28.0 x 25.0cms 136pp colour illusts fine hardback with decorated boards (no dustwrapper as issued) The essays are: on the problem of explaining cubism a few notes; a project of wholeness; Braque''s ovals; Picasso Braque and the usues of print; cubist faktura; observations on the materials process and condition of cubist paintings.

Bestandsnummer des Verk�ufers 20212537

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Bibliografische Details

Titel

Picasso & Braque: The Cubist Experiment 1910-1912

Verlag

Santa Barbara Museum of Art & Kimbell Art Museum w

Erscheinungsjahr

2011

Sprache

Englisch

ISBN-10

030016971X

ISBN-13

9780300169713

Einband

Hardcover

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Inhaltsangabe

Picasso and Braque offers an intimate look at one of the most pivotal exchanges in the history of Western art: the culminating two years (1910-12) of Analytic Cubism. While the Cubist experiment has long been a requisite chapter in the history of modernism, this is the first publication to delve deeply into these two intense years of productivity, revealing the intriguing pictorial game being played out between these two great masters.

Essays by prominent curators and historians offer sustained readings of paintings, drawings, and prints in terms of their engagement with issues of genre, format, medium, and artistic process. In addition, the new technology of spectral imaging provides reproductions of astounding color and textural fidelity, making this an essential publication for those seeking to understand better the complexity of Picasso's and Braque's mark-making, which typically evades conventional photography.

Distributed for the Kimbell Art Museum and the Santa Barbara Museum of Art

Exhibition Schedule:

Kimbell Art Museum, Fort Worth (05/29/11-08/21/11)

Santa Barbara Museum of Art (09/17/11-01/01/12)

�ber die Autorin bzw. den Autor

Eik Kahng is chief curator and curator of 19th- and Early 20th-Century European Art at the Santa Barbara Museum of Art. Harry Cooper is a curator at the National Gallery of Art, Washington, D.C. Charles Palermo is an art history professor at the College of William and Mary. Christine Poggi is an art history professor at the University of Pennsylvania. Annie Bourneuf is an independent scholar. Claire Barry and Bart Devolder are conservators at the Kimbell Art Museum, Fort Worth.

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