landscape waterfall (45 Ergebnisse)

Paperback. Zustand: Brand New. 100 pages. 11.00x8.50x0.23 inches. In Stock.

Paperback. Zustand: Brand New. 100 pages. 11.00x8.50x0.23 inches. In Stock.

Zustand: New. In.

Paperback. Zustand: Brand New. 56 pages. 11.69x8.27x0.12 inches. In Stock.

Original Aquarell-Skizze von Jean-Baptiste Francois Arnaud-Durbec (1827-1910) aus dem 19. Jh. Auf Karton montiert. -- Maße: ca. 30 x 28 cm. -- gut erhalten. || Die auf dem zweiten Photo abgebildete Biographie ist nicht Teil des Angebots. || Beautiful watercolor sketch of a landscape with a river; by Jean-Baptiste Francois Arnaud-Durbec (1827-1910) from the 19th century. Mounted on thin cardboard. -- in very good condition. || The attached picture of the biography of the artist is not included with the listing. || Jean Baptiste François Arnaud-Durbec (Marseille, 1827 - Paris, 1910), known as Arnaud-Durbec, was a French painter from the city of Marseille. Faced with the need to provide for his family, Arnaud-Durbec, the oldest of a numerous family, decides to quit his classical studies and becomes an apprentice in a academy where interior decoration was taught. The skills he learned during his apprenticeship will be highly important in his development as an artist. He later enrolls in the École des Beaux-Arts in Marseille, first under the direction of the Augustin Aubert (1781-1857), later unter the painter Émile Loubon (1809-1863). Loubon directs him to start working on various side projects votive offerings, decorations for cafés, church paintings, portraits, lithographs. Upon spending some time in Marignane, he gets sick from malaria and is confined to bed, in a serious condition, for three months. After surviving the disease, he returns to Marseille, where he executes paintings for the Church of Estaque. He later paints and decorates parts of the Église Saint Pierre in Avignon, as well. In 1868, he leaves for Paris, where his career truly takes off. After the Franco-Prussian War in 1870, Arnaud-Durbec meets Félix Philippoteaux (1815-1884), under whose command, together with a group of Parisian artists, he works on the Panorama du siege de Paris (1870-71). Arnaud-Durbec was also a member the Paris Commune. He is later commissioned to do the decoration of the hunting hall in the Neudeck Castle. Further works on commission follow, as Arnaud-Durbec's reputation grows; he works in various theaters, including Montpellier, and does part of the central dome of the Exposition Universelle of 1881, as well as the hall dedicated to the establishment known as Menus-Plaisirs du Roi. Arnaud-Durbec died in Paris in 1910, ending a long and fruitful career. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.

Taschenbuch. Zustand: Neu. Neuware.

Soft cover. Zustand: As New. A mounted original 1942 lithograph print of a wood engraving by Clare Leighton, originally published by Macmillan. An excellent copy, clean, attractive, and very well-preserved with no notable signs of wear or discolouration. Professionally double-mounted and suitable for framing. Why on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Size: 255 x 295 mm. 1 pages. Item Type: Book. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Art & Design; Britain/UK; 1940s; Inventory No: 31600.

Taschenbuch. Zustand: Neu. Waterfall Coloring Book for Adults | Waterfalls Coloring Book Grayscale Landscapes Grayscale Coloring Book for Adults Landscape Coloring Book Nature A4 54 P | Monsoon Publishing | Taschenbuch | Englisch | 2023 | epubli | EAN 9783758421341 | Verantwortliche Person für die EU: epubli, ein Imprint der Neopubli GmbH, Köpenicker Str. 154a, 10997 Berlin, kontakt[at]epubli[dot]de | Anbieter: preigu.

Zustand: Good. Lithograph. 28.5 x 41.5 cm. Light tearing on left edge.

Johann Melchior Fussli (illustrator). 'EXODI CAP. XII. V.22. HYSOPUS ORIGANUMQUE INTINCTA. II. BUCH MOSIS CAP. XII. V.22. EINGETAUCHTER YSOP UND DOSTEN.'Landscape with hyssop and oregano plants flanking a mountainous background with cascading waterfalls. Illustration refers to Exodus 12:22, where hyssop is used in the Passover ritual. Encased in ornate botanical baroque frame.Made by Johann Georg Pinz after Johann Melchior Fussli.Medium: Copper engraving on hand laid (verge) paper.Sheet size: 23 x 35.5 cm (9.06 x 13.98 inch). Image size: 19.7 x 31 cm. (7.76 x 12.2 inch).PHYSICA SACRA HYSSOP ORIGANUM PASSOVER EXODUS HERBAL ENLIGHTENMENT COPPER BIBLE PUSCHER FUSSLI | PCO-A40-31BACKGROUND INFORMATIONThis attractive print originates from: Physica Sacra by Johann Jakob Scheuchzer, published in Augsburg, 1731-1735. Scheuchzer believed that the Old Testament was a factual account of the history, of the world. He initiated a major project to explain Biblical events in terms of physics, medicine, and natural history. His aim was to prove the existence of God through science, but the Swiss authorities initially refused to grant him a permit to publish it. Eventually a lushly illustrated edition of this extraordinary work as printed between 1731 and 1735 in the great German publishing center Augsburg. Entitled 'Jobi physica sacra oder Hiobs Natur-Wissenschaft verglichen mit der heutigen', the work became known as the Physica Sacra or the Kupfer-Bibel. It became famous for its elaborate illustrations, in which each biblical story was framed with an architectural border containing details relevant to the chapter depicted.Author: Johann Jakob Scheuchzer (1672-1733) was a physician by training, with a strong interest in natural history and paleontology. Born in Switzerland, the son of a physician, he studied at University in Germany & later returned to Zurich to take a professorship in Mathematics. Like many scientists of the day, he considered the Old Testament a factual account of the history of the earth. In his extensive travels he amassed one of the largest fossil collections of the 18th century. He hypothesized that all plants had perished in the flood described in the bible, & discovered what he believed to be the fossil of a human flood victim. In his masterpiece, Physica Sacra, he details his theory at length, using references to the 1611 King James Bible. The book was a sensation & was published simultaneously in Latin, German & French, each issue with exactly the same plates. His theories were not disproved until the work of Cuvier.Biography engraver: Johann Georg Pinz (1697-1767), german engraver.Biography artist: Johann Melchior Fussli (1677-1736) was a Swiss illustrator and printmaker. He played a central role in the visual conception of Scheuchzer's 'Physica Sacra', producing detailed drawings that merged scientific observation with biblical allegory. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Good. Charcoal drawing. 12 x 9 inches. Signed in charcoal. Torn lower left corner.

'SL IN WATER BELOW.'A tall waterfall cascades between cliffs with large trees above; two figures stand on rocks in the foreground, one gesturing towards the scene.Made by after an anonymous artist.Medium: Etching on hand laid (verge) paper.Sheet size: 13 x 16.5 cm (5.12 x 6.5 inch). Image size: 11 x 14.5 cm. (4.33 x 5.71 inch).LANDSCAPE, WATERFALL, FIGURES, TREES, ROMANTIC, TOPOGRAPHY | PCO-E23-36BACKGROUND INFORMATIONSource: unknown, to be determined.State: .Provenance: Doublette der Albertina. .Biography engraver: Sauveur Legros (1754-1834) was a French poet, writer, painter, watercolourist, draughtsman and engraver who worked in the Austrian Netherlands (now Belgium). Sauveur Legros was born in Versailles in 1754. Orphaned, he left for Brussels in 1773, where he became the secretary of Prince Charles-Joseph de Ligne. He accompanied his master on his many trips, including Russia and the Crimea (in 1787), Paris (1789) and Vienna (1790). He is best known as a writer and poet. He was a pupil of the Abbé Delille in Paris. He was probably a pupil of Antoine Cardon (in Brussels) and Adam von Bartsch (in Vienna), with whom he collaborated. He is said to have been the teacher of François Maleck de Werthenfels (1793-1849). Condition: very good, given age. Crisp lines, minimal handling wear, light toning. Remains of paper on rear from atttachment. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Engelbertus Matthias Engelberts (illustrator). 'PLATE SIGNED "E. M. ENGELBERTS INV. ET SCULP." DOCUMENTED ON VERSO WITH BIOGRAPHICAL DETAILS ABOUT THE ARTIST.'A tranquil landscape featuring two figures fishing near a stream, framed by trees and foliage. The scene includes a gently cascading stream and a detailed depiction of natural surroundings, capturing the essence of pastoral beauty.Made by Engelbertus Matthias Engelberts after own design.Medium: Etching on hand-laid (verge) paper.Sheet size: 15.1 x 10.8 cm (5.94 x 4.25 inch). Image size: 15 x 10.5 cm. (5.91 x 4.13 inch).ENGELBERTUS MATTHIAS ENGELBERTS, PASTORAL LANDSCAPE, FISHING SCENE, 18TH CENTURY, ETCHING, EUROPEAN ART, REALISM, NATURE, SERENE COUNTRYSIDE | PCO-C102-05BACKGROUND INFORMATIONVery rare; this print is mentioned in older literature, but rarely seen.State: Only state.Reference: Ref: Weigel 16676. .Biography engraver: Engelbertus Matthias Engelberts (1731-1807) was theologian. He designed several book illustrations. Condition: good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

J. Roemer (illustrator). Landscape with a waterfall and a man with a wheelbarrow.Made by J. Roemer after own design.Medium: Etching on hand laid paper.Sheet size: 17.5 x 11.6 cm (6.89 x 4.57 inch). Image size: 17.3 x 11.4 cm. (6.81 x 4.49 inch).PASTORAL LANDSCAPE-WATERFALL-HOUSE-WHEELBARROW-HILLS | RBOS-A7-03BACKGROUND INFORMATIONAge estimate: 1600-1699.RB-1110.Biography engraver: No information available on this Dutch landscape etcher. The Rijksmuseum has 4 etchings in their collection, so his oeuvre is probably small, nevertheless delicate and well executed. Condition: good, given age. Small margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Herman van Swanevelt (illustrator). '"HERMAN VAN SWANEVELT INVENTOR FECIT" (LOWER LEFT), "CUM PRIVILEGIO REGIS" (LOWER RIGHT)'A mountainous landscape with a waterfall cascading from large rock formations. To the left, a narrow path with travelers is visible, and more figures are seen near the water, including a donkey.Made by Herman van Swanevelt after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 25.5 x 32.5 cm (10.04 x 12.8 inch). Image size: 24 x 30.9 cm. (9.45 x 12.17 inch).VAN SWANEVELT, LANDSCAPE, WATERFALL, MOUNTAIN, TRAVELERS, ETCHING, DUTCH ART, 17TH CENTURY | PCO-E21-06BACKGROUND INFORMATIONPart of Landschappen series (Hollstein Dutch 101-2(4)).State: Fourth state of 4.Reference: Hollstein Dutch 101-2(4), Lugt 240.Biography engraver: Herman van Swanevelt (c. 1600-1655) was a Dutch Golden Age painter and printmaker, best known for his landscape etchings. His work combined Italianate landscapes with a distinctly Dutch sensibility, depicting serene, often idealized, views of nature. Condition: very good, given age. Horizontal crase and old vertical fold line. Some paper loss in top right margin. Light soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No binding. Gaspard Dughet (known also as G. Poussin, as he adopted the name of his brother-in-law Nicolas Poussin) (illustrator). '"G. POUSSIN PINXIT" (LOWER LEFT), "I. D'MOUCHERON FECIT" (LOWER RIGHT)'The print features a pastoral landscape with two figures sitting near the water, one leaning against a rock with a staff. In the background, there are trees, a small waterfall, and a city, with distant mountains rising above the horizon.Made by Isaak de Moucheron after Gaspard Dughet (known also as G. Poussin, as he adopted the name of his brother-in-law Nicolas Poussin).Medium: Etching on Hand laid (verge) paper. Watermark: Coat of arms with French lilly.Sheet size: 25.4 x 17.1 cm (10 x 6.73 inch).ISAAK DE MOUCHERON, GASPARD DUGHET, LANDSCAPE, CITYSCAPE, WATERFALL, ETCHING, DUTCH ART | PCO-E21-04BACKGROUND INFORMATIONPart of the series Eenige landschappen.Reference: Hollstein Dutch 43, Boisclair 1986 (G.130).Biography engraver: Isaak de Moucheron (16671744) was a Dutch painter and etcher noted for his landscape depictions. His Italianate landscapes were highly influenced by classical compositions and his travels in Italy.Biography artist: Gaspard Dughet (16151675) was a French landscape painter, who adopted the name of his brother-in-law, Nicolas Poussin. He was celebrated for his classical landscapes, which often depicted idealized nature. Condition: very good, given age. Minimal toning, sharp impression; overall in very good condition. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Anthonie Waterloo (illustrator). 'SIGNED UPPER LEFT: "A.W. F."; PLATE NUMBER "3" TOP RIGHT'A dense forest landscape with central boulders, trees, and a cascading stream into a quiet pond.Made by Anthonie Waterloo after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 11.9 x 10.1 cm (4.69 x 3.98 inch). Image size: 11.9 x 10.1 cm. (4.69 x 3.98 inch).ANTHONIE WATERLOO, WATERFALL, ETCHING, 17TH-CENTURY DUTCH ART, GOLDEN AGE, FOREST SCENE, LANDSCAPE PRINT, KKSGB18429BACKGROUND INFORMATIONFrom the sries of rocky landscapes. Published by Josua and Reinier Ottens in 1720. First published 1630-1663.Reference: HD 5.Biography engraver: Anthonie Waterloo (16091690), Dutch etcher and painter. Renowned for poetic landscapes. Influenced by van Ruisdael and Simon de Vlieger. Condition: very good, given age. Clean impression, light toning. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Salvator Rosa (illustrator). 'INSCRIBED LOWER RIGHT: "FB FECIT." NUMBERED IN LOWER MARGIN.'Dramatic rocky landscape with towering cliffs, cascading waterfall, stream, and two fishermen seated on the riverbank.Made by Franz Joachim Beich after Salvator Rosa.Medium: Etching on hand laid (verge) paper.Sheet size: 14.1 x 23.2 cm (5.55 x 9.13 inch). Image size: 13.5 x 22.5 cm. (5.31 x 8.86 inch).LANDSCAPE, WATERFALL, FISHERMEN, ROCKS, STREAM, BAROQUE, ROSA STYLE | EXPO-GERMANBACKGROUND INFORMATIONPlate 4 from a series of six landscapes in the manner of Salvator Rosa. Published in Augsburg by Jeremias Wolff (16631724), leading Augsburg publisher specializing in prints, maps, and illustrated books.State: . .Biography engraver: Franz Joachim Beich (1665-1748), German landscape painter and etcher from Ravensburg, influenced by the Italianate and dramatic style of Salvator Rosa.Biography artist: Salvator Rosa (1615-1673) is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th century. . Condition: very good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Herman van Swanevelt (illustrator). '"HERMAN VAN SWANEVELT" (ON THE LOWER RIGHT CORNER, ARTIST SIGNATURE), "CUM PR RE"'A lush, natural scene with a rocky landscape, a small waterfall cascading into a stream, with trees framing the view. There is a distant structure seen across the valley, surrounded by foliage.Made by Herman van Swanevelt after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 39 x 30 cm (15.35 x 11.81 inch). Image size: 27 x 18.5 cm. (10.63 x 7.28 inch).VAN SWANEVELT, WATERFALL, LANDSCAPE, ETCHING, DUTCH ART, 17TH CENTURY. | PCO-E21-07BACKGROUND INFORMATIONFrom the series Landscapes, [Hollstein 103-106], second state (ii/iv).State: Second state of four (ii/iv).Reference: Hollstein, no. 106.Biography engraver: Herman van Swanevelt (c. 1600-1655) was a Dutch Golden Age painter and printmaker, best known for his landscape etchings. His work combined Italianate landscapes with a distinctly Dutch sensibility, depicting serene, often idealized, views of nature. Condition: very good, given age. Slight toning on the edges, overall very good condition with a strong impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Abraham Genoels (illustrator). 'INSCRIPTION LOWER LEFT: A. GENOELS ARCHIMEDES INV. ET FECIT.'Tree trunk at the waterfall. Arcadian landscape with trees, waterfall, rocks, and distant village. Rare.Made by Abraham Genoels after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 15 x 19.6 cm (5.91 x 7.72 inch). Image size: 14.8 x 19.5 cm. (5.83 x 7.68 inch).GENOELS, ARCADIA, LANDSCAPE, ETCHING, FLEMISH, OLD MASTER, BAROQUE | EXPO-FLEMISHBACKGROUND INFORMATIONSource: unknown, to be determined.State: only state.Reference: Hollstein 21.Provenance: Collection mark G+W D in circle (not in Lugt). .Biography engraver: Abraham Genoels (16401723) was a Flemish artist, engraver, and draughtsman, known for landscapes and architectural etchings. He worked in Paris and was a member of the Académie Royale, producing prints for publishers such as van der Meulen. Condition: good, given age. Light foxing. Remains of tape on rear from attachment. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Johan Daniel de Gijselaar (attributed) (illustrator). 'D GIJSELAAR IN. EN F'A landscape with crumbling stone ruins near a river, surrounded by hills and trees. People are shown walking, gathering water, or fishing in the foreground. Mountains and distant buildings appear in the background.Made by Johan Daniel de Gijselaar (attributed) after own design.Medium: Washed ink drawing on hand laid (verge) paper.Sheet size: 38 x 27.5 cm (14.96 x 10.83 inch). Image size: 38 x 27.5 cm. (14.96 x 10.83 inch).JOHAN DANIEL DE GIJSELAAR, INK WASH, ROMANTIC RUINS, WATERFALL, 18TH-CENTURY DUTCH LANDSCAPE, OVAL DRAWING, PASTORAL FIGURES, RUINED ARCHES | PCO-EXPO-DRAWINGSBACKGROUND INFORMATIONSource: unknown, to be determined.Biography artist: Johan Daniel de Gijselaar (1746-1829) was a Belgian draughtsman, painter, and teacher active in The Hague. Member of the Confrerie Pictura, he produced landscapes, still lifes, and genre scenes. His works often feature finely detailed ruins and romantic vistas. Condition: good, given age. Trimmed to oval. 2 small rust stains. Losely attached to a carrier. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Photographie,Vintage silver print. Vue panoramique. // Circa 1900 // Tirage argentique rehaussé // Format (cm): 5,5x18.

No binding. Etching on laid paper. Watermark: Foolscap on paper. Size in cm: The overall size is ca. 21.6 x 16.5 cm. The image size is ca. 20.4 x 15.5 cm. Size in inch: The overall size is ca. 8.5 x 6.5 inch. The image size is ca. 8 x 6.1 inch.Antique print, untitled. A landscape with a waterfall. Copy after a print by Herman van Swanevelt. Ref: Copy after Hollstein 13.Artists and Engravers: Made by an anonymous engraver after 'Herman van Swanevelt'. Herman van Swanevelt (1600-1654) originated from Woerden, the Netherlands. He went to Italy around 1630 and was profoundly influenced by this trip. He is seen as one the maior Italianate artists from this period.Condition: Good, given age. Small margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: ANTIQUE PRINT-LANDSCAPE-WATERFALL-SWANEVELTPCO-C100-02.

Mountain landscape with a small waterfall, and a reading figure to the left. Etching and engraving on hand laid paper, sheet size (carrier) 221 x 169, image size 203 x 155 mm., made by an anonymous engraver after Herman van Swanevelt (1603-1655), and published by Nicolaes Visscher (I) as print 11 of 12 in the series 'Verscheyde aerdige lantschappen', c. 1650. Herman van Swanevelt was born in Woerden, the Netherlands. He went to Italy around 1630 and was profoundly influenced by this trip. He is seen as one the major artists of Italianate landscapes from this period. In good condition, pasted on carrier sheet, cropped within platemark. Minimal surface damage in the top edge of the image. Reference: Hollstein 101: 13 (after Swanevelt).

Johann Wilhelm Baur (illustrator). 'I. WBAUR INV.' / 'CUM PRIUILEGIO S. C. M.' / 'MELCHIOR KUSELL FECIT AUG. VIND.' / '26' / CAPTION: 'PROSPECT DER BRUGEN, WASSERFAHL, UND VESTUNG, EINE MEIJL VON LUCCA.''Romantic mountainous landscape one mile from Lucca, featuring arched stone bridges crossing a river, a waterfall cascading over rocks at left, and a fortified castle rising on a steep hill at right. In the foreground two travellers accompanied by a small dog walk along a winding path. The composition combines topographical accuracy with picturesque and dramatic natural scenery.Made by Melchior Kusell after Johann Wilhelm Baur.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 22.4 x 17.5 cm (8.82 x 6.89 inch). Image size: 21.1 x 14.4 cm. (8.31 x 5.67 inch).MELCHIOR KUSEL, JOHANN WILHELM BAUR, LUCCA, ITALY, BRIDGE, WATERFALL, FORTRESS, BAROQUE LANDSCAPE, VEDUTA, ICONOGRAPHIA | PCO-C49-36BACKGROUND INFORMATIONFrom: Johann Wilhelm Baur, Iconographia (also called "Miniatures de l'Empereur"), engraved and published by Melchior Kusel, Augsburg, c. 1670-1671 (plate 18).Reference: Hollstein 301-446 (series); plate 12; first edition 1670.Biography engraver: Melchior Kuesel (1626-1684) was a German engraver from Augsburg, known for his work after Johann Wilhelm Baur and illustrations for Bibles and classical subjects. He was the father-in-law of engraver Johann Ulrich Kraus.Biography artist: Johann Wilhelm Baur (1607-1640), also known as Joan Guiliam Bouwer, was a German engraver and miniature painter noted for his watercolors and etchings of architectural fantasy and classical themes. He traveled to Italy and died in Vienna while working for Ferdinand III. Condition: good, given age. Light foxing, creasing, and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

An inhospitable mountainous landscape with a waterfall in the center. Etching, on handlaid paper. Sheet size 167 x 130 mm. Made by Abraham Genoels after his own design, c. 1670. Abraham Genoels (Antwerp 1640-1723 Antwerp) was a Flemish printmaker, painter and draughtsperson. He was initiated in the painter's group the Bentveughels, with the nickname Archimedes. In good condition, cropped within platemark. The collection mark of O. Mascha (Lugt 1903/1904) stamped on the verso. References: Hollstein Dutch p. 98: 33 (ii/4); Bartsch p. 322: 33.

Landscape with a farm at center and peasants and farmers working on the left. River to the right foreground.Signed on a stack of haye on the bottom left: AVE.On verso collector's mark: Pim van Eekelen (Amsterdam 1923-1984), L. 5101.[NL] Landschap met watermolen. Gezicht op enkele huizen en een watermolen bij een waterval. Tegen een kleine heuvel op de voorgrond zitten twee personen, terwijl een derde iets op zijn rug sjouwt. Etching on paper remargined; total: 109 x 165 mm; state III/3; in good condition. Hollstein /Dutuit 78.

Large landscape with a waterfall dropping from a rocky outcrop to the right. Etching, on handlaid paper. Sheet size 273 x 208 mm. Made by Abraham Genoels after Adam Frans van der Meulen. Abraham Genoels (Antwerp 1640-1723 Antwerp) was a Flemish printmaker, painter and draughtsperson. He was initiated in the painter's group the Bentveughels, with the nickname Archimedes. Adam Frans van der Meulen (Brussels 1632-1690 Paris) was a Flemish painter and print publisher. He was active in many places in Belgium and France. In good condition, a stain in the right side of the image, minimal paper loss in the lower right margin corner (minimally affecting image). Overall a little soiled, and with some faint creases. References: Hollstein Dutch p. 99: 64 (ii/4); Bartsch p. 353: 64.

Antique hanging silk scroll. Bordered with silk and silk brocade. Heigth 76,3". Width 22" (ca. 194 x 56 cm). Roller ends on both sides missing. Good condition. Japanese silk hanging scroll depicting a landscape. With unknown signature seal. The roller ends are missing. Gewicht in Gramm: 3000.

No Binding. Zustand: Very Good. A very fine 18th century landscape drawing - figuring a waterfall with a city in the distance animated with shepherds Brown wash on crayon 233 mm x 312 mm Unsigned - Collection Stamp lower corner left JD From a Swiss collection.