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Verlag: Watson-Guptill Publications, United States, New York, 1990
ISBN 10: 0823058727ISBN 13: 9780823058723
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. This is a style guide for making decisions about layout and typography. Drawing on a variety of sources, old and new, it presents an overview and analysis of two fundamentally different typographic approaches - the traditional style that evolved over centuries from the Renaissance book, and the modern style that reflects the German-Swiss philosophy of this century. Each style is a reflection of a particular philosophy; each has its own structure and its own set of procedures, priorities and rules. Each section of the book is a model of the style it presents and includes numerous examples, old and new. The book comes with two supplemental materials - a 48-page workbook provides exercises, samples, and specifications for reproducing page samples, grids, and layouts; an 800K disk contains layout templates for traditional and modern formats. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Thames & Hudson Ltd, United Kingdom, London, 1993
ISBN 10: 0500277141ISBN 13: 9780500277140
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. The Bauhaus is the most widely known, discussed, imitated, dissected, exhibited phenomenon in modern design. Yet since the Second World War design education has lost sight of one of its most important legacies: the need to think about design in a theoretically self-conscious way. By re-examining Bauhaus ideas and encouraging critical thinking about the means and ends of design, this work provides the opportunity to reinvigorate today's graphics. Conceived, designed and edited at The Herb Lubalin Study Center of Design and Typography, The Cooper Union, New York, this book traces the origins and impact of the Bauhaus in relation to basic design, graphic design and typography. While the text is a challenging exploration of the Bauhaus's aims and achievements, the book itself is a manifesto of Bauhaus ideals, synthesizing editorial concept, typography and craftsmanship. Essays by eminent contributors address various aspects of the Bauhaus, including its relationship to Weimar culture, Herbert Bayer's geometric type design called 'universal', and the psychological implications of Kandinsky's celebrated attempts to establish fundamental laws of form and colour with his triangle/square/circle test. Illustrations include extensive samples of typographical design, instructional diagrams and symbols. Designed in a manner that befits the aspirations of the Bauhaus, this manual will be an inexhaustible fund of inspiration for design professionals and a revelation for all those interested in 20th-century culture. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Penguin Books Ltd, United Kingdom, London, 2013
ISBN 10: 0141393564ISBN 13: 9780141393568
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. Eric Gill's opinionated manifesto on typography argues that 'a good piece of lettering is as beautiful a thing to see as any sculpture or painted picture'. This essay explores the place of typography in culture and is also a moral treatise celebrating the role of craftsmanship in an industrial age. Gill, a sculptor, engraver, printmaker and creator of many classic typefaces that can be seen around us today, fused art, history and polemic in a visionary work which has been hugely influential on modern graphic design. 'Written with clarity, humility and a touch of humour . . . timeless and absorbing' Paul Rand, The New York Times 'His lettering was clear, confident and hugely influential on the development of modern type design. The world has now caught up with Gill' Guardian How do we see the world around us? This is one of a number of pivotal works by creative thinkers like John Berger and Susan Sontag whose writings on art, design and the media have changed our vision for ever. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: The Johns Hopkins University Press, 1995
ISBN 10: 0801848598ISBN 13: 9780801848599
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Buch
Zustand: Used - Like New. Fine. Cloth, D-j. 1995. Originally published at $37.00.
Verlag: ACC Art Books, United Kingdom, Woodbridge, 2014
ISBN 10: 1851495916ISBN 13: 9781851495917
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. A new title in the Design series and an excellent introduction to the life and work of this versatile Russian artist. Alexander Mikhailovich Rodchenko (1891-1953) was a central figure in the Russian Constructivist art movement; a radical activist, a pioneer of photomontage, a theorist, and a teacher. He was an active force in the organization of the first museums of modern art that arose in Russia in the first years after the Russian Revolution of 1917. Attending art school in 1914 in Kazan was to be a defining influence: that year Russian Futurists performed in the town, and Rodchenko saw their leading figures in action. It transformed his vision and he was still working with Futurist artists and their ideas twenty-five years later. And it was at art school where Rodchenko first met the artist Varvara Stepanova, with whom he collaborated extensively, and who would become his life-long partner. Central in the re-examination of art and its place in society after the Revolution, and in the search for a new culture without the class implications of the past, Rodchenko's radical approach proposed a new understanding of a constructed, rather than a tastefully composed, culture. This concise, comprehensive and informative work focuses largely on Rodchenko's graphic work in the form of book jackets, posters and advertising. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631, GPO ISBN: 9781851495962, Peter Blake ISBN: 9781851496181, FHK Henrion ISBN: 9781851496327, David Gentleman ISBN: 9781851495955, David Mellor ISBN: 9781851496037, E.McKnight Kauffer ISBN: 9781851495207, Edward Bawden and Eric Ravilious ISBN: 9781851495009, El Lissitzky ISBN: 9781851496198, Festival of Britain 1951 ISBN: 9781851495337, Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719, Jan Le Witt and George Him ISBN: 9781851495665, Paul Nash and John Nash ISBN: 9781851495191, and Abram Games ISBN: 9781851496778. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: British Library Publishing, United Kingdom, London, 2008
ISBN 10: 0712309756ISBN 13: 9780712309752
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. Between 1900 and 1937 the avant garde consisted of a series of overlapping movements such as Cubism, Expressionism, Futurism, Dadaism, Constructivism and Surrealism. Because of its very nature, the avant garde was denied traditional modes of communication and exhibition, so participants became adept at finding alternative outlets, publishing their own manifestos, poetry, magazines and books, and creating new genres, such as the artist's book and the photo-book. These frequently employed innovative design and typography, still influential today.This book focuses on the printed work of avant garde participants, demonstrating its importance to the various groups and the way in which printed works helped to disseminate information and ideas internationally. Publication is timed to coincide with the major autumn exhibition of the same name at the British Library. It contains around 100 illustrations of avant garde printed work, giving a unique insight into a little-studied aspect of the avant garde. 30 cities of particular importance to the avant garde are featured, and their artists and contributions are described in depth. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Bodleian Library, United Kingdom, 2019
ISBN 10: 1851245197ISBN 13: 9781851245192
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. Many people have a love of maps. But what lies behind the process of map-making? How have cartographers through the centuries developed their craft and established a language of maps which helps them to better represent our world and users to understand it? This book tells the story of how widely accepted mapping conventions originated and evolved from map orientation, projections, typography and scale, to the use of colour, map symbols, ways of representing relief and the treatment of boundaries and place names. It charts the fascinating story of how conventions have changed in response to new technologies and ever-changing mapping requirements, how symbols can be a matter of life or death, why universal acceptance of conventions can be difficult to achieve and how new mapping conventions are developing to meet the needs of modern cartography. Here is an accessible and enlightening guide to the sometimes hidden techniques of map-making through the centuries. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: University of California Press, 1995
ISBN 10: 0520071468ISBN 13: 9780520071469
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Buch
Zustand: Used - Good. Cloth, dj. Minor shelf wear. Some scuffing to jacket, light creasing along edges of panels. Slight yellowing to edges of text block. Light underlining and marginalia in pencil throughout. Else fine. A nice reader's copy in otherwise very good condition. Good.
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Verlag: London/New York, The Studio Publications, 1952
Anbieter: Antiquariaat Digitalis, Amsterdam, Niederlande
Buch
Hardcover. Zustand: Good. 128, x11 pp., cloth. Cloth discoloured and a bit smudgy. Bottom spine slightly damaged. Foxing on flyleaf and endpapers. But firm copy. Many illustrations in colour and in black and white. 29 x 22 cm.
Verlag: University of California Press, 1998
ISBN 10: 0520071476ISBN 13: 9780520071476
Anbieter: Reuseabook, Gloucester, GLOS, Vereinigtes Königreich
Buch
paperback. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Damaged cover. The cover of is slightly damaged for instance a torn or bent corner.
Verlag: Quarry Books, 2019
ISBN 10: 1631597205ISBN 13: 9781631597206
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New. Digital Hand Lettering and Modern Calligraphy is an introductory, step-by-step guide to digitizing hand lettering and to lettering on a tablet.Über den AutorrnrnShelly Kim, creator of the popular Instagram lettering accou.
Verlag: Verlag Kettler Aug 2019, 2019
ISBN 10: 3862067548ISBN 13: 9783862067541
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Buch. Zustand: Neu. Neuware - In 1929, ten years after the Bauhaus was founded, Berlin's Martin-Gropius-Bau launched the exhibition 'New Typography.' László Moholy-Nagy, who had left Dessau the previous year and had earned a reputation as a designer in Berlin, was invited to exhibit his work together with other artists. He designed a room-entitled 'Wohin geht die typografische Entwicklung ' ('Where is typography headed ')-where he presented 78 wall charts illustrating the development of the 'New Typography' since the turn of the century and extrapolating its possible future. To create these charts, he not only used his own designs, but also included advertising prints by colleagues associated with the Bauhaus.The functional graphic design, initiated by the 'New Typography' movement in the 1920s, broke with tradition and established a new advertising design based on artistic criteria. It aimed to achieve a modern look with standardized typefaces, industrial DIN norms, and adherence to such ideals as legibility, lucidity, and straightforwardness, in line with the key principles of constructivist art.For the first time, this comprehensive publication showcases Moholy-Nagy's wall charts which have recently been rediscovered in Berlin's Kunstbibliothek. Renowned authors provide insights into this treasure trove by each contributing to this alphabetized compilation starting with 'A' for 'Asymmetry' and ending with 'Z' for 'Zukunftsvision' ('vision of the future'). By perusing through the pages and allowing a free flow of association, the typographical world of ideas of the 1920s avant-garde is once again brought back to life.
Verlag: University of California Press, 2006
ISBN 10: 0520250125ISBN 13: 9780520250123
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Buch
Zustand: Good. Volume 8. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780520250123.
Verlag: New York, Modern Language Association, Oxford,, Oxford University Press, 1939., 1939
Anbieter: Alexanderplatz Books, New York, NY, USA
Erstausgabe
First edition. Original cloth (issued without dust jacket). Near fine copy, clean, unworn, spine lettering dull. Topics covered include the Faustbuch, bibliographies and library holdings, private libraries of the period, linguistic questions, international literary relations, authors and authorship, Brant's Narrenschiff, Erasmus, Martin Luther, typography and printing, genres, ideas of marriage (intellectual history), etc. Search our listings for other books on the topic of "German literature" using those keywords.
Verlag: New York, Paul A. Struck 1946, 1946
Anbieter: Antiquariaat Schot, Hendrik-Ido-Ambacht, Niederlande
120 (7) p. Hardcover (Spine of the binding yellowed and without the dustjacket, otherwise in good condition.).
Verlag: Yale University Press, 2019
ISBN 10: 0300243952ISBN 13: 9780300243956
Anbieter: Kloof Booksellers & Scientia Verlag, Amsterdam, Niederlande
Buch
Zustand: as new. New Haven & London : Yale University Press, 2019. Paperback. xvii,254 pp. 23x18 cm. - An original account of the life and work of legendary designer Jan Tschichold and his role in the movement in Weimar Germany to create modern graphic design Richly illustrated with images from Jan Tschichold's little-known private collection of design ephemera, this important book explores a legendary figure in the history of modern graphic design through the artists, ideas, and texts from the Bauhaus that most influenced him. Tschichold (1902-1974), a prolific designer, writer, and theorist, stood at the forefront of a revolution in visual culture that made printed material more elemental and dynamic. His designs were applied to everyday graphics, from billboard advertisements and business cards to book jackets and invoices. This handsome volume offers a new understanding of Tschichold's work, and of the underlying theories of the artistic movement he helped to form, by analyzing his collections: illustrations, advertisements, magazines, and books by well-known figures, such as Kurt Schwitters, El Lissitzky, Aleksandr Rodchenko, and Laszlo Moholy-Nagy, and lesser-known artist-designers, including Willi Baumeister, Max Burchartz, Walter Dexel, and Piet Zwart. This book also charts the development of the New Typography, a broad-based movement across Central Europe that included The Ring, a group formed by Schwitters in 1927. Tschichold played a crucial role in defining this movement, documenting the theory and practice in his most influential book, The New Typography (1928), still regarded as a seminal text of graphic design. Published in association with the Bard Graduate Center Exhibition Schedule: Bard Graduate Center, New York (02/15/19-07/07/19) Condition : as new copy. ISBN 9780300243956. Keywords : TYPOGRAPHY,
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Mehr entdecken Softcover
Verlag: Peter Davies, Harper Bros., London and New York, 1928
Anbieter: Glenn Books, ABAA, ILAB, Prairie Village, KS, USA
Erstausgabe
Paper-Covered Boards. Zustand: Moderate Wear and Soiling. No Jacket. First Edition. An illustrated survey of post-war typography in Europe and the United States. Introduction by Aldous Huxley. Original cloth and paper covered boards with some soiling and darkening of spine, otherwise a very good copy. 122pp. Size: Large Quarto.
Verlag: The Federation of Master Printers 1950-1951, Wellington, 1950
Anbieter: Renaissance Books, ANZAAB / ILAB, Dunedin, Neuseeland
Erstausgabe
Softcover. Zustand: Fair. Zustand des Schutzumschlags: No Dust Jacket. First Edition. Ex-library. Rebound in card boards, with the card front cover of the first title laid down on the front board, and the card rear cover of the last title laid down on the rear board. Boards laminated in clear plastic. All the other coloured card covers of the five titles are bound in to the volume. Cloth spine worn and frayed, with splitting along most of the front joint. Hand-titled on spine as "The Story of Paper". Corner clipped from front free endpaper.; Five titles in one volume. All five booklets were issued by The Federation of Master Printers of New Zealand. Each title is [24] pages, with coloured card covers. Numerous illustrations. Page dimensions: 200 x 124mm. [Reference: Bagnall F198].
Verlag: London: Internos Books - New York: North Light Books, 1992
ISBN 10: 0904866904ISBN 13: 9780904866902
Anbieter: BOUQUINIST, München, BY, Deutschland
Buch Erstausgabe
Zustand: Wie neu. 2. Auflage. Second Imprint. 223 (1) Seiten mit vielen Abbildungen. 28 x 22,5 cm. Book and jacket design by why not associates. Sehr guter Zustand. Frisches Exemplar. Wie ungelesen. Typography is the key issue in British graphic design circles. This book presents an up-to-date survey of the significant trends and fresh typographic thinking made possible by current typesetting technology. Sprache: Englisch Gewicht in Gramm: 1450 Weißes Leinen mit schwarzgeprägten Rückentiteln, illustrierten Vorsätzen und Schutzumschlag. Hardcover with dustjacket.
Verlag: The Bauer Type Foundry, Inc., New York
Anbieter: Munster & Company LLC, ABAA/ILAB, Corvallis, OR, USA
Paperback. Zustand: Very Good. New York: The Bauer Type Foundry, Inc. 32 pp. 26.5 x 19 cm. Light grey stiff card wrappers with titling in black on front cover; illustrated (some in color). Undated, but c. 1935. Some toning to spine, with mild to moderate soil to covers and spine. Some minor wear to spine ends, with signs of starting to tail of fold on front cover. Mild age toning to interior, which is clean and unmarked. Binding sound. Created by Paul Renner and released by the Bauer Type Foundry (Bausersche Giesserei) in 1927, the Futura typeface quickly became popular for its combination of classicism and modernity. Nearly 100 years later, this "type of today and to-morrow" is still viewed as an iconic modern typeface. This particular booklet is quite uncommon, with WorldCat locating only three copies in holdings. . Soft Cover. Very Good.
Verlag: University of Chicago Press, 1997
ISBN 10: 0226165027ISBN 13: 9780226165028
Anbieter: moluna, Greven, Deutschland
Buch
Kartoniert / Broschiert. Zustand: New. Early in this century, Futurist and Dada artists developed brilliantly innovative uses of typography that blurred the boundaries between visual art and literature. In this text, Johanna Drucker shows how later art criticism has distorted our understanding o.
Verlag: Quadrille Publishing Ltd, 2021
ISBN 10: 1787136922ISBN 13: 9781787136922
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New. This is a modern guide to help you to practise and perfect the art of calligraphy.Über den AutorImogen Owen runs her letterpress and lettering studio of the same name in the UK. Starting with designing and printing let.
Verlag: New York, Sutnar and Hall, n.d. [ca. 1950-1955], 1955
Anbieter: Alexanderplatz Books, New York, NY, USA
Kunst / Grafik / Poster
No Binding. Zustand: Fine. Single large sheet on stiff paper. A season's greetings card reproducing in color a painting of a skyline entitled "New York - 5 AM" by Ladislav Sutnar, privately produced for use by Sutnar and Hall. Fine condition.
Verlag: UNIV OF ROCHESTER PR, 2013
ISBN 10: 1580464165ISBN 13: 9781580464161
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New. InhaltsverzeichnisIntroduction - Craig Monson and Roberta MarvinRobert Granjon and Music during the Golden Age of Typography - Kate van OrdenPublishing Music Theory in Early Cinquecento Venice and Bologna: Friends and Foes - Bon.
Verlag: SWING, 2015
ISBN 10: 1298965160ISBN 13: 9781298965165
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New.
Verlag: STANFORD UNIV PR, 1998
ISBN 10: 0804732825ISBN 13: 9780804732826
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New. Philosopher, literary critic, translator, Philippe Lacoue-Labarthe is one of the leading intellectual figures in France. This volume of six essays deals with the relation between philosophy and aesthetics, particularly the role of mimesis in a metaphysics o.
Verlag: Sagwan Press, 2018
ISBN 10: 1376469839ISBN 13: 9781376469837
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the origina.
Verlag: LIGHTNING SOURCE INC, 2019
ISBN 10: 1951702344ISBN 13: 9781951702342
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New. KlappentextrnrnThis hardbound Rig Veda is specifically designed to be a simple modern source in the standard Sanskrit and Devanagari script. It leverages extremely readable typography so that you can even learn Sanskrit as you read.
Verlag: EDINBURGH UNIV PR, 2019
ISBN 10: 1474444431ISBN 13: 9781474444439
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New. Über den AutorrnrnMohamed A. H. Ahmed is Visiting Researcher in the Faculty of Asian and Middle Eastern Studies at the University of CambridgeInhaltsverzeichnisrnrnList of Tables List of Figures Typography, Tr.
Verlag: Mark Batty Publisher, New York., 2004
ISBN 10: 0972424032ISBN 13: 9780972424035
Anbieter: Emile Kerssemakers ILAB, Heerlen, Niederlande
Buch
2004, 192pp. Illustrated. Hardcover with dustjacket. 29 x 20 cm. In very good condition. The look, feel and presentation of information in newspapers has changed enormously over the last 15 years. This book takes examples from around the world and analyses them in depth. Structure, layout, use of illustration and typography are all reviewed. In addition there is commentary on the effect and use of software and hardware technologies. The individual examples are compared, contrasted and put into historical and contemporary context.