Cranach press (6 Ergebnisse)
Weitere BilderVerlag: Cranach Press. New York: Benjamin Blom,, 1972
- Hardcover
Anbieter: Finecopy, Westbury, WILTS, Vereinigtes KönigreichFinecopy
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut bis sehr gut
EUR 361,20
EUR 33,90 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbHardback. Zustand: Near Fine. No Jacket. later edition. Cranach Press. William Shakespeare, Die Tragische Geschichte von Hamlet Prinzen von Daenemark in Deutscher sprache, translated by Gerhart Hauptmann, illustrated by Edward Gordon Craig, Weimar: Cranach Presse, 1929, facsimile edition, New York: Benjamin Blom, 1972, text prin…ted in red and black on pale cream laid paper, 74 woodcut illustrations by Edward Gordon Craig, typography designed by Edward Johnston, printed in red and black in double column, 8 pp. account of the printing of the Cranach Press Hamlet in pocket to rear pastedown, top edge gilt, vellum-backed boards, lettered to spine and upper cover in orange, a Fine copy, with original slipcase some minor wear to extremities, folio.
Weitere BilderVerlag: [Printed for the Hogarth Press] / (The Cranach Press), London, 1931
- Hardcover
- Erstausgabe
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut bis sehr gut
EUR 8.381,49
EUR 4,71 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Near Fine. First Edition. First edition of this translation and first edition in English. Translated from the German by V. Sackville-West and Edward Sackville-West. Large octavo. 132pp. Quarter vellum gilt and lavender paper-covered boards, topedge gilt. Text in English and German on facing pages. Small owner… name stamp and Johannesburg bookseller ticket on front pastedown, a little scattered foxing else a near fine copy in very good or better spine-tanned original unprinted dust jacket and original unprinted slipcase with a bit of browning and moderate wear. Copy number 179 of 230 numbered copies Signed by Vita and Edward Sackville-West. Beautifully designed and produced, Count Harry Kessler planned the format of this volume, Eric Gill designed and cut the initials on wood, and printed for the Hogarth Press by the Cranach Press on handmade Maillol-Kessler paper with the watermark of the Cranach Press. Seldom found in dust jacket and box.
Weitere BilderVerlag: Count Harry Kessler at the Cranach Press, Weimar, 1931
- Hardcover
- Erstausgabe
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USARoyoung Bookseller, Inc. ABAA
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 3.440,82
EUR 6,85 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbHardcover. First edition. 31 pages, 26 x 13.5 cm. Limited edition, copy 180 of 200 designed by Count Harry Kessler: printed in red and black in Jenson Antiqua on hand-made Maillol Kessler paper with watermark of the Cranach Press. 11 wood engraved illustrations (seven are full page) and 18 initials by Eric Gill. Laid-in, "Former… Publications Of The Cranach Press." which lists three tittles -- The Ecologues of Virgil, Hamlet & The Duinese Elegies. An almost as new copy save for a few small toned fore-edge spots. THE ARTIST AND THE BOOK. 121. EVAN GILL 284. Quarter vellum and gilt lettered tan parchment boards. Fine in fine plain wrapper in matching fine board slipcase.
Verlag: Cranach Press, (Weimar, 1929
Anbieter: Locus Solus Rare Books (ABAA, ILAB), Los Angeles, CA, USALocus Solus Rare Books (ABAA, ILAB)
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 1.102,83
EUR 11,99 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbSingle leaf of Maillol-Kessler laid paper, 10-1/2 x 13-5/8 in., printed in black. Rare proof page for the unrealized Cranach Press edition of Robinson Crusoe illustrated by Craig. This copy has been initialed by Craig in pencil at the lower margin with "EGC copy" and the note "About 10 copies." In another hand at the lower right… corner is "1st proof od the 3rd trial." Craig had long been interested in doing an illustrated edition of Defoe's novel, identifying strongly with the isolated protagonist. He and Harry Kessler agreed that it should be done by Kessler's Cranach Press even as they were at work on their magnificent edition of Shakespeare's Hamlet. Craig's progress on his boxwood engravings was slow. By the time this proof was pulled he had made only six blocks -- two of which were used here -- and Kessler grew increasingly frustrated and with the publication in 1930 of the Limited Editions Club/Grabhorn edition, he saw no need to rush. Progress was further stalled by illness and war and ceased permanently when Kessler died in 1937. Craig continued to labor on his illustrations for many years but never completed the project in his lifetime. His son arranged the publication of the work using his father blocks in 1979. A tiny bit of faint spotting near to upper margin; fine.
Verlag: Cranach Press, 1931
Anbieter: Blackwell's Rare Books ABA ILAB BA, Oxford, Vereinigtes KönigreichBlackwell's Rare Books ABA ILAB BA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 4.740,72
EUR 52,60 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den Warenkorb161/200 COPIES (from an edition of 268) printed on Maillol-Kessler handmade paper, running-titles printed in red, 11 wood-engravings (7 full-page) and 18 initials, all designed by Eric Gill, one or two light spots, pp. 31, tall crown 8vo, original quarter vellum with pink boards, vellum-tipped corners, backstrip lettered in gilt…, t.e.g., others untrimmed with some light spotting, a few faint spots to endpapers also, front pastedown with the elegant bookplate of James L. Thielman, plain dustjacket with browned backstrip panel and lightly chipped at extremities, slipcase, very good. The text printed entirely in Latin; German and French language editions were also issued, using the same engravings.
Weitere BilderVerlag: Cranach Press 1928 (copyright 1929), Weimar, 1928
Anbieter: Phillip J. Pirages Rare Books (ABAA), McMinnville, OR, USAPhillip J. Pirages Rare Books (ABAA)
Verkäufer/-in kontaktierenVerkäufer/-in mit 3 SternenZustand: Gebraucht
EUR 25.232,70
EUR 8,57 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den Warenkorb365 x 242 mm. (14 1/4 x 9 1/2"). 202 pp., [1] leaf.Translated by Gerhart Hauptmann. FINE ORIGINAL BURNT ORANGE MOROCCO by O. Dorfner of Weimar (signed on rear turn-in), covers with single gilt-ruled border, raised bands, spine compartments ruled in gilt, gilt spine titling, turn-ins ruled in gilt, top edge gilt, other edges untr…immed. In a fine matching morocco-lipped slipcase lined with fleece. Illustrated throughout with woodcuts in the text by Edward Gordon Craig; this copy WITH TWO FULL-SIZE VELLUM LEAVES CONTAINING PRINTED WOODCUTS AND SIGNED BY CRAIG laid in. Printed in red and black. With the Hamlet stories from Saxo Grammaticus and Belleforest in Latin and French in margins surrounding the text. With Prospectus laid in at front. Schröder, p. 9; Franklin, p. 164; Ransom, p. 253; "A Century for the Century" 21 (English version). Spine gently and evenly sunned to a less reddish brown, traces of white residue from leather preservative to front board, but AN ESPECIALLY FINE COPY, the binding unworn, and IMMACULATE INTERNALLY. A deservedly famous combination of visual daring, printing artistry, and textual scholarship, this is one of the major achievements of private press printing. Undertaken in what Franklin calls "a perfectionist spirit," the book brings together the most glittering names in English and German private printing at the time. In addition to the presence of the woodcuts by Craig, the typographical arrangement of the volume was done by Count Harry Kessler, the title was cut by Eric Gill, the type (in 18-, 12-, and 10-point black letter) was designed by Edward Johnston after that used by Fust and Schoeffer in their Mainz Psalter of 1457, and was cut by Edward Prince (completed after his death by G. T. Friend), and the paper was made by a process devised jointly by Kessler and Aristide and Gaspard Maillol. Franklin says that "anybody who examines the Cranach Press 'Hamlet' must agree it is worthy of its reputation. The paper, superficially like Bachelor's Kelmscott, seems softer and more friendly, appropriate for the expressionist style of Craig's woodcuts. . . . These designs, and Gill's in the Golden Cockerel Chaucer, form the bravest artistic adventure among all private press books." It is increasingly difficult to find well preserved copies of this title, especially in Otto Dorfner bindings. Master binder Dorfner (1885-1955) taught at the School of Applied Arts in Weimar and at the Bauhaus school before founding his own to teach the craft. He was awarded a number of international awards for his bindings, and is particularly noted for his work with the Cranach Press. Dorfner was held in high enough esteem to merit inclusion on the Nazi's"Gottbegnadeten List"("God-gifted list" or "Important Artist Exempt List") of artists essential to Nazi culture. This 36-page list, assembled in September 1944 byJoseph Goebbels andAdolf Hitler, exempted the named artists from mobilization in the final stages of World War II. No. 8 OF 230 COPIES ON HANDMADE PAPER, of a total edition of 255.
