introduction peter bunnell (5 Ergebnisse)

Paperback. Zustand: Good. Goodcopy. Very slight signs of wear. Tape marks on inside covers due to previous owner placing book in protective plastic cover. Black & white photos.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fair. First edition. SIGNED. Quarto [27.5 cm] Dark red spine and boards. Spine ends and corners of the covers lightly rubbed. In a worn dust jacket, with large losses from the edges, and several tape repairs to the reverse. "While Morgan is best known for the vibrancy of her dance photographs, equally characteristic of her diverse work is her ability to capture ephemeral gesture. In the mid-1930s, her choice of abstract photographic styles set her apart from the preponderance of American documentary photographers. Along with Ansel Adams, Beaumont Newhall, Dorothea Lange, and five others, Morgan will be remembered as a co-founder of Aperture magazine in 1951, one of the few publications at the time to nurture a dialogue among photographers and treat photography as a fine art." - International Center of Photography Inscribed by Morgan, in the year of publication, on the half title: "For____ / best wishes / Barbara Morgan / 11-29-72.".

Broschüre. Zustand: Gut. 44 Seiten Umschlag mit minimalen Gebrauchsspuren. Innenteil tadellos! Versand aus München 14-2755 Sprache: Deutsch.

Hardcover. Zustand: Very Good. Profusely Illustrated (illustrator). Hardcover. Small 4to. Published by Aperture, New York, 1970. 92 pgs. Illustrated with 86 photographic reproductions, with a Chronology and Exhibition List at end. An Apeture Monograph. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. An exhibition monograph published to coincide with the show at the Alfred Stieglitz Center of the Philadelphia Museum of Art from December 12th, 1970 through February 7th, 1971. For more than five decades, Jerry Uelsmann has sought to transform photography, de-emphasizing its function as a form of documentation, liberating it as a medium capable of re-imagining the real. Widely known as one of the forefathers of the digitally manipulated image, his work has influenced and inspired a broad range of artists and photographerseven as he maintains his strict adherence to purely analog tools to explore "the alchemy of the darkroom. " Acclaimed as an international master of photomontage, Uelsmann crafts his images using the integration of multiple negatives and processing effectsa fact that members of the digital generation often overlook. Over half a century after he first broke onto the scene, Uelsmann continues to develop his unique, transformational styleone that fascinates and engages artists, students, and general audiences across the worldand to explore ways to merge the subjective and objective in a single image. EB; 8vo 8" - 9" tall.

Halbleinen-O. Zustand: Gut. -. 57 S., Nr. 145 of 250 (total 275) numbered copies. - Peter C. Bunnell recalls in his introduction the New York art scene of the 70s, Lee Witkin?s inestimable contribution, and his continuing legacy. The centrepiece of the book is a portfolio of twenty-six photographs, a poetic celebration of twenty-five years. The works of such artists as Edward Weston, Manuel Alvarez Bravo, André Kertész, Robert Doisneau, Ruth Orkin and Wright Morris have been reproduced in the lustrous Stonetone process by Rapoport Printing in New York. The history of the gallery is completed with a comprehensive exhibition chronology. - Gr.-8°, with 26 (2 tipped-in) photographs, quarter bound in black Canepetta book cloth, with Canson ?ocean green? paper, printed with a metallic gold pattern, over boards 111927_Fotografie Sprache: Englisch Gewicht in Gramm: 1100.