ruffled trim and a medaille around his neck, standing behind a pedestal in front of a map of the North Sea and part of the English coast suspended between two columns, before him a balustrade with part of a cannon, anchor and dolphins; fourth state with text in lower plate-mark.Lettered on the map in the background: "Englandt / Ocea . ". Lettered on the medaille Vlugh is wearing: "Concordia Res Parvæ Crescunt". Lettered on the canon: "Concordiar". Lettered on the balustrade with three lines of Dutch description, "David Vlugh, Schout . / . / . en 't Noorderqvartier"; followed by eight lines of Dutch verse: "Dit's Vlugh, . / . / . het tweede Damiaet. / G. Brandt.". Lettered with production details below: "H. Bary Sculp." and "E. vanden Hoof Excudit.". Lettered in lower plate-mark: "Op- Schrift vande Medaille / De Staten Generael . / . voor de Prosteriteyt.".The preparatory is held at the British Museum [inv. 1895,0915.1121]. The 1996-7 Malcolm Exhibition label text: The sitter, David Vlugh (d. 1673), was a commander of the Dutch fleet in engagements of the English coast. Jan de Bisschop, by profession a lawyer, was a gifted amateur artist who may have received instruction in drawing from Bartholomeus Breenbergh. He became an advocate at the Court of Holland in The Hague, where he spent most of his life, although he was born in Amsterdam. He published two series of prints after Italian art and the Antique.[NL] Antieke prent, portret van schout-bij-nacht David Vlugh door Hendrik Bary. Op de achtergrond een wandtaptijt met een zeekaart. Met een vers van acht regels in het Nederlands door G. Brandt. Engraving on paper with some margins; total: 461 x 341 mm; state IV/4; some foxing and rubbing, overall in very good condition. Hollstein 77, Wurzbach 63, Muller 5731.

Portrait of David Vlugh, schout-by-nacht, with behind him a tapestry with a map of England. He wears a medallion carrying the motto of the Dutch Republic: 'Concordia res parvae crescunt'. The inscription below states that he received this medal from the States General for his contribution to the Raid on the Medway in 1667.On the stone slab: 'David Vlugh, Schout [.] het tweede Damiaet. / G. Brandt.'; 'H. Bary sculp.'; 'E. van den Hoof Excudit.'; below: 'Op Schrift vande Medaille [.] voor de Posteriteyt.' On each side of the slab is a dolfin.On verso is the collector's mark of M. Fischel (L. 1863f), an admiral that used to collect portraits of Dutch admirals. Engraving on laid paper, with margins; platemark: 432 x 308 mm; total: 504 x 362 mm; withs some smudges, foxing on the external margins, a small tear on the left margin, not affecting the plate; traces of previous mounting on verso. Hollstein 77 state IV/4, Muller 5731, Wurzbach 63.

20 x 12,7 cm., signed "H. Bary sculpsit" in the plate, engraved text below, 1657-1707. = Upper right corner (black section) restored (ca. h.3,5 x w.2,5 cm.). Hollstein Dutch 6. Nachtscène met Ceres en Stellio voor een huis. Ceres drinkt uit een kommetje. Achter de twee staat een oude vrouw met een fakkel. Onder de voorstelling een vers van twee regels in het Nederlands.Engraved text reads (in Dutch): "By Toorts-licht, Ceres Proserpina angstich soeckt; Een Oude Vrou haer laeft: den spottersy vervloeckt" A little boy (Abas, Ascalabus, or Stellio) laughs at Ceres, because she drinks too avidly while she is resting at an old woman's house.