aperture e 329 (3 Ergebnisse)

Paperback. Zustand: Very Good. Trade PB. 4to. Published by Norton Gallery of Art, West Palm Beach, Florida, 1994. 76 pgs. Illustrated. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. In association with the Norton Museum of Art. Man Ray's Man Rays presents the core of the personal collection left by this hugely influential Dadaist and Surrealist artist to his family. This unique spiralbound edition showcases a dynamic selection of work from the Man Ray Trust, including color reproductions of his early paintings and littleknown objets d'art: celebrated photographs--including Le Violin d'Ingres and portraits of Pablo Picasso and Jean Cocteau--and a number of inventive and often humorous selfportraits. Limited to a printing of 2,000 copies, Man Ray's Man Rays presents the diverse and idiosyncratic range of works that remained in Man Ray's possession throughout his life, offering invaluable insight into one of the most provocative artists of the early twentieth century; 11.25 X 0.25 X 11.25 inches; 76 pages.

Hardcover. Zustand: Very Good. Profusely Illustrated (illustrator). Hardcover. Small 4to. Published by Aperture, New York, 1970. 92 pgs. Illustrated with 86 photographic reproductions, with a Chronology and Exhibition List at end. An Apeture Monograph. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. An exhibition monograph published to coincide with the show at the Alfred Stieglitz Center of the Philadelphia Museum of Art from December 12th, 1970 through February 7th, 1971. For more than five decades, Jerry Uelsmann has sought to transform photography, de-emphasizing its function as a form of documentation, liberating it as a medium capable of re-imagining the real. Widely known as one of the forefathers of the digitally manipulated image, his work has influenced and inspired a broad range of artists and photographerseven as he maintains his strict adherence to purely analog tools to explore "the alchemy of the darkroom. " Acclaimed as an international master of photomontage, Uelsmann crafts his images using the integration of multiple negatives and processing effectsa fact that members of the digital generation often overlook. Over half a century after he first broke onto the scene, Uelsmann continues to develop his unique, transformational styleone that fascinates and engages artists, students, and general audiences across the worldand to explore ways to merge the subjective and objective in a single image. EB; 8vo 8" - 9" tall.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition; First Printing. Hardcover. 4to. Published by The Aperture Press, Millerton, New York. 1982. 63 pgs. Illustrated with 61 Color Plates. First Edition/First Printing. DJ has light shelf-wear present. Bound in cloth boards with titles present to the spine and front board. Boards have shelf-wear present to the extremities. No ownership marks present. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Shore's landmark first monograph, a collection of 61 color photographs. Originally published in 1982, Stephen Shore's legendary Uncommon Places has influenced more than a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography, and his large-format color work on the American vernacular landscape inaugurated a vital photographic tradition. "Journeying back and forth across North America, Stephen Shore seizes upon a landscape of the commonplace--and transforms it into visions of classical beauty. These are scenes that would scarcely attract the attention of most travelers. Among them: an unpaved backstreet in Presidio, Texas; a nearly abandoned beach in Miami; a highway intersection near Kingman, Arizona; children playing on a sandbar in Yosemite; a softball game in Bozeman, Montana, and a plate of hotcakes on a diner's plastic-topped table." - At age 14 Stephen Shore (born 1947) had his work purchased by Edward Steichen for The Museum of Modern Art, New York. At 17 Shore was a regular at Andy Warhol's Factory, producing an important photographic document of the scene, and in 1971 at the age of 23 he became the first living photographer since Alfred Stieglitz 40 years earlier to have a one-man show at the Met. He has had numerous one-man shows, among others at The Museum of Modern Art, New York; George Eastman House, Rochester; Hammer Museum, Los Angeles; and The Art Institute of Chicago. Since 1982 he has been Director of the Photography Program at Bard College, Annandale-on-Hudson, New York. EB; New Images Book; 4to 11" - 13" tall; 63 pages.