1455 (45 Ergebnisse)

Musik alter Meister, Heft 13. Size: Folio. xi, 37pp. Stapled as issued in publisher's printed wrappers. Facsimile illustrations.

First Edition. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling and rubbing to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 213 pages : illustrations, plates (some color) ; 31 cm. Notes; Addendum slip inserted at page 203. "Catalogue": pages 165-207. Bibliography: page [164]. Contents; Introduction Plates -- Catalogue of painting Other works ascribed to Fra Angelico: paintings ; Drawings ; Miniatures Lost works by Fra Angelico. Subjects; Angelico fra approximately 1400-1455 ; Catalogs. Fiesole, Giovanni da called Fra Angelico. Angelico Fra ; Studies. Painting, Renaissance. Painting, Italian 15th century. Art, Italian. 3 Kg.

First Edition. Very good paperback copy; edges somewhat dust-dulled and nicked. Remains quite well-preserved overall. Physical description : 34 + 50 p : plates. Illustrations, 17 cm. Notes : Parallel text in Italian, French and English by I.B. Supino. Other names : Supino, I.B. Italian History. Italian Culture. Italian Language. Renaissance Art. The Italian Renaissance. 3 Kg.

15,0 x 9,5 cm. Unterhalb der Darstellung mit biographischen Angaben. Beidseitig bedruckt, Rückseite mit Porträt von Johann Reuchlin. [SW - Portrait, Peter Vischer].

15,0 x 9,5 cm. Unterhalb der Darstellung mit biographischen Angaben. Beidseitig bedruckt, Rückseite mit Porträt von Peter Vischer. [SW - Portrait, Johann Reuchlin].

Zustand: New. In.

Hardcover. Quarto, Two volumes continuously paged: xxiii, 457 pages + unnumbered pages of plates. In Good condition with Good plus dust jackets. Spines are black with gold print. Dust jackets in mylar; slight edge wear. Price unclipped: "$40.00". Boards in black cloth. Text blocks have spotting to edges. Illustrated: color frontispiece; b&w plates: "Works of Ghiberti" plates 1-137; "Collateral Material" figures 1-146. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Quarto and Folio Case. 1399332. FP New Rockville Stock. Second printing with corrections and new preface.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 40 pages; Description: 40 p. : chiefly ill., plates ; 35 cm. Subjects: San Marco (Monastery : Florence, Italy). Series: I Grandi cicli artistici 3 Kg.

First Edition. Very good cloth review copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains quite well-preserved overall. Physical description; 23 plates ; 36 cm. Notes; With a bibliography. Subjects; Milan. Painters. Italian artists. Carpaccio. 14th century. Italian Renaissance. Venetian art. Early Italian painting. Art history. 3 Kg.

First Edition. Near fine cloth copy in a good if somewhat edge-torn (with some loss) and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved; tight, bright, clean and strong. Physical description; 18 unnumbered pages, 47 plates : portrait ; 36 cm. Subjects; Florence. San Giovanni (Baptistery). Battistero di San Giovanni (Florence, Italy). 3 Kg.

Pictorial wrappers, upper outer corner bumped. On pp. 1-6, 7-18, 22-3 in Konsthistorisk tidskrift / Art Review published by the Society of Art History, 58 (1989):1. Stockholm 1989. 4to. Pp. [ii] + 1-46. Illustrated.

Hardcover. Quarto, 18 pages + xxix leaves of plates. In Good condition with a Fair plus dust jacket. Spine is white with gold print. Dust jacket has mild edge wear along top edge, light shelf wear. Boards in grey cloth with brown print. Light wear to spine caps and corners. Text block has tanning to endpapers, small crack to front hinge. Illustrated: color plates [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in the Back Area, Oversized Folios. 1389051. FP New Rockville Stock.

hardcover. Zustand: Very Good. Presentazione di F. M. Perkins. Con 41 tavole in bianco e nero, di cui una ripiegata e una applicata in antiporta . 4to. pp. 50. . Molto buono (Very Good). . . . Book.

4to.; 146 pp. Cubiertas originales.

First edition hard back binding in publisher's original black patterned blue cloth covers, black title and author lettering to the spine and to the upper panel, violet patterned end papers. 8vo. 8'' x 5½''. Contains [xii] 123 printed pages of text with 18 monochrome illustrations throughout. A little sun fading across the top of the boards and in near Fine condition. Member of the P.B.F.A. ART [Italian].

1st edition. Good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains quite well-preserved overall. Physical description: 18, [1] pages illustrations, 28 color plates (2 double) 38 cm.Notes: "Bibliografia essenziale": page 19.Subject: Museo di San Marco. Genre: Bibliography.Illustrated. 3 Kg.

Paperback. Zustand: Brand New. 734 pages. 11.69x8.27x1.47 inches. In Stock.

Corpus Mensurabilis Musicae, 7. Size: Two volumes. Folio. xii, 67pp. + plates; v, 14pp. + plates. Publisher's printed wrappers. Comprising: vol.I, Missa Virgo Parens Christi, Missa Faulx Perverse, Kyrie Paschale, Missa Terribilment; vol.II, Osculetur me, Scon lief, Graculy et biaulx, Der Pfoben Swancz, Esperant que mon bien vendra, Een vroylic wesen, Au traveil suis, L'omme banni de sa plaisance. Two volumes. Folio. xii, 67pp. + plates; v, 14pp. + plates.

Zustand: Ottimo (Fine). Con il testo di Ugo Procacci e XXVIII grandi tavole a colori . 4to. pp. 28 - tavole. . Ottimo (Fine). . . . Rilegato tela, sovracoperta (cloth, dust jacket). Book.

Hardcover. Zustand: Gut. 8065 [L] Sprache: Deutsch Gewicht in Gramm: 200.

0. Sprache: Deutschu.

0. Sprache: Deutschu.

1st edition. Provenance: G. F. Hill. Good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains quite well-preserved overall. Physical description: 60 p., 65 plates; 28 cm. Subject: Pisanello 1395-1455. Drawings. Sketches. Genre: Autobiography. Illustrated. 3 Kg.

Size: 8vo. xxxvi, 536pp. Half leather. Music examples. Preface by Charles Edmond Henri de Coussemaker (1805-1886) in French. Limited edition, no.26 of 100 copies. Hirsch 850.

orig.boards. dustwrapper., xviii,44 pp., Series: Vishveshvaranand Vedic Research Institute Indological Series, 34. Consists of an 18pp English foreword + 44pp Sanskrit and English text on facing pages: ".,.an important astronomical work dealing with the accurate computation of the solar and lunar eclipses" - from Foreword. Minor rubbing. VG., dustwrapper.

Hardcover. Zustand: Good. 1st Edition. Tall folio hardcover volume with leather spine and cloth boards. Spine intact with chipping on tips. Boards holding ok. End papers not marked or split. 162 text pages and 40 plates. A little scattered foxing mostly on the tissue guards. One plate has more.

Zustand: Good. THE FIRST WORK PRINTED IN GERMAN-SPEAKING TERRITORY USING MOVABLE HEBREW TYPEFolio (287x207 mm). [1], 620 [i.e 622], [5] pp. Several errors in pagination: page following p. 261 not numbered, numbers 543-544 omitted in pagination, number 616 repeated, one additional leaf numbered 589 inserted between pp. 588-589. With headlines, initial indicators and pagination; without catchwords and signature marks. First leaf recto: Principium libri. First leaf verso: Ioannis Reuchlin Phorcensis LL. doc. ad Dionysium fratrem suum germanum De rudimentis hebraicis. Roman, Greek and Hebrew types. Printer's device and Reuchlin's woodcut emblem at the end. Paged from right to left. Capital spaces with guide letters for initials. Later blind-ruled calf, lettering piece on spine (worn and rubbed, spine renewed, large portion of the panels roughly repaired). Worm tracks to the outer and inner margin of the first three leaves not affecting the text, a few marginal tears, some leaves or quires a bit loose, small hole to the last leaf not touching the text, two inked-out stamps on the penultimate leaf, some occasional light foxing. Manuscript note on the first leaf verso inked out. A good, wide-margined copy bearing several manuscript annotations in Latin and Hebrew by a contemporary hand.First edition of the first substancial Hebrew dictionary and grammar written for Christian scholars, which had a great impact on the development of the study of Hebrew texts by Christians in the Renaissance period.Reuchlin developed an interest in Hebrew in the early 1490s and published his first study of Kabbalah already in 1494. The first result of his studies in Hebrew linguistics, philology and literature was the epoch-making De rudimentis hebraicis, a Latin-language lexicon and students' guide to Hebrew grammar and pronunciation, imposed from right to left, that mainly followed the teachings of Rabbi David Kimhi (ca. 1160-ca. 1235) on the subject. Each letter of the lexicon which, like Kimhi's Sefer ha-shorashim, is arranged according to Hebrew root, begins with a different Hebrew epigraph in Rashi script usually invoking God's name, although tsade starts yehi shem ha-mashiah mevorakh, testifying to the text's Christian provenance. Although a brief Hebrew grammar, compiled by Reuchlin's younger colleague Konrad Pellikan (1478-1556), had appeared two years prior, the present text was the real pioneering work of its kind by a Christian intellectual and would have a profound influence on subsequent Christian Hebraist scholarship (cf. H. Greive, Die hebräische Grammatik Johannes Reuchlins: De rudimentis hebraicis, in: ?Zeitschrift für die alttestamentliche Wissenschaft?, 90, 1978, pp. 395-409).Johann Reuchlin (Capnio) was born on 28 December, 1454 or 22 February 1455 in Pforzheim, Baden. On 19 May 1470 he matriculated at the University of Freiburg but soon afterwards became a chorister in Pforzheim. As a tutor of a son of Margrave Charles I of Baden he had an opportunity to study in Paris in 1473; from 1474 he attended the University of Basel, receiving his BA in September 1474 and his MA in 1477. That same year he returned to Paris to study Greek under Georgius Hermonymus. Thereafter he studied law in the universities of Orléans and Poitiers. In the winter of 1484-5 he was promoted doctor of laws at the University of Tübingen, where he matriculated on 9 December 1481 and was teaching Greek. Meanwhile, in the spring of 1482 he accompanied Count Eberhard the Bearded of Württemberg on a journey to Florence and Rome. Thereafter he remained in Eberhard's service until the count's death (24 February 1496), residing in Stuttgart from 1483 but frequently travelling on diplomatic errands, notably to Italy in 1490 and to the imperial court in Linz in 1492. On this latter occasion he obtained the honorific title of count palatine and was raised to the rank of hereditary nobility. From 1496 to 1498 Reuchlin lived in political exile in Heidelberg, there joining the circle. Book.

First Edition. Provenance; from the library of William Garnett with his bookplate. Folio. Good copy in the original leather-backed red buckram boiards. Spine bands in particular and panel edges somewhat worn and rubbed. Remains quite well-preserved overall; tight, bright, clean and strong.; 8vo 8" - 9" tall; 162 pages; Physical description; [iv], iii, [i], 162, [2] p., 40 pl. ; 475 mm. Plate XXXV is misnumbered XXV. All plates are signed with the name of the source-artist (apart from the first plate, which is a view of a cloister), and with those of the draughtsman and engraver. The source-artist is usually Fra Gio. Angelico, but in some cases Fra Benedetto del Mugello, Fra Eustachio, Fra Bartolommeo or D. Ghirlandaio. The draughtsmen are D. Cellesi, R. Buonaiuti, C. Mariannecci, G. Cabella, F. Calandi, T. Ubaldi, M. Rapisardi, C. Mariani or A. Frassinetti. The engravers are D. Chiossone, F. Livy, S. Martelli, R. Bettazzi, E. Zannoni, G. Bonaini, P. Nocchi, A. Perfetti or E. Damele. Contents; [Half-title, t.p.] - Prefazione - [Text] - Indice [i.e. table of contents] - [Plates]. Summary; Scope and content: The work was originally published in 20 fascicles. The plates show frescoes painted by Fra Angelico in the Convento Di San Marco ca. 1440-1445, shortly after it became a Dominican house. They include several depictions of the Crucifixion, a series on the life of Christ, and several paintings of the blessed Virgin with the Christ-Child and saints. Subjects; Angelico Fra ca. 1395-1400 - 1455. Jesus Christ. Mary Blessed Virgin, Saint. Bible N.T. Gospels. Mural painting and decoration, Italian - Paintings, Italian - Monasteries - Italy - Florence - Convento Di San Marco - History - 15th century - Renaissance. Christian art and symbolism - Saints. Other names; Angelico Fra ca. 1395-1400 - 1455 [source artist]. Passigli, David fl. 1834 - 1853? [publisher]. Societa Artistica (Florence) [publisher]. Genre; Pictorial works - Italy - 19th century. Text within ornamental borders. 6 Kg.

Kupferstich (Brustbild in runder Umrahmung). Bildgrösse: 11,8 x 9,1 cm. Plattengrösse: 12,1 x 9,5 cm. Bis zum Plattenrand beschnitten und auf Papier montiert (13,6 x 10,5 cm.). + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +.

Zustand: Good. Folio sheet. 48 x 30 cm. Lithographed manuscript and printer's mark. Plate 31 from Bilder-Hefte zur Geschichte des Bücherhandels und der mit demselben verwandten Künste und Gewerbe by Heinrich Lempertz. Johannes Reinhard, alias Hans Grüninger (né vers 1455 à Grüningen, aujourd'hui appelée Markgröningen; ? vers 1532 à Strasbourg), est un imprimeur et éditeur alémanique. Il est l'un des grands représentants de la tradition strasbourgeoise des incunables illustrés.ohannes Reinhard, alias Hans Grüninger (né vers 1455 à Grüningen, aujourd'hui appelée Markgröningen; ? vers 1532 à Strasbourg), est un imprimeur et éditeur alémanique. Il est l'un des grands représentants de la tradition strasbourgeoise des incunables illustrés.