exhibition experiments (30 Ergebnisse)

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

0 Includes illustrations. Good. Ex-library. light shelfwear, ex lib stamp.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9781405130776.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9781405130776.

Zustand: New. In.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

Zustand: New. pp. 272 Figures.

Zustand: New. Exhibition Experiments is a lively collection that considers experiments with museological form that challenge our understanding of - and experience with - museums. Editor(s): Macdonald, Sharon; Basu, Paul. Series: New Interventions in Art History. Num Pages: 272 pages, black & white illustrations. BIC Classification: GM. Category: (P) Professional & Vocational. Dimension: 159 x 230 x 15. Weight in Grams: 390. . 2007. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 1st edition. 272 pages. 8.75x5.75x0.50 inches. In Stock.

Hardcover. Zustand: Very Good. No Jacket. hardback, brown cloth lettered gilt to front board, a souvenir memorial of the Objects, Plan and Results of the Woburn Experiments in Agricultural Improvement printed for the Colonial and Indian Exhibition outing, binding of the lower board includes a flap for a pencil, minor foxing, a very good scarce copy, 46pp.

Zustand: New. Exhibition Experiments is a lively collection that considers experiments with museological form that challenge our understanding of - and experience with - museums.Exhibition Experiments is a lively collection that considers experiments with museolo.

Taschenbuch. Zustand: Neu. Neuware - This book features a table of results on the strength of woods from Britain's colonies and other countries, displayed at the International Exhibition of 1862 at South Kensington Museum. It provides valuable insight for those interested in the historical use of wood in construction and design.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Buch. Zustand: Neu. Neuware - This book features a table of results on the strength of woods from Britain's colonies and other countries, displayed at the International Exhibition of 1862 at South Kensington Museum. It provides valuable insight for those interested in the historical use of wood in construction and design.

Taschenbuch. Zustand: Neu. Neuware - Exhibition Experiments is a lively collection that considers experiments with museological form that challenge our understanding of - and experience with - museums.Explores examples of museum experimentalism in light of cutting-edge museum theoryDraws on a range of global and topical examples, including museum experimentation, exhibitionary forms, the fate of conventional notions of 'object' and 'representation', and the impact of these changesBrings together an international group of art historians, anthropologists, and sociologists to question traditional disciplinary boundariesConsiders the impact of technology on the museum space tackles a range of examples of experimentalism from many different countries, including Australia, Austria, Germany, Israel, Luxembourg, Sweden, the UK and the USExamines the changes and challenging new possibilities facing museum studies.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Zustand: New. pp. 272.

Zustand: New. Exhibition Experiments is a lively collection that considers experiments with museological form that challenge our understanding of - and experience with - museums.Exhibition Experiments is a lively collection that considers experiments with museolo.

Zustand: New. Exhibition Experiments is a lively collection that considers experiments with museological form that challenge our understanding of - and experience with - museums. Editor(s): Macdonald, Sharon; Basu, Paul. Series: New Interventions in Art History. Num Pages: 272 pages, Illustrations. BIC Classification: GM. Category: (P) Professional & Vocational. Dimension: 239 x 164 x 24. Weight in Grams: 556. . 2007. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 1st edition. 272 pages. 9.00x6.00x0.50 inches. In Stock.

Buch. Zustand: Neu. Neuware - Exhibition Experiments is a lively collection that considers experiments with museological form that challenge our understanding of - and experience with - museums.Explores examples of museum experimentalism in light of cutting-edge museum theoryDraws on a range of global and topical examples, including museum experimentation, exhibitionary forms, the fate of conventional notions of 'object' and 'representation', and the impact of these changesBrings together an international group of art historians, anthropologists, and sociologists to question traditional disciplinary boundariesConsiders the impact of technology on the museum space tackles a range of examples of experimentalism from many different countries, including Australia, Austria, Germany, Israel, Luxembourg, Sweden, the UK and the USExamines the changes and challenging new possibilities facing museum studies.

Zustand: Good. 8vo. 8-page fold-out brochure. B&W plates throughout. Works by Dieter Appelt, John Banting, Marcel Broodthaers, Chargesheimer, Laszlo Moholy-Nagy, Wols, and others. Exhibition Checklist included. Very Good, minor shelf wear.Provenance: Collection of Richard Lorenz (1952-2001), author, art conservator, curator and director of the San Francisco Regional Art Conservation Center. As a trustee of The Imogen Cunningham Trust, Mr. Lorenz organized and curated exhibitions of Cunningham's photographs and authored four major books on the photographer.

Zustand: Good. [Exhibition brochure]. 8vo. [6 pp.]. Single soft white and color illustrated sheet, folded into thirds. Very good with hilighted passages. 7 color plates. Includes excerpt of text by Elizabeth Thomas, Phyllis Wattis MATRIX Curator. Brochure created to announce the 224 Matrix artist's exhibition and related programming: "Tomas Saraceno: Microscale, Macroscale and Beyond: Large-Scale Implications of Small-Scale Experiments" from November 18, 2007 through February 17, 2008 at the University of California, Berkeley Art Museum and Pacific Archive, 2007. Scarce.From the Collection of the Art Historian Peter Selz.

Gr.8°. XVI,607, 16 S. Schlichte Leinwand der Zeit mit Mäanderbordüre in Blindprägung auf den Deckeln, Vorsätze und Rücken fachmännisch erneuert. Einband leicht berieben, Ecken etwas gestaucht, Eigentumsvermerk auf Titel, montiertes Buchbinderschildchen auf Vorsatz, sonst gut erhalten / Contemp boards with new back, new end-papers, some bumping, some browning, generally in good condition. Mit einem Diagramm auf einer mehrfach gefalteten Tafel gegenüber des Titels, einem Vorwort und Verlags-Eigenwerbung am Schluß. ################## LIEBE KUNDEN, WIR MACHEN UNSERE JÄHRLICHE FRÜHLINGSAKTION MIT MINDESTENS 30% RABATT AUF DEN GESAMTEN BESTAND. DIE ERMÄSSIGUNG GILT AB SOFORT, DER RABATT IST IN DEN ANGEZEIGTEN PREISEN BEREITS ENTHALTEN. ÜBER IHR INTERESSE AN UNSEREN SELTENEN STÜCKEN WÜRDEN WIR UNS WIE JEDES JAHR SEHR FREUEN ###################.

41:27 cm. 122 S. mit zahlr. Abb. Ill. OBr. Einband und Druck auf sehr dünnem Papier. 1968 fand im Museum of Modern Art, NY eine Ausstellung mit dem Titel ?The Machines Seen at the End of the Mechanical Age? statt. Die ausgestellten Arbeiten ?kommentierten? die Welt der Maschinen und die Technik. In Zusammenhang mit dieser Ausstellung bat das Museum ?Experiments in Art and Technology? um einen Beitrag der Sektion, die den neuen Technologien gewidmet war. E.A.T. (Experiments in Art and Technology) wurde gegründet, um die Zusammenarbeit zwischen Ingenieuren und Künstlern zu fördern. In diesem Zusammenhang wurde ein Wettbewerb für Arbeiten ausgerufen, die in dieser Ausstellung gezeigt werden sollten. Die Jury für diesen Wettbewerb bestand aus James M. Brownlow von IBM Research Laboratories, Michael D. Golder von Celanese Plastics Company, Cyril Mr. Harris, Professor für elektronisches Ingenieurwesen u. Architektur der Columbia University, John W. Pan von der Bell Telefongesellschaft Laboratories und William G. Rosen von der National Science Foundation. Die Beiträge wurden nach dem Erfindungsreichtum und dem Phantasiegehalt beurteilt und ausgesucht. deer erste Preis ging an Harris Hyman und Ralph Martel für Heart Beats Dust? Bindukng elockert und am Rücken mit kleineren Einrissen. Rückendeckel unten mit Knicspuren und kleiner Fehlstelle. VERSAND ERFOLGT NUR MIT SENDUNGSNACHWEIS. SHIPMENT ONLY WITH TRACKING NUMBER!

1. Auflage,. Mit zahlreichen Abbildungen, 122 Seiten, Hinterer Einband unten kleiner Eckabriss, am Rücken minimale Beschädigung an der Klammerheftung, sonst gutes Exemplar. 1968 fand im Museum of Modern Art, NY eine Ausstellung mit dem Titel "The Machines Seen at the End of the Mechanical Age" statt. Die ausgestellten Arbeiten kommentierten die Welt der Maschinen und die Technik. In Zusammenhang mit dieser Ausstellung bat das Museum Experiments in Art and Technology um einen Beitrag der Sektion, die den neuen Technologien gewidmet war. E.A.T. (Experiments in Art and Technology) wurde gegründet, um die Zusammenarbeit zwischen Ingenieuren und Künstlern zu fördern. In diesem Zusammenhang wurde ein Wettbewerb für Arbeiten ausgerufen, die in dieser Ausstellung gezeigt werden sollten. Die Jury für diesen Wettbewerb bestand aus James M. Brownlow von IBM Research Laboratories, Michael D. Golder von Celanese Plastics Company, Cyril Mr. Harris, Professor für elektronisches Ingenieurwesen u. Architektur der Columbia University, John W. Pan von der Bell Telefongesellschaft Laboratories und William G. Rosen von der National Science Foundation. Die Beiträge wurden nach dem Erfindungsreichtum und dem Phantasiegehalt beurteilt und ausgesucht. deer erste Preis ging an Harris Hyman und Ralph Martel für Heart Beats Dust? Bindukng elockert und am Rücken mit kleineren Einrissen. Rückendeckel unten mit Knicspuren und kleiner Fehlstelle. VERSAND ERFOLGT NUR MIT SENDUNGSNACHWEIS. SHIPMENT ONLY WITH TRACKING NUMBER! Sprache: Deutsch 27x41, grau illustrierte OBrosch.