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WREDE, STUART.

The Modern Poster.

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Anbieter Frans Melk Antiquariaat, (HILVERSUM, Niederlande)
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The Museum of Modern Art, New York, 1988. 30,5 x 27 cm. Paperback / Softcover. With many illustrations in col. and b/w. 263 pag. [ near ] FINE COPY [ Typography /Typografie Affichebooks ]. Artikel-Nr.: #42150.

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Petra Eisele

Moholy-Nagy and the New Typography : An A-Z

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Verlag Kettler Aug 2019, 2019

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Buch. Neuware - In 1929, ten years after the Bauhaus was founded, Berlin's Martin-Gropius-Bau launched the exhibition 'New Typography.' László Moholy-Nagy, who had left Dessau the previous year and had earned a reputation as a designer in Berlin, was invited to exhibit his work together with other artists. He designed a room-entitled 'Wohin geht die typografische Entwicklung ' ('Where is typography headed ')-where he presented 78 wall charts illustrating the development of the 'New Typography' since the turn of the century and extrapolating its possible future. To create these charts, he not only used his own designs, but also included advertising prints by colleagues associated with the Bauhaus.The functional graphic design, initiated by the 'New Typography' movement in the 1920s, broke with tradition and established a new advertising design based on artistic criteria. It aimed to achieve a modern look with standardized typefaces, industrial DIN norms, and adherence to such ideals as legibility, lucidity, and straightforwardness, in line with the key principles of constructivist art.For the first time, this comprehensive publication showcases Moholy-Nagy's wall charts which have recently been rediscovered in Berlin's Kunstbibliothek. Renowned authors provide insights into this treasure trove by each contributing to this alphabetized compilation starting with 'A' for 'Asymmetry' and ending with 'Z' for 'Zukunftsvision' ('vision of the future'). By perusing through the pages and allowing a free flow of association, the typographical world of ideas of the 1920s avant-garde is once again brought back to life. 248 pp. Englisch. Neu. Artikel-Nr.: 9783862067541.

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BERRY, John (edited by) / BLACK, Roger (forword by)

Contemporary Newspaper Design. Shaping the News in the Digital Age: Typography & Image on Modern Newsprint

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Mark Batty Publisher, New York

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2004, 192pp. Illustrated. Hardcover with dustjacket. 29 x 20 cm. In very good condition. The look, feel and presentation of information in newspapers has changed enormously over the last 15 years. This book takes examples from around the world and analyses them in depth. Structure, layout, use of illustration and typography are all reviewed. In addition there is commentary on the effect and use of software and hardware technologies. The individual examples are compared, contrasted and put into historical and contemporary context. Artikel-Nr.: y 1236.

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Ellen Lupton

Graphic Design : The New Basics

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Abrams & Chronicle Books Jul 2015, 2015

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Taschenbuch. Neuware - 'A longstanding excellent primer, in an equally excellent updated edition.'- Print Ellen Lupton and Jennifer Cole Phillips's celebrated introduction to graphic design, available in a revised and updated edition. Graphic Design: The New Basics explains the key concepts of visual language that inform any work of design. A foundational graphic design book for students, Lupton and Phillips explore the formal elements of design through visual demonstrations and concise commentary. From logos to letterhead to complex website design, this is a graphic design book for everyone, no matter your design project or focus. Topics include: - Color - Texture - Rhythm and balance - Hierarchy - Layers - Grids - And much more! The new revised edition features new chapters on: - Visualizing data - Typography - Modes of representation - Gestalt principles Sixteen new pages of student and professional work covering such topics as working with grids and designing with color make this a course adoption favorite in any graphic design program and graphic design school. Graphic Design: The New Basics is an invaluable introduction to the field of graphic design from two accomplished designers and design educators. 264 pp. Englisch. Neu. Artikel-Nr.: 9781616893323.

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Erste englischsprachige Ausgabe der programmatischen Schrift über die Kubisten (Picasso, Braque, Metzinger, Gleizes, Laurencin, Rousseau, Gris, Leger, Picabia, Duchamp, Delaunay); zugleich der Auftakt der gefeierten Serie des Museum of Modern Art. gr.-8°. Frontispiz, 35 S., 21 Abbildungen im Text, obrosch. Umschlag mit Griff- und Staubspuren. (= the documents of modern art: editor: Robert MOTHERWELL, 1). Artikel-Nr.: EEzz0498.

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ca. 25,8 x 19,5 cm, 224 Seiten, zahlreiche schwarz-weiss Abbildungen, Original-Leinenband (Rücken etwas aufgehellt, angestaubt); Innenfalze mit Leimschatten. Unteres Kapitale bestossen, Rückendeckel mit Flecken. Mit dem meist fehlenden Additions and Correction-Zettel, der auf dem leeren letzten Blatt montiert wurde; dadurch Papierabrieb auf Seite 224). ex libris 2, 71; 6, 515. - Literatur: The Spirit of the BAUHAUS, Thames & Hudson (engl. edition), 2018, siehe Seite 230 (mit Abbildung). Sprache: englisch. Artikel-Nr.: 5976AB.

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Sotheby's

The Book As Art : Modern illustrated books and fine bindings, Part I [ Sotheby's, auction catalogue, sale date: 2 June, 1995 ].

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Sotheby's, New York, auction catalogue for the sale held on 2nd June, 1995, 1995

Anbieter Wykeham Books, (LONDON, Vereinigtes Königreich)
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Laminated illustrated wrappers, 4to, 27 cm, over 300 pp, plates, ills. 410 lots. A useful and very well-illustrated catalogue. From the introduction: "The collection of modern French and English fine printing and bookbinding presented here is the most substantial offering to be made at auction in New York in many years. . the great majority of the livres d'artiste are in specially commissioned bindings, adding another step to the "ladder of bibliophily" by which these books moved from original conception to completed object. Continuously, from the introduction of printing into the city in 1469-1470 until the present, certain distinct classes of Parisian books have enjoyed a special cachet of aesthetic excellence. In no other city has the tradition of fine printing, although ever-changing in fashion and technique, been so uninterrupted. It would, indeed, be a fascinating exercise n the history of taste to attempt to put in sequence, year by year, a collection of Parisian books each of which would reflect the bibliophilic canons of its age. No such collection, real or imaginary, would be comprehensive if it did not include Parisian fine bindings, for this area too the continuity of tradition has been unbroken at least since the laissance.The livre d'artiste is, intrinsically, a book intended not for reading in the ordinary way one reads, but for contemplation: a process of interaction with the book that moves complexly between text, papers, typography, illustration, and binding and that engages the sense of the hand equally with that of the eye. We may, perhaps, see them as secular Books of Hours. The many outstanding bindings in the present collection by the great Parisian binders of the past hundred years, from the traditionalists (once themselves trendsetters) Manus Michel, Gruel, and Meunier, to the transitionalists Crette and Creuzevault, on to the Art Deco iconoclasts Legrain, Adler, Schmied, and Bonet, enrich immeasurably our picture of the book arts of the twentieth century." Index of Binders; Index of Illustrators. A handful of marks and notes, a few corners folded, otherwise Very Good. Artikel-Nr.: ABE-49922.

Erstausgabe.

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Typography in Wood

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Gingko Press Gmbh Nov 2014, 2014

Anbieter AHA-BUCH GmbH, (Einbeck, Deutschland)
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Taschenbuch. Neuware - The first wooden letters were craft-produced in the 18th century. Their use spread with the expansion of commercial advertising in the 1820s; production was mechanised and new types with increased visibility were created. In addition to dated products, series of surprisingly 'modern' types were developed that could be compared with those generated by the 'new' digital typography. The re-publication of this catalogue demonstrates that letters, like buildings, incarnate the spirit of an age, while preserving a timeless quality that constitutes a lasting source of inspiration. 112 pp. Englisch. Neu. Artikel-Nr.: 9781584232667.

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xtine burrough

Foundations of Digital Art and Design with Adobe Creative Cloud, 1/e

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New Riders

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Taschenbuch. Neuware - The complete full-color guide to modern digital art and design with the 2019 releases of Adobe Creative Cloud Teaches art and design principles in the context of contemporary digital art and the use of the powerful Adobe Creative Cloud toolsetCovers vector art, photography, image manipulation, typography, web design, effective work habits, and more Extensive new coverage: motion and After Effects, Adobe XD, Lightroom, Adobe mobile apps, and much more Free video screencasts demonstrate key concepts in every chapter Includes hundreds of updated screen shots, exercises, and references, plus more content online graphic design; digital art; creative cloud; learn adobe cc; adobe cc 2019; digital design; design foundations; learn photoshop; learn after effects; learn adobe xd; learn illustrator; graphic design workflow; graphic design prototyping; atec dallas 352 pp. Englisch. Neu. Artikel-Nr.: 9780135732359.

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MEYRINK, Gustav.

The Golem. Translated by Madge Pemberton.

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London: Victor Gollancz Ltd, 1928, 1928

Anbieter Peter Harrington. ABA/ ILAB., (London, Vereinigtes Königreich)
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Octavo. Original black cloth, spine lettered in red. With the dust jacket designed by E. McKnight Kauffer. An exceptionally nice copy in the lightly rubbed and marked dust jacket, somewhat tanned at the spine. First English language edition, first impression, of this masterpiece of European fantasy fiction, from the German original first published in book form in 1915 by Kurt Wolff, Leipzig. Meyrink is considered "perhaps the foremost modern writer of supernatural novels. who used the subject matter of contemporary occultism in a highly individual, metaphysical way" (Bleiler). In 1928 Gollancz commissioned E. McKnight Kauffer, the fashionable modernist graphic designer, to design his new logo and a series of pictorial dust jackets for 18 titles he published that year. Kauffer's designs have been much admired, but Gollancz ultimately decided that the expense was unnecessary. He switched to a more economical design of bright yellow jackets enlivened with startling typography in magenta and black, though for decades after the firm still used the VG logo that Kauffer had designed for him.Any of the Kauffer pictorial jackets for Gollancz are scarce in commerce and much sought-after. Bleiler, Supernatural Fiction 1173. Artikel-Nr.: 105402.

Erstausgabe.

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Simon, O. ; Morison, S.

The Fleuron : A Journal of Typography. Volume VII. [ edition de luxe ]

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Cambridge University Press; Cambridge, first edition, edition de luxe, 1930, 1930

Anbieter Wykeham Books, (LONDON, Vereinigtes Königreich)
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Limited Edition of 210 de luxe copies on handmade paper (from a total edition of 1210). Cloth, gilt-stamped cover titles and cover device,4to, 29 cm, xii, 253, 24 pp plus inserts, plates (some colour). The last and greatest issue of The Fleuron, Stanley Morison and Oliver Simon's showcase for the typographic arts, here in one of the "de luxe" copies. This differs from the ordinary copies in that it has a binding designed by Jan Van Krimpen, it includes some additional illustrations, and has some of the illustrations printed direct from the original plates, and it is printed on English handmade wove paper and signed by Stanley Morison. Grant Shipcott in his informative book "Typographical Periodicals Between the Wars" enthused:about the volume. Contents include Typography in Holland, by J. Van Krimpen, Haarlem; Eric Gill, Sculptor of Letters, by Paul Beaujon, London with A List of Books with lettering and illustrations by E. G. compiled by Douglas Cleverdon; also The Passion of SS. Perpetua & Felicity in a new translation by W. H. Shewring with engravings by E. G.; First Principles of Typography, by Stanley Morison, London; Heinrich Holz, by Rudolf Koch, Offenbach; An Unacknowledged Movement in Fine Printing, by A. J. A. Symons, London; The Officina Bodoni, by Friedrich Ewald, Hannover; Thomas Maitland Cleland, by D. B. Updike, Boston; Footnotes To Book Production : Early Italics in the German Empire, by A. F. Johnson; Epitaph upon "Period" Printing, by Paul Beaujon; Baskerville's Jobbing Work, by Graham Pollard; The Trusler Script Types, by Stanley Morison; The earliest known work of Arrighi, by Stanley Morison. Also : Type reviews (with specimen works printed in the types) of Centaur roman, Bembo roman, Treyford roman and italic, Antigone greek, Bernhard roman, italic and script, Goudy Modern roman and italic, Romanée roman, Perpetua roman and italic.; Book reviews; Index to the Fleuron I-VII, etc. etc. Copy No. 198, numbered and signed by Stanley Morison, and with the Perpetua type specimen signed "Eric G." [=Gill]. Covers a little rubbed with fading to the lower edge and lower spine-corner of front board, very minor bumping to spine, otherwise Good in a dustwrapper which is chipped and somewhat browned and soiled with tears to the lower front hinge (tape repair on reverse). Artikel-Nr.: ABE-46480.

Erstausgabe. Signiert.

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Bruno Munari

Design as Art (Penguin Modern Classics)

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Penguin Classics, 2008

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Taschenbuch. Neu Neuware, auf Lager - One of the last surviving members of the futurist generation, Bruno Munari's Design as Art is an illustrated journey into the artistic possibilities of modern design translated by Patrick Creagh published as part of the 'Penguin on Design' series in Penguin Modern Classics.'The designer of today re-establishes the long-lost contact between art and the public, between living people and art as a living thing'Bruno Munari was among the most inspirational designers of all time, described by Picasso as 'the new Leonardo'. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children's books, advertising, cars and chairs - these are just some of the subjects to which he turns his illuminating gaze. How do we see the world around us The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. Bruno Munari (1907-1998), born in Milan, was the enfant terrible of Italian art and design for most of the twentieth century, contributing to many fields of both visual (paint, sculpture, film, industrial design, graphics) and non-visual arts (literature, poetry). He was twice awarded the Compasso d'Oro design prize for excellence in his field. If you enjoyed Design as Art, you might like John Berger's Ways of Seeing, also available in Penguin Modern Classics.'One of the most influential designers of the twentieth century . Munari has encouraged people to go beyond formal conventions and stereotypes by showing them how to widen their perceptual awareness' International Herald Tribune 224 pp. Englisch. Neu. Artikel-Nr.: INF1000538288.

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Johnson, A.F. ; Muir, P.H.

Selected Essays on Books and Printing.

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Van Gendt & Co., Amsterdam, first edition, 1970 [ actually 1971 ], 1970

Anbieter Wykeham Books, (LONDON, Vereinigtes Königreich)
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Cloth, large 8vo, 31 cm, xi, 491 pp, ills, (2 folding). A collection of 40 essays, the majority concerned with aspects of Johnson's special interest : the history of books and printing in the 16th century. "[Johnson was] first and foremost a bibliographer who happened at the same time to be a historian of typography: of printing and typefounding. He was an early recruit to the company of Daniel B. Updike, Stanley Morison, and others who took the initiative in exploring the history of printing in a new way, by looking at type faces as well as at the printers who used them. A relatively small part of Johnson’s studies has gone into books, though no type historian or bibliographer could have done without his Type Designs or his Encyclopedia of Typefaces (jointly with Turner Berry and Jaspert), to name only two. But many of his writings were published in periodicals, yearbooks, and the like that are now hard to come by." - from the introduction. The contents include: Introduction, by Percy H. Muir; The Classification of Gothic Types; A Catalogue of Italian Writing-Books of the Sixteenth Century; A Short History of Printing in the Sixteenth Century; The Chancery Types of Italy and France (jointly with Stanley Morison); Italian Sixteenth-Century Books; Books printed at Lyons in the Sixteenth Century; The Supply of Types in the Sixteenth Century; Some French Bible Illustrations in the Sixteenth Century; Geofroy Tory; Oronce Fine as an Illustrator of Books; The 'Antwerp' Ornaments; An Alphabet by Pieter Coecke van Aelst; Some Notes on German Renaissance Title-Borders; The Title-Borders of Hans Holbein; Basle Ornaments on Paris Books, 1519-36; Some Cologne and Basle Types, 1525-52; English Books printed Abroad; Books printed at Heidelberg for Thomas Cartwright; Some Types used by Paolo Manuzio; The Italic Types of Robert Granjon; Christian Egenolff of Frankfurt and his Types; On Re-reading Updike; Title-Pages: their Forms and Development, 1500-1800; English Typography in the Seventeenth Century; Notes on Some Seventeenth-Century English Types and Type; Specimens; An Unrecorded Specimen Sheet of a Scottish Printing House; Type Designs and Type-founding in Scotland; The Exiled English Church at Amsterdam and its Press; J. F. Stam, Amsterdam, and English Bibles; Typography at the Cambridge University Press, c. 1700; The 'Goût Hollandois'; John Bagford, Antiquary, 1650-1716;The King's Printers, 1660-1742;English Type Specimen Books;The Homes of the London Typefounders (jointly with W. Turner-Berry);The Modern-Face Type in England; Fat Faces: their History, Forms, and Use;Typographia, or the Printer's Instructor; Old-Face Types in the Victorian Age; Nineteenth-Century Typefounders and Mechanical Inventions; References;Bibliographical Note; Index. Very Good in dustwrapper. Artikel-Nr.: ABE-43706.

Erstausgabe.

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Johnson, A.F. ; Muir, P.H.

Selected Essays on Books and Printing.

[nach diesem Titel suchen]

Van Gendt & Co., Amsterdam, first edition, 1970 [ actually 1971 ], 1970

Anbieter Wykeham Books, (LONDON, Vereinigtes Königreich)
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Cloth, large 8vo, 31 cm, xi, 491 pp, ills, (2 folding). A collection of 40 essays, the majority concerned with aspects of Johnson's special interest : the history of books and printing in the 16th century. "[Johnson was] first and foremost a bibliographer who happened at the same time to be a historian of typography: of printing and typefounding. He was an early recruit to the company of Daniel B. Updike, Stanley Morison, and others who took the initiative in exploring the history of printing in a new way, by looking at type faces as well as at the printers who used them. A relatively small part of Johnson’s studies has gone into books, though no type historian or bibliographer could have done without his Type Designs or his Encyclopedia of Typefaces (jointly with Turner Berry and Jaspert), to name only two. But many of his writings were published in periodicals, yearbooks, and the like that are now hard to come by." - from the introduction. The contents include: Introduction, by Percy H. Muir; The Classification of Gothic Types; A Catalogue of Italian Writing-Books of the Sixteenth Century; A Short History of Printing in the Sixteenth Century; The Chancery Types of Italy and France (jointly with Stanley Morison); Italian Sixteenth-Century Books; Books printed at Lyons in the Sixteenth Century; The Supply of Types in the Sixteenth Century; Some French Bible Illustrations in the Sixteenth Century; Geofroy Tory; Oronce Fine as an Illustrator of Books; The 'Antwerp' Ornaments; An Alphabet by Pieter Coecke van Aelst; Some Notes on German Renaissance Title-Borders; The Title-Borders of Hans Holbein; Basle Ornaments on Paris Books, 1519-36; Some Cologne and Basle Types, 1525-52; English Books printed Abroad; Books printed at Heidelberg for Thomas Cartwright; Some Types used by Paolo Manuzio; The Italic Types of Robert Granjon; Christian Egenolff of Frankfurt and his Types; On Re-reading Updike; Title-Pages: their Forms and Development, 1500-1800; English Typography in the Seventeenth Century; Notes on Some Seventeenth-Century English Types and Type; Specimens; An Unrecorded Specimen Sheet of a Scottish Printing House; Type Designs and Type-founding in Scotland; The Exiled English Church at Amsterdam and its Press; J. F. Stam, Amsterdam, and English Bibles; Typography at the Cambridge University Press, c. 1700; The 'Goût Hollandois'; John Bagford, Antiquary, 1650-1716;The King's Printers, 1660-1742;English Type Specimen Books;The Homes of the London Typefounders (jointly with W. Turner-Berry);The Modern-Face Type in England; Fat Faces: their History, Forms, and Use;Typographia, or the Printer's Instructor; Old-Face Types in the Victorian Age; Nineteenth-Century Typefounders and Mechanical Inventions; References;Bibliographical Note; Index. Fine in a slightly used dustwrapper which is slightly frayed at the spine-ends. Artikel-Nr.: ABE-23377.

Erstausgabe.

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Johnson, A.F. ; Muir, P.H.

Selected Essays on Books and Printing.

[nach diesem Titel suchen]

Van Gendt & Co., Amsterdam, first edition, 1970 [ actually 1971 ], 1970

Anbieter Wykeham Books, (LONDON, Vereinigtes Königreich)
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Dark orange -coloured half morocco gilt, marbled endpapers, large 8vo, 31 cm, xi, 491 pp, ills, (2 folding). A collection of 40 essays, the majority concerned with aspects of Johnson's special interest : the history of books and printing in the 16th century. "[Johnson was] first and foremost a bibliographer who happened at the same time to be a historian of typography: of printing and typefounding. He was an early recruit to the company of Daniel B. Updike, Stanley Morison, and others who took the initiative in exploring the history of printing in a new way, by looking at type faces as well as at the printers who used them. A relatively small part of Johnson’s studies has gone into books, though no type historian or bibliographer could have done without his Type Designs or his Encyclopedia of Typefaces (jointly with Turner Berry and Jaspert), to name only two. But many of his writings were published in periodicals, yearbooks, and the like that are now hard to come by." - from the introduction. The contents include: Introduction, by Percy H. Muir; The Classification of Gothic Types; A Catalogue of Italian Writing-Books of the Sixteenth Century; A Short History of Printing in the Sixteenth Century; The Chancery Types of Italy and France (jointly with Stanley Morison); Italian Sixteenth-Century Books; Books printed at Lyons in the Sixteenth Century; The Supply of Types in the Sixteenth Century; Some French Bible Illustrations in the Sixteenth Century; Geofroy Tory; Oronce Fine as an Illustrator of Books; The 'Antwerp' Ornaments; An Alphabet by Pieter Coecke van Aelst; Some Notes on German Renaissance Title-Borders; The Title-Borders of Hans Holbein; Basle Ornaments on Paris Books, 1519-36; Some Cologne and Basle Types, 1525-52; English Books printed Abroad; Books printed at Heidelberg for Thomas Cartwright; Some Types used by Paolo Manuzio; The Italic Types of Robert Granjon; Christian Egenolff of Frankfurt and his Types; On Re-reading Updike; Title-Pages: their Forms and Development, 1500-1800; English Typography in the Seventeenth Century; Notes on Some Seventeenth-Century English Types and Type; Specimens; An Unrecorded Specimen Sheet of a Scottish Printing House; Type Designs and Type-founding in Scotland; The Exiled English Church at Amsterdam and its Press; J. F. Stam, Amsterdam, and English Bibles; Typography at the Cambridge University Press, c. 1700; The 'Goût Hollandois'; John Bagford, Antiquary, 1650-1716;The King's Printers, 1660-1742;English Type Specimen Books;The Homes of the London Typefounders (jointly with W. Turner-Berry);The modern-Face Type in England; Fat Faces: their History, Forms, and Use;Typographia, or the Printer's Instructor; Old-Face Types in the Victorian Age; Nineteenth-Century Typefounders and Mechanical Inventions; References;Bibliographical Note; Index. A few light pencil sidelinings, Very Good. Artikel-Nr.: ABE-15274.

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Paul Luna

Typography: A Very Short Introduction

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OUP Oxford Oxford University Press Okt 2018, 2018

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Taschenbuch. Neuware - Typography, the art of designing printed words, was once the domain of an elite few artists but has become an area with which millions of people engage daily. The widespread usage of digital devices from laptops to tablets and smart phones which are used for written communications means that we are regularly asked to make decisions about the fonts, sizes, and layouts we use in our writing. This broadening engagement with the field of typography has led to aperceptible shift from debates about legibility and technicalities to conversations about which fonts best reflect the writer's personality or style .In this Very Short Introduction, Paul Luna offers a broad definition of typography as design for reading, whether in print or on screens, where a set of visual choices are taken to make a written message more accessible, more easily transmitted, more significant, or more attractive. Considering the development of letterforms and the shapes of letter we use, Luna discusses the history behind our modern day letters and fonts, before considering the issues behind key typographic decisions, and the differences between printed and on-screen typography. Presenting any piece of typography as a fundamental design choice, Luna introduces the options available today, and explores the reasons why key typographic decisions are made. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. 176 pp. Englisch. Neu. Artikel-Nr.: 9780199211296.

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H B Mitchell

Data Fusion: Concepts and Ideas

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Springer Berlin Heidelberg Apr 2014, 2014

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Taschenbuch. Neuware - This textbook provides a comprehensive introduction to the concepts and idea of multisensor data fusion.It is an extensively revised second edition of the author's successful book: 'Multi-Sensor Data Fusion: An Introduction' which was originally published by Springer-Verlag in 2007. The main changes in the new book are: New Material: Apart from one new chapter there are approximately 30 new sections, 50 new examples and 100 new references. At the same time, material which is out-of-date has been eliminated and the remaining text has been rewritten for added clarity. Altogether, the new book is nearly 70 pages longer than the original book. Matlab code: Where appropriate we have given details of Matlab code which may be downloaded from the worldwide web. In a few places, where such code is not readily available, we have included Matlab code in the body of the text. Layout. The layout and typography has been revised. Examples and Matlab code now appear on a gray background for easy identification and advancd material is marked with an asterisk. The book is intended to be self-contained. No previous knowledge of multi-sensor data fusion is assumed, although some familarity with the basic tools of linear algebra, calculus and simple probability is recommended. Although conceptually simple, the study of mult-sensor data fusion presents challenges that are unique within the education of the electrical engineer or computer scientist. To become competent in the field the student must become familiar with tools taken from a wide range of diverse subjects including: neural networks, signal processing, statistical estimation, tracking algorithms, computer vision and control theory. All too often, the student views multi-sensor data fusion as a miscellaneous assortment of different processes which bear no relationship to each other. In contrast, in this book the processes are unified by using a common statistical framework. As a consequence, the underlying pattern of relationships that exists between the different methodologies is made evident. The book is illustrated with many real-life examples taken from a diverse range of applications and contains an extensive list of modern references. 360 pp. Englisch. Neu. Artikel-Nr.: 9783642437304.

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Mirko Ilic

Head to Toe : The Nude in Graphic Design

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Rizzoli Universe Int. Pub Apr 2018, 2018

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Taschenbuch. Neuware - A beautifully designed flexibound edition that comes in a slipcase, this is a first of it's kind celebration featuring more than 600 examples of the human body as represented in graphic design, this innovative book will appeal to art directors, graphic designers, and design fans. This groundbreaking volume investigates and illuminates a new generation of artists and the ways that they relate to one of art history's most storied traditions: nude figure drawing and painting. This informative (and occasionally very cheeky) book demonstrates the ways in which new mediums and new technologies are pushing graphic designers to previously untold heights of artistic representation, thereby cementing the graphic designer's place alongside more traditional mediums (drawing, painting) in art history and criticism. From PETA's infamous 'I'd Rather Go Nude' ad campaign, to John Lennon and Yoko Ono posing nude on the cover of Rolling Stone magazine, Head to Toe features myriad examples of the nude figure and how it is altered and manipulated in the service of both art and commerce. 312 pp. Englisch. Neu. Artikel-Nr.: 9780847861651.

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299 S. Umschlag leicht berieben, sonst gutes Exemplar. - Der (wenige) Text englisch und japanisch. - We began our project by identifying typography as the art and science of communicating information through text. Our review of typography from this esthetic aspect was prompted by the inception of the Design Year. Visual Communication has rapidly advanced since the invention of printing by J. Gutenberg some 550 years ago, to a point where it now transcends national boundary race and language. People have dubbed this the age of hformation. What is attractive information? What is definitive communication? Creators from around the world responded to these queries posed by Evolution Graphics. The book amassed 2,566 samples of work from around the world, from countries as far afield as Japan, Korea, Taiwan, Hong Kong, Australia, Canada, America, Mexico, Brazil, Spain, Britain, France, Switzerland, Italy, Germany, Holland and the Soviet Union. In particular a large volume of New Wave Typography works were submitted from Britain and Holland. In undertaking the selection editing for this book we have attempted to faithfully and attractively portray the furious whirlpool of the world's typography in 1991. The advent of new technology desk top publishing has resulted in the liberal use by our society of the term "information revolution," such that maintaining an inquiry hto the esthetics and formation for graphic design has become an exceedingly difficult task. Nevertheless, it is precisely at such a juncture that we have published this book, typography from around the world, exploring the new territory of the modern ethos while forming a grounding for new presentation techniques. ISBN 4947613262 Sprache: Deutsch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag. Sehr gut. Artikel-Nr.: 917875.

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Vathek, by William Beckford, a new translation: Beckford, William [illustrator
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Hardcover with brown paper covered boards and vellum spine. Marbled endpapers. The front displays a stamped and gilded decoration of Arabic typography. The spine contains the title information also in gold. The top edge is gilded. The corners and edges of the boards are slightly damaged. Overall the book is in good condition. No foxing. 16,5 x 23,2 cm, [8] 1-172 [4] pp. The second to last page shows that this book is number 856 of 1050 limited editions that were published in England. This work contains eight full-page lithographs and two small vignette by Marion V. Dorn. Vathek is an early example of a Gothic novel by the British writer William Beckford (1760-1844). The lead character, caliph Vathek, goes on several adventures to gain supernatural powers. Instead of obtaining these powers, Vathek is doomed to live in hell for eternity. On these quests he meets eerie individuals and travels to fantastical places. This work is a beautiful example of the oriental influence in the 19th century. The illustrations are made by the American illustrator and textile designer Marion Victoria Dorn (1896-1964). These expressive and rather modern illustrations are the only pictures by her that were published as book illustrations. The repetition and variation of the motifs demonstrate her powerful way of designing and can easily be converted into patterns for textiles or rugs. B2391. Artikel-Nr.: 25570.

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Huberman, Leo.

Labor Spy Racket.

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New York, Modern Age Books (1937)., 1937

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195 Seiten. Mit 8 s/w Fotoabbildungen. Farbig illustr. Orig.-Karton (lädierter Orig.-Schutzumschlag liegt bei). Berühmtes Buch über die Arbeitskämpfe in den Vereinigten Staaten. - Wenige Seiten minimal gebräunt, sonst wohlerhaltenes, innen sauberes Exemplar. // Interesting book design, typography by Robert Josephy. - Near fine original illustrated soft covers, the matching pictorial dj, rubbed and with loose front inside flap. Few pages minimally browned, else nice and clean inside. Sprache: Englisch. Artikel-Nr.: 8480AB.

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Published by PIE BOOKS, Japan, 2014. 26,5 x 19 cm. Paperback / Softcover. Richly illustrated in color and b/w. 361 pages. NEW COPY * *** his incredible selection of typographic fonts and styles, from 17th to early 20th century in Europe, traces the modern evolution of the printed letter, reproducing pages from exquisitely designed catalogs and books showing type. Also included are borders, ornaments, initial letters and decorations, and many magnificent examples. This will be a valuable reference book for graphic designers and students studying design, and will be a completed edition of typography in Medieval and Modern European history. [ Typography /Typografie Letterproef / Typespecimen / Probeheft ]. Artikel-Nr.: #106105.

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Original Cloth. Folio. [84] pages. 36 cm. First Shulsinger facsimile edition. Finely printed facsimile of the Prague Haggadah, attractively bound. Contains short English introduction, otherwise entirely in Hebrew. "Kohen, together with his brother Gronem, printed the earliest Passover Haggadah, containing more than 60 lavish woodcut illustrations (mostly by Hayim Shahor) in the style of Holbein and Dürer. This work became the preeminent model for subsequent Haggadahs and is widely regarded as a masterpiece. " - YIVO Encyclopedia. "Playing a pivotal role in the development of the illustrated Haggadah was Gershom ben Solomon ha-Kohen's Haggadah, published in Prague in 1526. Typography of this Haggadah - which alternates small and large letters, and contains inverted letters at the end of many lines - was a common feature of texts produced by scribes and preserved the look of manuscript Haggadahs. Kohen's Haggadah included sixty woodcut illustrations and played a critical role in establishing the iconographic genres among Haggadahs well into the twentieth century. One example is the four woodcuts on the pages describing the famed 'four sons. ' Not only are all the sons clothed in Renaissance fashion, but more importantly the 'wicked son' is depicted as a traditional soldier of the period. While his uniform would change to fit current fashions, the wicked son appeared for many centuries in the form of a soldier, thus linking wickedness with war for the Jewish people in the early modern and modern periods. In addition, one can see several pages later a pictorial rendition of Pharaoh in a tub, a theme which is present in Haggadahs well into the twentieth century. Drawing on the rabbinic legend that Pharaoh bathed in a tub filled with the blood of Jewish children in order to cure himself of a disease, the Prague Haggadah offers a pictorial tradition which enabled all participants at the seder table to appreciate rabbinic interpretations and tradition. " - Penn Libraries. Subjects: Haggadot - Texts. Seder - Liturgy - Texts. Judaism - Liturgy - Texts. Haggadot. Judaism - Liturgy. Seder - Liturgy. OCLC lists 19 copies. Ex-library with usual markings. Light shelf wear. Very good Condition. (HAG-14-3) Hag4. (ja). Artikel-Nr.: 33921.

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Andy Budd

CSS Mastery : Advanced Web Standards Solutions

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Apress Okt 2009, 2009

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Taschenbuch. Neuware - This is the second edition of the 27,000 selling (on Bookscan) CSS Mastery. It brings the old book up to date with information on CSS 3 and modern browser standards. It also includes completely new case study chapters and new examples. 388 pp. Englisch. Neu. Artikel-Nr.: 9781430223979.

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R. Klanten, M. Mischler, Silja Bilz

Little Know-It-All Graphic Design

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Gestalten 2011, 2011

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Flexicover, 12 x 16.5 cm, 384 pages, full color, bookmark ribbon, English, Fine copy. Including an index. ISBN 9783899553482. The Little Know-It-All provides the fundamental information designers need to know to thrive in their growing field of practice. This updated new edition is an indispensable manual of the knowledge currently required of designers as the evolution of media redefines their role and expands the disciplines in which they must be competent. Comprised of seven chapters, this title offers concise analysis as well as explanations of unique vocabulary. Written for a global audience, the handbook expounds on various international formats and legalities. It is both a stimulating reference book for students and newcomers and a trusty companion for design and media professionals to use in their everyday work. 0 g. Artikel-Nr.: 45450.

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[Washington D.C. 1953, U.S. Post Office]. A group of 4 first day of issue illustrated envelope covers with the commemora- tive five-cent stamps, very good condition, each about 16.5 x 9.5 cm. A very nice collection of first-day covers, each commemorat- ing the Perry opening of Japan, with finely engraved or color printed pictorial representation or celebration of the great & historic event. Each is cancelled with "FIRST DAY OF ISSUE" postal cancellation, with "Washington D.C. July 14, 1953 round-dated stamp neatly impressed on each. Some covers show Perry's "Black Ships" in Tokyo bay, Perry's fleet of seven "Black Ships" and the launch bringing Perry to Japan's shore. Another shows "UNITED STATES-JAPAN" and the flags of each nation, with an Uncle Sam flag-decorated top hat. Anth- er shows a younger Perry, with his Flag Ship & small launch bringing him to Japan's shores, with cartouche. Each is very clean, without flaw, enclosed in a glassine envelope. A nice addition to any Perry or early Japan collection. Suitable for display or framing. Nice typography. S C A R C E Perry [1794-1858] was an American naval office, who comman- commanded the expedition that established United States rel- ations with Japan. Born April 10, 1794, in South Kingston, Rhode Island, the brother of Oliver Hazard Perry, he bgean his naval career as midshipman at the age of 15. He advanced to lieutenant in 1813 and to commander in 1826. He supervi- sed the construction of the first naval steamship, the Fulton, and upon its completion in 1837, he took command with the rank of captain. He was promoted to commodore in 1842. In 1846-47 he commanded the Gulf squadron during the Mexican War. In 1853, Perry was sent to Japan, a country that had been closed to outsiders since the 17th century. On July 8, he led a squadron of four ships into Tokyo Bay and presented representatives of the Emperor with the texst of a proposed commercial and friendship treaty. To give the relulctant Japanese court time to consider the offer, he then sailed for China. With an even more powerful fleet, he returned to Japan in February 1854. The treaty, signed on March 31, 1854 provided that humane treatment be extended to sailors shipwerecked in Japanese territory, that U.S. ships be permitted to buy coal in Japan, and that the ports of Shimoda and Hakodate be opened to U.S. commerce. Perry's mission ended Japan's 400 years of self-imposed iso- lation, a prerequisite for its subsequent development into a modern nation. Perry died in New York City on March 4, 1858. Artikel-Nr.: 98119602.

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Oliver Seltmann

Autoalbum05 : Contemporary German & International Car Photography

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Seltmann & Söhne Jan 2019, 2019

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Buch. Neuware - With autoalbum05, the 22nd book in the series of thematically organized photography yearbooks is now available. After eight years it is the first book, that we launch with a complete redesign. Cover, layout and typography show a new and modern touch. More than 100 of the best german and international transportation photographers present themselves in the usual magnificent coffee-table format on 300 pages of high print quality. The series by seltmann+söhne offers large-format photo books in a beautifully printed and bound coffee-table format, arranged by different areas of photography. The various albums are released semi-annually and are updated every 2-3 years. 280 pp. Englisch. Neu. Artikel-Nr.: 9783946688518.

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Sutnar, Ladislav - Sudek, Josef

Druzstevni prace

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Prag: Arbor vitae publishing - Museum of Decorative Arts 2007, 2007

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This book examines the famous era of Druzstevni práce, a period when Ladislav Sutnar, one of the founders of modern typography and a versatile art designer, was engaged as the publishing house's art director and Josef Sudek as its advertisement photographer. The publication was issued by the Museum in cooperation with Arbor Vitae publishing house to accompany the exhibition held in the Museum of Decorative Arts in Prague: 14. 12. 2006 - 18. 2. 2007, brand-new, publication concept: Lucie Vlckova, texts: Iva Knobloch, Vojtech Lahoda, Jan Mlcoch, Lucie Vlckova, edition: Czech-English, translation: Branislava Kuburovic, Anna Bryson, photo: Ondrej Kocourek, graphic design: Stepan Malovec, Martin Odehnal, text editor: Dagmar Naroznikova, number of pages: 256, binding: softback, 27 x 25 cm, colour reproduction: 134 Book Language/s: cz, en. Artikel-Nr.: A3502.

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Sutnar, Ladislav - Sudek, Josef

Druzstevni prace - Sutnar*Sudek- OLWd./Hardback. 1 - 50 Stück/Pieces. Sehr selten/Very rare

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Prag: Arbor vitae publishing - Museum of Decorative Arts 2007, 2007

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The book examines the famous era of Druzstevni prace, a period when Ladislav Sutnar, one of the founders of modern typography and a versatile art designer, was engaged as the publishing house's art director and Josef Sudek as its advertisement photographer. The publication was issued by the Museum in cooperation with Arbor Vitae publishing house to accompany the exhibition held in the Museum of Decorative Arts in Prague, 14. 12. 2006?18. 2. 2007; Condition of this book - brand new, publication concept: Lucie Vlckova; texts: Iva Knobloch, Vojtech Lahoda, Jan Mlcoch, Lucie Vlckova; edition: Czech-English; translation: Branislava Kuburovic, Anna Bryson; photo: Ondrej Kocourek; graphic design: Stepan Malovec, Martin Odehnal; text editor: Dagmar Naroznikova; number of pages: 256; binding: hardback, 27 x 25 cm, colour reproduction: 134 Book Language/s: en, cz. Artikel-Nr.: A5912.

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Gebrauchsgraphik. Monatsschrift zur Förderung Künstlerischer Reklame. Fünfter
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31 x 23,5 cm. (18) Seiten Werbung, 79 Seiten Inhalt, (Anhang), Beilagen. Farbig illustrierte Original-Boschur (Entwurf von R. L. Leonhard, New York). Rücken am unteren Kapitale beschädigt, Vorder- und Rückendeckel berieben. Insgesamt ein ordentliches Exemplar. Commercial art. Monthly magazine for the promotion of artistic advertising. Fifth Year, Issue No. 7. Editor: Prof. H. K. Frenzel. - Content: International Press Exhibition Cologne 1928 - Review of the writing of Germany in the last 30 years (1877-1927) - The shop window as an educator - New typography - Advertising superstition - Tadeusz Gronowski - Graphic artist and advertising expert in the service of graphic work - The Dust Jacket - The modern Russian children's book - Elida - Tourism and tourism statistics in their importance for the market situation and for the advertisement. Berlin, Phoenix illustration print and publisher G.m.b.H., 1928. 31 x 23.5 cm. (18) pages advertising, 79 pages content, (annex), supplements. Color illustrated original cover (designed by R. L. Leonhard, New York). Back damaged at the lower capitals, front and back covers rubbed. Overall, a decent copy. Sprache: deutsch. Artikel-Nr.: 6755AB.

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