history images art interpretation von haskell francis (26 Ergebnisse)

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Hardback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Zustand: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.

paperback. Zustand: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Soft cover. Zustand: Very Good. Apollo Magazine Award for the Book of the Year 1993. Contents: The early numismatists -- Portraits from the past -- Historical narrative and reportage -- The issue of quality -- Problems of interpretation -- The dialogue between antiquarians and historians -- The birth of cultural history -- The arts as an index of society -- The Muse?e des Monuments Franc?ais -- Michelet -- Museums, illustrations and the search for authenticity -- The historical significance of style -- The deceptive evidence of art -- Art as prophecy -- Huizinga and the 'Flemish Renaissance'. x, 558 pages : illustrations (some color) ; 27 cm. Second printing with corrections. Shelf wear to edges, previous owner's name on half title page, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Published by Yale University Press, 1993. Octavo. Hardcover. Book is like new with spotting to top page ends. Dust jacket is like new. Great copy of this engaging history title.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

First Edition. Fine cloth copy in a near-fine, very slightly edge-dulled dust wrapper. Pages very slightly tanned. Includes previous owner's inscription. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: x, 558 p.: ill. (some col.); 27 cm. Notes: Includes bibliographical references (p. [520]-542) and index. Subjects: Art and history. History Sources. Art and society History. Art as historical evidence History. Visual Arts. Illustrations, images, etc. Interprétation. History Representation of historical events. History in art. Art and society. Genre: Art History. 1 Kg.

Hardcover. Zustand: Very Good. 560 pages. Heavy book may incur additional freight outside of NZ In this engrossing book, an eminent art historian surveys the ways that histo rians have made use of visual sources-sculptures, paintings, coins, and other re lics-in their attempts to understand and visualize the past. Francis Haskell exa.

hardback, 4to, x,558pp., illustrated, clean and tight, no inscriptions, Very Good / Very Good dustwrapper. wrapper slightly creased on front panel. ISBN: 0300055404.

x, 558pp. 262 illus. 4to. Cloth. D.j.

x, 558pp. 262 illus. 4to. Cloth. D.j.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. x, 558 pages : illustrations (some colour) ; 27 cm. Summary:Over the last four centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. In this wide-ranging and engrossing book, a distinguished art historian surveys the various ways that they have adopted for making use of this material, and he examines the specific objects that became available to them through excavation, the creation of private collections and public museums, easier means of travel, and the startling displacements brought about by vandalism and art exhibitions. Francis Haskell begins by discussing the antiquarians of the sixteenth and seventeenth centuries who brought to light and interpreted as historical evidence coins, sculptures, paintings discovered in the catacombs beneath Rome and other relics surviving from earlier ages. He explains that, in the eighteenth century, historians gradually began to acknowledge the significance of such visual sources and to draw on them in order to validate and give colour to their narratives or to utilize them as foundation stones for a new branch of learning - the history of culture. Later writers followed the example of Michelet in making inferences from the visual arts to indicate the whole mentality of an age, while (more erratically) others saw in them the harbingers of political, religious or social upheavals. Haskell concludes by discussing those cultural historians of the nineteenth and early twentieth centuries, Burckhardt and Huizinga above all, who did not merely give the visual arts a prominent and necessary place in their interpretations of the past, but in some ways actually interpreted the past through the visual arts.

Hardcover. Zustand: Fine Copy. Frontis. and 262 colour and black and white illus., index; x+558pp. orig. cloth,

1st edition. Good copy in the original illustrated, paper-covered boards. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description: x, 558 pages: illustrations (some colour), facsimiles, Portraits; 26 cm. Notes: Bibliography: pages 520-542 - index. Subject: Art and history. History; Sources. Genre: Illustrated. 2 Kg.

Zustand: Good. Original black boards, gilt lettered spine, dust jacket, decorated endpapers, numerous illustrations in b/w, 4to.

X, 558 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. Y-07563 300055404 Sprache: Englisch Gewicht in Gramm: 1400.

Zustand: Fine. Condition: Fine | Language: English | Product Type: Books.

New Haven, London, Yale UP, 1993 (second printing, with corrections). 26 cm. Harsdcover with pictorial dj. x-558 pp. With 262 ills. In a good condition.

Second printing, with corrections. 26x19,5 cm. X, 558 pp. Illustrated. Publisher's boards, dust jacket. Dust jacket just slightly rubbed at upper corners, else fine. Condition Near Fine. Over the last four centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. In this wide-ranging and engrossing book, a distinguished art historian surveys the various ways that they have adopted for making use of this material, and he examines the specific objects that became available to them through excavation, the creation of private collections and public museums, easier means of travel, and the startling displacements brought about by vandalism and art exhibitions.

New Haven, CT, Yale University Press 1993 Bound, cloth with original dustjacket (protected with removable cellophane), 558pp., 19.5x26.5cm., 262 ills. in b/w. and col., in very good condition. As new. ISBN 9780300055405. Over the last four centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. In this wide-ranging and engrossing book, a distinguished art historian surveys the various ways that they have adopted for making use of this material, and he examines the specific objects that became available to them through excavation, the creation of private collections and public museums, easier means of travel, and the startling displacements brought about by vandalism and art exhibitions. Francis Haskell begins by discussing the antiquarians of the sixteenth and seventeenth centuries who brought to light and interpreted as historical evidence coins, sculptures, paintings discovered in the catacombs beneath Rome, and other relics surviving from earlier ages. He explains that, in the eighteenth century, historians gradually began to acknowledge the significance of such visual sources and to draw on them in order to validate and give color to their narratives or to utilize them as foundation stones for a new branch of learning?the history of culture. Later writers followed the example of Michelet in making inferences from the visual arts to indicate the whole mentality of an age, while (more erratically) others saw in them the harbingers of political, religious, or social upheavals. Haskell concludes by discussing those cultural historians of the nineteenth and early twentieth centuries, Burckhardt and Huizinga above all, who did not merely give the visual arts a prominent and necessary place in their interpretations of the past, but in some ways actually interpreted the past through the visual arts. Francis Haskell is professor of the history of art at Oxford University. His numerous publications include Patrons and Painters: A Study in the Relations between Italian Art and Society in the Age of the Baroque, Rediscoveries in Art, Past and Present in Art and Taste: Selected Essays, and, with Nicholas Penny, Taste and the Antique: The Lure of Classical Sculpture, 1500-1900.

Zustand: Gut. X, 558 S., 262 farb. u. schw./w. Abbild., 26 cm x 20 cm. farb. ill. brosch. Eb., Name auf Titelblatt, ansonsten sehr guter Zustand. Unzugeordnet Altersfreigabe FSK ab 0 Jahre Aufgrund der aktuellen Zoll-Situation ist zur Zeit kein Versand in die USA möglich. Sprache: Deutsch Gewicht in Gramm: 1500.