ren publishing (16 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

1st Edition. 3 + 161pp., orginal wrappers. This book provides an outline of Chinese history from pre-history period to the early 1950s. Text in Chinese.

Soft cover. Zustand: Very Good. 1 portfolio (10 leaves of plates : colour illustrations) ; 37 cm.

Hardcover. Zustand: Fine. A LARGE-FORMAT CHINESE PAINTING PORTFOLIO PRESENTING MODERN INK WORKS THROUGH A STATE-ACADEMIC LENS FOR BOTH DOMESTIC AND INTERNATIONAL AUDIENCES BRIDGING TRADITION AND MODERN PRESENTATION Folio; 15 inches tall (slipcase 15.5 inches). Hardcover in original white cloth, front stamped in gilt with Chinese characters. Housed in original orange paper-covered slipcase. Dust jacket present. Text in Chinese and English.Issued by Ren min mei shu chu ban she (People's Fine Arts Publishing House), a major state art publisher. Illustrated throughout with 121 plates, both color and black-and-white, presenting a curated selection of modern Chinese ink painting. Artists represented include Yu Jigao (21 works), Ye Wei (23), Gai Maosheng (23), and Li Kuhan (54), among others associated with the Xi'an Art Institute. The volume reflects mid-20th-century Chinese art publishing, where traditional brush techniqueslandscape, floral, and figure studiesare presented within a modern institutional framework. The editorial role of Liu, identified as a senior academic figure, suggests the work was intended not only as a visual survey but as a representative statement of contemporary practice within an academic and possibly cultural-diplomatic context. The bilingual presentation supports this reading, positioning the book for both domestic and international audiences. The large format and emphasis on full-page reproductions reinforce its function as a display-oriented portfolio rather than a purely textual study. CONDITION: Slipcase with moderate handling wear; rubbing to orange paper covering; minor separation at title panel. Book and dust jacket exceptionally well preserved. Bindings tight and square. Text and plates clean; colors strong and vivid. A highly presentable example. HISTORICAL SIGNIFICANCE This volume reflects a period in which Chinese art institutions sought to formalize and present contemporary ink painting within a modern publishing and exhibition framework. It illustrates how traditional visual languagerooted in centuries of brushwork and compositionwas preserved while being repositioned through state-supported academies and international-facing publications. As such, it stands at the intersection of artistic continuity and cultural presentation during a transformative period in Chinese art history. Subjects: Chinese painting, Xi'an Art Institute, Liu editor, Yu Jigao, Ye Wei, Gai Maosheng, Li Kuhan, ink painting, 20th-century Chinese art, bilingual art publications, cultural presentation, art monograph, exhibition-style portfolio, illustrated book, modern Chinese art.

Shanghai, Shanghai ren min mei shu chu ban she / Shanghai People's Fine Arts Publishing House, 1989. 61 S. Mit zahlr. s/w Abb. 19 cm. OBrosch. Engraved illustration techniques (Chinese Edition). Anleitung zur chinesischen Siegelschneidekunst. - Gut und sauber.

Original-Leinwand mit Silberprägung und Original-Schutzumschlag; 4°; 730, 20 Seiten. Sehr gutes Exemplar. zh 2050 gr.

Hardcover. Zustand: Fine. 1st Edition. [4] pages, 15 colour plates (including 5 facsimiles) in grey cloth portfollo. 43 cm.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 13 pages, 139 illustrations: mostly colour illustrations, text in Chinese ; 39 cm. Issued in a slipcase.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 148 pp., illustrations. In Chinese and English. dust jacket is age-toned along spine and edges, small tears along dust jacket edges. "Published in 1956 as publicity material for the new engineering projects depicted, this book was also sold abroad through the China International Bookstore. The design of the book's cover, printed in green with repeating stylized waves, stands in stark contrast to the rather austere, predominantly black-and-white photographs inside, featuring dams and navigation locks, sluice gates, and river dredging operations. The term 'water conservancy' is popularly understood to mean not wasting water, but the focus of this book is more in line with China's perennial water issue: how to control water. A country both rich in water resources and subject to frequent floods and droughts, China has always prioritized development of large-scale water management infrastructure."Martin Parr & WassinkLundgren in The Chinese Photobook, p.172.

Hardcover. Zustand: Very Good. 1st Edition. 7 pages, 21 plates (6 colour, 1 folded) in portfolio ; 53 cm.

Hardcover. Zustand: Very Good. 1st Edition. 1 portfolio : chiefly colour illustrations ; 53 cm. Text in Chinese. Contains 20 leaves of plates.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 152 pp., illustrations. In Chinese. original slipcase has some wear 0.0.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. 1 volume (unpaged) : some text in Chinese, chiefly watercolour illustrations (some colour), portrait ; 38 cm. tipped-in frontis of artist. cream cloth in a faded & frayed dust-jacket.

Hardcover. Zustand: Fine. 1st Edition. 5 volume set (Chinese text, chiefly B&W plates, facsimiles) 38 cm. Issued in original plain card slipcases. Contents: di 1 juan. Tang, Wu dai, Song -- di 2 juan. Song -- di 3 juan. Yuan -- di 4 juan. Ming -- di 5 chän. Qing.

Soft cover. Zustand: Good. 45 pp. text + 32 pp. black-and-white plates. In Chinese. ex-library, some cover wear, call number written on first blank page, card pocket on last blank page, no other marks. Description of Prince Sihanouk's tour of the liberated areas of Cambodia (Kampuchea) in 1973. Includes photographs of Sihanouk with the Khmer Rouge.

20 volumes in 2 publisher's slipcases, approx. 8½" x 7½, "each volume approx. 36 pages; illustrated through, chiefly in color; slipcases a bit worn and a few splits at the joints, but the individual volumes are all generally fine in original pictorial wrappers.