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University Of California, 2006. 21 x 14,8 cm. Paperback / Softcover. With illustrations in color and b/w. XLIX, 236 pages. AS NEW [ Typography /Typografie ]. Artikel-Nr.: #111545.

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Paul Stirton

Jan Tschichold and the New Typography : Graphic Design Between the World Wars

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Yale University Press Apr 2019, 2019

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Taschenbuch. Neuware - An original account of the life and work of legendary designer Jan Tschichold and his role in the movement in Weimar Germany to create modern graphic design 272 pp. Englisch. Neu. Artikel-Nr.: 9780300243956.

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Ellen Lupton

Graphic Design : The New Basics

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Abrams & Chronicle Books Jul 2015, 2015

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Taschenbuch. Neuware - Seven years after the publication of Graphic Design: The New Basics, coauthors Ellen Lupton and Jennifer Cole Phillips have updated the book with current content and extended key sections. The revised and updated edition will replace 64 pages of the original book with new content and include 16 additional pages, featuring new examples of student and professional work throughout the book, new chapters on Visualizing Data, Typography, Modes of Representation, and Gestalt Principles, as well as additional material for the chapters on Color, Herarchy, and Grids and expanded didactic material throughout. 264 pp. Englisch. Neu. Artikel-Nr.: 9781616893323.

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Orig.-Leinwand. -. New York. The Museum of Modern Art. (1936). 4°. - 25,8:19 cm. 249 Seiten mit 221 Abb. Orig.-Leinwand. - Wie meist ohne den Schutzumschlag. Mit dem Korrekturzettel, der nach dem Titel eingeklebt ist. Bedeutender Katalog. - In 3000 Exemplaren gedruckt. - 7152 Wie meist ohne den Schutzumschlag. Mit dem Korrekturzettel, der nach dem Titel eingeklebt ist. Artikel-Nr.: 2445AB.

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Erste englischsprachige Ausgabe der programmatischen Schrift über die Kubisten (Picasso, Braque, Metzinger, Gleizes, Laurencin, Rousseau, Gris, Leger, Picabia, Duchamp, Delaunay); zugleich der Auftakt der gefeierten Serie des Museum of Modern Art. gr.-8°. Frontispiz, 35 S., 21 Abbildungen im Text, obrosch. Umschlag mit Griff- und Staubspuren. (= the documents of modern art: editor: Robert MOTHERWELL, 1). Artikel-Nr.: EEzz0498.

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ca. 25,8 x 19,5 cm, 224 Seiten, zahlreiche schwarz-weiss Abbildungen, Original-Leinenband (Vorder- und Rückendeckel stark fleckig, Glasränder), hinteres Vorsatzpapier mit Leimschatten. Innen ein gutes Exemplar. Die Mängel sind im Preis berücksichtigt. ex libris 2, 71; 6, 515. - Literatur: The Spirit of the BAUHAUS, Thames & Hudson (engl. edition), 2018, siehe Seite 230 (mit Abbildung). Sprache: englisch. Artikel-Nr.: 5972AB.

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ca. 25,8 x 19,5 cm, 224 Seiten, zahlreiche schwarz-weiss Abbildungen, Original-Leinenband (Rücken etwas aufgehellt, angestaubt); Innenfalze mit Leimschatten. Unteres Kapitale bestossen, Rückendeckel mit Flecken. Mit dem meist fehlenden Additions and Correction-Zettel, der auf dem leeren letzten Blatt montiert wurde; dadurch Papierabrieb auf Seite 224). ex libris 2, 71; 6, 515. - Literatur: The Spirit of the BAUHAUS, Thames & Hudson (engl. edition), 2018, siehe Seite 230 (mit Abbildung). Sprache: englisch. Artikel-Nr.: 5976AB.

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Bauhaus Exhibition.

The Bulletin of the MUSEUM OF MODERN ART (No.) 6 volume 5, december 1938.

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New York The Museum of Modern Art, 1938

Anbieter Antiquariat Hans Lindner ILAB Einzelunt., (Mainburg, Deutschland)
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23,7 x 18,6 cm. 8 ungez. Seiten (einschl. Umschlag) mit 16 fotografischen Abbildungen, geheftet. "Typography of this number by Herbert Bayer. Photographs by Sunami, Bayer and Newhall." - Sehr selten. Ungewöhnlich gut erhalten. Sprache: Deutschu. 0. Artikel-Nr.: 70599AB.

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Simon, O. ; Morison, S.

The Fleuron : A Journal of Typography. Volume VII. [ edition de luxe ]

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Cambridge University Press; Cambridge, first edition, edition de luxe, 1930, 1930

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Limited Edition of 210 de luxe copies on handmade paper (from a total edition of 1210). Cloth, gilt-stamped cover titles and cover device,4to, 29 cm, xii, 253, 24 pp plus inserts, plates (some colour). The last and greatest issue of The Fleuron, Stanley Morison and Oliver Simon's showcase for the typographic arts, here in one of the "de luxe" copies. This differs from the ordinary copies in that it has a binding designed by Jan Van Krimpen, it includes some additional illustrations, and has some of the illustrations printed direct from the original plates, and it is printed on English handmade wove paper and signed by Stanley Morison. Grant Shipcott in his informative book "Typographical Periodicals Between the Wars" enthused:about the volume. Contents include Typography in Holland, by J. Van Krimpen, Haarlem; Eric Gill, Sculptor of Letters, by Paul Beaujon, London with A List of Books with lettering and illustrations by E. G. compiled by Douglas Cleverdon; also The Passion of SS. Perpetua & Felicity in a new translation by W. H. Shewring with engravings by E. G.; First Principles of Typography, by Stanley Morison, London; Heinrich Holz, by Rudolf Koch, Offenbach; An Unacknowledged Movement in Fine Printing, by A. J. A. Symons, London; The Officina Bodoni, by Friedrich Ewald, Hannover; Thomas Maitland Cleland, by D. B. Updike, Boston; Footnotes To Book Production : Early Italics in the German Empire, by A. F. Johnson; Epitaph upon "Period" Printing, by Paul Beaujon; Baskerville's Jobbing Work, by Graham Pollard; The Trusler Script Types, by Stanley Morison; The earliest known work of Arrighi, by Stanley Morison. Also : Type reviews (with specimen works printed in the types) of Centaur roman, Bembo roman, Treyford roman and italic, Antigone greek, Bernhard roman, italic and script, Goudy Modern roman and italic, Romanée roman, Perpetua roman and italic.; Book reviews; Index to the Fleuron I-VII, etc. etc. Copy No. 198, numbered and signed by Stanley Morison, and with the Perpetua type specimen signed "Eric G." [=Gill]. Covers a little rubbed with fading to the lower edge and lower spine-corner of front board, very minor bumping to spine, otherwise Good in a dustwrapper which is chipped and somewhat browned and soiled with tears to the lower front hinge (tape repair on reverse). Artikel-Nr.: ABE-46480.

Erstausgabe. Signiert.

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Mark Z. Danielewski

The Familiar 5: Redwood

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Random House LCC US Okt 2017, 2017

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Buch. Neuware - The Season One finale of this riveting multisensory masterpiece from the visionary author of House of Leaves. The Familiar Volume 1 Wherein the cat is found . . . The Familiar Volume 2 Wherein the cat is hungry . . . The Familiar Volume 3 Wherein the cat is blind . . . The Familiar Volume 4 Wherein the cat is toothless . . . The Familiar Volume 5 Wherein the cat is named . . . The astonishing series about a young girl who befriends a cat hunting humanity continues with Volume 5, and the Season One finale, in which the consequences of how we encounter one another come into poignant and terrifying relief-especially on one September night, when an unexpected phone call demanding the return of the little white cat challenges everything the Ibrahims hold dear. They are not alone. Jingjing must contend with a rival he could never have anticipated, while Xanther must relinquish all she thought she knew as a far greater responsibility is set before her. Light wavers and pomegranates reveal their price as the effects of a great transition start to reverberate around everyone, Shnorhk's efforts to resume playing music cannot escape history's ghosts. Cas, in upstate New York, comes face-to-face with her lifelong nemesis in a candlelit rendezvous that presages the international crisis soon to come. As more lines tangle, Özgür and Luther brawl with a future that may have chosen them long ago, and Isandòrno crosses a line that will force him over the border into a country he has until now steadfastly refused. All the while, a terrible power roaming the world continues to grow . . . 880 pp. Englisch. Neu. Artikel-Nr.: 9780375715020.

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Oliver Seltmann

Portraitalbum 04 : Contemporary German and International Portrait Photography

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Seltmann & Söhne Okt 2017, 2017

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Buch. Neuware - With portraitalbum 04, the 20th book in the series of thematically organized photography yearbooks is now available. After eight years we launch it with a complete redesign. Cover, layout and typography show a new and modern touch. More than 100 of the best german and international portrait photographers present their best new work on 300 pages of high print quality. 293 pp. Englisch. Neu. Artikel-Nr.: 9783946688211.

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Johnson, A.F. ; Muir, P.H.

Selected Essays on Books and Printing.

[nach diesem Titel suchen]

Van Gendt & Co., Amsterdam, first edition, 1970 [ actually 1971 ], 1970

Anbieter Wykeham Books, (LONDON, Vereinigtes Königreich)
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Cloth, large 8vo, 31 cm, xi, 491 pp, ills, (2 folding). A collection of 40 essays, the majority concerned with aspects of Johnson's special interest : the history of books and printing in the 16th century. "[Johnson was] first and foremost a bibliographer who happened at the same time to be a historian of typography: of printing and typefounding. He was an early recruit to the company of Daniel B. Updike, Stanley Morison, and others who took the initiative in exploring the history of printing in a new way, by looking at type faces as well as at the printers who used them. A relatively small part of Johnson’s studies has gone into books, though no type historian or bibliographer could have done without his Type Designs or his Encyclopedia of Typefaces (jointly with Turner Berry and Jaspert), to name only two. But many of his writings were published in periodicals, yearbooks, and the like that are now hard to come by." - from the introduction. The contents include: Introduction, by Percy H. Muir; The Classification of Gothic Types; A Catalogue of Italian Writing-Books of the Sixteenth Century; A Short History of Printing in the Sixteenth Century; The Chancery Types of Italy and France (jointly with Stanley Morison); Italian Sixteenth-Century Books; Books printed at Lyons in the Sixteenth Century; The Supply of Types in the Sixteenth Century; Some French Bible Illustrations in the Sixteenth Century; Geofroy Tory; Oronce Fine as an Illustrator of Books; The 'Antwerp' Ornaments; An Alphabet by Pieter Coecke van Aelst; Some Notes on German Renaissance Title-Borders; The Title-Borders of Hans Holbein; Basle Ornaments on Paris Books, 1519-36; Some Cologne and Basle Types, 1525-52; English Books printed Abroad; Books printed at Heidelberg for Thomas Cartwright; Some Types used by Paolo Manuzio; The Italic Types of Robert Granjon; Christian Egenolff of Frankfurt and his Types; On Re-reading Updike; Title-Pages: their Forms and Development, 1500-1800; English Typography in the Seventeenth Century; Notes on Some Seventeenth-Century English Types and Type; Specimens; An Unrecorded Specimen Sheet of a Scottish Printing House; Type Designs and Type-founding in Scotland; The Exiled English Church at Amsterdam and its Press; J. F. Stam, Amsterdam, and English Bibles; Typography at the Cambridge University Press, c. 1700; The 'Goût Hollandois'; John Bagford, Antiquary, 1650-1716;The King's Printers, 1660-1742;English Type Specimen Books;The Homes of the London Typefounders (jointly with W. Turner-Berry);The Modern-Face Type in England; Fat Faces: their History, Forms, and Use;Typographia, or the Printer's Instructor; Old-Face Types in the Victorian Age; Nineteenth-Century Typefounders and Mechanical Inventions; References;Bibliographical Note; Index. Very Good in dustwrapper. Artikel-Nr.: ABE-43706.

Erstausgabe.

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Johnson, A.F. ; Muir, P.H.

Selected Essays on Books and Printing.

[nach diesem Titel suchen]

Van Gendt & Co., Amsterdam, first edition, 1970 [ actually 1971 ], 1970

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Cloth, large 8vo, 31 cm, xi, 491 pp, ills, (2 folding). A collection of 40 essays, the majority concerned with aspects of Johnson's special interest : the history of books and printing in the 16th century. "[Johnson was] first and foremost a bibliographer who happened at the same time to be a historian of typography: of printing and typefounding. He was an early recruit to the company of Daniel B. Updike, Stanley Morison, and others who took the initiative in exploring the history of printing in a new way, by looking at type faces as well as at the printers who used them. A relatively small part of Johnson’s studies has gone into books, though no type historian or bibliographer could have done without his Type Designs or his Encyclopedia of Typefaces (jointly with Turner Berry and Jaspert), to name only two. But many of his writings were published in periodicals, yearbooks, and the like that are now hard to come by." - from the introduction. The contents include: Introduction, by Percy H. Muir; The Classification of Gothic Types; A Catalogue of Italian Writing-Books of the Sixteenth Century; A Short History of Printing in the Sixteenth Century; The Chancery Types of Italy and France (jointly with Stanley Morison); Italian Sixteenth-Century Books; Books printed at Lyons in the Sixteenth Century; The Supply of Types in the Sixteenth Century; Some French Bible Illustrations in the Sixteenth Century; Geofroy Tory; Oronce Fine as an Illustrator of Books; The 'Antwerp' Ornaments; An Alphabet by Pieter Coecke van Aelst; Some Notes on German Renaissance Title-Borders; The Title-Borders of Hans Holbein; Basle Ornaments on Paris Books, 1519-36; Some Cologne and Basle Types, 1525-52; English Books printed Abroad; Books printed at Heidelberg for Thomas Cartwright; Some Types used by Paolo Manuzio; The Italic Types of Robert Granjon; Christian Egenolff of Frankfurt and his Types; On Re-reading Updike; Title-Pages: their Forms and Development, 1500-1800; English Typography in the Seventeenth Century; Notes on Some Seventeenth-Century English Types and Type; Specimens; An Unrecorded Specimen Sheet of a Scottish Printing House; Type Designs and Type-founding in Scotland; The Exiled English Church at Amsterdam and its Press; J. F. Stam, Amsterdam, and English Bibles; Typography at the Cambridge University Press, c. 1700; The 'Goût Hollandois'; John Bagford, Antiquary, 1650-1716;The King's Printers, 1660-1742;English Type Specimen Books;The Homes of the London Typefounders (jointly with W. Turner-Berry);The Modern-Face Type in England; Fat Faces: their History, Forms, and Use;Typographia, or the Printer's Instructor; Old-Face Types in the Victorian Age; Nineteenth-Century Typefounders and Mechanical Inventions; References;Bibliographical Note; Index. Fine in a slightly used dustwrapper which is slightly frayed at the spine-ends. Artikel-Nr.: ABE-23377.

Erstausgabe.

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Johnson, A.F. ; Muir, P.H.

Selected Essays on Books and Printing.

[nach diesem Titel suchen]

Van Gendt & Co., Amsterdam, first edition, 1970 [ actually 1971 ], 1970

Anbieter Wykeham Books, (LONDON, Vereinigtes Königreich)
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Dark orange -coloured half morocco gilt, marbled endpapers, large 8vo, 31 cm, xi, 491 pp, ills, (2 folding). A collection of 40 essays, the majority concerned with aspects of Johnson's special interest : the history of books and printing in the 16th century. "[Johnson was] first and foremost a bibliographer who happened at the same time to be a historian of typography: of printing and typefounding. He was an early recruit to the company of Daniel B. Updike, Stanley Morison, and others who took the initiative in exploring the history of printing in a new way, by looking at type faces as well as at the printers who used them. A relatively small part of Johnson’s studies has gone into books, though no type historian or bibliographer could have done without his Type Designs or his Encyclopedia of Typefaces (jointly with Turner Berry and Jaspert), to name only two. But many of his writings were published in periodicals, yearbooks, and the like that are now hard to come by." - from the introduction. The contents include: Introduction, by Percy H. Muir; The Classification of Gothic Types; A Catalogue of Italian Writing-Books of the Sixteenth Century; A Short History of Printing in the Sixteenth Century; The Chancery Types of Italy and France (jointly with Stanley Morison); Italian Sixteenth-Century Books; Books printed at Lyons in the Sixteenth Century; The Supply of Types in the Sixteenth Century; Some French Bible Illustrations in the Sixteenth Century; Geofroy Tory; Oronce Fine as an Illustrator of Books; The 'Antwerp' Ornaments; An Alphabet by Pieter Coecke van Aelst; Some Notes on German Renaissance Title-Borders; The Title-Borders of Hans Holbein; Basle Ornaments on Paris Books, 1519-36; Some Cologne and Basle Types, 1525-52; English Books printed Abroad; Books printed at Heidelberg for Thomas Cartwright; Some Types used by Paolo Manuzio; The Italic Types of Robert Granjon; Christian Egenolff of Frankfurt and his Types; On Re-reading Updike; Title-Pages: their Forms and Development, 1500-1800; English Typography in the Seventeenth Century; Notes on Some Seventeenth-Century English Types and Type; Specimens; An Unrecorded Specimen Sheet of a Scottish Printing House; Type Designs and Type-founding in Scotland; The Exiled English Church at Amsterdam and its Press; J. F. Stam, Amsterdam, and English Bibles; Typography at the Cambridge University Press, c. 1700; The 'Goût Hollandois'; John Bagford, Antiquary, 1650-1716;The King's Printers, 1660-1742;English Type Specimen Books;The Homes of the London Typefounders (jointly with W. Turner-Berry);The modern-Face Type in England; Fat Faces: their History, Forms, and Use;Typographia, or the Printer's Instructor; Old-Face Types in the Victorian Age; Nineteenth-Century Typefounders and Mechanical Inventions; References;Bibliographical Note; Index. A few light pencil sidelinings, Very Good. Artikel-Nr.: ABE-15274.

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Paul Luna

Typography: A Very Short Introduction

[nach diesem Titel suchen]

OUP Oxford Oxford University Press Okt 2018, 2018

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Taschenbuch. Neuware - Typography, the art of designing printed words, was once the domain of an elite few artists but has become an area with which millions of people engage daily. The widespread usage of digital devices from laptops to tablets and smart phones which are used for written communications means that we are regularly asked to make decisions about the fonts, sizes, and layouts we use in our writing. This broadening engagement with the field of typography has led to aperceptible shift from debates about legibility and technicalities to conversations about which fonts best reflect the writer's personality or style .In this Very Short Introduction, Paul Luna offers a broad definition of typography as design for reading, whether in print or on screens, where a set of visual choices are taken to make a written message more accessible, more easily transmitted, more significant, or more attractive. Considering the development of letterforms and the shapes of letter we use, Luna discusses the history behind our modern day letters and fonts, before considering the issues behind key typographic decisions, and the differences between printed and on-screen typography. Presenting any piece of typography as a fundamental design choice, Luna introduces the options available today, and explores the reasons why key typographic decisions are made. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. 176 pp. Englisch. Neu. Artikel-Nr.: 9780199211296.

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Friedl, Friedrich; Ott, Nicolaus; Stein, Bernard

When who how Typography / Wann wer wie Typographie / Quand qui comment typographie

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Köln, Könemann Verlagsgesellschaft, 1998

Anbieter Pallas Books Antiquarian Booksellers, (Leiden, Niederlande)
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cloth, dustj, large 4to 592 pp., ca. 2000 ills this monumental reference book provides a comprehensive survey of the entire alphabetic culture; story of typographic style and mode; presentation of more than 700 ypographeers, designers, calligraaphers, schools, etc.; LIKE NEW condition. Artikel-Nr.: 19284.

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Mirko Ilic

Head to Toe : The Nude in Graphic Design

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Rizzoli Universe Int. Pub Apr 2018, 2018

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Taschenbuch. Neuware - A beautifully designed flexibound edition that comes in a slipcase, this is a first of it's kind celebration featuring more than 600 examples of the human body as represented in graphic design, this innovative book will appeal to art directors, graphic designers, and design fans. This groundbreaking volume investigates and illuminates a new generation of artists and the ways that they relate to one of art history's most storied traditions: nude figure drawing and painting. This informative (and occasionally very cheeky) book demonstrates the ways in which new mediums and new technologies are pushing graphic designers to previously untold heights of artistic representation, thereby cementing the graphic designer's place alongside more traditional mediums (drawing, painting) in art history and criticism. From PETA's infamous 'I'd Rather Go Nude' ad campaign, to John Lennon and Yoko Ono posing nude on the cover of Rolling Stone magazine, Head to Toe features myriad examples of the nude figure and how it is altered and manipulated in the service of both art and commerce. 312 pp. Englisch. Neu. Artikel-Nr.: 9780847861651.

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H B Mitchell

Data Fusion: Concepts and Ideas

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Springer Berlin Heidelberg Apr 2014, 2014

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Taschenbuch. Neuware - This textbook provides a comprehensive introduction to the concepts and idea of multisensor data fusion.It is an extensively revised second edition of the author's successful book: 'Multi-Sensor Data Fusion: An Introduction' which was originally published by Springer-Verlag in 2007. The main changes in the new book are: New Material: Apart from one new chapter there are approximately 30 new sections, 50 new examples and 100 new references. At the same time, material which is out-of-date has been eliminated and the remaining text has been rewritten for added clarity. Altogether, the new book is nearly 70 pages longer than the original book. Matlab code: Where appropriate we have given details of Matlab code which may be downloaded from the worldwide web. In a few places, where such code is not readily available, we have included Matlab code in the body of the text. Layout. The layout and typography has been revised. Examples and Matlab code now appear on a gray background for easy identification and advancd material is marked with an asterisk. The book is intended to be self-contained. No previous knowledge of multi-sensor data fusion is assumed, although some familarity with the basic tools of linear algebra, calculus and simple probability is recommended. Although conceptually simple, the study of mult-sensor data fusion presents challenges that are unique within the education of the electrical engineer or computer scientist. To become competent in the field the student must become familiar with tools taken from a wide range of diverse subjects including: neural networks, signal processing, statistical estimation, tracking algorithms, computer vision and control theory. All too often, the student views multi-sensor data fusion as a miscellaneous assortment of different processes which bear no relationship to each other. In contrast, in this book the processes are unified by using a common statistical framework. As a consequence, the underlying pattern of relationships that exists between the different methodologies is made evident. The book is illustrated with many real-life examples taken from a diverse range of applications and contains an extensive list of modern references. 360 pp. Englisch. Neu. Artikel-Nr.: 9783642437304.

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H. B. Mitchell

Data Fusion: Concepts and Ideas

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Springer-Verlag Gmbh Feb 2012, 2012

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Buch. Neuware - This textbook provides a comprehensive introduction to the concepts and idea of multisensor data fusion.It is an extensively revised second edition of the author's successful book: 'Multi-Sensor Data Fusion: An Introduction' which was originally published by Springer-Verlag in 2007. The main changes in the new book are: New Material: Apart from one new chapter there are approximately 30 new sections, 50 new examples and 100 new references. At the same time, material which is out-of-date has been eliminated and the remaining text has been rewritten for added clarity. Altogether, the new book is nearly 70 pages longer than the original book. Matlab code: Where appropriate we have given details of Matlab code which may be downloaded from the worldwide web. In a few places, where such code is not readily available, we have included Matlab code in the body of the text. Layout. The layout and typography has been revised. Examples and Matlab code now appear on a gray background for easy identification and advancd material is marked with an asterisk. The book is intended to be self-contained. No previous knowledge of multi-sensor data fusion is assumed, although some familarity with the basic tools of linear algebra, calculus and simple probability is recommended. Although conceptually simple, the study of mult-sensor data fusion presents challenges that are unique within the education of the electrical engineer or computer scientist. To become competent in the field the student must become familiar with tools taken from a wide range of diverse subjects including: neural networks, signal processing, statistical estimation, tracking algorithms, computer vision and control theory. All too often, the student views multi-sensor data fusion as a miscellaneous assortment of different processes which bear no relationship to each other. In contrast, in this book the processes are unified by using a common statistical framework. As a consequence, the underlying pattern of relationships that exists between the different methodologies is made evident. The book is illustrated with many real-life examples taken from a diverse range of applications and contains an extensive list of modern references. 346 pp. Englisch. Neu. Artikel-Nr.: 9783642272219.

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299 S. Umschlag leicht berieben, sonst gutes Exemplar. - Der (wenige) Text englisch und japanisch. - We began our project by identifying typography as the art and science of communicating information through text. Our review of typography from this esthetic aspect was prompted by the inception of the Design Year. Visual Communication has rapidly advanced since the invention of printing by J. Gutenberg some 550 years ago, to a point where it now transcends national boundary race and language. People have dubbed this the age of hformation. What is attractive information? What is definitive communication? Creators from around the world responded to these queries posed by Evolution Graphics. The book amassed 2,566 samples of work from around the world, from countries as far afield as Japan, Korea, Taiwan, Hong Kong, Australia, Canada, America, Mexico, Brazil, Spain, Britain, France, Switzerland, Italy, Germany, Holland and the Soviet Union. In particular a large volume of New Wave Typography works were submitted from Britain and Holland. In undertaking the selection editing for this book we have attempted to faithfully and attractively portray the furious whirlpool of the world's typography in 1991. The advent of new technology desk top publishing has resulted in the liberal use by our society of the term "information revolution," such that maintaining an inquiry hto the esthetics and formation for graphic design has become an exceedingly difficult task. Nevertheless, it is precisely at such a juncture that we have published this book, typography from around the world, exploring the new territory of the modern ethos while forming a grounding for new presentation techniques. ISBN 4947613262 Sprache: Deutsch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag. Sehr gut. Artikel-Nr.: 917875.

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M. Peikola, A. Mäkilähde, H. Salmi, M.-L. Varila, J. Skaffari (eds.)

Utrecht Studies in Medieval Literacy (USML 37) Verbal and Visual Communication in Early English Texts

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Brepols Publishers

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Buch. Hardcover. Verlagsfrisch New copy Utrecht Studies in Medieval Literacy (USML 37) Verbal and Visual Communication in Early English Texts M. Peikola, A. Mäkilähde, H. Salmi, M.-L. Varila, J. Skaffari (eds.) XII+280 p., 30 b/w ill. + 11 Graphs, 9 b/w tables, 156 x 234 mm, 2017 ISBN: 978-2-503-57464-6 Languages: English Hardback The publication is available. Retail price: EUR 80,00 The volume innovatively combines book studies with linguistics to explore the interplay of verbal and visual/material communication in early English manuscripts and printed texts. When reading a text our understanding of its meaning is influenced by the visual form and material features of the page. The chapters in this volume investigate how visual and material features of early English books, documents, and other artefacts support - or potentially contradict - the linguistic features in communicating the message. In addition to investigating how such communication varies between different media and genres, our contributors propose novel methods for analysing these features, including new digital applications. They map the use of visual and material features - such as layout design or choice of script/typeface - against linguistic features - such as code-switching, lexical variation, or textual labels - to consider how these choices reflect the communicative purposes of the text, for example guiding readers to navigate the text in a certain way or persuading them to arrive at a certain interpretation. The chapters explore texts from the medieval and the early modern periods, including saints' lives, medical treatises, dictionaries, personal letters, and inscriptions on objects. The thematic threads running through the volume serve to integrate book studies with discourse linguistics, the medieval with the early modern, manuscript with print, and the verbal with the visual. Table of Contents Abbreviations Preface Part I: Discourse Linguistics Meets Book History Disciplinary Decoding: Towards Understanding the Language of Visual and Material Features - MARI-LIISA VARILA, HANNA SALMI, ALEKSI MÄKILÄHDE, JANNE SKAFFARI, and MATTI PEIKOLA Part II: Communicating through Layout Discourse Variation, Mise-en-page, and Textual Organisation in Middle English Saints' Lives - COLETTE MOORE How the Page Functions: Reading Pitscottie's Cronicles in Manuscript and Print - FRANCESCA L. MACKAY Verbal and Visual Communication in Title Pages of Early Modern English Specialised Medical Texts - MAURA RATIA and CARLA SUHR Quantifying Contrasts: A Method of Computational Analysis of Visual Features on the Early Printed Page - JUKKA TYRKKÖ Part III: Communicating through Script and Typography Stating the Obvious in Runes - YIN LIU Labours Lost: William Caxton's "Otiose" Sorts, c. 1472-1482 - ANYA ADAIR Code-Switching, Script-Switching, and Typeface-Switching in Early Modern English Manuscript Letters and Printed Tracts - SAMULI KAISLANIEMI Seeing is Reading: Typography in Some Early Modern Dictionaries - R.W. MCCONCHIE Whose Letters Are They Anyway? Addressing the Issue of Scribal Writing in Bess of Hardwick's Early Modern English Letters - I.J. MARCUS Bibliography Index 0. Verlagsfrisch New copy. Artikel-Nr.: 22149.

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Vathek, by William Beckford, a new translation: Beckford, William [illustrator
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Hardcover with brown paper covered boards and vellum spine. Marbled endpapers. The front displays a stamped and gilded decoration of Arabic typography. The spine contains the title information also in gold. The top edge is gilded. The corners and edges of the boards are slightly damaged. Overall the book is in good condition. No foxing. 16,5 x 23,2 cm, [8] 1-172 [4] pp. The second to last page shows that this book is number 856 of 1050 limited editions that were published in England. This work contains eight full-page lithographs and two small vignette by Marion V. Dorn. Vathek is an early example of a Gothic novel by the British writer William Beckford (1760-1844). The lead character, caliph Vathek, goes on several adventures to gain supernatural powers. Instead of obtaining these powers, Vathek is doomed to live in hell for eternity. On these quests he meets eerie individuals and travels to fantastical places. This work is a beautiful example of the oriental influence in the 19th century. The illustrations are made by the American illustrator and textile designer Marion Victoria Dorn (1896-1964). These expressive and rather modern illustrations are the only pictures by her that were published as book illustrations. The repetition and variation of the motifs demonstrate her powerful way of designing and can easily be converted into patterns for textiles or rugs. B2391. Artikel-Nr.: 25570.

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McMurtrie, D.C.

The Book : The Story of Printing & Bookmaking.

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Oxford University Press, London, third revised edition, 1943, 1943

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Cloth, 8vo, 25 cm, xxx, 676 pp, over 170 ills, plates, facs, music. An excellent and highly readable general history of printing and everything to do with the making of a book, by an acknowledged expert. Extensively illustrated. Contents include: Preface; Introduction; Primitive Human Records; The Origin of the Alphabet; The Alphabet in Western Europe; Paper and Its Origins; Handwritten Books; Printing in the Far East; Early European Woodcuts; The Block Books; The Stage Setting for Typography; Johann Gutenberg's Invention; The Case of Rival Claimants; The Dissemination of Printing; The Master Printers of Venice; The First Printing in English; The Production of the Incunabula; Woodcut Book Illustration; Engraved Book Illustration; Early Book Decoration; Some Special Problems; Printers' Marks; The Study of Incunabula; Typography's Golden Age; Italian Book Illustration; The Indomitable Plantin; The Vogue of Engraving; Baskerville and His Disciples; The Press in the New World; Printing on Massachusetts Bay; Typographer, Philosopher, Statesman; Printer and Historian; The Spread of Printing in America; The Revival of Craftsmanship; The Private Presses; Contemporary Fine Printing; Modern Typography; Modern Book Illustration Processes of Bookmaking The Art of Bookbinding;The Printing of Illustrations; The Title Page; Concerning Type Design; The Printer's Ideals; Bibliographies; Index. FGood in used and worn and somewhat soiled dustwrapper. Artikel-Nr.: ABE-22931.

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McMurtrie, D.C.

The Book : The Story of Printing & Bookmaking.

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Oxford University Press, London, 1948 second printing of 1943 third edition, 1948

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Cloth, 8vo, 234 x 158 mm, xxx, 676 pp, numerous illustrations. An excellent and highly readable general history of printing and everything to do with the making of a book, by an acknowledged expert. Extensively illustrated. Contents include: Preface; Introduction; Primitive Human Records; The Origin of the Alphabet; The Alphabet in Western Europe; Paper and Its Origins; Handwritten Books; Printing in the Far East; Early European Woodcuts; The Block Books; The Stage Setting for Typography; Johann Gutenberg's Invention; The Case of Rival Claimants; The Dissemination of Printing; The Master Printers of Venice; The First Printing in English; The Production of the Incunabula; Woodcut Book Illustration; Engraved Book Illustration; Early Book Decoration; Some Special Problems; Printers' Marks; The Study of Incunabula; Typography's Golden Age; Italian Book Illustration; The Indomitable Plantin; The Vogue of Engraving; Baskerville and His Disciples; The Press in the New World; Printing on Massachusetts Bay; Typographer, Philosopher, Statesman; Printer and Historian; The Spread of Printing in America; The Revival of Craftsmanship; The Private Presses; Contemporary Fine Printing; Modern Typography; Modern Book Illustration Processes of Bookmaking The Art of Bookbinding;The Printing of Illustrations; The Title Page; Concerning Type Design; The Printer's Ideals; Bibliographies; Index. Top edge lightly duststained, otherwise Very Good. Artikel-Nr.: ABE-23386.

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Huberman, Leo.

Labor Spy Racket.

[nach diesem Titel suchen]

New York, Modern Age Books (1937)., 1937

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195 Seiten. Mit 8 s/w Fotoabbildungen. Farbig illustr. Orig.-Karton (lädierter Orig.-Schutzumschlag liegt bei). Berühmtes Buch über die Arbeitskämpfe in den Vereinigten Staaten. - Wenige Seiten minimal gebräunt, sonst wohlerhaltenes, innen sauberes Exemplar. // Interesting book design, typography by Robert Josephy. - Near fine original illustrated soft covers, the matching pictorial dj, rubbed and with loose front inside flap. Few pages minimally browned, else nice and clean inside. Sprache: Englisch. Artikel-Nr.: 8480AB.

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Tschichold, Jan:

Jan Tschichold. A life in typography. By Ruari McLean.

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London : Princeton Architectural Press, 1997

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128 S. Einband leicht berieben. - Jan Tschichold: A Life in Typography -- Plates: Early Days 1902-26 -- Work in Germany 1927-32 -- Switzerland 1933-46 -- Penguin Books 1947-49 -- After Penguin 1950-70. - German-born typographer Jan Tschichold (1902-74) revolutionized the field of graphic design with his bold, asymmetrical compositions, use of sanserif type, and exacting attention to detail. Inspired by the work of the Bauhaus, he proclaimed his personal philosophy through both his design work and a series of articles and books, including the groundbreaking "Die neue Typographie" (The New Typography) of 1928. Tschichold, perhaps the most visible proponent of modern graphic design prior to World War II, eventually embraced a more classical sensibility, raising that to a new level of refinement. Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Originalbroschur. Sehr gut. Artikel-Nr.: 997295.

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Moscow: Izogiz, 1933. 664 pp.: ill., 16 ills. 26x18 cm. In original full cloth with gilt lettering on the front cover and spine. Slightly rubbed, few ink marks, otherwise very good. First and only edition. One of 3000 copies. Very rare. This is the first fundamental work on the art of the Soviet Union from 1917 to 1932, gathering all important documents and publications. The book presents three chronological periods - the military communism, periods of recovery and reconstruction - detailing what art groups were established and how the state responded on them. The book features the manifests of futurist, abstract, productive and social realist art groups, the reports of state organizations and art institutes, publications on the exhibitions. Some black-and-white and colorful illustrations on the separate leaves accompanied the text. Period after the Revolution was one of the most interesting and intense times in the Russian art history. It would seem that everything was as before: artists united, dispersed, rumbled with manifestos, arranged exhibitions, moved from group to group. However, after the revolution, a new and very active participant appeared in the familiar space - the state. It had the power and many ways to encourage and punish. This was an unusual situation, because before the state was not very interested in artistic ideas. Looking ahead, when in 1932 the state decreed the closure of all artistic associations, it would be a perfectly logical gesture on its part - it is impossible to control what moves and changes. School unions, gathered around the central figures of the old, pre-revolutionary avant-garde, were now completely out of the mainstream. At the same time, the phrase of the critic Abram Efros about the fact that the avant-garde ''became the official art of the new Russia'', absolutely accurately captured the state of affairs in the early years of the decade. Avant-garde was really influential, but it was another avant-garde, otherwise oriented. The simplest (although not the most accurate) is to say that the main plot of the 1920s was an active confrontation between avant-garde artists and anti-avant-garde movement gaining strength very quickly. But in the early twenties, avant-garde art was experiencing a crisis itself, without any outside help. In this situation, the concept of industrial art was born. It partly reproduces the utopia of modernity - to transform the world, creating new forms of all that a person faces every day. Everything should be modern and progressive - from clothes to dishes. Art in this case justified its existence: it is applied, even useful. Suprematic and constructivist fabrics, porcelain, clothing, typography, book, poster, and photography - avant-garde artists were now doing all this. These were Lyubov Popova, Varvara Stepanova, Alexander Rodchenko, El Lissitzky, Vladimir Tatlin and many others. The ideological substantiation of industrial art took place in the society LEF (The Left Front of the Arts). On the basis of LEF, an association of contemporary architects (group OCA) arose. LEF was a kind of extreme point on the map of artistic associations of the 1920s. At the other extreme - AKhRR - the Association of Artists of Revolutionary Russia (later the name is transformed into the Association of Artists of the Revolution and lose one "r"). Between the designated poles the map of the associations of the 1920s resembled artistic nomads. People moved from group to group, there were a lot of these groups, for example, the Society of Moscow Artists, Four Arts, NOZh (New Society of Painters), Makovets, et al. By the second half of the decade, only two main forces remained on the field, opposing each other. But in the future they would have to form features of the "Soviet style" together. This refers to AKhRR and OST - the Easel Society, "the leftmost among the right-wing groups," as was said about it. All this in a short form of materials, documents, excerpts, chronology is included in this collection of a very important period of Russian avant-garde with such names as Petrov-Vodkin, Deineka, Klutsis, Pimenov, Mukhina, Lebedev, Chekhonin, Deni, Tatlin, Rodchenko, UNOVIS and Kazemir Malevich, Rozanova, Popova, Larionov, Punin, Filonov, Meyerkhold and others mentioned. Worldcat locates copies at Getty Research Institute, New York University, Iowa University, Ohio State University, University of Chicago, Princeton University, National Gallery of Art, Binghamton University Libraries, Columbia University, Thomas J. Watson Library (MET), NYPL, Yale. A few institutions have photocopies. Artikel-Nr.: 668.

Erstausgabe.

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Published by PIE BOOKS, Japan, 2014. 26,5 x 19 cm. Paperback / Softcover. Richly illustrated in color and b/w. 361 pages. NEW COPY * *** his incredible selection of typographic fonts and styles, from 17th to early 20th century in Europe, traces the modern evolution of the printed letter, reproducing pages from exquisitely designed catalogs and books showing type. Also included are borders, ornaments, initial letters and decorations, and many magnificent examples. This will be a valuable reference book for graphic designers and students studying design, and will be a completed edition of typography in Medieval and Modern European history. [ Typography /Typografie Letterproef / Typespecimen / Probeheft ]. Artikel-Nr.: #106105.

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Original Cloth. Folio. [84] pages. 36 cm. First Shulsinger facsimile edition. Finely printed facsimile of the Prague Haggadah, attractively bound. Contains short English introduction, otherwise entirely in Hebrew. "Kohen, together with his brother Gronem, printed the earliest Passover Haggadah, containing more than 60 lavish woodcut illustrations (mostly by Hayim Shahor) in the style of Holbein and Dürer. This work became the preeminent model for subsequent Haggadahs and is widely regarded as a masterpiece. " - YIVO Encyclopedia. "Playing a pivotal role in the development of the illustrated Haggadah was Gershom ben Solomon ha-Kohen's Haggadah, published in Prague in 1526. Typography of this Haggadah - which alternates small and large letters, and contains inverted letters at the end of many lines - was a common feature of texts produced by scribes and preserved the look of manuscript Haggadahs. Kohen's Haggadah included sixty woodcut illustrations and played a critical role in establishing the iconographic genres among Haggadahs well into the twentieth century. One example is the four woodcuts on the pages describing the famed 'four sons. ' Not only are all the sons clothed in Renaissance fashion, but more importantly the 'wicked son' is depicted as a traditional soldier of the period. While his uniform would change to fit current fashions, the wicked son appeared for many centuries in the form of a soldier, thus linking wickedness with war for the Jewish people in the early modern and modern periods. In addition, one can see several pages later a pictorial rendition of Pharaoh in a tub, a theme which is present in Haggadahs well into the twentieth century. Drawing on the rabbinic legend that Pharaoh bathed in a tub filled with the blood of Jewish children in order to cure himself of a disease, the Prague Haggadah offers a pictorial tradition which enabled all participants at the seder table to appreciate rabbinic interpretations and tradition. " - Penn Libraries. Subjects: Haggadot - Texts. Seder - Liturgy - Texts. Judaism - Liturgy - Texts. Haggadot. Judaism - Liturgy. Seder - Liturgy. OCLC lists 19 copies. Ex-library with usual markings. Light shelf wear. Very good Condition. (HAG-14-3) Hag4. (ja). Artikel-Nr.: 33921.

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Andy Budd

CSS Mastery : Advanced Web Standards Solutions

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Apress Okt 2009, 2009

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Taschenbuch. Neuware - This is the second edition of the 27,000 selling (on Bookscan) CSS Mastery. It brings the old book up to date with information on CSS 3 and modern browser standards. It also includes completely new case study chapters and new examples. 388 pp. Englisch. Neu. Artikel-Nr.: 9781430223979.

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