jan bisschop (41 Ergebnisse)

Paperback, nette staat, 207 pagina's.

Paperback, fraai exemplaar, 207 pagina's.

Zustand: fine. 1997, 27pp. Paperback met flappen.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) aus dem 17. Jh. -- Blatt-Maße: ca. 30 x 20 cm; Platte: ca. 16 x 11,5 cm. leicht fleckig, sonst gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) from the 17th century. Out of the book: "Paradigmata Graphices Variorum Artificum". slightly stained, otherwise in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 10.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) nach Baccio Bandinelli (1493-1560) aus dem 17. Jh. -- Blatt-Maße: ca. 30 x 20 cm; Platte: ca. 22 x 12,5 cm. im Außenrand leicht fleckig, sonst gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) after Baccio Bandinelli (1493-1560) from the 17th century. Out of the book: "Paradigmata Graphices Variorum Artificum". slightly stained on the outer margin, otherwise in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) aus dem 17. Jh. -- Blatt-Maße: ca. 37 x 23,5 cm; Platte: ca. 17 x 11 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) from the 17th century. Out of the book: "Paradigmata Graphices Variorum Artificum". in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) aus dem 17. Jh. -- Blatt-Maße: ca. 37 x 23,5 cm; Platte: ca. 16 x 11,5 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) from the 17th century. Out of the book: "Paradigmata Graphices Variorum Artificum". in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) nach Willem Doudijns (1630-1697) aus dem 17. Jh. -- Aus dem Buch: "Signorum Veterum Icones". Blatt-Maße: ca. 36 x 24 cm; Platte: ca. 22 x 10 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) after Willem Doudijns (1630-1697) from the 17th century. -- in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) aus dem 17. Jh. -- Aus dem Buch: "Signorum Veterum Icones". Blatt-Maße: ca. 36 x 24 cm; Platte: ca. 22 x 8 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) from the 17th century. -- in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) nach Jacob III de Gheyn (1596-1641) aus dem 17. Jh. -- Aus dem Buch: "Signorum Veterum Icones". Blatt-Maße: ca. 37 x 23,5 cm; Platte: ca. 21 x 9 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) after Jacob III de Gheyn (1596-1641) from the 17th century. Out of the book: "Signorum Veterum Icones". in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Hardcover. Quarto, Two volumes. In Good plus condition with Good dust jackets. Spines are cream with black print. Dust jackets has slight edge wear, toning to top edge. Boards in tan cloth with brown print. Sight wear to spine caps and corners. Illustrated: b&w plates. Second volume is facsimile of original publication "published before 1689". CONTENTS: [Vol. 1. Catalogue] (ISBN 9070288214), 320 pages [Vol. 2.] Icones & Paradigmata (unpaged leaves of plates). [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Netdesk Column QC (ND-QC). 1392467. FP New Rockville Stock.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) aus dem 17. Jh. -- Aus dem Buch: "Signorum Veterum Icones". Blatt-Maße: ca. 36 x 24 cm; Platte: ca. 23 x 12 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) from the 17th century. -- in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Zustand: Very good.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) nach Jacob III de Gheyn (1596-1641) aus dem 17. Jh. -- Aus dem Buch: "Signorum Veterum Icones". Blatt-Maße: ca. 37 x 23,5 cm; Platte: ca. 19 x 10 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) after Jacob III de Gheyn (1596-1641) from the 17th century. Out of the book: "Signorum Veterum Icones". in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) aus dem 17. Jh. Aus dem Buch: "Signorum Veterum Icones". Blatt-Maße: ca. 37 x 23,5 cm; Platte: ca. 22 x 9 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) from the 17th century. Out of the book: "Signorum Veterum Icones". in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 10.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) aus dem 17. Jh. Aus dem Buch: "Signorum Veterum Icones". Blatt-Maße: ca. 37 x 23,5 cm; Platte: ca. 22 x 9 cm. im Außenrand teils leicht fleckig, sonst gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) from the 17th century. Out of the book: "Signorum Veterum Icones". partly slightly stained on the outer margin, otherwise in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 10.

The Hague, 1972. 59 pp. 84 plts. Softcover. (Offprint from Oud-Holland, nr 4. 1971).

Seltener original Kupferstich von Jan de Bisschop (1628-1671) nach Michelangelo (1475-1564) aus dem 17. Jh. -- Blatt-Maße: ca. 37 x 23,5 cm; Platte: ca. 14,5 x 23,5 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) after Michelangelo (1475-1564) from the 17th century. Out of the book: "Paradigmata Graphices Variorum Artificum". in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch.

Rare first known edition of a successful apothecary's manual for students, written in Dutch, mirroring the general knowledge of pharmacology in the middle of the 17th century. The author of this intriguing book long remained unidentified until his initials "I.B.S.I" (fol.*3v of the 1662 "4th" edition, in the Latin note following the Dutch approbation, both signed from Ghent) identified him as Jan Bisschop S.J. (1590-1664) who worked in Bruges as a pharmacist before he moved to Ghent in 1613 to join the Jesuit order. He trained numerous apprentice pharmacists and later served as official pharmacist at the Vienna court of the Holy Roman Emperor Ferdinand II. His book owed its success above all to its extremely practical approach, including its vast collection of medicinal recipes, many involving distillation.With owner's inscription of Carolina van de Poel on paste-down. Small tear in vellum of back board, bookblock somewhat loose in binding, no endpapers; frontispiece and first leaves a bit thumbed. First known edition of a practical apothecary's manual in Dutch.l Paul Begheyn, Jesuit books in the Dutch Republic 1657.1 (1 copy); BMN, I, p. 372; P. Boeymans, "Broeder Jan Bisschop en zijn 'Pharmacia Galenica'", in: Pharmaceutisch tijdschr. voor België, 33, 9 (1956), pp. 197-201; Hoogendoorn, Bis 01, 1 (3 copies); Jesuit books in the Dutch Republic, p. 52 ; Notaker 409; STCN (1 copy); L.J. Vanderwiele, "Het 'Licht der apotekers'", in: Kring voor de Geschiedenis van de Pharmacie in Benelux, Bulletin, 27 (1960), pp. 1-8; L.J. Vandewiele, "Enige nieuwe gegevens over apotheker Jan Bisschop, Jezuïet", in: Pharmaceutisch tijdschr. voor België, 51, 9 (1974), pp. 443-449; cf. STCV (1667 Antwerp eds. & possibly a 1660/61 Latin translation). Contemporary overlapping vellum over boards. With an engraved frontispiece showing the interior of an apothecary's shop, Van Ravesteyn's woodcut device on title-page (Elijah and the ravens); 3 half-page woodcut illustrations of distilling equipment (pp. 339, 343 and 387); woodcut decorated initials and tailpieces. Pages: [8], 460, [12] pp.

No binding. Zustand: Good. Daniele da Volterra (illustrator). Etching on hand laid paper. Sheet size: 12 x 22,3 cm. (4,7 x 8,8 inch). Image size: 11,8 x 22,1 cm. (4,6 x 8,7 inch).Source unknown, to be determined.Made by 'Jan de Bisschop' after 'Daniele da Volterra'. Jan de Bisschop (1628-1671) was widely influential in art and art publishing. A lawyer by profession, he set up practice in The Hague around 1652 and later founded a drawing academy there. He mingled with an elite circle of intellectuals. Condition: Good, given age. Trimmed to plate. Some paper loss at bottom left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: FEMALE FIGURE FROM BEHINDRBOS-A3-40 (RB-285b).

Zustand: Good. Daniele da Volterra (illustrator). Etching on hand laid paper. Sheet size: 12,7 x 22,3 cm. (5 x 8,8 inch). Image size: 12,5 x 22,3 cm. (4,9 x 8,8 inch).Source unknown, to be determined.Made by 'Jan de Bisschop' after 'Daniele da Volterra'. Jan de Bisschop (1628-1671) was widely influential in art and art publishing. A lawyer by profession, he set up practice in The Hague around 1652 and later founded a drawing academy there. He mingled with an elite circle of intellectuals. Condition: Good, given age. Trimmed to plate. Some paper loss at bottom left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: FEMALE FIGURE FROM BEHINDRBOS-A3-40 (RB-285a).

In-8°, [14] 466 pp [22], 70 pp [2]. Contemporary overlapping vellum. Antwerp edition of this book on pharmacia ( first edition in 1657 by Joannes van Ravesteyn , Amsterdam) by the jesuit Jan Bisschop . Illustrated with 3 woodcuts in-tekst. Probably lacking the frontispiece. Bound with: Examen ofte kort ondersoeck ende onderwijsinghe van de konste der chirurgie .

The second edition of a successful apothecary's manual for students, mirroring the general knowledge of pharmacy in the middle of the 17th century. The author of this intriguing book long remained unidentified until his initials 'I.B.S.I' (see fol.*3v) gave him away: Jan Bisschop Soc. Jesu. Jan Bisschop (1590-1664) worked in Bruges as a pharmacist before he moved to Ghent in 1613 to join the Jesuit order. He trained numerous apprentice pharmacists and served later as official pharmacist at the Vienna Court of Emperor Ferdinand II. His book owed its success above all to its extremely practical approach, containing also a vast collection of medical (distillery) recipes.Bisschop's book probably was first published anonymously at Ghent in 1653, but no copy is known. The 'first edition' was published by Joannes van Ravesteyn at Amsterdam in 1657, followed by two editions in 1661: one in Amsterdam by Van Ravesteyn and one in Rotterdam by P. and A. van Waesberge. The text of the main part of our edition - the fourth as is stated on the title - is in fact a re-issue of Ravesteyns1661 edition, including the frontispiece ('de tweeden druck Ao 1661'; in our copy 'corrected' by hand in: 'den tienden (sic) druck 1662'). In 1667 an edition was published in Antwerp by Reynier Seghers.Spine a little damaged, some soiling and browning in the text, with a wormhole affecting the text at some places. Still in good condition.l BMN I, p. 372; Boeymans, 'Broeder Jan Bisschop en zijn "Pharmacia Galenica"', in: Pharmaceutisch tijdschr. voor België, 33,9 (1956), pp. 197-201; Hoogendoorn, p. 104, nr. BIS01, 2.2; Krivatsy 8900; Vandewiele, 'Enige nieuwe gegevens over apotheker Jan Bisschop, Jezuïet', in: Pharmaceutisch tijdschr, voor België, 51, 9 (1974), pp. 443-449; cf. Hoogendoorn, p. 104 no. 4 (1657 ed.); Jesuit Books in the Dutch Republic, p. 52 (1657 ed.); Notaker 409 (1657 ed). Contemporary overlapping vellum over boards with title in ink on spine. With engraved frontispiece of the interior of an apothecary's shop: Het Nieu verbetert en vermeerdert licht der Apothekers en distilleerkonst. T'Amsteldam by Joannes van Ravesteyn den [in ink: tienden] druck 16[. in ink: 1662]; woodcut printer's device on title; 3 half-page woodcut illustrations of distilling equipment (pp. 343, 347 and 391); woodcut initials and endpieces. Pages: [16], 466, [14], 54 pp.

The fourth edition of a collection of medical distillery recipes, first published anonymously at Ghent in 1653, making it the first book on pharmaceutical chemistry published in the Southern Netherlands. The present 1667 edition for the first time gives the author's initials in the approbation (*5 r): I.B.S.I., meaning the Flemish Jesuit Jan Bisschop (1590-1664). The engraved title suggests that the information in this handbook is an improvement on a previous apothecary's handbook, calling this a new light on the apothecary, alchemist and the art of distillation. This apparently refers to Dlicht d'Apothekers by Quiricus de Augustis. The title on the frontispiece does not match that on the title page, and this title was used for a new publication in 1683 that re-published all the recipes under the title 't Nieuw-Ligt des Apothekers (Amsterdam 1683). In the Pharmacia galenica & chymica the art of distillation is still described as an alchemists' secret. The final ca. 30 pages of the handbook describes confectionery distillation recipes instead of medicine. The engraved title-page shows the interior of an apothecary shop and the two woodcut illustrations depict distilling equipment. The last two (4th and 5th) editions have the same imprint, the present copy of the fourth edition has the same finger print as the copy in Leuven: 166708 - # a1 *3 $t' : # a2 *5 ari - # 1b1 A h : # 1b2 2G erie - # 2b1 A2 ele : # 2b2 E2 ,$ge. With the bookplates of J.W. Six and Van der Hoeven on the pastedown. Binding rubbed and lacking the first flyleaf, but interally in very good condition.l Bibliotheca Walleriana 7382; Krivatsy 8899; Hoogendoorn, p. 104 no. 4 (1657 ed.); Jesuit Books in the Dutch Republic, p. 52 (1657 ed.); Notaker 409 (1657 ed.); STCV 3198087 (4 copies); USTC 1803731 (2 copies, same as STCV); not in Forbes. Contemporary tanned sheepskin, gold-tooled spine. With an anonymous engraved title page and 2 woodcut illustrations in text. Pages: [16], 466, [22]; 70, [2] pp.

Doornspijk, Davaco Publishers, 1985. 2 vols. 320, 4,4, [4] pp. 2 b./w. title-plates & [157] single-page b./w. plts. Uniform hardcovers, d./j. - Dustjackets with light shelfwear. (Davaco Collection).Complete set: [Vol. 1: Textbook; vol. 2]: is a facsimile edition of the editions: 1668/69-1671 of the Icones & Paradigmata. - Edited by Keith Andrews.

Jan de Bisschop (illustrator). Depicts a dramatic classical scene of a Gaul killing his wife before committing suicide, known as the "Ludovisi Group." The male figure holds a sword raised, with his wife collapsing beside him.Made by Jan de Bisschop after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 18.1 x 24.2 cm (7.13 x 9.53 inch). Image size: 17.9 x 22.2 cm. (7.05 x 8.74 inch).JAN DE BISSCHOP, LUDOVISI GROUP, GAUL, CLASSICAL SCULPTURE, DUTCH ETCHING, 17TH-CENTURY ART | PCO-E21-08BACKGROUND INFORMATIONFrom: 'Signorum veterum icones' by Jan de Bisschop (Joh. Episcopius ), published in 1668. It is a collection of Roman statues / sculptures of Roman gods, emperors, mythological figures, fauns etc. The plates in this work are engraved after his own drawings or after the drawings of Doncker, De Geyn, Dondyns, Matham, Ferreris and others.Biography engraver: Jan de Bisschop (1628-1671) was a Dutch Golden Age artist, lawyer, and art collector. He is known for his etchings of classical statues and ancient art, aiming to educate fellow artists about classical forms and aesthetics. His series Signorum veterum icones was influential in promoting classical art in the Netherlands. Condition: good, given age. A few smal tear in the paper edges. Remain of glue in top right corner. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Michelangelo Buonarroti / Jacob Matham (illustrator). This print shows a view on a standing man near a cross, only wearing a loincloth: Jesus with instruments of the Passion. The engravings of the Paradigmata, like those of Francois Perrier, helped disseminate the classical ideal throughout Europe. They were used as paradigms for artists of the period and well beyond.Made by Jan de Bisschop after Michelangelo Buonarroti / Jacob Matham .Medium: Etching / engraving on handlaid (verge) paper.Sheet size: 23 x 36.5 cm (9.06 x 14.37 inch). Image size: 11.3 x 23.5 cm. (4.45 x 9.25 inch).RELIGION-JESUS-STANDING MAN-CROSS-CLASSICAL POSTURE-PASSION | RBOS-A10-36BACKGROUND INFORMATIONThis attractive print originates from: "Paradigmata Graphics Variorum Artificum", published in Amsterdam by Nicolas Visscher, 1671.Biography engraver: Jan de Bisschop (ca. 1628-1671) engraver of the Dutch school. Bisschop had a law practice in the Hague where he also founded an art school and a publishing house. His influential circle of friends included the mathematician and philosopher Rene Descartes and the artist Constantijn Huygens. All original engravings bear the monogram "JE" , which denotes "Jan Episcopius, "Epicopius" being the Latinzation of his name which is 'Bishop' in English.Biography artist: Michelangelo Buonarroti (14751564) was an Italian painter, sculpturer, architect and poet. This print was also after Jacob Matham (15 October 1571 20 January 1631), of Haarlem, who was an engraver and pen-draftsman. . Condition: good, given age. Brownish edges. Creases. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

The so-called Belvedere Apollo, today still in Rome in the Belvedere garden at the Musei Vaticani (Vaticaanse Musea), seen from the front.Signed on the ground: "PP. Doncker del. / JB f.".From 'Signorum Veterum Icones', a series of etched plates representing statues from Rome, was intended as a learning tool for young artists to copy from. Numbered on the top right: '4'. Etching on laid paper; trimmed to plate mark and pasted down on another sheet of laid paper; tolal: 231 x 148 mm. Small rust stain on one of the legs. Otherwise in good condition.

A nude standing male figure (possibly a satyr) holding a cymbal in each hand, and his left foot on a scabellum (a type of foot-operated wooden clapper instrument). This print is number 1 from the series 'Signorum Veterum Icones (I)', a selection of classical statues from the collection of Gerard Reynst (1599-1658). Etching on hand laid paper, sheet size 108 x 224 mm., platemark 107 x 223 mm., etching by Jan de Bisschop (1628-1671), after an anonymous statue. Published ca. 1668-69. In good condition, cropped to the platemark, attached to carrier. Right edge faintly foxed and a little discoloured. References: Hollstein Dutch 4; Gelder & Jost 1.

Doornspijk, Davaco Publishers, 1985. 2 vols. 320, 4,4, [4] pp. 2 b./w. title-plates & [157] single-page b./w. plts. Uniform hardcovers, d./j. (Davaco Collection).Complete set of the text-volume and the facsimile edition. Reprinted in the facsimile-volume are the first edition of the Signorum veterum icones and the second edition of the Paradigmata graphices variorum artificium, Voor-Beelden der Teken-konst van verscheyde Meesters (editions: 1668/69 & 1671). Both works consist of text and a series of etchings reproducing works of art. Extensive discussions of all aspects of these are given in the text-volume, including comments on each of the works of art in question. - Edited by Keith Andrews.