jan visscher (75 Ergebnisse)

No Binding. Zustand: Very Good. ORIGINAL Article, disbound from journal; no covers; in very good condition. Signed by Author(s). Journal.

Gebrocheerd. Zustand: Boek goed. 131 pp. Z/w foto's en tekeningen.

Zustand: Good. Originele grijze linnen band met zilveropdruk op rug, stofomslag, 8vo.; Stofomslag verkleurd op de rug en vlekkerig aan voor- en achterzijde, naam in balpen op schutblad.

Zustand: Very good.

Zustand: mäßig. 108 S., Abb., Kartenbeilage, 30 cm, Bibliotheksexemplar, Lichtrand, Rücken beschädigt. Ecke leicht geknickt, Inhalt gut erhalten. Sprache: Deutsch.

638 (1) p. Linnen met stofomslag (Mooi exemplaar.).

cloth, dustjacket, 8vo 639 pp. overzichtsartikelen over de belangrijkste historici, theologen, wiskundigen, antropologen en sociologen; tevens uitgebreide bibliografieën; ALS NIEUW conditie.

Original publisher's gray cloth hardback, silver lettering spine, pictorial dustjacket, 2nd printing [1999], thick large 8vo: 640pp., introduction, 60 contributions, index. Very fine copy.

Zustand: Very good.

Zustand: very good. Samengesteld door Hans Achterhuis, Jan Sperna Weiland, Sytske Teppema & Jacques de Visser. Amsterdam : Contact & [Utrecht : Filosofie Magazine], 1999. Hardcover. Dustjacket. 638 pp. Conditie : net exemplaar. Condition : very good copy. ISBN 9789025498832. Keywords : PHILOSOPHY,

Zustand: Very good.

Hardcover. Zustand: Fine. 1st Edition. [1st edition] ; 416 pp. ; large, thick volume with photographic boards ; numerous color photographs and diagrams, including images of the finished projects, their patterns, details fo stitches, and close ups of work in progress ; FINE. Book.

Zustand: Very good.

Zustand: Very good.

Zustand: Very good.

Utrecht, A.Oosthoek, 1931. 108 pp. 13 figs, 14 photographs on 5 plts & 1 fold.map. Wrappers, worn. [50447].

Amsterdam/Antwerpen, Contact, 2000. 25 x 18 cm. Gebonden. Hardcover. Geen stofomslag Hardcover. 640 pag. - UITSTEKEND EXEMPLAAR [Geschiedenis (History) / Algemeen / General [Algemene Geschiedenis] Filosofie / Philosophy [Filosofie] Sociologie / Sociology Wetenschap / Science ].

Zustand: Gut. Platte 25 x 19,5 cm Auf feinem Bütten gedruckt, kontrastreicher Druck in gutem Zustand. papierbedingt getönt und kleine Lagerspuren, siehe Fotos. Mit dem Bibeltext unter der Abbildung. Ein künstlerisches Hauptwerk von Matthias Scheits waren die Illustrationen zu einer Bilderbibel, die 1672 im Verlag von Johann und Heinrich Stern in Lüneburg erschien - sie ist allgemein bekannt unter dem Namen Sternsche Bibel. Mit ihren 153 Kupferstichen, an deren Ausführung vierzehn verschiedene Stecher in Augsburg, Nürnberg und Amsterdam beteiligt waren, avancierte die Sternsche Bibel zu einer der populärsten Bilderbibeln des 17. und 18. Jahrhunderts. Ihr Erfolg wurde erst im 19. Jahrhundert durch die Bilderbibel des Schnorr von Carolsfeld übertroffen . Von den 14 beteiligten Graphikern war Melchior Küsel (1674/77-1738) der wichtigste Stecher für die Darstellungen des Alten Testaments, im Neuen Testament ist er dagegen - wie auch sein Bruder Matthias Küsel (1629-1681) und Philipp Kilian (1628-1693) nicht mehr vertreten. Diese Szenen stammen vornehmlich von Johann Georg Waldreich (?-um 1680) und Jan de Visscher (1633/36-nach 1692). Die Graphiker hielten sich insgesamt sehr genau an die Vorlagen, wobei die Wiedergabe - ohne erkennbares System - gleichseitig und im Gegensinn erfolgte. Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 1001 Blattgröße circa 34 cm x 22,5 cm Aus: "Biblia, Das ist: Die gantze H. Schrifft Alten und Newen Testaments/ Deutsch/ D. Martin Luthers/ [.]", Lüneburg, 1672, S. 186v.

Zustand: Gut. Platte 25 x 19,5 cm Auf feinem Bütten gedruckt, kontrastreicher Druck in gutem Zustand. papierbedingt getönt und kleine Lagerspuren, siehe Fotos. Am unteren Rand mit ca. 2cm Klebestreifen versehen. Mit dem Bibeltext unter der Abbildung. Ein künstlerisches Hauptwerk von Matthias Scheits waren die Illustrationen zu einer Bilderbibel, die 1672 im Verlag von Johann und Heinrich Stern in Lüneburg erschien - sie ist allgemein bekannt unter dem Namen Sternsche Bibel. Mit ihren 153 Kupferstichen, an deren Ausführung vierzehn verschiedene Stecher in Augsburg, Nürnberg und Amsterdam beteiligt waren, avancierte die Sternsche Bibel zu einer der populärsten Bilderbibeln des 17. und 18. Jahrhunderts. Ihr Erfolg wurde erst im 19. Jahrhundert durch die Bilderbibel des Schnorr von Carolsfeld übertroffen . Von den 14 beteiligten Graphikern war Melchior Küsel (1674/77-1738) der wichtigste Stecher für die Darstellungen des Alten Testaments, im Neuen Testament ist er dagegen - wie auch sein Bruder Matthias Küsel (1629-1681) und Philipp Kilian (1628-1693) nicht mehr vertreten. Diese Szenen stammen vornehmlich von Johann Georg Waldreich (?-um 1680) und Jan de Visscher (1633/36-nach 1692). Die Graphiker hielten sich insgesamt sehr genau an die Vorlagen, wobei die Wiedergabe - ohne erkennbares System - gleichseitig und im Gegensinn erfolgte. Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 1001 Blattgröße circa 34 cm x 22,5 cm Aus: "Biblia, Das ist: Die gantze H. Schrifft Alten und Newen Testaments/ Deutsch/ D. Martin Luthers/ [.]", Lüneburg, 1672, S. 186v.

Zustand: Gut. Platte 25 x 19,5 cm Auf feinem Bütten gedruckt, kontrastreicher Druck in gutem Zustand. papierbedingt getönt und kleine Lagerspuren, siehe Fotos. Mit dem Bibeltext unter der Abbildung. Ein künstlerisches Hauptwerk von Matthias Scheits waren die Illustrationen zu einer Bilderbibel, die 1672 im Verlag von Johann und Heinrich Stern in Lüneburg erschien - sie ist allgemein bekannt unter dem Namen Sternsche Bibel. Mit ihren 153 Kupferstichen, an deren Ausführung vierzehn verschiedene Stecher in Augsburg, Nürnberg und Amsterdam beteiligt waren, avancierte die Sternsche Bibel zu einer der populärsten Bilderbibeln des 17. und 18. Jahrhunderts. Ihr Erfolg wurde erst im 19. Jahrhundert durch die Bilderbibel des Schnorr von Carolsfeld übertroffen . Von den 14 beteiligten Graphikern war Melchior Küsel (1674/77-1738) der wichtigste Stecher für die Darstellungen des Alten Testaments, im Neuen Testament ist er dagegen - wie auch sein Bruder Matthias Küsel (1629-1681) und Philipp Kilian (1628-1693) nicht mehr vertreten. Diese Szenen stammen vornehmlich von Johann Georg Waldreich (?-um 1680) und Jan de Visscher (1633/36-nach 1692). Die Graphiker hielten sich insgesamt sehr genau an die Vorlagen, wobei die Wiedergabe - ohne erkennbares System - gleichseitig und im Gegensinn erfolgte. Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 1001 Blattgröße circa 34 cm x 22,5 cm Aus: "Biblia, Das ist: Die gantze H. Schrifft Alten und Newen Testaments/ Deutsch/ D. Martin Luthers/ [.]", Lüneburg, 1672, S. 186v.

Hardcover. Zustand: g- to vg. First edition. Octavo (8 1/4 x 6 1/4"). [32], 847, [1], 56, [56]pp (Vol. 1); [28], 996, [48]pp (Vol. 2); [8], 976, [46]pp (Vol. 3); [2], 1116, [32]pp (Vol. 4). Contemporary full vellum, with handwritten title in ink to each spine. Engraved allegorical title page in first volume. Title vignette in each secondary title page. Decorative initials and tailpieces. First edition of Gerard Brandt's History of the Reformation in the Low-Countries from the 8th century (712) to 1623. Upon the author's death, only the first two volumes were published. "Historie der Reformatie" was completed by his sons in 1704. This work is illustrated throughout with: - Volume 1: 8 (of 9) striking portraits (Erasmus of Rotterdam, Pope Adrian VI, George Cassander, Hubert Duifhuis, Philips of Marnix, Dirck Coornhert, Franciscus Junius the Elder, Cornelis Hooft) engraved by the eminent Dutch engravors Hendrik Bary (1632-1707) and Antonie van Zylvelt (c. 1640-1695). Unfortunately, the engraved portrait of Prince William of Orange is missing. - Volume 2: 8 (of 8) engraved portraits of Franciscus Gomarus, Petrus Molinaeus (Pierre du Moulin), Jacobus Arminius, Maurice Prince of Orange, Philippe de Mornay, Louise de Coligny, Hugo de Groot, and Johannes Wtenbogaert, by Jan de Visscher (ca. 1636-1712). - Volume 3: 4 (of 5) engraved portraits of the author Gerard Brandt, Johannes Bogerman, Simon Episcopius, and Nicolaas Grevinchoven, by Dutch engravers Pieter van Gunst and Pieter Sluyter. Unfortunately, the engraving depicting the Synod of Dort is missing. - Volume 4: 4 (of 4) engraved portraits of Gerardus Vossius, Carolus Niellius, Caspar Barlaeus, and Eduard Poppius, by Pieter Sluyter and John de Leeuw. Volume 1 has the following flaws: Binding partly age-toned and darkened. Some light water-staining throughout pages 97 and 320, otherwise, pages in very good condition. Binding in overall good, interior in good- to very good condition. Volume 2 is slightly darkened along spine, otherwise in very good condition. Interior also in very good condition. Volume 3 is also slightly darkened along spine, otherwise in very good condition. Interior in very good condition. Volume 4: Binding darkened along spine, with some age-toning / light water-staing to covers. Some light to darker water-staining from page 489 on. Pages slightly rippled due to damp exposure. Binding in overall good- to good, interior in fair/good- to very good condition. Text in Dutch. About the author: Gerard Brandt (1626-1685) was a Dutch preacher, playwright, poet, church historian, biographer and naval historian. A well-known writer in his own time, his works include a Life of Michiel de Ruyter (1687, "Het Leven en bedryf van den Heere Michiel de Ruiter" - an important source on the admiral's life) and a "Historie der vermaerde zee- en koopstadt Enkhuisen" (1666, - still an important source for that city's early history).

Jan de Visscher (illustrator). 'LOUISE DE COLIGNY, PRINCESSE WEDUWE VAN ORANJE.'Original antique print showing a portrait of Louise de Coligny (1555 - 1620), a Princess consort of Orange as the fourth and last spouse of William the Silent. She was the daughter of Gaspard II de Coligny and Charlotte de Laval.Made by Jan de Visscher after own design.Medium: Engraving / etching on hand laid (verge) paper. Watermark: Early coat of arms of Amsterdam.Sheet size: 15.4 x 20 cm (6.06 x 7.87 inch). Image size: 12.4 x 17.5 cm. (4.88 x 6.89 inch).LOUISE DE COLIGNY-WILLIAM OF ORANGE-PORTRAIT | PCO-C2-08BACKGROUND INFORMATIONPublished in The Netherlands c. 1660.Reference: Hollstein 129.Biography engraver: Jan de Visscher (ca.1636, Haarlem 1692-1712, Amsterdam), was a Dutch Golden Age engraver who became a painter in later life. Condition: good, given age. Paper slightly browned. Some small spots in the margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jan van Goyen (illustrator). 'I: VAN GOYEN INVENTOR I: DE VISSCHER FECIT 6 (NOT ON THIS PLATE - TRIMMED)'A ferryboat with passengers approaches a wooded riverbank; ducks swim nearby and a village with church spire appears in the background under a cloudy sky.Made by Johannes de Visscher after Jan van Goyen.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 20.2 x 12.4 cm (7.95 x 4.88 inch). Image size: 20.2 x 12.4 cm. (7.95 x 4.88 inch).VISSCHER, GOYEN, ANTIQUE PRINT, FERRYBOAT, DUTCH RIVER SCENE, VILLAGE CHURCH, 17TH CENTURY ETCHING, REGIUNCULAE AMOENISSIMAE, HOLLAND, LANDSCAPE PRINT | PCO-C49-28BACKGROUND INFORMATIONFrom the set "Regiunculæ Amoenissimæ eleganter delineate Johanne van Goyen et æri incisæ per Johannem de Visscher".Reference: Hollstein 35; Wessely 64.Biography engraver: Johannes (Jan) de Visscher (1633-after 1692), Haarlem-born engraver and painter. Moved to Amsterdam where he became a citizen in 1658. Known for portrait and landscape engravings after Dutch masters like Berchem and van Goyen. Began painting later in life under Michiel Carrée. Not as prominent as his brother Cornelis, but still a skilled engraver of note.Biography artist: Jan van Goyen (1596-1656) was a prolific Dutch Golden Age painter, specializing in tonal landscapes. Influenced many artists and produced over 1200 paintings and 1000 drawings. Known for rapid execution, thin painting layers, and naturalistic views of Dutch rivers, villages, and countryside. Condition: very good, given age. Light foxing, soiling and creasing. Some staining. Remains of tape from attachment. Plate losely attached to carrier sheet (hand laid paper). General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Befriedigend. Originalkupferstich, ca. 1650, gestochen von Visscher nach Johannes Stradanus; Blattgröße 22, x 27 cm, Plattengröße ca. 18 x 25,5 cm; rückwärtig blasser Stempel der Kupferstichsammlung Eugen DuMont; geringe Randläsuren, geringe Schatten von Montagefalzen, Eckknickspuren. Kupferstich.

Nicolaes Pietersz. Berchem (illustrator). 'T'AMSTERDAM BY JUSTUS DANCKERTS VOOR AAN DEN CALVERSTRAET BY DEN DAM IN D'ANCKERS.'Two shepherdesses at a well, one kneeling to milk a goat while the other stands with her hand resting on the well's edge. In the background are cattle, sheep, and a distant figure walking along a path. Tree and architectural elements complete the composition.Made by Jan de Visscher after Nicolaes Pietersz. Berchem.Medium: Etching on hand laid (verge) paper.Sheet size: 21.2 x 28.3 cm (8.35 x 11.14 inch). Image size: 20 x 26 cm. (7.87 x 10.24 inch).SHEPHERDESS, WELL, GOATS, SHEEP, BERCHEM, PASTORAL, LANDSCAPE, DUTCH GOLDEN AGE, DANCKERTS, VISSCHER | PCO-E30-11BACKGROUND INFORMATIONPart of the series 'Pastorale Landschaften im Hochformat.'.Reference: Hollstein Dutch & Flemish XLI.47.5861 (plate 0).Biography engraver: Jan de Visscher (1636-c.1692) was a skilled Dutch engraver known for his interpretations of Berchem's pastoral scenes. He belonged to the prolific Visscher family of printmakers.Biography artist: Nicolaes Pietersz. Berchem (1620-1683), Dutch painter and draughtsman of Italianate landscapes. His work inspired generations of engravers, including the Visschers. Condition: very good, given age. Light foxing, soiling and creasing. Original fold lines as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jan van Goyen (illustrator). 'I: VAN GOYEN INVENTOR I: DE VISSCHER FECIT 7 (NOT ON THIS PLATE - TRIMMED)'River mouth with houses and a tower along the bank; boats moored and sailing vessels in the distance; figures along the waterfront under a cloudy sky.Made by Johannes de Visscher after Jan van Goyen.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 20.3 x 12.8 cm (7.99 x 5.04 inch). Image size: 20.3 x 12.8 cm. (7.99 x 5.04 inch).VISSCHER, GOYEN, DUTCH LANDSCAPE, RIVER MOUTH, HOUSES, BOATS, 17TH CENTURY PRINT, REGIUNCULAE AMOENISSIMAE, ANTIQUE MASTER PRINT | PCO-C49-28BACKGROUND INFORMATIONFrom the set "Regiunculæ Amoenissimæ eleganter delineate Johanne van Goyen et æri incisæ per Johannem de Visscher".Reference: Hollstein 36; Wessely 65.Biography engraver: Johannes (Jan) de Visscher (1633-after 1692), Haarlem-born engraver and painter. Moved to Amsterdam where he became a citizen in 1658. Known for portrait and landscape engravings after Dutch masters like Berchem and van Goyen. Began painting later in life under Michiel Carrée. Not as prominent as his brother Cornelis, but still a skilled engraver of note.Biography artist: Jan van Goyen (1596-1656) was a prolific Dutch Golden Age painter, specializing in tonal landscapes. Influenced many artists and produced over 1200 paintings and 1000 drawings. Known for rapid execution, thin painting layers, and naturalistic views of Dutch rivers, villages, and countryside. Condition: very good, given age. Light foxing, soiling and creasing. Some staining. Remains of tape from attachment. Plate losely attached to carrier sheet (hand laid paper). General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jan van Goyen (illustrator). 'I: VAN GOYEN INVENTOR I: DE VISSCHER FECIT 9 (NOT ON THIS PLATE - TRIMMED)'River scene with small boats and figures near the shore, right bank with buildings, including a tower and thatched houses. Calm water reflects boats and cloudy sky.Made by Johannes de Visscher after Jan van Goyen.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 19.4 x 10.9 cm (7.64 x 4.29 inch). Image size: 19.4 x 10.9 cm. (7.64 x 4.29 inch).VISSCHER, GOYEN, DUTCH LANDSCAPE, 17TH CENTURY PRINT, RIVER SCENE, BOATS, ETCHING, ENGRAVING, ANTIQUE PRINT, REGIUNCULAE AMOENISSIMAE, HOLLAND, HAARLEM | PCO-C49-28BACKGROUND INFORMATIONFrom the set "Regiunculæ Amoenissimæ eleganter delineate Johanne van Goyen et æri incisæ per Johannem de Visscher".Reference: Hollstein 38; Wessely 67.Biography engraver: Johannes (Jan) de Visscher (1633-after 1692), Haarlem-born engraver and painter. Moved to Amsterdam where he became a citizen in 1658. Known for portrait and landscape engravings after Dutch masters like Berchem and van Goyen. Began painting later in life under Michiel Carrée. Not as prominent as his brother Cornelis, but still a skilled engraver of note.Biography artist: Jan van Goyen (1596-1656) was a prolific Dutch Golden Age painter, specializing in tonal landscapes. Influenced many artists and produced over 1200 paintings and 1000 drawings. Known for rapid execution, thin painting layers, and naturalistic views of Dutch rivers, villages, and countryside. Condition: very good, given age. Light foxing, soiling and creasing. Some staining. Remains of tape from attachment. Plate losely attached to carrier sheet (hand laid paper). General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Kupferstich, Bildgröße 24,5 x 19 cm, gedruckt auf der vollen Blattseite. Kupferstich von Jan de Visscher, gezeichnet von Mathias Scheits. Die Namen von Zeichner und Stecher im unteren Plattenrand. - Aus: Scheits Bilderbibel. Altes Testament, Esra, Kapitel 4. Serubbabel führt das Volk Israel aus dem Exil zurück nach Juda. Er beginnt mit dem Neubau des Tempels in Jerusalem, aber seine Gener sorgen dafür, dass der Bau gestoppt wird. - Mathias Scheits (Scheutz), Hamburg, geb. um 1625/30, gest. um 1700 war Maler und Radierer. Er war Schüler von Wouvermann. Sein Hauptwerk als Illustrator war die Bibel. Thieme-Becker 30,16; Jan de Visscher, geb. um 1636, gest. nach 1692 Maler, Zeichner, Kupferstecher. Thieme-Becker 34, 416. - Das Blatt an den Rändern leicht gebräunt, der Kupferstich in feinem Druck. Ausdrucksstark die differenzierte Darstellung einer Großbaustelle.

Nicolaes Pietersz. Berchem (illustrator). A shepherd leaning on his staff by a stream with his flock of cows and goats.Made by Jan de Visscher after Nicolaes Pietersz. Berchem.Medium: Etching and engraving on hand laid (verge) paper. Watermark: French lily.Sheet size: 35.3 x 26.5 cm (13.9 x 10.43 inch). Image size: 33.8 x 25.5 cm. (13.31 x 10.04 inch).SHEPHERD-POND-COWS-GOATS | PCO-A15-37BACKGROUND INFORMATIONPublished by Gerard Valck (c.1651-1726) in c. 1692.Biography engraver: Jan de Visscher (born c.1636 - died 1692-1712), was a Dutch Golden Age engraver who became a painter in later life.Biography artist: Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. Condition: good, given age. Light soiling. Remains of tape and glue on rear from attacment. Irregular paper edges. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jan van Goyen (illustrator). 'ORIGINAL TEXT (NOW TRIMMED OFF): "REGIUNCULAE AMOENISSIMAE / ELEGANTER DELINEATAE A JOHANNE VAN GOYEN ET AERI INCISAE PER JOHANNEM DE VISSCHER. N: VISSCHER EXCUDIT. 1"'Coastal scene with boats arriving near the ruins of a large round building; men unloading fish baskets, with birds, ducks, and a windmill in the background; plate 1 of 12.Made by Johannes de Visscher after Jan van Goyen.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 20.3 x 12.8 cm (7.99 x 5.04 inch). Image size: 20.3 x 12.8 cm. (7.99 x 5.04 inch).VISSCHER, GOYEN, ANTIQUE PRINT, RIVER LANDSCAPE, FISHING SCENE, 17TH CENTURY ENGRAVING, TITLE PAGE, REGIUNCULAE AMOENISSIMAE, DUTCH MASTER PRINT, COASTAL RUIN | PCO-C49-28BACKGROUND INFORMATIONFrom the set "Regiunculæ Amoenissimæ eleganter delineate Johanne van Goyen et æri incisæ per Johannem de Visscher".Reference: Hollstein 30; Wessely 59.Biography engraver: Johannes (Jan) de Visscher (1633-after 1692), Haarlem-born engraver and painter. Moved to Amsterdam where he became a citizen in 1658. Known for portrait and landscape engravings after Dutch masters like Berchem and van Goyen. Began painting later in life under Michiel Carrée. Not as prominent as his brother Cornelis, but still a skilled engraver of note.Biography artist: Jan van Goyen (1596-1656) was a prolific Dutch Golden Age painter, specializing in tonal landscapes. Influenced many artists and produced over 1200 paintings and 1000 drawings. Known for rapid execution, thin painting layers, and naturalistic views of Dutch rivers, villages, and countryside. Condition: very good, given age. Light foxing, soiling and creasing. Some staining. Remains of tape from attachment. Plate losely attached to carrier sheet (hand laid paper). General age-related toning and/or occasional minor defects from handling. Please study scan carefully.