picasso project (158 Ergebnisse)

Originalbroschur. Zustand: Sehr gut. 240 S. Mit zahlr. auch farb. Abb. Ein gutes und sauberes Exemplar. - Inhalt: projects -- space framed, richard gluckman -- illuminated structure, embodied space, hal foster -- project descriptions -- employee list -- project list -- richard gluckman designer: gluckman residence 1968 -- divis residence 1969 -- frederick stelle / richard gluckman architects: friedrich / de menil residence 1977 -- installation for the new york earth room by walter de maria 1979 -- installation for the broken kilometer by walter de maria 1980 -- farragut shelter, saint-gau dens national historic site 1983 -- richard gluckman architects: dia center for the arts 548 1987 -- the andy warhol museum 1994 -- ryman pavilion 1990 -- wright loft 1990 -- gordon residence 1990 -- row residence 1991-1996 -- gagosian gallery 1991 -- dia center for the arts 545 1992 -- dia center for the arts 535 1992 -- the andy warhol foundation for the visual arts 1993 -- south central first city with fox & fowle 1993 -- installation for lustmord by jenny holzer 1994 -- house for an artist and a writer 1994 -- berlin holocaust memorial competition with richard serra 1994 -- whitney museum of american art 1995-1998 -- lee lies residence 1995 -- matchbox house 1995-1999 -- mary boone gallery 1996 -- paula cooper gallery 1996 -- the mori art center 1996-2002 -- gianni versace boutique 1998 -- versace south beach 1997 -- modern art museum, fort worth 1997 -- artist's studio, acadia summer arts program 1997 -- georgia o'keeffe museum 1997 -- dia center for the arts 545 ii 1997 -- deutsche guggenheim berlin 1997 -- pittsburgh cultural trust with robert wilson 1997-2000 -- gluckman / maynerarchitects: helmut lang boutique 1998 -- second stage with rem koolhaas 1999 -- galeria sequiera 1998-2001 -- museo picasso malaga 1998-2001. ISBN 9781580930451 Sprache: Englisch Gewicht in Gramm: 1295.

staple binding. Zustand: Sehr gut. 48 unnumbered pp. mostly ill. Very good and clean copy. - Published on occasion of the exhibition Friezed, october 30th - november 21st, 2008. Artist book mostly illustrated, with texts by Knut Ljogodt and Sverre Bjertnes. / Thinking of pop art, the first thing that comes to my mind is celebrities, fame, Marilyn Monroe and the New York high life. I don't know why, but I guess the mythology surrounding Warhol and his factory completely erased the origin of the works and the fact that there were many others working with the same ideas. In one way pop art was a reaction to what itself has now become. One may describe it as a socialistic protest to high art and all its pretensions. It placed everyday objects in front, like the soup cans, brilloboxes and the cartoons, saying this can be art that everybody can relate to. Today, the formal impact of pop art can be seen everywhere, from the cheapest design to art repeating these ideas nearly as copies; still finding this grip revealing. I guess Kløfta, where Unni and I live is as far away from jet set New York as you can get. It's a rural place, mostly known for being a sign by the road you pass on your way to Oslo and the place Paris Hilton's great-great grandfather Gus left to make a new future for his family in America. In this landscape of white trash Norway, Unni has made her latest paintings for her New York show at Heiberg Cummings Design/Turid Meeker. Over the last years Unni's paintings have been moving towards something that can easily be connected to pop art. Although alluring, I see this connection to pop art to be mostly on the surface. Unni's works are always in an almost romantic way connected to her own life, deriving from her experiences of being an artist, woman, mom or even in the later years a Norwegian celebrity. Warhol liked to say he was in it for the fame and money, claming business was the highest art. But he also aimed at excluding his own subjectivity. Almost like saying: Hey! I'm just another observer. That has never been Unni's project as she with ease takes on different roles as both director, actor, player and still remains. true in the projections of herself and, like in this show, in the images of her own experiences. The personal focus and the use of self experience are in a major way disconnecting her from the pop art movement, and making her refreshing. In our time being so used to all the strategies of art, we don't really see it as problematic to take other peoples pictures, project images or quote and still claim to show the artist as a subject. We shop imagery and meanings and we put it together because this is the only credible way to make sense. In one way it's all done. We just put it together in our own way, it's our assembly. Unni's new paintings are all based on photos taken from her daily walks with our pug Maia. They are snap shots taken with a simple camera phone, emphasizing the unpretentious style. In this series of paintings Unni uses the form, the silhouettes as in pop art, more like abstractions than trying to achieve the realism in the photos. Some of these paintings, which all connect and form one single line, even miss the canvas, and continue into the next one. It's almost as if there isn't any attempt to grasp nature in all its form and colours, but instead insist on the viewer digging in to one's own memory bank to make sense of what we are actually seeing. It's like Unni with these paintings are saying, you can't grasp nature anyway so I won't bother trying, I'll just give you my memory of nature and you can connect it with your own." (Sverre Bjertnes) / BLONDIE IN THE FOREST Unni Askeland is the enfant terrible of contemporary, Norwegian art; shocking the politically correct establishment not merely with her works, but also with her sometimes bohemian, sometimes glamorous - life style. Unni Askeland was born in Bergen in 1962. After a year at the Art School in Kabelvåg in beautiful Lofoten (1983-84), Askeland started at the Academy of Western Norway, Bergen (1984-85). In 1987, she entered the National Academy of Fine Arts in Oslo, where she graduated in 1992. At the Academy's Graduate Exhibition, Askeland showed Waiting for Picasso, a painting depicting herself in the company of artists such as Edvard Munch, Frida Kahlo, Lena Cronqvist and Francesco Clemente. Apart from the obvious lack of modesty; the picture could also be read as a manifesto of her artistic ideals. Staging her own persona in her own works and within the art historical tradition has ever since been a central element in Askeland's oeuvre, as seen in e.g. the Munch Adoptions project. Furthermore, the artist here demonstrated an awareness of her belonging to the expressionist tradition. Expressionist ideals, dealing with personal, often erotic, experience, are present in most of her works. The 1980's saw a revival of these ideals with the so-called Neo-Expressionist movement. For Askeland, visits to the New York studios of Brice Marden and Francesco Clemente were crucial to this development. With the Obituaries project around 2000, the artist turned from figurative to abstract painting. The project dealt with death, and the paintings had the shape of coffins, painted in subtle blue and violet hues. After a few years of abstract expressionist paintings, the artist once again turned to figurative painting and to art historical ideals. Munch Adoptions (2004) was a series of paraphrases of Edvard Munch's famous "soul paintings" from the 1890's. Meddling with the nation's master caused something of a scandal in the Norwegian milieu. However, Askeland's pictures were not copies, but reinterpretations of Munchís themes, such as love, sex and agony. With the series Desire and Destruction and Big Blonde the latter shown in New York in 2006 Askeland depicted icons of the 20th century, paraphrasing well-known portraits. Among femmes fatales such as Marilyn Monroe, Mae West and Courtney Love one also found, once again, the arti.

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Umschlag durch Lager- oder Transportschaden -Im Schatten seiner weltweit gefeierten Kunstwerke schuf Picasso auch literarische Werke: Gedichte, Prosa und Theaterstücke. Die bisher wenig beachteten Schriften werden in Beiträgen aus der Literaturwissenschaft, Kunstgeschichte und Linguistik analysiert. Es ist die gemeinsame Hypothese des vorliegenden Bandes, dass der Maler Picasso nicht durch Zufall, persönliche Schaffenskrise oder aus Gründen der Selbstfindung zum Autor von Gedichten (Prosa und Theater) wurde, sondern damit ein ernsthaftes literarisches Projekt begründete, das einen Platz in der Literaturgeschichte beanspruchen kann. Overshadowed by his magnificent and internationally rewarded art, Picasso created literature: poems, prose, plays. In this book, the rarely analyzed writings are explored in the focus of literary studies, art history and linguistics. A conjoint hypothesis, which is critically discussed, can be formulated as: The painter Picasso became an author of poetry (prose and plays) not by accident, personal crisis or self-discovery, but in the context of a serious literary project, placed in literary tradition and history.Shaker Verlag GmbH, Am Langen Graben 15a, 52353 Düren 268 pp. Deutsch.

Taschenbuch. Zustand: Neu. Field, Guy (illustrator). Neuware - Have you ever looked at a great work of art and thought, 'I could have done that' Well, now's your chance! Try your hand at creating your own quirky pictures inspired by the world's most famous artists with more than 25 guided drawing projects, from Picasso-style portraits and Kandinsky abstracts to marvellous Mondrians and Matisses. With a dash of background information about the artists and prompts to help you compose your drawings, each project is also accompanied by useful templates so that your creations can be spot on.

Original brochure. Zustand: Gut. 168 p., num. fig. A very good and clean copy. - Contents: Inside the New York Art World -- Show and Tell: Louise Bourgeois at her Sunday salon. by Kelly Devine Thomas -- Location? Location? Location?: Scouting public-art venues with Anne Pasternak. by Barbara Pollack -- Phillips's Head Sales Driver -- Michael McGinnis stages an auction. by Kelly Devine Thomas -- Getting into Scrapes: Revealing the unvarnished truth at MoMA's conservation lab. by Sylvia Hochfield -- New Frontiers: A group of young dealers expands the Chelsea gallery district westward. by Rebecca Spence -- 'Sharks, Savagery, and Sainthood': Kara Walker curates a show at the Met. by Hilarie M. Sheets -- A Satyr Wrapped in an Enigma: Seductive, repulsive, mysterious, metaphorical, and usually gooey, Matthew Barney's visceral costume dramas are as extravagant as they are baffling. by Linda Yablonsky -- Creative Capital: Large multinational corporations-and a surprising number of smaller, regional companies-are using sponsorship of the visual arts to forge ties with communities across the globe and in their own backyards. by Michelle Falkenstein -- Art Talk: Robert Rosenblum, Kathleen Gilje, Arthur Danto, Lowery Stokes Sims, Francis Naumann, RoseLee Goldberg, Barbara Pollack, Jeffrey Deitch, Carlo McCormick, Sheila Metzner, Ernst Beyeler. Romero Britto, Archie Rand, Isabelle Collin Dufresne, Tracey Emin -- National News: NEW YORK Debating antiquities policy SPOTLIGHT William ? Griswold: Hitting the ground running NEW YORK Asia Society expands reach; ARTnews wins Silurians Award ENCINITAS, CALIFORNIA Allan Kaprow: Performance art pioneer -- International News: VIENNA Summer Night watch SPOTLIGHT Peter Doroshenko: Grist for the mill Moscow Saving the house without right angles TALLINN, ESTONIA Kudos for Kumu PARIS Chirac's grand project -- Art Market: NEW YORK Tobias Meyer: Reading lips ZURICH Old Masters for new collectors LONDON Picasso tops prints -- Looking at Art: Disharmony in the Concert: His two Concerts show Titian imitating- and then turning away from-Giorgione. by David Alan Brown -- Artful Traveler: Crouching tigress, hidden treasure: The Musée Cernuschi captures the essence of Chinese art in the heart of Paris. by Laurie Hurwitz -- Critics Pick: Slater Bradley: An operatic approach to emotional rescue. by Elisabeth Kley. Sprache: Englisch Gewicht in Gramm: 550.

Paperback. Zustand: Very Good. Using the Japanese art of amigurumi, learn how to crochet 20 cute heroes and heroines! Not only will they become beloved keepsakes, they will also celebrate the lives of icons such as Jane Austen, Frida Khalo, Maya Angelou, Pablo Picasso, Muhammad Ali, and Bruce Lee. From World War 2 heroes such as Josephine Baker to talented musicians and actors including Prince and Audrey Hepburn, everyone will find a crocheted character in this book to inspire them. Each project begins with a short description and lists the yarn type and colours used, but readers should feel free to use whichever brand and colours they prefer. The clear instructions are accompanied by a gorgeous photograph of the finished character and close-up photos demonstrating the trickier stages.At the end of the book you will find all the stitches and techniques needed to crochet the figures, all clearly illustrated with diagrams. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Taschenbuch. Zustand: Neu. Neuware - Paris 1922, the lost generation gathered to forget WWI. Art, literature and freedom filled the air. Pablo Picasso, F. Scott Fitzgerald, Henri Matisse, Sinclair Lewis and cutting the widest swath through the City of Light, Ernest Hemingway. Good and evil stalked the European Continent as the world began to position for the next war. In the midst of all this turmoil, Hemingway's early work was stolen. Packed in a suitcase with the carbon copies, it was snatched from a train in Paris.A sinister curse, unleashed by Hemingway, follows the suitcase as it passes through history striking down those who would possess it. Double-edged, it shadows him through three wars, four wives, even deepest Africa. Try as he might, he can't outrun it.All framed by the incredible life of Ernest Hemingway, the thrilling story has twists and turns that will keep the pages turning throughout the entire journey.

Zustand: Gut. facts Institutionen: Ebays Versteigerung für das SOS-Kinderdorf, Der kleine Prinz im Knesebeck Verlag, Videosammlung Ingvild Goetz im ZKM, Siemens Arts Program, Andy Warhol in der Galerie Jablonka, Neues Guggenheim Museums in Taiwan, Mori Art Museum Tokio, Jubiläum der Neuen Pinakothek München, Liechtenstein Museum Wien, Picasso Museum Malaga, Gespräch mit Jean Kämpf von Kämpf Bangerter & Partner, Interview mit E.ON- Vorstand Dr. Manfred Krüper, Bundeskunstsammlung Preise: Kunstpreise und ihre Favoriten bzw. Gewinner Theater: Rolex-Förderprogramm, Musical Hairspray , Salzburger Festspiele, Fonds der Chorus-Gruppe, De Keersmaekers Rückkehr, Pavarottis Pop-Platte, Englische Theater, And rew Lloyd Webber Trends: Designer-Produkte im Fokus Statement: Explosive Wiedergeburt der Ornamente Projekte: Axa Art Conservation Project, Romy Schneider, Sophia Loren und Maria Callas im Schimer/Mosel Verlag Artprice: News vom internationalen Kunstmarkt Interview: Im Gespräch mit Österreicher Karlheinz Essl, der ein einzigartiges Privatmuseum der Gegenwartskunst etablierte Crossculture: Mode Die Kunst der Kleider markets New Masters: Rekorde purzelten vor allem für die neueste Kunst Personal Picks: Warum sich die Kunst selbst in die Ecke malte Hotspot: Medien-Museum Eyebeam, Schiller, s Liquor Bar Old Masters: Schleppender Handel, mangelnde Ware Analyse: Tom Sachs, Ernst Ludwig Kirchner portrait Peter Lindbergh: Der Model-Dompteur Peter Lindbergh, Amber Valetta, Harper, s Bazaar, New York, 1993, verkauft für 16730 Dollar bei Christie, s New York am 20.10.2003 5.3: Peter Lindbergh, Kristen Mc Menamy and Tom Dey, El Mirage/Dry Lake, Pirelli, Gelatin Silver Print, 1995, 52,2 x 35 cm, verkauft für 11 800 Euro in der Villa Grisebach am 30.5.2003 focus Herbert Brandl: Malender Bergbesteiger Stephan Huber: Erinnerungskünstler Monica Studer & Christoph van den Berg: Raumveränderer auktionsergebnisse Künstler mit Format: Die Top-4o-Rekorde der Foto- vergangenen Saison, die 50 umsatzstärksten Foto-Künstler inside Phänomen Ost-Kunst: Top-Manager Roland Berger Strategien und Entwicklungen am Kunstmarkt Artpartners: Michaela Neumeister, Jette Joop service Editionen: Kunstwerke für ARTinvestor-Leser Ordnung und Übersicht: Software für Kunstsammler Messen: Die Top 8 der Messen für Gegenwartskunst Bücher: Kleine Auswahl interessanter Neuerscheinungen travel Mallorca: Fern ab von Ballermann 6 und Handtuch-Stränden, Hoteltest: Das Ritz Carlton, Berlin gepflegtes Exemplar, nur kleine Lesespuren Gern können sie Ihr Buch per Rechnung bestellen. Hardcover.

Zustand: Good. 4to. 384 pp. with more than 1,200 black & white illustrations. This volume illustrates and describes the works by the master as a teenager in Spain. This volume is part of the Picasso Project series, the most comprehensive catalogues of the artist's work. New in dust jacket.

Zustand: Good. Pablo Picasso (illustrator). 296 pp. 300+ illustrations. Cloth in dust jacket. 9.125 x 12.25 inches (23 x 31 cm. The most comprehensive catalogue of the linocuts, with concordances to all the major catalogues and information on public sales of unique impressions. The catalogue includes both the works on paper and the ceramics which originated as linoleum cuts. This is an essential reference for the collector, curator, dealer and scholar. Essays by Aldo and Piero Crommelynck, Bernhard Geiser, André Verdet and Alan Hyman. Translation and compilation of concordances by Jeffrey B. Jackson.

Hardcover. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, wenige Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, few traces of use. 1556602359 Sprache: Englisch Gewicht in Gramm: 550.

Zustand: new. Pages: 60 Language: German. Eine musikalische Geschichte basierend auf dem Ballett Uraufgeführt von den Diaghilev Ballets Russes aus dem Jahr 1919 mit Musik von Manuel de Falla In German "THE THREE-CORNERED HAT" FOR YOUNG READERS The creation of the ballet "The Three-Cornered Hat" was undoubtedly the most complex and ambitious project of Diaghilev and his ballet company. The cubist contribution of Pablo Picasso in the design of costumes and sets and the musical collaboration of other composers in the completion of the orchestral score, made "The Three-Cornered Hat" reach great success on the night of its premiere, becoming thereafter one of the most accomplished works of modernist art. This book is the result of years of experience in teaching and researching about music. Presented as a story or musical narration, the book can be read along with the music. The text written by the the music teacher Antonio Hernandez the text that I have composed is not only based on the plot but also enriched by the character of the music and the ballet itself. The same procedure has been used for the design of the illustrations, giving a delightful intrinsic result. "The Three-Cornered Hat" has never yet been adapted for didactic purposes, perhaps because of the complexity of its plot or because of its inadequacy. This book provides finally a adapted version for children and young readers, and also introduces the no less important novelty of accompanying the text with the first or at least one of the few recordings available of the complete ballet music on piano. The piano version of this piece of music will also reveal to classical music-lovers or adult readers a number of aspects about Falla's music - and about this masterwork piece of music in particular - which have never before been appreciated. These have been essential to the research I have carried out on the Ballets Russes in Spain and the collaboration of the dancer Felix Garcia in the creation of this ballet in the centenary year of its premiere (1919-2019). Illustrated by Gerardo Valero. "DER DREISPITZ" FÜR JUNGE LESER Die Schaffung des Balletts "Der Dreispitz" war zweifelsohne das schwierigste und ehrgeizigste Projekt Diaghilevs und seiner Ballettkompanie. Der kubistische Beitrag von Pablo Picasso in der Kostüm- und Setgestaltung und die musikalische Zusammenarbeit weiterer Komponisten in der Vollendung der Orchesterpartitur, die dem "The Three-Cornered Hat" einen grossen Erfolg in seiner Premiere brachten und das seitdemeins der vollkommenstenWerke der modernistischen Kunst ist. Dieses Buch ist das Ergebnis jahrelanger Erfahrung in musikalischer Lehre und Forschung. In Anlehnung an die intuitive Methode des musikalischen Zuhörens, gezeigt wird, besteht diese Methode darin, eine Geschichte oder eine Erzählung über das musikalische Werk zum Objekt des Zuhörens zu entwickeln, unter Berücksichtigung seiner Struktur und seines Gehalts. "Der Dreispitz" wurde bisher nicht für didaktische Zwecke angepasst, da seine Handlung vielleicht zu komplex oder unangemessen scheint. Der Text, den ich ausgearbeitet habe, basiert nicht nur auf der Handlung sondern auch auf dem Charakter derMusik und demBallett selbst. Das gleiche Verfahrenwurde für die Ausarbeitung der Illustrationen verwendet, um so ein einheitliches Ergebnis zu erhalten. In der Diskografie ist dieses Projekt, die Begleitung des Textes mit der ersten Aufnahme der vollständigen Musik des Balletts in Klavierfassung, eine Neuheit. Die Klavierversion zeigt auch dem erwachsenen Hörer oder Leser Aspekte der Musik Fallas und dieser Arbeit, die bisher nicht wahrgenommen wurden. Aspekte, wesentlich für meine Recherchen über das Ballets Russes in Spanien und die Zusammenarbeit des Tänzers Felix Garcia bei der Gründung dieses Balletts, sollen hundert Jahre nach der Uraufführung des Balletts "Der Dreispitz" (1919-2019) sein Andenken in Ehren halten. 9788409046492.

Zustand: new. Pages: 60 Language: Danish. En musikalsk historie baseret på balletten skabt af Diaghilevs Ballet Russes i 1919 med musik af Manuel da Falla In Danish "THE THREE-CORNERED HAT" FOR YOUNG READERS The creation of the ballet "The Three-Cornered Hat" was undoubtedly the most complex and ambitious project of Diaghilev and his ballet company. The cubist contribution of Pablo Picasso in the design of costumes and sets and the musical collaboration of other composers in the completion of the orchestral score, made "The Three-Cornered Hat" reach great success on the night of its premiere, becoming thereafter one of the most accomplished works of modernist art. This book is the result of years of experience in teaching and researching about music. Presented as a story or musical narration, the book can be read along with the music. The text written by the the music teacher Antonio Hernandez the text that I have composed is not only based on the plot but also enriched by the character of the music and the ballet itself. The same procedure has been used for the design of the illustrations, giving a delightful intrinsic result. "The Three-Cornered Hat" has never yet been adapted for didactic purposes, perhaps because of the complexity of its plot or because of its inadequacy. This book provides finally a adapted version for children and young readers, and also introduces the no less important novelty of accompanying the text with the first or at least one of the few recordings available of the complete ballet music on piano. The piano version of this piece of music will also reveal to classical music-lovers or adult readers a number of aspects about Falla's music - and about this masterwork piece of music in particular - which have never before been appreciated. These have been essential to the research I have carried out on the Ballets Russes in Spain and the collaboration of the dancer Felix Garcia in the creation of this ballet in the centenary year of its premiere (1919-2019). Illustrated by Gerardo Valero. "DEN TREKANTEDE HAT" FOR UNGE LAESERE Skabelsen af balletten "Den trekantede hat" var uden tvivl Diaghilev og hans kompagnis mest komplekse og ambisiose projekt. De kubistiske bidrag fra Pablo Picasso i kostumernes design og scene og den musikalske samarbejde med andre komponister i fuldendelsen af orkester partitur gjorde, at "Den trekantede hat" opnåede en bragende succes på premiereaftenen og blev herefter en af de mest anerkendte vaerker i moderne kunst. Denne bog er resultatet af mange års erfaring med undervisning og studier i musik. Praesenteret som en historie eller en musikalsk fortaelling, ifolge den "intuitive musik lyttemetode", går denne metode ud på at udvikle en historie eller et eventyr med et stykke musik, hvor man inddrager dets struktur og ånd. Således er teksten, som jeg har skrevet, ikke alene baseret på handlingen, men også inspireret af musikkens karakter og balletten i sig selv. Den samme procedure er også taget i brug til illustrationernes udformning og giver dem et iboende fornojeligt resultat. "Den Trekantede Hat" er endnu aldrig blevet tilpasset didaktiske formål. Det kan muligvis skyldes den indviklede handling eller vaere på grund af dens mangler. Når vi nu taler om musikken, introducerer denne bog den ikke mindre vigtige nyskabelse med at ledsage teksten med den forste eller i det mindste en af de få tilgaengelige udgaver af dette stykkes komplette balletmusik på klaver. Dette stykkes pianoversion vil afslore flere aspekter af Fallas musik for klassiske musikelskere og voksne laesere- og i dette mestervaerk i saerdeleshed, som aldrig for er blevet påskonnet. Disse har vaeret altafgorende i forbindelse med den research jeg har foretaget på Ballet Russes i Spanien og i samarbejdet med danseren Felix Garcia i skabelsen af denne ballet, i hundredåret for premieren af balletten "Den trekantede hat" (1919-2019). 9788409046515.

Zustand: Gut. 38 S. Ein gutes und sauberes Exemplar. - "119-minute circle - the international congress at the Whitechapel Gallery" project was orginally held at Whitechapel Gallery in London on 14th of March 2010. Jaworska has invited members of 13 different nations to gather at the: "The nature of the Beast" - international round table to form a live human exibition. The performance took place on the ground floor gallery room, home of an installation from another Polish artist - Goshka Macuga. Here Macuga focused on Pablo Picasso's "Guernica" exibition at the whitechapel Gallery in 1939. "119-minute circle - the international congress at the whitechapel Gallery" took place with this painting in the background. It is a magnificent piece, originally brought to London's East End as a political backdrop to an anti-Fascist rally during the Spanisch civil War. Related archival materials provide a springboard for discussions on this iconic image and the connections that exist between art, propaganda and war. Each one of the "119-minute circle - the international congress at the whitechapel Gallery" participants recited their national anthem individually followed by all reciting them again simultaneously creating a cacophony of dissonance, miscommunication and aural power struggles, it therefore performed serious questions of the struggle between national identities and the perceived individualism that nationalist ideology. Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag.

Buch. Zustand: Neu. Neuware - Zwei heimliche Rivalen der Moderne Pablo Picasso (geb. 1881 in Ma laga, gest. 1973 in Mougins) und Max Beckmann (geb. 1884 in Leipzig, gest. 1950 in New York), die die bewegte Epoche des Fin de Sie cle und zwei Weltkriege durchlebten, haben die Kunst der Moderne und unseren Blick auf das 20. Jahrhundert entscheidend gepragt. Von unterschiedlichen Voraussetzungen ausgehend, gelangten sie eigenstandig zu individuellen Losungen großer Probleme der Kunst und kreisten mit ihrem Schaffen um Kernfragen der menschlichen Existenz. Trotz verschiedener künstlerischer Auffassungen überschneiden sich ihre Positionen dabei immer wieder auf überraschende Weise. Wenn gleich beide Künstler einander vermutlich nie personlich begegnet sind, auch nicht wahrend Beckmanns mehrfachen Aufenthalten in Paris, nahmen sie sich gegenseitig wahr und reagierten auf das Werk des anderen.Im Rahmen des internationalen Projekts Ce le bration Picasso 1973-2023, das an den 50. Todestag Picassos erinnert, konfrontieren das Von der Heydt-Museum Wuppertal und das Sprengel Museum Hannover die Werke der Künstler erstmalig auf breiter Basis miteinander. Die umfassende Publikation Pablo Picasso | Max Beckmann: Mensch - Mythos - Welt vertieft die Gegenüberstellung beider Künstler mit Essays von Antje Birthalmer, Alexander Leinemann, Roland Monig, Didier Ottinger, Olaf Peters und Reinhard Spieler.Two Secret Modernist Rivals Pablo Picasso (b. Ma laga, 1881; d. Mougins, 1973) and Max Beckmann (b. Leipzig, 1884; d. New York, 1950), who lived through the eventful years of the fin de sie cle, two world wars, and the dawn of the postwar era, rank among the most influential modernist artists and have shaped our perspective on the twentieth century like few others. Setting out from different starting points, they independently arrived at individual solutions to major problems in art, producing oeuvres that insistently probed essential questions of human existence. Despite their diverging creative visions, their positions repeatedly intersect in surprising ways. Although Beckmann spent time in Paris on several occasions, the two artists in all likelihood never met in person. Still, each took note of what the other was doing and responded to his work.As part of the international project Ce le bration Picasso 1973-2023, which commemorates the fiftieth anniversary of Picasso's death, the Von der Heydt-Museum in Wuppertal and the Sprengel Museum in Hannover mount this pioneering exhibition bringing the two artists face to face on a broad basis. The comprehensive publication Pablo Picasso | Max Beckmann: Mensch-Mythos-Welt elaborates on the com- parative study of the two artists' oeuvres with essays by Antje Birthalmer, Alexander Leinemann, Roland Monig, Didier Ottinger, Olaf Peters, and Reinhard Spieler.

Taschenbuch. Zustand: Neu. Neuware -Quelle: Wikipedia. Seiten: 54. Kapitel: Kubismus, Parade, Dora Maar, Gabrielle Lespinasse, Mein Mann Picasso, Kunstmuseum Pablo Picasso Münster, Bateau-Lavoir, Françoise Gilot, Marie-Thérèse Walter, Eva Gouel, Picassoplatz, Carlos Casagemas, Musée Picasso, Fernande Olivier, Vallauris, Olga Stepanowna Chochlowa, Christian Zervos, Els Quatre Gats, Musée Picasso Antibes, Lump, Jacqueline Roque, On-Line Picasso Project, Museu Picasso, Torre Picasso. Auszug: Pablo Picasso, eigentlich Pablo Ruiz Picasso, (\* 25. Oktober 1881 in Málaga, Spanien; ¿ 8. April 1973 in Mougins, Frankreich) war ein spanischer Maler, Grafiker und Bildhauer. Sein umfangreiches Gesamtwerk, dessen Gesamtzahl auf 50 000 geschätzt wird, umfasst Gemälden, Zeichnungen, Grafiken, Plastiken und Keramiken. Es ist geprägt durch eine große Vielfalt künstlerischer Ausdrucksformen. Die Werke aus seiner Blauen und Rosa Periode, und die Begründung des Kubismus zusammen mit Georges Braque bilden den Beginn seiner außerordentlichen Künstlerlaufbahn. Zu den bekanntesten Werken Picassos gehört das Gemälde Les Demoiselles d¿Avignon (1907). Es avancierte zum Schlüsselbild der Klassischen Moderne. Mit Ausnahme des monumentalen Gemäldes Guernica (1937), eine künstlerische Umsetzung der Schrecken des Spanischen Bürgerkriegs, hat kein anderes Kunstwerk des 20. Jahrhunderts die Forschung so herausgefordert wie die Demoiselles. Das Motiv der Taube auf dem Plakat, das er im Jahr 1949 für den Pariser Weltfriedenskongress entwarf, wurde weltweit zum Friedenssymbol. Picasso ist der einzige Künstler des 20. Jahrhunderts, für dessen Werk bereits zu Lebzeiten zwei Museen eingerichtet wurden, das Museu Picasso in Barcelona und das Musée Picasso in Antibes. Geburtshaus Picassos in Málaga, Plaza de la Merced 36 (ganz links, heute Nr. 15)Picasso war das erste Kind von José Ruiz Blasco (1838¿1913) und María Picasso y López (1855¿1938). Der traditionellen Namensgebung in Málaga folgend erhielt er bei seiner Geburt im Jahr 1881 eine Vielzahl von Vornamen: Pablo, Diego, José, Francisco de Paula, Juan Nepomuceno, María de los Remedios, Crispiniano de la Santísima Trinidad, von denen lediglich Pablo (eine Reverenz an Don Josés kurz vor dem ursprünglichen Hochzeitstermin verstorbenen älteren Bruder) gebräuchlich wurde. Der Vater war freischaffender Maler und Lehrer an der ¿Escuela de San Telmö, einer Kunstgewerbeschule, die in der Tradition der akademischen Malerei des 19. Jahrhunderts stanBooks on Demand GmbH, Überseering 33, 22297 Hamburg 54 pp. Deutsch.

Zustand: new. Pages: 60 Language: English. The creation of the ballet "The Three-Cornered Hat" was undoubtedly the most complex and ambitious project of Diaghilev and his ballet company. The cubist contribution of Pablo Picasso in the design of costumes and sets and the musical collaboration of other composers in the completion of the orchestral score, made "The Three-Cornered Hat" reach great success on the night of its premiere, becoming thereafter one of the most accomplished works of modernist art. This book is the result of years of experience in teaching and researching about music. Presented as a story or musical narration, the book can be read along with the music. The text written by the the music teacher Antonio Hernandez the text that I have composed is not only based on the plot but also enriched by the character of the music and the ballet itself. The same procedure has been used for the design of the illustrations, giving a delightful intrinsic result. "The Three-Cornered Hat" has never yet been adapted for didactic purposes, perhaps because of the complexity of its plot or because of its inadequacy. This book provides finally a adapted version for children and young readers, and also introduces the no less important novelty of accompanying the text with the first or at least one of the few recordings available of the complete ballet music on piano. The piano version of this piece of music will also reveal to classical music-lovers or adult readers a number of aspects about Falla's music - and about this masterwork piece of music in particular - which have never before been appreciated. These have been essential to the research I have carried out on the Ballets Russes in Spain and the collaboration of the dancer Felix Garcia in the creation of this ballet in the centenary year of its premiere (1919-2019). Illustrated by Gerardo Valero. 9788469790939.

Buch. Zustand: Neu. Neuware - The first book dedicated to Picasso's self-portraits, many held in private collections and published here for the first time. Much has been said and written about Picasso's life and art, but until now his self-portraits have never been studied and presented in a single book, perhaps because the artist always left many doubts about his work. However, there is no doubt that Picasso represented himself ceaselessly, whether in a dashed-off pencil sketch, as a flourish at the bottom of a letter, or on a giant canvas. At the suggestion of Picasso's widow Jacqueline, the distinguished art historian Pascal Bonafoux began researching Picasso's self-portraits more than forty years ago. This meticulously researched book presents the fruits of his decades-long project. From the first attributed painting in 1894 as a thirteen-year-old boy, until Picasso's final self-portrait in 1972, a year before his death, Bonafoux charts the evolution of the artist's life and art. Here is Picasso as a student; as a young bohemian; an impetuous artist in Paris; as harlequin; as lover, husband and father; and finally, as an old man confronting his mortality. The book comprises about 170 drawings, paintings and photographs, some from private collections and previously unpublished, bringing together for the first time the attributed self-portraits of this genius of 20th-century art.

Taschenbuch. Zustand: Neu. Neuware - In 2010, artist Michael Baers learned of Khaled Hourani's plan to bring Picasso's 1943 painting Buste de femme to Ramallah for an exhibition at the International Academy of Art, Palestine. The two- year effort to coordinate the loan from the Van Abbemuseum in Eindhoven and stage the exhibition, which took place in June 2011, was hindered by the conditions imposed by the Israeli occupation, necessitating intricate negotiations with shippers, insurers, bureaucrats, and politicians. While this story is well known, having attracted a great deal of press coverage while also being documented in the 2012 documentary Picasso in Palestine by Hourani and lmmaker Rashid Masharawi, Baers' graphic novel, An Oral History of Picasso in Palestine, suggests there is more to tell. The result of extensive research, this work retells the story of the Picasso in Palestine exhibition, exploring the history of the project's gestation as well as its relevance to the question of how Israel actually administers its occupation. An Oral History of Picasso in Palestine offers a sophisticated meta-commentary, charting the intersections of modernism, occupation, statehood, and security, using the graphic novel form to demonstrate that narrativization need not entail a reduction of complexity.

Titles in English and French; Spanish and Catalan. 12 vols. 4to. Cloth. Fine in fine dust jackets Titles in English and French; Spanish and Catalan. 12 vols. 4to.

Picasso Project. PICASSO'S Paintings, Watercolors, Drawings and Sculpture. A Comprehensive Illustrated Catalogue 1885 - 1973. 23 Volumes. 4tos, cloth. San Francisco, Alan Wofsy Fine Arts, 2000-2016.

Zustand: very good. With contributions by Antje von Graevenitz . [et al.]. Helvoirt : TEFAF, [2016]. Paperback. 131 pp. illustrations. 26 cm. Kremer - a curator and art historian based in Amsterdam - was invited to put together a display for the 2016 edition of the TEFAF following the success of Sydney Picasso's inaugural show, 'Night Fishing', in the same spot last year. He responded to a generously open brief with a similarly open-ended project, inspired by Joseph Beuys' Show your Wound from 1976, a bleak installation of dissection tables, agricultural implements and other items in a Munich underpass. 'Show your Wound talks about ethics: how we take care of ourselves, how we build ourselves, how we build social worlds, how we take care of nature', Kremer explained on the opening day. 'There is a concern, a deep concern in this world, about these things. So it's a work that reaches out to people'. Treating the piece as a 'point of departure', he approached seven artists from seven different galleries to present works in response : William Tucker, Pedro Cabrita Reis, Helmut Federle, Klaas Kloosterboer, Peter Buggenhout, John Murphy & Folkert de Jong. Condition : very good copy. ISBN 9789075375244. Keywords : ART, Beuys, Joseph (1921-1986).

28.0 x 25.0cms 136pp colour illusts fine hardback with decorated boards (no dustwrapper as issued) The essays are: on the problem of explaining cubism a few notes; a project of wholeness; Braque's ovals; Picasso Braque and the usues of print; cubist faktura; observations on the materials process and condition of cubist paintings.

Taschenbuch. Zustand: Neu. Neuware -At the center of this project is the series ¿Raphael and La Fornarinä from the Suite 347 with twenty-five lithographs made by Picasso in 1968. The print Raphael and La Fornarina XXII: The Pope in the Armchair Feels Cuckolded is examined as well as the various references that are incorporated into it. The beginning of this research topic was the exhibition of these prints at the Picasso Museum in 2009, and has been expanded by Malén Gual in his essay ¿Dialogues with Japanese Art¿ in Imatges Secretes, Picasso i l¿estampa erotica japonesa (Istituto de Cultura de Barcelona, 2009). The bulk of this analysis focuses on connections to European painters. One theme that is applied to the European comparison is the ¿ideal of beauty¿. A secondary emphasis is on Japanese artists from the Edo period, through a rare print series by Sugimura Jihei from around 1680, by focusing on its analysis and description, and possible connections with Picasso¿s print. This book is centered on long-neglected and only recently discovered connections between Picasso and Japanese erotic prints. To this new area of research, it wants to contribute to a wider social meaning of Picasso¿s art reception.Books on Demand GmbH, Überseering 33, 22297 Hamburg 80 pp. Englisch.

Zustand: Muy bueno. : A Cloud of Ink, written in the present tense and first person, is a wryly elegiac fragment of a memoir of a younger version of the author, Anna, a hermetic, self-styled "femme fatale" inclined to the perspective of Radical Traditionalism. G., the object of her dedicated affection, is a Modern Guy (his band) and the picture of a troubled young man with the promise of genius--a mathematical prodigy, a successful song writer and Parisian rock star who has, in a philosophic turn, eschewed the impositions of early fame to study film at UCLA while, on the side, ghost-writing a well financed biography of Picasso under the ruse of doing "research". His employer is a rising, enigmatic phenomenon in the worlds of American society, politics, and publishing, who has recognized in G.'s talents and childhood familiarity with Picasso's family the elements of a valuable resource. G., on the other hand, invites speculation as to whether his own dark psychological struggles have crept into his narrative of Picasso's life when he confesses to having embedded "monstrous fabulations" into the work. The two inhabit a world where anguish and ecstasy coexist like a narcotic obsession, where the full intensity of destructive and dangerous beauty blossoms into a sorrow bordering on plaintive horror. The story constitutes a probing, poetically rendered passage through the looking-glass surface of privileged, somewhat languorous lives ravished by emotional and sexual passions--against a background of Project MKUltra drugs and New Wave in the mid-1980s--into a complex psychological chess match in which the prize slowly morphs into a question of mortal survival.In the form of a conversation between Anna, once creative director for Filmways, and G., screenwriter and budding director, during a walk around Lake Hollywood, an appendix contains an exegesis of a controversial film directed by a close friend of the author's. This is Performance, listed among the greatest English films ever made, written and co-directed by Donald Cammell. While its marketing appeal initially centred on starring Mick Jagger in his first screen role, it has long since been eclipsed by a faithful audience's fascination with its mysterious complexity, driving fans to view it myriad times in attempting to unravel its secrets. After more than fifty years of mystifying viewers, the close analysis presented in A Cloud of Ink at last severs the Gordian knot.Echoing the phraseology of Timothy Leary, an authorial crony, A Cloud of Ink might aptly be described as a hedonic neurocrat's navigational disaster, located at the crossroads of nonfiction and hermetic philosophy. It condenses certain esoteric, philosophical, psychological, and even (for the initiate) alchemical observations regarding the nature of substance abuse and its subtle effects, distilled in a narrative delivered with such intensity as to leave an indelible impression. Yet perceptive readers will neither depend upon a familiarity with the threads of pop culture, nor even the esoteric traditions invoked, to appreciate the dreamlike stories within stories, full of enigma and contradiction, which trace an elliptical course through the pages of the book. A final deliverance, a catharsis of sorts, is the closing note of the memoir. As literature may be a sword that paradoxically ministers to the wounds it inflicts, so the healing enchantress of art finds a home in this tragedy of both ancient and modern dimensions. EAN: 9781543966756 Tipo: Libros Título: A Cloud of Ink Autor: Lambremont, Comtesse de Editorial: Eleusis Press Formato: Tapa dura.

Buch. Zustand: Neu. Neuware - DropMag and Paragon Books are proud to present the latest edition of Film on Canvas--based on on one of the questions that all interviewees of the Dropcast Movie Poster Podcast get: 'What classical/fine artist would you like to have seen make a movie poster and which movie would it be ' The results of asking this question have evolved into this 144-page book project that includes 30 artists that have been on the podcast in some sort of capacity and have all responded to that question. Just imagine if Pablo Picasso had created a 'Fight Club' poster or Leonardo da Vinci would have created a UK quad poster for 'The Avengers'. These 30 new pieces of art created for this volume are incredible and are not only something for movie and tv lovers, they also cater to the world of fine art as all of the included artists have attempted to simulate the style of a fine artist in their brand-new poster creations.

Zustand: new. Pages: 60 Language: French. Conte musical issu d'un ballet cree en 1919 pour les Ballets Russes de Diaghilev sur la musique de Manuel de Falla "LE CHAPEAU TRICORNE" POUR LES JEUNES LECTEURS La creation du ballet "Le Chapeau tricorne" fut sans conteste, le projet le plus complet et ambitieux de Diaghilev et de sa compagnie de ballet. L'apport du cubisme de Pablo Picasso, dans le dessins des vetements et des decors; et la collaboration musicale d'autres compositeurs pour terminer la partition orchestrale, ont fait que "El Sombrero de tres picos" (Le Chapeau tricorne) atteignit un grand succes le soir de la premiere devenant, alors, une des oeuvres les plus parfaites de l'art moderne. Ce livre est le resultat d'annees d'experience dans l'enseignement de la musique et de la recherche. Relate comme un conte ou une narration musicale, selon la methode intuitive de l'audition musicale, cette technique consiste a developper une histoire ou un conte sur l'oeuvre musicale, objet de l'audition, en tenant compte de sa structure et de son esprit. "Le Tricorne" a longtemps tarde a etre adapte a des fins didactiques, peut - etre par la complexite de son intrigue ou l'inadequation de sa thematique. Le texte que j'ai elabore n'est pas seulement base sur l'intrigue mais il est aussi enrichi par le caractere de la musique ainsi que par le ballet lui-meme. Le meme procede a ete utilise pour l'elaboration des illustrations obtenant ainsi un beau resultat dans son integralite. Au niveau discographique et phonographique, ce projet presente aussi la nouveaute d'accompagner le texte par la premiere ou tout du moins l'un des rares enregistrements existant de la musique complete en version piano. La version piano de cette oeuvre permettra a l'auditeur ou au lecteur adulte de decouvrir certains aspects de la musique de Falla -et de cette oeuvre en particulier- qui n'avaient pas ete apprecies tout d'abord et qui sont fondamentaux pour les recherches que j'ai termines sur les Ballets Russes en Espagne et le danseur Felix Garcia pour la creation de ce ballet, au moment du centenaire de la Premiere du ballet "Le Chapeau tricorne". (1919-2019) In French "THE THREE-CORNERED HAT" FOR YOUNG READERS The creation of the ballet "The Three-Cornered Hat" was undoubtedly the most complex and ambitious project of Diaghilev and his ballet company. The cubist contribution of Pablo Picasso in the design of costumes and sets and the musical collaboration of other composers in the completion of the orchestral score, made "The Three-Cornered Hat" reach great success on the night of its premiere, becoming thereafter one of the most accomplished works of modernist art. This book is the result of years of experience in teaching and researching about music. Presented as a story or musical narration, the book can be read along with the music. The text written by the the music teacher Antonio Hernandez the text that I have composed is not only based on the plot but also enriched by the character of the music and the ballet itself. The same procedure has been used for the design of the illustrations, giving a delightful intrinsic result. "The Three-Cornered Hat" has never yet been adapted for didactic purposes, perhaps because of the complexity of its plot or because of its inadequacy. This book provides finally a adapted version for children and young readers, and also introduces the no less important novelty of accompanying the text with the first or at least one of the few recordings available of the complete ballet music on piano. The piano version of this piece of music will also reveal to classical music-lovers or adult readers a number of aspects about Falla's music - and about this masterwork piece of music in particular - which have never before been appreciated. These have been essential to the research I have carried out on the Ballets Russes in Spain and the collaboration of the dancer Felix Garcia in the creation of this ballet in the centenary year of its premiere (19.

Buch. Zustand: Neu. Neuware - On the 50th anniversary of Picasso's (1881¿1973) death, a book devoted to the progressive proofs by the leading Spanish master. While there has been considerable interest in Pablo Picassös late work over the past several decades, and some of that interest directed at the artist¿s work in the linoleum print medium, there remains much to discover regarding this aspect of his prodigious printmaking activities, and specifically on the role played by the progressive proof. There has been an uptick in the acquisition of these sets of proofs by museums and private collectors over the past twenty years but exhibitions and published accounts have lagged behind. With this present project we examine for the first time in depth a particularly illuminating set of eight progressive proofs made by Picasso and his printer Hidalgo Arnéra for the artist¿s first published linocut, the so-called Cranach II (Baer 1053; 1958). The first in a series in the medium of linoleum block prints (after a singular effort in 1939), Picasso created the first Portrait of a Young Girl after Cranach the Younger in two colors and in the same orientation as the Cranach original on 3 July 1958. The following day he commenced making five different linoleum blocks ¿ bistre or grayish brown, yellow, red, blue and black ¿ to be superimposed on each other in that order and in reverse of the original, the Cranach II print. He then proceeded to print different proofs, in the process making two different states of the color blocks and three of the black in order to arrive at the final image. This event touched off a decade of work in linocut (or linoleum block) printmaking, inspired by the South of France, where the artist had increasingly worked since the 1940s. Speaking to the artist¿s love affair with the region, he begins a series of linocuts depicting the bullfight. Nine proofs for the Pique II (1959) attest to this; the series completed by the finished print.

Buch. Zustand: Neu. Neuware - 'This catalogue accompanies the exhibition M. Pablo's Holidays: Picasso in Antibes Juan-les-Pins, 1920-1946, held at the Musâee Picasso, Antibes, from 29 September 2018 to 13 January 2019. It is indebted to the special support of the Musâee national Picasso-Paris as part of the Picasso-Mâediterreanâee project.'--Page 5.

Illus. 2 vols. 4to. Zustand: Cloth, fine in fine dj. Illus. 2 vols. 4to.